From this moment despair ends and tactics begin | |
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Artist | Banksy |
Year | 2019 |
51°30′47″N0°09′33″W / 51.5131°N 0.1592°W |
From this moment despair ends and tactics begin is a stencil mural at Marble Arch in London by the graffiti artist Banksy. It was created during Extinction Rebellion protests in London in 2019 when Marble Arch was a base for the protestors. [1]
The slogan is a quotation from The Revolution of Everyday Life by the Situationist philosopher Raoul Vaneigem. [2] This book was first published in 1967 as Traité de savoir-vivre à l'usage des jeunes générations and inspired many such slogans painted as graffiti by Paris students during the unrest of May 68. [3] It then inspired British revolutionaries such as the Angry Brigade. [4]
The accompanying picture shows a child planting a seedling and labelling it with the extinction symbol, which is the logo of Extinction Rebellion. [5] [6]
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism.
Oxford Circus is a road junction connecting Oxford Street and Regent Street in the West End of London. It is also the entrance to Oxford Circus tube station.
Raoul Vaneigem is a Belgian writer known for his 1967 book The Revolution of Everyday Life.
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.
Robert Del Naja, also known as 3D, is a British artist, musician, singer and songwriter. He emerged as a graffiti artist and member of the Bristol collective the Wild Bunch, and later as a founding member and sole consistent member of the band Massive Attack, with which he is still active. In 2009, he received the British Academy's Ivor Novello Award for Outstanding Contribution to British Music.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Benjamin Flynn, known professionally as Eine, is an English artist based in London.
The phrase "Consume, be silent, die'" embodies a critique of consumer culture, capturing what Raoul Vaneigem called "the poverty of abundance". Variants include "work, consume, be silent, die" and "work, buy, consume, die". The phrase can be traced back to 1970s environmental protests but regained prominence during the Occupy Wall Street protests of 2011.
Slave Labour is a mural that was painted by a British graffiti artist, Banksy, on the side wall of a Poundland store in Wood Green, London in May 2012. The artwork is 48 inches (122 cm) high by 60 inches (152 cm) wide, and depicts an urchin child at a sewing machine assembling a bunting of Union Jack patches. The work was a protest against the use of sweatshops to manufacture Diamond Jubilee and London Olympics memorabilia in 2012.
The Golden Fleet was a minor left-wing group in Sweden, existing during the end of the 1960s and the beginning of the 1970s. It was ideologically aligned with the Situationist International, an avant-garde revolutionary movement. The Situationists, whose intellectual foundations were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, initially put its emphasis on concepts like unitary urbanism and psychogeography. Gradually the focus moved more towards revolutionary and political theory. Much like the main organ of that particular ideological current, the Situationist International, the Golden Fleet had its heyday around the protests of 1968, gradually disappearing by the first years of the 1970s.
Girl with Balloon is a series of stencil murals around London by the graffiti artist Banksy, started in 2002. They depict a young girl with her hand extended toward a red heart-shaped balloon carried away by the wind. The locations for this work include street murals in Shoreditch and the South bank in London on the Waterloo Bridge and other murals were around London, though none remain there.
One Nation Under CCTV was a 2007 mural by graffiti artist Banksy on Newman Street in London. Painted on the wall of a building used by the Royal Mail, it depicted a child in a red hooded top painting the phrase, while being watched by a police officer and a dog. The mural was situated adjacent to a CCTV camera. In 2008, the Westminster City Council ordered the work's removal on the grounds that it was an unlicensed commercial. The mural was painted over in April 2009.
The Chalfont Viaduct is the first of two five-arch brick railway viaducts on the Chiltern Main Line in south-east England. It is located between Gerrards Cross and Denham Golf Club stations. The M25 motorway passes beneath it between junctions 16 and 17 at Gerrards Cross near Chalfont St Peter, from where the bridge gets its name. The bridge is known as Chalfont No. 1 Viaduct; the longer Chalfont No. 2 Viaduct is a short distance to the west and spans the A413.
The extinction symbol represents the threat of holocene extinction on Earth; a circle represents the planet and a stylised hourglass is a warning that time is running out for many species. The symbol dates to at least 2012 and has been attributed to anonymous East London artist Goldfrog ESP. The symbol has been called "this generation's peace sign". It is used by environmental protesters, and has been incorporated in works by artists and designers such as Banksy. In 2019, the Victoria and Albert Museum acquired a digital copy of the symbol, and other artifacts featuring the symbol, for its permanent collection.
Extinction Rebellion (XR) is an international "non-violent civil disobedience" movement carrying out demonstrations worldwide to highlight governments' inaction on climate change. Since 2018, Extinction Rebellion has taken a variety of actions in Europe, the US, and rapidly elsewhere in the world, to urge political and economic forces to take action amid the climate crisis. Although, their non-violent disobedience protests are an effort to generate attention around environmental issues, XR activists have become known for civil disobedience and disruptive tactics.
If You Don't Mask, You Don't Get was a mural created by Banksy in 2020. The artwork, inspired by the ongoing COVID-19 pandemic, was removed due to Transport for London's anti-graffiti policy.
The Flower Thrower, Flower Bomber, Rage, or Love is in the Air is a 2003 stencil mural in Beit Sahour in the West Bank by the graffiti artist Banksy, depicting a masked man throwing a bunch of flowers. It is considered one of Banksy's most iconic works; the image has been widely replicated.
West Bank Wall graffiti art is street art on the walled sections of the Israeli West Bank barrier, by a wide range of international and Palestinian artists. The wall is 8 to 10 metres tall, and is easily accessible to artists as it frequently divides urban areas. The graffiti is on the Palestinian side of the wall and primarily expresses anti-wall sentiments.