The Pop Group | |
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Background information | |
Origin | Bristol, England, UK |
Genres | |
Years active | 1977–1981, 2010–present |
Labels | Freaks R Us, Rough Trade, Radar Records |
Members | Gareth Sager Bruce Smith Dan Catsis |
Past members | Mark Stewart Simon Underwood John Waddington |
Website | Official website |
The Pop Group are an English rock band formed in Bristol in 1977 by vocalist Mark Stewart, guitarist John Waddington, bassist Simon Underwood, guitarist/saxophonist Gareth Sager, and drummer Bruce Smith. [5] Their work in the late 1970s crossed diverse musical influences including punk, dub, funk, and free jazz with radical politics, helping to pioneer post-punk music. [1] [2]
The group released two albums, Y (1979) and For How Much Longer Do We Tolerate Mass Murder? (1980), and singles such as "She Is Beyond Good and Evil" and "We Are All Prostitutes" (both 1979), then split in 1981. Its members worked on a variety of subsequent projects, including New Age Steppers and Rip Rig + Panic. In 2010, the band reunited, touring and releasing new material as well as reissuing their back catalogue on Freaks R Us. Stewart and Waddington both died in 2023.
The Pop Group was formed in 1977 in Bristol when teenager Mark Stewart set out to start a funk group with schoolmates John Waddington and Simon Underwood. [5] [6] Inspired by the energy of punk rock but feeling the style to be too conservative, the group drew influence from the avant-garde, black music styles such as free jazz and dub, and radical political traditions. [2] [6] Guitarist Gareth Sager and drummer Bruce Smith were eventually added to the group. [6] Soon after forming, they began to gain notoriety for their live performances and were signed to Radar Records. [6] They appeared on the cover of the NME . [7] The band donated the proceeds from their first high-profile tour to Amnesty International. [8] They issued their debut single "She Is Beyond Good and Evil" in March 1979 and their debut album Y in April of that year, both to acclaim. [9] Regardless, their moderate success was sufficient to convince Rough Trade to sign the band. During this period, Dan Catsis replaced Underwood on bass. [9]
The band's career with Rough Trade began with the release of the single "We Are All Prostitutes." This was followed by the release of their second album For How Much Longer Do We Tolerate Mass Murder? (1980). Shortly afterwards the Pop Group released a split single, "Where There's a Will...", with the Slits, a band with whom they shared a drummer (Bruce Smith) and manager Dick O'Dell. The band's last live performance was in 1980 to a crowd of 500,000 people at Trafalgar Square as part of the Campaign for Nuclear Disarmament protest. [5] They split in 1981 after legal wranglings and internal disagreements. Members of the group collaborated and joined bands such as Pigbag, Maximum Joy, Head, the Slits and Rip Rig + Panic, the latter notable for the involvement of Neneh Cherry. [9] Stewart subsequently embarked on a solo career and went on to collaborate with Adrian Sherwood and On-U Sound, prior to a series of albums on Mute Records.
In 2010, The Pop Group reunited for a special edition of ATP festival curated by Simpsons creator Matt Groening, with members Mark Stewart, Gareth Sager, Bruce Smith and Dan Catsis. [10] Over the next few years the band engaged in a prolific series of releases on the label Freaks R Us. The 1980 LP We Are Time was reissued worldwide on 20 October 2014, and the band released a compilation of rarities titled Cabinet of Curiosities . In support of the reissues, the band undertook a seven-day tour of the UK, and in February 2015, released Citizen Zombie , their first studio album in 35 years. [11] They then went on a worldwide tour with dates in the U.S., Japan, and Australia, followed by an extensive European tour culminating in festival appearances, including two live sets at Glastonbury. [12]
In February 2016 For How Much Longer Do We Tolerate Mass Murder? was rereleased on CD and released digitally for the first time. This was accompanied by the release of a colour vinyl edition of "We Are All Prostitutes," referred to by The Vinyl Factory . [13] A previously unseen video for "We Are All Prostitutes", shot at the Electric Ballroom in November 1979 but thought to be lost, was recovered from the attic of video artist Chris Reynolds and unveiled.[ citation needed ] In May, the band released a collection of live recordings titled The Boys Whose Head Exploded . Throughout 2016, the band worked on new material with producer Dennis Bovell, [14] and in October Honeymoon on Mars was released. [15] In 2019, the band's debut album Y, produced by Dennis Bovell, was reissued by Mute Records with unreleased live and studio recordings. This was followed by Y in Dub in 2021, a new dub-focused interpretation of the album, once again produced by Dennis Bovell.
On 21 April 2023, Mark Stewart died at the age of 62. [16] [17]
John Waddington's death was announced on 21 June 2023. He was 63. [18]
The Pop Group have been called pioneers of the late-1970s post-punk movement. [1] The Guardian wrote that the Pop Group "almost singlehandedly effected the transition from punk to post-punk," noting that they "– ahead of Gang of Four, PiL, A Certain Ratio and the rest – steered punk towards a radical, politicised mash-up of dub, funk, free jazz and the avant-garde." [2] Louder Than War called them "one of the most wildly innovative and barrier-shattering bands to emerge from the late ’70s post-punk era." [19] Rolling Stone described the group as "an explosive mutant gene," asserting that "among their rabble-rousing post-punk contemporaries, none boasted as much sheer musical inventiveness and audacity." [5] Theorist Mark Fisher described their sound as "both cavernous and propulsive, ultra-abstract yet driven by dance music’s physical imperatives." [20] [21]
The group was inspired by diverse musical sources as diverse as Albert Ayler, Ornette Coleman, Captain Beefheart, King Tubby, Miles Davis, Pharoah Sanders, Sun Ra, John Cage, Debussy, Neu!, Funkadelic, Television, the New York Dolls, Jacques Brel, The Who, Subway Sect and Steve Reich in addition to non-musical sources such as French romanticism, Antonin Artaud, Beat poetry, Comte de Lautréamont, Jean Baudrillard, the Situationists, [7] [22] [23] [24] [25] [26] [27] and existential philosophy. [21] [28] Addressing the group's shift toward an agitprop sensibility on their second album, released during the rise of Thatcherism, Mark Fisher wrote that the group's goal was "emotional engineering, a jolting out of the ideological trance that accepts injustice as inevitable." [29]
Their music inspired and influenced many bands and artists that followed them. They are cited as an influence by artists and bands like Minutemen, Primal Scream, Sonic Youth, Steve Albini of Big Black, [30] [31] Trent Reznor of Nine Inch Nails and Massive Attack. [32] [33]
The Australian artist Nick Cave attended a gig of the Pop Group and was so inspired by their performance, he stated that: "...It was one of those moments we just feel the cogs of your mind shift and your life is going to be irreversibly changed forever." [34]
David J of Bauhaus named the group as one of the "few bands on the [post-punk] scene at the time to whom we related". [35]
American artist St. Vincent performed a cover of "She Is Beyond Good And Evil" on Late Night With Jimmy Fallon . The song also was a regular on her Strange Mercy Tour.
Outside of music, The Simpsons creator Matt Groening, is a fan of the band and instigated their return when he invited them to reform for All Tomorrow’s Parties in 2010. [36]
The Slits were a punk rock band based in London, formed there in 1976 by members of the groups the Flowers of Romance and the Castrators. The group's early line-up consisted of Ari Up and Palmolive, with Viv Albertine and Tessa Pollitt replacing founding members Kate Korus and Suzy Gutsy. Their 1979 debut album, Cut, has been called one of the defining releases of the post-punk era.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
Suicide was an American musical duo composed of vocalist Alan Vega and instrumentalist Martin Rev, intermittently active between 1970 and 2016. The group's pioneering music used minimalist electronic instrumentation, including synthesizers and primitive drum machines, and their early performances were confrontational and often ended in violence. They were among the first acts to use the phrase "punk music" in an advertisement for a concert in 1970—during their very brief stint as a three-piece including Paul Liebegott.
Steven Frank Albini was an American musician and audio engineer. He founded and fronted the influential post-hardcore and noise rock bands Big Black (1981–1987), Rapeman (1987–1989) and Shellac (1992–2024), and engineered acclaimed albums like the Pixies' Surfer Rosa (1988), PJ Harvey's Rid of Me and Nirvana's In Utero.
Y is the debut studio album of English post-punk band The Pop Group. The album was produced by dub musician Dennis "Blackbeard" Bovell at Ridge Farm Studios in Surrey, and was released on 20 April 1979 through Radar Records. It has since been reissued several times, including in 2019 by Mute Records with bonus material to mark its 40th anniversary.
Mark Stewart was an English singer and founding member of the Pop Group. A pioneer of post-punk and industrial music, he recorded for On-U Sound Records, Mute Records, and Future Noise Music, and released solo and collaborative output on several other independent labels such as Crippled Dick Hot Wax! and eMERGENCY heARTS.
For How Much Longer Do We Tolerate Mass Murder? is the second studio album by English post-punk band The Pop Group. It was released on 21 March 1980 through the record labels Rough Trade and Y.
Maximum Joy are an English post-punk band from Bristol, England, formed in 1981 and reunited in 2015.
Bruce Neal Smith is an American musician best known as the drummer for post-punk band The Pop Group. He has also been a member of The Slits and the New Age Steppers and is currently performing with Public Image Ltd. He was raised and educated in Bristol, England and was once married to Neneh Cherry.
METZ is a Canadian punk rock band formed in 2007 in Ottawa, and currently based in Toronto. The band consists of guitarist and vocalist Alex Edkins, bassist Chris Slorach and drummer Hayden Menzies. In an interview with Austin, Texas zine The Cosmic Clash, Edkins has labeled METZ's style as punk rock, "at the core."
Simon Underwood is a British bass guitarist best known as a member of the bands The Pop Group and Pigbag. As described by punk rock producer Dennis Bovell, Underwood was "a wicked bass player... Together Simon and Bruce [Smith] were the Sly & Robbie of the punk period."
We Are Time is a compilation album by English post-punk band The Pop Group. It was released on 13 June 1980 through the record labels Rough Trade and Y.
We Are All Prostitutes is a compilation album by English post-punk band The Pop Group, released in April 1998 by Radar Records. It comprises tracks from the band's second album, the compilation We Are Time and the singles We Are All Prostitutes and Where There's a Will There's a Way.
"We Are All Prostitutes" is a song by English post-punk band The Pop Group. It was released as the band's second single on 9 November 1979 through Rough Trade Records. The song is a critique of consumerism.
Cabinet of Curiosities is a compilation album by English post-punk band The Pop Group, released on 20 October 2014 through Freaks R Us.
Wow to the Deadness is an EP by Steve Taylor & The Danielson Foil, a temporary collaboration between the supergroup Steve Taylor & The Perfect Foil and Daniel Smith of Danielson. Recorded in 2015 at Electrical Audio in Chicago, Illinois, and produced by Steve Albini, the EP was released on February 5, 2016, through Steve Taylor's Splint Entertainment and Smith's Sounds Familyre Records.
The Boys Whose Head Exploded is a rare live performances bootleg compilation by English post-punk band The Pop Group, released on 27 May 2016 through Freaks R Us.
Honeymoon on Mars is the fourth studio album by English post-punk band The Pop Group, released on 28 October 2016 by Freaks R Us. It is the band's second studio album since their reunion in 2010.
C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based music genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. In 2014, the original compilation was reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor.
Janine Rainforth is a singer-songwriter musician who co-founded original post-punk band Maximum Joy. She returned to performing her solo music in 2014 and also formed an offshoot of Maximum Joy MXMJoY in 2016.
Growing up in Bristol, from a kid onwards I was just going out dancing to really heavy funk and going to reggae dances and we just thought we'd bring in some of the stuff we were really into like Sun Ra and whatever.
"What I think of as a sort of an analog to what we're doing," says Albini, "is something like the Pop Group, where there was an obvious political or social undertone, but they put so much effort into the music that it was obvious that was what was inspiring them, and they were not just creating a backdrop of their images. I just like playing guitar."
Mark Stewart: "One of the best things I've heard about The Pop Group, Steve Albini called us non-linear…"
There were only a few bands on the scene at the time to whom we related. Joy Division, Pere Ubu, Devo, Gang Of Four, Cabaret Voltaire, and The Pop Group come to mind.