 | |
| Designer | William Travilla |
|---|---|
| Year | 1953 |
| Type | Pink dress |
| Material | Satin |
Marilyn Monroe wore a shocking pink dress in the 1953 film Gentlemen Prefer Blondes , directed by Howard Hawks. [1] The dress was created by costume designer William "Billy" Travilla and was used in one of the most famous scenes of the film, which subsequently became the subject of numerous imitations, significantly from Madonna in the music video for her 1985 song "Material Girl". [2]
When the costume designer William Travilla, known simply as Travilla, began working with Marilyn Monroe, he had already won an Oscar for his work in Adventures of Don Juan in 1948. Travilla designed the clothes of the actress in eight films, and later claimed to have had a brief affair with Monroe. [3] In 1953 Travilla designed the costumes for Gentlemen Prefer Blondes.
Originally, Monroe was to wear a breathtaking show girl costume, costing close to $4,000 (1953 dollars). [4] It had jewels sewn onto a black fish-net bodystocking up to the breasts, then covered in nude fabric, embellished with a mass of diamonds.
During production, it became public knowledge that Monroe had posed nude for a calendar in 1949, before she became well known. Travilla was given strict instructions to design a new, less-revealing costume in order to distance Monroe from the scandal. He designed the pink dress as a last-minute replacement. [5] [6]
The pink dress was worn by Monroe in the role of Lorelei Lee in the famous sequence in which the actress sings the song "Diamonds Are a Girl's Best Friend", the choreography accompanied by several suitors in dinner clothes. Travilla's notes reveal that Monroe wore two identical copies in the scene as it took a long time to shoot and the dress, being floor length, was very prone to getting dirt on it.
The only pink dress known to survive was auctioned at Profiles in History on 11 June 2010, with an estimated price of between $150,000 and $250,000 and described as "the most important film costume to ever come to auction". [7] The dress ultimately sold for $370,000. It was described in the auction catalog as follows:
This Travilla-designed pink silk satin strapless gown features black satin lining on the oversized bow attached at back. Features integral brassier[ sic ] with rear zipper closure (concealed with bow overlay) and interior Fox cleaning tag. Also comes with the original pair of screen-worn opera-length tubes worn over Marilyn’s arms (gloves are shown for display only) and pink satin belt with "M. Monroe A-698 1-27-3-7953" written on the inner leather lining. Originally designed to be a two-piece garment, this lot features an additional bonus having the original top made for this dress (featuring interior bias label handwritten "1-27-3-7971 M. Monroe A 698-74") that was not used in the production. This design was discarded due to the top and skirt separating when Marilyn raised her arms during the number. The gown exhibits slight toning in areas, common in silk garments from this era; otherwise in fine condition. The leather backing on the belt is cracked and missing in areas and silk exhibits fraying on edges. [8]
Marilyn Monroe wore a white version of this dress (without the bow) to the premiere of her film There's No Business Like Show Business (1954). She was photographed extensively wearing this dress with a white fur stole and with a pair of matching opera gloves.
The dress is constructed of shocking pink peau d'ange silk fabric, lined with black silk/satin, and was designed by William Travilla. The floor-length gown is strapless and features a straight neckline. The scene that features the dress is heavily choreographed, so a slit in the back of the dress was added to allow for movement. The dress also has a large "bow" on the back, which is part of the dress construction, not added on as a separate piece. The bow is lined with black satin and is pleated in back on one side of the gown and folded over and attached to the other section.
The outfit also features two-tone opera gloves. The gloves were mostly made of the same shocking pink peau d'ange fabric, whereas the palm section of was made of a lighter shade of pink suede.
The jewels Monroe wore were costume and not authentic diamonds.
Over the years the pink dress has become an icon of fashion and film, and like her white dress is often imitated and parodied. One of the most famous of all is the one represented by the singer Madonna in the music video for her 1985 hit "Material Girl". [9]
In a segment entitled "Material Girl" in the 1997 Playboy Video, Playboy's Voluptuous Vixens, SaRenna Lee capitalized on her resemblance to Marilyn Monroe by appearing in a pink dress designed for her zaftig shape.
Mexican entertainers Thalía and Aida Pierce each wore similar shocking pink dresses. Thalia wore a replica of this dress while performing "Diamonds are a Girl's Best Friend" in Spain in 1991, and Pierce wore a similar pink dress in a 2001 episode of Humor es...los comediantes as a tribute to Monroe (2001 would have been Monroe's 75th birthday).
American singer Normani wore a leotard with a skirt inspired by this dress in her music video for "Diamonds" (The song itself sampling "Diamonds Are a Girl's Best Friend" by Monroe).
In the computer game The Sims: Superstar expansion pack published in 2003, the player can see the character of Marilyn Monroe, dressed in the same famous shocking pink dress. It was also produced as a Mattel Barbie doll with Barbie wearing Monroe's pink dress. [10]
In the third episode of the second season of the American television series Crazy Ex-Girlfriend , Rachel Bloom as Rebecca Bunch wears a blue version of the dress while singing "The Math of Love Triangles", parodying Monroe's performance of "Diamonds Are A Girl's Best Friend". [11]
In the thirteenth episode of the fifth season of the popular teen drama Gossip Girl, main character Serena Van Der Woodsen (portrayed by Blake Lively) is seen dreaming she is in Monroe's pink dress, replicating the dance and song with her male suitors on the show.
The 2020 film Birds of Prey contains a scene referencing "Diamonds Are A Girl's Best Friend." Lead character Harley Quinn goes into a dream/dissociation sequence wearing an outfit of the same pink style and jewels just like Monroe's character in the film as the song plays in the background. This may also be in reference to the use of the Diamonds song in Moulin Rouge! since actor Ewan McGregor appears in both scenes.
Gentlemen Prefer Blondes is a 1953 American musical comedy film directed by Howard Hawks and written by Charles Lederer. Based on the 1949 stage musical of the same name, it stars Jane Russell and Marilyn Monroe, with Charles Coburn, Elliott Reid, Tommy Noonan, George Winslow, Taylor Holmes and Norma Varden in supporting roles.
Leo Robin was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film The Big Broadcast of 1938, and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe.
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William Travilla, known professionally as Travilla, was an American costume designer for theatre, film, and television. He is perhaps best known for designing costumes for Marilyn Monroe in eight of her films, as well as two of the most iconic dresses in cinematic history.
"Diamonds Are a Girl's Best Friend" is a jazz song introduced by Carol Channing in the original Broadway production of Gentlemen Prefer Blondes (1949), with music by Jule Styne and lyrics by Leo Robin.
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Marilyn Monroe wore a white dress in the 1955 film The Seven Year Itch, directed by Billy Wilder. It was created by costume designer William Travilla and worn in the movie's best-known scene. The image of it and her above a windy subway grating has been described as one of the most iconic images of the 20th century.
In the 1946 film Gilda, Rita Hayworth wore a black dress made by American costume designer Jean Louis. It was used in a scene in which the character of Gilda sings the song "Put the Blame on Mame", improvising a quick striptease, choreographed by Jack Cole. The dress has helped consolidate the image of the femme fatale, as well as being universally recognized as an icon of fashion and cinema. The Independent named it as one of the Ten Best Fashion Moments in Film.
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Julia Roberts wore a red dress in the 1990 romantic comedy film Pretty Woman. The ensemble was created by costume designer Marilyn Vance, and is worn during a "transformative" scene in the film where Roberts' character, Vivian Ward, accompanies her love interest to a night at the opera. 30 years after the film's release, Vogue Paris referred to the off-the-shoulder evening gown as “iconic”, and stated that it contributed to making the romantic comedy "legendary".
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