Fetish fashion is any style or appearance in the form of a type of clothing or accessory, created to be extreme, revealing, skimpy, or provocative in a fetishistic manner. By definition, most people do not wear these styles; if everyone wears an item, it cannot have a fetishistic, special nature. They are usually made of materials such as leather, latex or synthetic rubber or plastic, nylon, PVC, spandex, fishnet, and stainless steel. Some fetish fashion items include: stiletto heel shoes and boots, hobble skirts, corsets, collars, full-body latex catsuits, stockings, miniskirt, crotchless underwear, jockstraps, diapers, garters, locks, rings, zippers, eyewear, handcuffs, and stylized costumes based on more traditional outfits, such as wedding dresses that are almost completely see-through lace, or lingerie for men.
Rita Hayworth was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s as one of the top stars of the Golden Age of Hollywood, and appeared in 61 films in total over 37 years. The press coined the term "The Love Goddess" to describe Hayworth, after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II. It is also rumored she was disturbed by how her face was painted on atomic bombs during testing. America's reasoning was because, "She's a bombshell." She called for a press conference to condemn these actions but was convinced by Harry Cohn her objection would undermine her career.
Gilda is a 1946 American film noir directed by Charles Vidor and starring Rita Hayworth and Glenn Ford.
Evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow worn by women.
Jean Louis was a French-American costume designer. He won an Academy Award for The Solid Gold Cadillac (1956).
"Happy Birthday, Mr. President" is a song sung by actress and singer Marilyn Monroe on May 19, 1962, for President John F. Kennedy at a gala held at Madison Square Garden for his 45th birthday, 10 days before the actual date. The event was co-hosted by Arthur B. Krim and Anna M. Rosenberg, who sat next to the President during the star-studded event.
William Travilla, known professionally as Travilla, was an American costume designer for theatre, film, and television. He is perhaps best known for designing costumes for Marilyn Monroe in eight of her films, as well as two of the most iconic dresses in cinematic history.
The gown-and-glove striptease is considered a very traditional form of the striptease. This routine developed in America and spread to Europe. The performer, usually female, is dressed elegantly in an evening gown with a back zipper and elbow length opera gloves. She then removes the gloves one at a time, in a slow teasing manner, before similarly removing the gown. This type of dance is exemplified by actresses like Rita Hayworth in Gilda (1946) and Natalie Wood in Gypsy (1962) and by current neo-burlesque performers like Dita Von Teese, Bonnie Delight, Bettsie Bon Bon and Havana Hurricane.
In fashion, a sheath dress is a fitted, straight cut dress, often nipped at the waistline with no waist seam. When constructing the dress, the bodice and skirt are joined together by combining the skirt darts into one dart: this aligns the skirt darts with the bodice waist dart. The dress emphasizes the waist as its skirt portion is fitted. While the sheath dress can come in many patterns and lengths, it often is worn with short sleeves and reaches knee length.
Audrey Hepburn wore a "little black dress" in the 1961 romantic comedy film Breakfast at Tiffany's. The garment was originally designed by Hubert de Givenchy, with three existing copies preserved to date. A studio copy of this dress was worn during the opening scene of the film, while another during a social party held at the apartment of the main protagonist.
Marilyn Monroe wore a white dress in the 1955 film The Seven Year Itch, directed by Billy Wilder. It was created by costume designer William Travilla and worn in the movie's best-known scene. The image of it and her above a windy subway grating has been described as one of the most iconic images of the 20th century.
Angelina Jolie wore a white satin dress with a plunging neckline designed by Marc Bouwer at the 76th Academy Awards on February 29, 2004. It has been described in subsequent years by fashion and celebrity publications as a memorable and stylish selection that was reminiscent of classical Hollywood style.
Marilyn Monroe wore a shocking pink dress in the 1953 film Gentlemen Prefer Blondes, directed by Howard Hawks. The dress was created by costume designer William "Billy" Travilla and was used in one of the most famous scenes of the film, which subsequently became the subject of numerous imitations, significantly from Madonna in the music video for her 1985 song "Material Girl".
Virginia Van Upp was an American film producer and screenwriter.
A strapless dress or top is a garment that stays put around the upper body without shoulder straps or other visible means of support. It is usually supported by an internal corset and/or brassiere, with the tightness of the bodice preventing the dress from slipping out of position.
Helen Hunt was a hair stylist in Hollywood movies from the 1930s up to 1967, when she worked on Guess Who's Coming to Dinner. She was the chief hair stylist for Columbia Pictures.
Keira Knightley wore a green dress in the 2007 romantic war drama film Atonement. The garment was created by costume designer Jacqueline Durran with director Joe Wright, and is worn during the film's climactic scene. The dress, combining period and modern elements, was praised by media publications upon Atonement's release, and is regarded as a standout in film fashion.
Julia Roberts wore a red dress in the 1990 romantic comedy film Pretty Woman. The ensemble was created by costume designer Marilyn Vance, and is worn during a "transformative" scene in the film where Roberts' character accompanies her love interest to a night at the opera. Thirty years after the film's release, Vogue Paris called the off-the-shoulder evening gown as “iconic”, and said that it helped make the romantic comedy "legendary".
