The Son of a Migrant from Syria | |
---|---|
Artist | Banksy |
Year | 2015 |
Type | Mural |
Subject | Steve Jobs |
Location | Calais, France |
The Son of a Migrant from Syria is a 2015 mural by graffiti artist Banksy. The mural was located in the Calais jungle, a nickname for the encampment near Calais, France, where migrants lived as they attempted to enter the United Kingdom. The artwork depicts the late Apple co-founder and former CEO Steve Jobs—the son of a Syrian migrant to the United States—as a traveling migrant.
Since the beginning of the European migrant crisis, many people have been fleeing war-torn Syria. Thousands of migrants, mostly from Syria, Afghanistan, and Eritrea, lived in a temporary camp nicknamed the Jungle near Calais, France. [1] Banksy, an English-based artist and political activist, had previously donated pieces of his former installation Dismaland to help construct shelters in the camp. [2]
In December 2015, Banksy revealed he had painted several graffiti works related to the migrant crisis in Syria, including a variation of Théodore Géricault's painting The Raft of the Medusa , depicting migrants on a raft waving towards a nearby luxury yacht. The Son of a Migrant from Syria depicts Steve Jobs wearing a black polo neck and round glasses. [1] He is standing while one hand holds a bag of his belongings over his shoulder and the other his original Macintosh computer. [3] Jobs' depiction is derived from a 2006 photograph taken by Albert Watson's which was later used on the cover of Walter Isaacson's 2011 biography Steve Jobs . [4]
In a rare public statement Banksy, said: "We're often led to believe migration is a drain on the country's resources, but Steve Jobs was the son of a Syrian migrant. Apple is the world's most profitable company, it pays over $7bn a year in taxes – and it only exists because they allowed in a young man from Homs." [5]
Using Jobs as a representation of Syrian migrants became popular after a September 2015 tweet by David Galbraith, a technology professional, included a photograph of Jobs with the caption "A Syrian migrants' child." [3] [6] Jobs' biological father, Abdulfattah "John" Jandali, was a student from an elite family in Homs who met Jobs' mother, Joanne Schieble, while pursuing a PhD at the University of Wisconsin. He was adopted a few months after his birth by a couple from California. According to Isaacson, Jobs had little interest in his Syrian heritage. Isaacson stated: "When the Middle East would come up in conversation, the topic did not engage him or evoke his typical strong opinions, even after Syria was swept up in the 2011 Arab Spring uprisings." [4]
Esquire's Matt Miller said the artwork was a "powerful statement" and "captured Jobs' origin story." [2] Memphis Barker of The Independent praised visual aspects of the artwork, but criticized using Jobs as a representation of refugees and that the mural needed a footnote: "The idea that 'there might be a Steve Jobs' among those living in the Jungle should be washed quickly away. It is pat. It is besides the point. Better treatment and faster asylum procedures are owed to the people in the Jungle because they are people; some saintly, some less so; some business-minded, some illiterate." [6] Wired 's Issie Lapowsky shared a similar view. She described the mural as "poignant" and that Banksy raising awareness of conditions in the Jungle was "worth something." But also added "I hope the world will rally to help the millions of refugees who are in need simply because they are in need, and not because they may someday invent the next iPhone." [7] Ashley Carman of The Verge said "While the sentiment and effort to make people care about the refugee crisis certainly warrants applause, it's also worth noting that Jobs rejected his birth parents as anything more than a biological relationship." [3]
Calais city authorities installed protective glass panels over The Son of a Migrant from Syria and Banksy's other nearby murals. [8] Mayor Natacha Bouchart said the murals provided the city with an opportunity and that it is "very good, and it has a message." [9] In January 2016, The Son of a Migrant from Syria was defaced when vandals smashed the protective glass case and sprayed graffiti over the mural. [8]
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.
A refugee camp is a temporary settlement built to receive refugees and people in refugee-like situations. Refugee camps usually accommodate displaced people who have fled their home country, but camps are also made for internally displaced people. Usually, refugees seek asylum after they have escaped war in their home countries, but some camps also house environmental and economic migrants. Camps with over a hundred thousand people are common, but as of 2012, the average-sized camp housed around 11,400. They are usually built and run by a government, the United Nations, international organizations, or non-governmental organization. Unofficial refugee camps, such as Idomeni in Greece or the Calais jungle in France, are where refugees are largely left without the support of governments or international organizations.
King Robbo was an English underground graffiti artist. His feud with the artist Banksy was the subject of a Channel 4 television documentary called Graffiti Wars, first shown in August 2011.
Art Buff is a graffiti artwork by Banksy which was created in Folkestone in 2014, Banksy announcing it as "part of the Folkestone triennial. Kind of". The work depicts a woman wearing headphones and staring at a plinth, upon which rests a patch of painted-out graffiti. The name of the piece is a play on words, "buff" being a slang term for the painting over of graffiti.
During 2015, there was a period of significantly increased movement of refugees and migrants into Europe. 1.3 million people came to the continent to request asylum, the most in a single year since World War II. They were mostly Syrians, but also included significant numbers from Afghanistan, Nigeria, Pakistan, Iraq, Eritrea, and the Balkans. The increase in asylum seekers has been attributed to factors such as the escalation of various wars in the Middle East and ISIL's territorial and military dominance in the region due to the Arab Winter, as well as Lebanon, Jordan, and Egypt ceasing to accept Syrian asylum seekers.
The Calais Jungle was a refugee and immigrant encampment in the vicinity of Calais, France that existed from January 2015 to October 2016. There had been other camps known as "jungles" in previous years, but this particular shanty town drew global media attention during the peak of the European migrant crisis in 2015, when its population grew rapidly. Migrants stayed at the camp while they attempted to enter the United Kingdom, or while they waited for their French asylum claims to be processed.
Migrants have gathered in and around Calais, on the northern French coast, since at least the late 1990s seeking to enter the United Kingdom from the French port by crossing the Channel Tunnel or stowing away in the cargo area of lorries heading for ferries that cross the English Channel. During this time, informal camps of migrants have formed, the most notorious commonly referred to as the Calais Jungle. Other migrants come to the area because they are homeless while seeking asylum in France. The presence of migrants in and around Calais has affected the British and French governments, the Eurotunnel and P&O Ferries companies, and lorry drivers heading for the UK and their companies. EuroTunnel, the company that operates the Channel Tunnel, said that it intercepted more than 37,000 migrants between January and July 2015.
Dismaland was a temporary art project organised by street artist Banksy in the seaside resort of Weston-super-Mare in Somerset, England. Prepared in secret, the pop-up exhibition at the Tropicana, a disused lido, was "a sinister twist on Disneyland" that opened during the weekend of 21 August 2015 and closed on 27 September 2015, 36 days later. Banksy described it as a "family theme park unsuitable for children." The aesthetic of the "bemusement park" was potentially inspired by the "Dismayland" series of paintings created by American artist Jeff Gillette, who also participated in the exhibition.
The Mild Mild West is a 1999 mural by graffiti artist Banksy, sited on No. 80 Stokes Croft, Bristol. It depicts a teddy bear throwing a Molotov cocktail at three riot police.
Girl with Balloon is a series of stencil murals around London by the graffiti artist Banksy, started in 2002. They depict a young girl with her hand extended toward a red heart-shaped balloon carried away by the wind. The locations for this work include street murals in Shoreditch and the South bank in London on the Waterloo Bridge and other murals were around London, though none remain there.
One Nation Under CCTV was a 2007 mural by graffiti artist Banksy on Newman Street in London. Painted on the wall of a building used by the Royal Mail, it depicts a child in a red hooded top painting the phrase, while being watched by a police officer and a dog. The mural was situated adjacent to a CCTV camera. In 2008, the Westminster City Council ordered the work's removal on the grounds that it was an unlicensed commercial. The mural was painted over in April 2009.
This is a timeline of the European migrant crisis of 2015 and 2016.
Well Hung Lover, also called Naked Man Hanging From Window and simply Naked Man, is a mural by the anonymous street artist Banksy, on a wall in Frogmore Street, Bristol, England.
Choose Love is a UK-based non-governmental organization (NGO) which provides humanitarian aid to, and advocacy for, refugees around the world. In 2016, it became the largest grassroots distributor of aid in Europe.
Rubén Sánchez also known as Zoonchez is a Spanish artist known for creating colorful compositions in his works, mostly with elements in balance. He has made sculptures and large-scale public murals works in Canada, UAE, France, Jordan, Germany, Turkey, Hungary, Sweden and the United States.
Girl with a Pierced Eardrum is a 2014 mural by anonymous street artist Banksy, on the wall of a building in Hanover Place, Spike Island, Bristol, England. Appearing overnight on 20 October 2014, it is a parody of Girl with a Pearl Earring, c. 1665 by Johannes Vermeer, instead replacing the pearl earring with an existing security alarm.
Mediterranean Sea View 2017 is a set of three reworked oil paintings designed by Banksy. Each portion of the piece depicts the Mediterranean seascape filled with life vests and flotation devices beached on the shores. Originally displayed in the Walled Off Hotel in Bethlehem, it was then donated to ABCD Bethlehem, a nonprofit medical organization. The set of three paintings was then sold in a Sotheby auction in 2020 for £2.2 million, with the proceeds donated to providing medical equipment for the Bethlehem Arab Society for Rehabilitation (BASR) hospital. Two anonymous buyers bought the art, and the piece is currently in a private location.