The Wild Bunch were an English sound system and loose collective of musicians and DJs based in the St Paul's, Montpelier and Bishopston districts of Bristol, England, named after Sam Peckinpah's 1969 Western film. [1]
The group started to perform in 1982 as a sound system on the Bristol scene, [2] with Grant Marshall [3] and Miles Johnson as the main two DJs. [4] In 1984, they invited the young graffiti artist known as 3D (aka Robert Del Naja) to join them, and he soon became one of their MCs, writing lyrics to rap with them. [5] Other rappers joined the collective, such as Willy Wee and later in 1987 Tricky. [5] As pioneers of sound system culture they played all-nighters, clubs and abandoned warehouses. [6] In 1986, they played St Paul's Carnival and signed to 4th & B'way Records on Island Records imprint. [6]
In 1985, the single Tearin Down The Avenue was recorded and in May 1986 the group toured Japan. [7] [8] After the tour DJ Milo left to work in Japan. [8] The group would perform sound clashes against other sound systems, on New Year's Eve 1987 they clashed with Soul II Soul at St Barnabas crypt, Bristol. [9] [10] In 1988, Friends & Countrymen was released. [11] However, by this time Robert Del Naja, Grant Marshall and Andrew Vowles had formed Massive Attack. [12] By 1989 the group was defunct. [4] [13]
DJ Milo, founding Wild Bunch member and recognised as having created the Bristol sound. Based in NYC, he has lived and worked as DJ Nature for the past three decades and is highly respected in the underground world of house music as a DJ and producer. He also continues to perform and produce as DJ Milo- most recently, at Massive Attack's the seminal August 24 Act 1.5 on the Bristol Downs. [6] [14]
Robert Del Naja, Grant Marshall and Andrew Vowles, continued with Massive Attack and in the early days they often collaborated with Adrian Thaws. However, differences between members saw Thaws leave in 1995, Vowles leave in 1998 and Marshall took a break in 2001. Marshall returned to Massive Attack in 2005. Thaws temporarily returned to Massive Attack in 2016.
Nellee Hooper, who moved to London after the group's dissolution and worked as a producer and remixer for a number of major artists, including Madonna, U2, No Doubt, Garbage, Björk and others. He won the 1995 BRIT Award for Best Producer. He was also a member of Soul II Soul. [15]
Thaws performed with Massive Attack on their first and second full-length releases, Blue Lines and Protection respectively, before pursuing a successful solo career.
Claude Williams provided vocals on Massive Attack's Five Man Army released in 1991. In 2010, he was jailed for a series of robberies, for three years, alongside five other men. [16] [17]
The Wild Bunch were pioneers of amalgamating a very wide variety of genres. [18] [19] [20] Their shows mixed disparate styles including elements of hip hop, punk, R&B and reggae. Further, it was their unique focus on slower rhythms and ambient electronic atmospheres that laid the foundations of Bristol sound, which later developed into the popular trip hop genre. They were key members of the Bristol underground scene. [21] [22]
The Wild Bunch is perhaps best known for having been one of the first prominent British DJ and vocalist collaborations: [23]
In 2015, musician James Lavelle put The Wild Bunch's The Look of Love in his top ten British sound system classics that influenced him, calling it 'The record that started it all.' [33]
The 2016, BBC documentary Unfinished: The Making of Massive Attack features the story of The Wild Bunch and the Bristol sound. [34]
In 2019, the story of The Wild Bunch was told extensively in the book Massive Attack – Out of the Comfort Zone by journalist Melissa Chemam (chapter 4 and 5). [3]
In 2024, Wild Bunch founder, DJ Milo published his autobiography, Stray (Laurie Owens and Milo Johnson, Tangent Press). The genesis of Wild Bunch and the birth of the Bristol Sound are told from the inside.
Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other genres, typically of electronic music, as well as sampling from movie soundtracks and other eclectic sources.
Adrian Nicholas Matthews Thaws, better known by his stage name Tricky, is a British record producer and rapper. Born and raised in Bristol, in southwest England, he began his career as an early member of the band Massive Attack, alongside Robert Del Naja, Grant Marshall & Andrew Vowles. Through his work with Massive Attack and other artists, Tricky became a major figure in the Bristol underground scene, which gave rise to multiple internationally recognized artists and the music genre of trip hop.
Massive Attack are an English trip hop collective formed in 1988 in Bristol, England by Robert "3D" Del Naja, Grant "Daddy G" Marshall, Adrian "Tricky" Thaws and Andrew "Mushroom" Vowles. The group currently consists of Del Naja and Marshall.
Blue Lines is the debut studio album by English electronic music group Massive Attack, released on 8 April 1991 by Wild Bunch and Virgin Records. The recording was led by members Grantley "Daddy G" Marshall, Robert "3D" Del Naja, Adrian "Tricky" Thaws, and Andrew "Mushroom" Vowles, with co-production by Jonny Dollar. It also features contributions by singers Shara Nelson and Horace Andy. Generally regarded as the first "trip hop" album, Blue Lines blended elements of hip hop with dub, soul, reggae, and electronic music.
Kirk Thompson, better known by his stage name Krust, is an English drum and bass producer, DJ and co-owner of the Full Cycle record label. Beyond his roles in the music industry, Thompson is also responsible for two businesses: creative consultancy Disruptive Patterns and Amma Life, a CBD oil company he co-owns with Sophia Ali.
100th Window is the fourth studio album by English electronic music group Massive Attack, released on 10 February 2003 by Virgin Records. The album was mainly produced by lead member Robert “3D” Del Naja, after the departure of Andrew “Mushroom” Vowles from the band shortly after the release of their previous album Mezzanine (1998). Grant “Daddy G” Marshall also opted out of the production of the album. 100th Window features vocals from regular guest Horace Andy, as well as newcomers Sinéad O'Connor and Damon Albarn. Stylistically, it is the first album by the group to make no use of existing samples, and contains none of the hip hop or jazz fusion styles that the group were initially known for.
Robert Del Naja, also known as 3D, is a British artist, musician, singer and songwriter. He emerged as a graffiti artist and member of the Bristol collective the Wild Bunch, and later as a founding member and sole consistent member of the band Massive Attack, with which he is still active. In 2009, he received the British Academy's Ivor Novello Award for Outstanding Contribution to British Music.
Mezzanine is the third studio album by English electronic music group Massive Attack, released on 20 April 1998 by Circa and Virgin Records. For the album, the group began to explore a darker aesthetic, and focused on a more atmospheric style influenced by British post-punk, industrial music, hip hop and dub music. The album spawned four singles, "Risingson", "Teardrop", "Angel" and "Inertia Creeps". It was the group's first album not to feature rapper Adrian "Tricky" Thaws and the last to feature Andrew "Mushroom" Vowles. It also marked the first collaboration between Robert "3D" Del Naja and producer Neil Davidge.
Paul Andrew "Nellee" Hooper is a British record producer, remixer and songwriter known for his work with many major recording artists beginning in the late 1980s. He also debuted as a motion picture music composer with Scottish composer Craig Armstrong and Marius de Vries for the soundtrack for Baz Luhrmann's Romeo + Juliet in 1996.
"Unfinished Sympathy" is a song by the English trip hop group Massive Attack. It was released on 11 February 1991 under the temporary group name Massive. The song was written by the three band members Robert "3D" Del Naja, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall, the song's vocalist Shara Nelson and the group's co-producer Jonathan "Jonny Dollar" Sharp. It was released on 11 February 1991 as the second single from the band's first album, Blue Lines (1991), on the band's Wild Bunch label distributed by Circa Records. The name "Massive" was used to avoid a radio ban, as the track's release coincided with the Gulf War. Produced by Massive Attack and Dollar, the song incorporates various musical elements into its arrangement, including vocal and percussion samples, drum programming and string orchestration by the arranger Wil Malone.
Grantley Evan Marshall, also known by the stage name Daddy G, is a British DJ and a founding member of the band Massive Attack.
"Safe from Harm" is the third single and opening track from Blue Lines, the 1991 debut album from British trip hop collective Massive Attack, with vocals by Shara Nelson and Robert Del Naja. It was released in May 1991 by Virgin Records. The bass, guitar, and drums are sampled from the song "Stratus" by Billy Cobham, from his album Spectrum. Additional drums are sampled from "Good Old Music" by Funkadelic. Other samples come from Herbie Hancock's "Chameleon", and some of the background vocals are based on Johnny "Guitar" Watson's 1961 song Looking Back.
Andrew Lee Isaac Vowles, also known as Mushroom, is an English musician, known for being a founding member of the trip hop/abstract art collective Massive Attack, along with Robert Del Naja (3D), Adrian Thaws (Tricky) and Grantley Marshall.
Heligoland is the fifth studio album by English electronic music duo Massive Attack, released on 8 February 2010 by Virgin Records. Named after a German archipelago, it was their first studio album in seven years, following 100th Window (2003). It's the first album to feature Daddy G since Mezzanine (1998), therefore making it the first album by the band to be recorded as a duo. It also features recurring guest vocalists Horace Andy and Damon Albarn along with Martina Topley-Bird, Guy Garvey, Tunde Adebimpe and Hope Sandoval. It has been certified Gold by the British Phonographic Industry (BPI).
"Inertia Creeps" is a song by English electronic music band Massive Attack, released on 19 October 1998. It was the fourth and final single released off their third album, Mezzanine (1998). It is the least commercially successful of the four singles released from Mezzanine, charting only on the New Zealand Singles Chart at No. 16, but it has been noted as one of the best singles from the album.
The discography of British trip hop band Massive Attack consists of five studio albums, three compilations, five remix albums, one soundtrack, five EPs, eighteen singles, and twenty-seven music videos. The group was founded in 1988 by musicians Robert "3D" Del Naja, Adrian "Tricky" Thaws, Grantley "Daddy G" Marshall, and Andrew "Mushroom" Vowles in Bristol, England. Prior to this, all four were members of British sound system the Wild Bunch.
The Bristol underground scene is a cultural movement in Bristol, England, beginning in the early 1980s. The scene was born out of a lack of mainstream clubs catering for the emergence of hip hop music, with street and underground parties a mainstay. Many DJ crews formed in the early '80s playing hip hop, house and soul in disused venues with sound systems were borrowed from the reggae scene: City Rockers, 2 Bad, 2 Tuff, KC Rock, UD4, FBI, Dirty Den, Juice Crew, Rene & Bacus, Soul Twins, Fresh 4 and Bristol ultimate DJ Masters The Wild Bunch. These names were the precursors to the more well known ones that came from this scene. It is characterized by musicians and graffiti artists. The scene was influenced by the city's multiculturalism, political activism, and the art movements of reggae, punk, hip hop, hippies and new age.
Neil Davidge is an English record producer, songwriter, film score composer and musician. Once an associate of dance producers DNA, he is best known as the long-term co-writer and producer for trip hop collective Massive Attack. In 1997, he also produced the Sunna album One Minute Science. During that time he has established a career as a film score composer including projects such as Push, Bullet Boy, Trouble the Water, and additional music for Clash of the Titans.
"Risingson" is a song by the English trip hop group Massive Attack, released as a single on 7 July 1997 by Virgin Records. It is the first single from their third album, Mezzanine (1998), and the eighth single overall.