| Bombshell | |
|---|---|
| Music | Marc Shaiman |
| Lyrics | Marc Shaiman Scott Wittman |
| Basis | Smash by Theresa Rebeck |
| Productions |
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Bombshell is an American musical with music by Marc Shaiman and lyrics by Marc Shaiman and Scott Wittman based on the original fictitious musical from the first season of the NBC television series Smash . The songs include soulful jazz anthems and upbeat pop songs. Bombshell is the life story of Marilyn Monroe. It tells the story of the aspiring starlet who transforms herself into a worldwide sex symbol, including her early life and her alleged affair with American President John F. Kennedy. Despite the same name, and subject matter, this musical from SMASH is unrelated to the Off-Broadway musical from 2001 which ran at the Grove Street Playhouse. [1] [2]
In the television series, Bombshell is an attempt by Smash characters Julia Houston (Debra Messing) and Tom Levitt (Christian Borle) to write their next Broadway sensation, with book and lyrics by Julia and music by Tom. Bombshell centers around Marilyn Monroe, Joe DiMaggio, and Kennedy.
A soundtrack featuring the music from the musical was released in 2013. [3] The songs were featured in a one-night charity concert, and the show was being adapted for an actual stage musical.
At the opening of the show, is Norma Jeane Mortenson, before she changed her name to Marilyn Monroe. Her first marriage has just ended due to her all consuming drive to be a movie star ("Let Me Be Your Star").
We flash back to the 10-year-old Norma Jeane, who is being dropped off at Grauman's Chinese Theatre by her single mom, Gladys, a mentally unstable film cutter who uses the courtyard filled with movie stars' foot and hand prints to babysit for her daughter ("At Your Feet"). Flash forward to the adult Norma Jeane, who is now an actress often confronted with the casting couch, and pays her bills by modeling. At one photo shoot, she spies a book of Yeats' poetry on the shelf and surprises the photographer with her knowledge of the poet's work as she sings of her history with men. But even as she quotes Yeats, the song ends with her naked in the iconic calendar pose ("Never Give All the Heart").
Norma Jeane finds herself in the middle of a contract with 20th Century Fox, around 1946. This is when, with the help of 20th Century Fox executive Ben Lyon, she lands a screen test, during which she selects the name Marilyn Monroe for herself, and this number sees the transformation from Norma Jeane into Marilyn ("20th Century Fox Mambo").
On Marilyn's first date with baseball player Joe DiMaggio, the two go to a drive-in movie, and other lovers back them up as they sing this romantic duet ("History Is Made At Night"). After Joe and Marilyn's date, Marilyn goes straight to the ball field for some due diligence, and sings with the New York Yankees ("The National Pastime"). Joe & Marilyn arrive back in America from their honeymoon in Japan. Joe does his best to domesticate her with the promise of a simpler life ("Mr. & Mrs. Smith"). Marilyn is asked to perform for the troops in Korea. Joe sees firsthand how men react to her and how she loves it ("I Never Met a Wolf Who Didn't Love to Howl").
Film producer Darryl F. Zanuck begins complaining to his studio executives about Marilyn Monroe's lack of professionalism while holding a meeting in a sauna, where the other male executives are all wearing nothing but towels, true to Zanuck's actual studio executive meetings ("Don't Say Yes Until I Finish Talking"). We see a large number of aspiring actresses sneak into film producer Darryl F. Zanuck's office and bribe him with sexual favors to be cast in his films. These young women are led by Norma Jeane, and Zanuck seems to enjoy their advances ("Smash!"). Marilyn shoots a scene from the 1954 film The Seven Year Itch in which the air from a subway grating must blow her skirt up. As the director orders for the scene to be reshot time and time again, a large crowd gathers to watch Marilyn. Joe DiMaggio is infuriated by the spectacle, which leads to his eventual divorce from Marilyn ("On Lexington & 52nd Street").
Marilyn is now in Hollywood on her next film, as the divorce from Joe becomes official, and the film wraps. Marilyn resolves to keep going with the only family she knows, the film crew. They smile at her attempt at camaraderie, but long fed up with her on-set behavior, they throw all her wrap presents away, which she discovers as the curtain falls on Act One ("Cut, Print... Moving On").
Making one picture after another, Marilyn becomes dissatisfied with the roles she is being offered, "retires" from pictures and flies off to New York City, where she is met by a phalanx of reporters and fans at Idelwild Airport ("Public Relations"). In 1955, Marilyn studies with Lee Strasberg at the Actors Studio in New York City. Being limited by typecasting, she meets with Cheryl Crawford before interviewing with Lee and being accepted into the Actors Studio ("Dig Deep"). Mariliyn is huddled around a piano at a party in New York. Marilyn meets esteemed playwright Arthur Miller. She tells him of how her often-institutionalized mother bought a piano once on an infrequent visit home, which is Norma Jeane's only memory of a happy moment between her and her mother, and that after searching for years, she found the actual piano, bought it, and now takes it with her wherever she lives. ("Second Hand White Baby Grand"). Arthur is deeply touched, they fall in love and marry.
Marilyn, with newfound confidence in her acting skills, goes to England to film The Prince and the Showgirl opposite Laurence Olivier. Unfortunately, Olivier treats her like a "no talent" and she admits to the apprentice hired to look after her that she wonders if the auditioning and always having to prove herself will ever stop ("They Just Keep Moving the Line"). Marilyn begrudgingly heading back to Hollywood to film Some Like It Hot, but is so unhappy about still having to play the dumb blonde that she begins spiraling down, keeping the crew waiting more than ever, as she drinks and takes pills ("Let's Be Bad"). Arthur Miller realizes he can't help with her behavior, or even stay with Marilyn anymore ("The Right Regrets").
Marilyn is on her own back in Hollywood. She attends a fundraiser for JFK in Palm Springs, where Nat King Cole entertains, rallying the super glamorous guests ("(Let's Start) Tomorrow Tonight"). Sparks fly between Marilyn and JFK, and they begin to sneak off together whenever he can manage to get away. But it is a degrading and doomed relationship ("Our Little Secret"). Marilyn fantasizes about visiting her retired mother at the sanitarium, where - in the dream - Gladys says all the things to Marilyn that she always wanted to hear ("Hang the Moon"). Marilyn is in bed. She calls up a man to keep her company, but he denies her. At the end of the number, it is implied that she dies ("Second Hand White Baby Grand (Reprise)").
Years after their divorce, Marilyn's ex-husband Joe DiMaggio mourns at her funeral. He brings a rose to set on her grave and sadly reminisces about how the two fell apart ("Mr. & Mrs. Smith (Reprise)"). Marilyn posthumously reflects on her life and begs the audience not to let her trials and tribulations be forgotten. More than anything, she wants her legacy to live on, even in the little things of everyday life ("Don't Forget Me").
Shaiman and Wittman said a charitable organization may put on a concert featuring songs from Bombshell: "A concert could feature the cast and additional performers from Broadway. That would be a wonderful way for the show to live on". [4]
In December 2014, it was announced that Bombshell would see life on Broadway as a special, one-night-only benefit event in 2015. Smash executive producers Neil Meron and Craig Zadan produced the show and some of the original Smash cast, including Megan Hilty as Monroe, also reprised their roles. [5] The single Monday June 8 performance in the Minskoff Theatre on Broadway was sold-out. [6]
During production of the show, executive producer Craig Zadan said: "We stand on the set, watch the Bombshell numbers and say, "Wouldn’t this be great on Broadway? And so far that’s where we’ve left it. Our priority now is producing a great TV show". [7]
In June 2015 following the sold-out performance at the Minskoff Theatre, it was announced that Bombshell would head to the Broadway stage. The executive producers of Smash and the Bombshell concert, Neil Meron and Craig Zadan, planned to executive produce the Broadway production. However, as of 2017, it was still in development, [8] [9] and Craig Zadan died in 2018. [10] In 2020, it was revealed SMASH would be turned into a musical, rather than Bombshell, and on May 20, 2022 Marc Shaiman, Steven Spielberg, and Megan Hilty among others, completed the first read through of the new show. [11]
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‡ Number cut from the People.com broadcast of the production
| Character | Fictitious Workshop Cast | Fictitious Boston Previews Cast | Fictitious Broadway Cast | Original Concert Cast |
|---|---|---|---|---|
| Norma Jeane / Marilyn Monroe | Ivy Lynn (Megan Hilty) | Rebecca Duvall (Uma Thurman), Karen Cartwright (Katharine McPhee) | Ivy Lynn (Megan Hilty) | Katharine McPhee/Megan Hilty |
| Joe DiMaggio | Michael Swift (Will Chase) | Michael Swift (Will Chase) | N/A | Will Chase |
| Arthur Miller | Petey (Glenn Kalison) | Petey (Glenn Kalison) | Petey (Glenn Kalison) | Brian d'Arcy James |
| Darryl F. Zanuck | — | Marc Kudisch | Marc Kudisch | Christian Borle |
| John F. Kennedy | — | — | Simon (Julian Ovenden) | — |
| Lee Strasberg | Justin (Henry Stram) | Justin (Henry Stram) | Justin (Henry Stram) | — |
| Johnny Hyde | Dave (Tim Wright) | Dave (Tim Wright) | Dave (Tim Wright) | — |
| Gladys Baker | — | — | Leigh Conroy (Bernadette Peters) | Donna McKechnie |
| Young Norma Jeane | — | — | Sophia Anne Caruso | Ripley Sobo |
| Nat King Cole | — | — | Sam Strickland (Leslie Odom Jr.) | Leslie Odom Jr. |
Scott Wittman is an American director, lyricist, composer and writer for Broadway, concerts, and television.
Smash is an American musical drama television series created by playwright Theresa Rebeck and developed by Robert Greenblatt for NBC. Steven Spielberg served as one of the executive producers. The series was broadcast in the US by NBC and produced by DreamWorks Television and Universal Television. The series revolves around a fictional New York City theater community and specifically the creation of a new Broadway musical. It features a large ensemble cast, led by Debra Messing, Jack Davenport, Katharine McPhee, Christian Borle, Megan Hilty, and Anjelica Huston.
"Let Me Be Your Star" is an original song introduced in the first episode of the first season of the musical TV series Smash, entitled "Pilot". It was written by Marc Shaiman and Scott Wittman, but in the show's universe, it was written by songwriting duo Tom Levitt and Julia Houston for the Marilyn Monroe musical they are working on, Bombshell.
"I Never Met a Wolf Who Didn't Love to Howl" is an original song introduced in the fourth episode of the musical TV series Smash, entitled "The Cost of Art". The song is written by Marc Shaiman and Scott Wittman, but in the show's universe, it was written by the songwriting duo Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
"Second Hand White Baby Grand" is an original song introduced in the twelfth episode of the first season of the musical TV series Smash, entitled "Publicity". The song was written by Marc Shaiman and Scott Wittman. Still, within the show's universe, it is written by songwriting team Julia Houston and Tom Levitt for their Marilyn Monroe musical Bombshell. The song, with Megan Hilty's vocals, was initially released as a single from iTunes and Amazon.com's MP3 store and is on the cast album Bombshell.
"On Lexington & 52nd Street" is an original song introduced in the seventh episode of the first season of the musical TV series Smash, entitled "The Workshop". The song is written by Marc Shaiman and Scott Wittman, but in the show's universe, it is written by the songwriting team of Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
"Don't Say Yes Until I Finish Talking" is an original song introduced in the tenth episode of the musical TV series Smash, entitled "Understudy". The song is written by Marc Shaiman and Scott Wittman, but in the show's universe, it is written by the songwriting team of Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
"The National Pastime" is an original song introduced in the first episode of the first season of the musical TV series Smash, entitled "Pilot". The song was written by Marc Shaiman and Scott Wittman, but in the show's universe, it was written by songwriting duo Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
"History Is Made at Night" is an original song introduced in the fourth episode of the first season of the musical TV series Smash, entitled "The Cost of Art". It was written by Marc Shaiman and Scott Wittman, but within the show's universe, it was written by the songwriting team of Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
The first season of the American musical drama television series Smash premiered on February 6, 2012 on NBC and concluded on May 14, 2012, consisting of 15 episodes.
The second and final season of the American musical drama television series Smash premiered on February 5, 2013, on NBC and consisted of 17 episodes. On March 13, 2013, NBC announced they were moving the remaining season two episodes of Smash to Saturday nights at 9:00PM EST starting April 6 in order to play the full 17-episode order. The two-hour series finale aired on May 26, 2013, moving the show to a special Sunday slot.
"Never Give All the Heart" is an original song introduced in the first episode of the first season of the musical TV series Smash, titled "Pilot".
"Don't Forget Me" is an original song introduced in the fifteenth episode of the first season of the musical TV series "Smash", entitled "Bombshell". It was written by Marc Shaiman and Scott Wittman, but in the show's fictional universe, it was written by the songwriting team of Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
"The 20th Century Fox Mambo" is an original song introduced in the second episode of the first season of the musical TV series Smash, entitled "The Callback". It was written by Marc Shaiman and Scott Wittman, but in the show's universe, it was written by songwriting team Tom Levitt and Julia Houston for their Marilyn Monroe musical Bombshell.
"On Broadway" is the sixteenth episode and the second-season premiere of the American musical drama television series Smash. The episode was written by Joshua Safran and directed by Michael Morris. It premiered on NBC on February 5, 2013. Bombshell returns to New York in hopes of landing a theater for its Broadway debut, but a new scandal puts its fate in jeopardy.
Bombshell is the second soundtrack album by the cast of the American musical television series Smash. It was released by Columbia Records on February 12, 2013. and sold 16,000 copies in its first week. As of the week ending March 3, 2013, it has sold 26,000 copies.
"Mr. & Mrs. Smith" is an original song introduced in the third episode of the first season of the musical TV series Smash, entitled "Enter Mr. DiMaggio". It was written by Marc Shaiman and Scott Wittman, but within the show's universe, it was written by the songwriting team of Tom Levitt and Julia Houston for the Bombshell musical they are working on about Marilyn Monroe.
"Dig Deep" is an original song introduced in the eleventh episode of the first season of the musical TV series Smash, entitled "The Movie Star". It was written by Marc Shaiman and Scott Wittman, but within the show's universe, it was written by the songwriting team of Tom Levitt and Julia Houston for the Bombshell musical they are working on about Marilyn Monroe.
Smash is an American musical-drama television series created by playwright Theresa Rebeck. It premiered in the United States on NBC on February 6, 2012. The series revolves around a fictional New York theater community making new Broadway musicals. In the first season, the focus was on the making of Bombshell, a musical based on the life of Marilyn Monroe. In the second season, the show was split between taking Bombshell to Broadway and the creation and mounting of a contemporary pop musical called Hit List that was about the price of fame. Other fictional musicals that were touched on for which original songs were performed include Beautiful and Liaisons. A few of the songs were written for events outside of the aforementioned musicals.
