Ready to Die | ||||
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Studio album by | ||||
Released | September 13, 1994 | |||
Recorded | 1993–1994 | |||
Studio | The Hit Factory and D&D Studios, New York City | |||
Genre | ||||
Length | 69:05 | |||
Label | ||||
Producer |
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The Notorious B.I.G. chronology | ||||
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30th Anniversary re-release cover | ||||
Singles from Ready to Die | ||||
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Ready to Die is the debut studio album by American rapper The Notorious B.I.G.,released on September 13,1994,by Bad Boy Records and Arista Records. The album features productions by Bad Boy founder Sean "Puffy" Combs,Easy Mo Bee,Chucky Thompson,DJ Premier,and Lord Finesse,among others. It was recorded from 1993 to 1994 at The Hit Factory and D&D Studios in New York City. The partly autobiographical album tells the story of the rapper's experiences as a young criminal,and was the only studio album released during his lifetime,as he was murdered sixteen days before the release of his second album Life After Death in 1997. The album features a sole guest appearance from Wu-Tang Clan member Method Man.
Ready to Die peaked at number 15 on the Billboard 200 and was subject to critical acclaim and soon a commercial success. Three singles were released from the album:"Juicy","Big Poppa","One More Chance" and a promotional track of Biggie:"Warning". "Juicy",the lead single,peaked at number 27 on the Billboard Hot 100,number 14 on Hot R&B/Hip-Hop Singles &Tracks and reached number 3 on the Hot Rap Singles. [3] "Big Poppa" was a hit on multiple charts,peaking at number six on the Billboard Hot 100 and also being nominated for a Grammy Award for Best Rap Solo Performance at the 1996 Grammy Awards. The Notorious B.I.G.'s lyrics on the album were generally praised by critics,particularly for his story-telling ability.
In April 2018,Ready to Die was certified 6×Platinum by the Recording Industry Association of America (RIAA). The album was significant for revitalizing the East Coast hip-hop scene,amid West Coast hip-hop's commercial dominance. [4] It has been ranked by many critics as one of the greatest hip-hop albums,as well as one of the greatest albums of all time. In 2020,the album was ranked 22nd on Rolling Stone 's updated list of the 500 Greatest Albums of All Time and was ranked 1st on their list of the 200 Greatest Hip-Hop Albums of All Time. [5] In 2024,the album was selected to the National Recording Registry by the Library of Congress as being "culturally,historically,and/or aesthetically significant". [6]
The album was recorded in New York City (mainly at The Hit Factory) in two stages during 1993 and 1994. In 1992,Biggie was signed to the Uptown Records label by A&R Sean "Puffy" Combs. Biggie started recording his debut album in 1993 in New York,after making numerous guest appearances among his label-mates' singles around that time. The first tracks recorded include the album's darker,less radio-friendly content (including "Ready to Die," "Gimme the Loot" and "Things Done Changed"). In these sessions, XXL magazine describe an "inexperienced,higher-pitched" Biggie sounding "hungry and paranoid". [7]
When executive producer Sean "Puffy" Combs was fired from Uptown,Biggie's career hung in limbo,as the album was only partially completed. After a brief period dealing drugs in North Carolina, [8] Biggie returned to the studio the following year on Combs' new Bad Boy Records label possessing "a smoother,more confident vocal tone" and completed the album. In this stage,the more commercial-sounding tracks of the album were recorded,including the album's singles. Between the two stages,XXL writes that Biggie moved from writing his lyrics in notebooks to freestyling them from memory. [7]
The album was released with a cover depicting an infant resembling the artist,though sporting an afro,which pertains to the album's concept of the artist's life from birth to his death. It has been listed as among the best album covers in hip-hop. [9]
On March 24,2006,Bridgeport Music and Westbound Records won a federal lawsuit against Bad Boy Records for copyright infringement,with a jury deciding that Combs and Bad Boy had illegally used samples for the production of the songs "Ready to Die","Machine Gun Funk",and "Gimme the Loot". [10] [11] The jury awarded $4.2 million in punitive and direct damages to the two plaintiffs,and federal judge Todd Campbell enacted an immediate sales ban on the album and tracks in question. [11] On appeal,the Sixth Circuit found the damages unconstitutionally high and in violation of due process and remanded the case,at which point Campbell reduced them by $2.8 million;however,the verdict was upheld. [12] [13] All versions of the album released since the lawsuit are without the disputed samples. [14]
Although a fair use issue,Combs and Bad Boy never raised the legal concept of the fair use doctrine in their defense. [12] This decision was questioned by some legal experts:Anthony Falzone of the Fair Use Project at Stanford Law School criticized Combs and Bad Boy for not defending the legality of sampling and suggested that they might have refused to raise such a defense because they feared it could later imperil their control over their own music. [15]
On April 2,2014,Lee Hutson of The Impressions filed a multimillion-dollar copyright infringement suit against Combs,Bad Boy Records,and the estate of the late Notorious B.I.G. for copyright infringement,alleging that his song "Can't Say Enough About Mom" was illegally sampled in the production of the song "The What". [16] The estate countersued in turn,claiming the sample as used was short,adapted,and supplemented,and thus subject to fair use, [17] a legal tactic not pursued previously. [15]
The production on the album was mainly handled by Easy Mo Bee and The Hitmen. Cheo H. Coker of Rolling Stone depicted the beats as "heavy bottomed and slick,but B.I.G.'s rhymes are the showstoppers. The tracks only enhance them,whether it's the live bass driving a menacing undercurrent or [the] use of bluesy guitar and wah-wah feedback" and that the production is used to "push the rapper to new heights." [18] The production is mainly sample-based with the samples varying from the percussion of funk tracks to the vocals of hip-hop songs. Steve Huey presented some criticism over the beats,stating that the "deliberate beats do get a little samey,but it hardly matters:this is Biggie's show". [19]
The Notorious B.I.G.'s lyrics on the album were generally praised by critics. Many critics applauded his story-telling ability such as AllMusic writer Steve Huey,who stated "His raps are easy to understand,but his skills are hardly lacking—he has a loose,easy flow and a talent for piling multiple rhymes on top of one another in quick succession". He also went on to mention that his lyrics are "firmly rooted in reality,but play like [a] scene from a movie". [19] Touré,writing for The New York Times,referred to The Notorious B.I.G.,proclaiming that he stood out from other rappers because "his lyrics mix autobiographical details about crime and violence with emotional honesty,telling how he felt while making a living as a drug dealer". [20] The album is also noted for its dark tone and sinister sense of depression. [19] In the original Rolling Stone review,Cheo H Coker declared that he "maintains a consistent level of tension by juxtaposing emotional highs and lows". [18] "Things Done Changed" was also one of the few hip-hop songs in The Norton Anthology of African American Literature. [21]
The lyrics on Ready to Die tend to deal with violence,drug dealing,women,alcohol and marijuana use,and other elements of Notorious B.I.G.'s environment. He rapped about these topics in "clear,sparse terms,allowing the lyrics to hit the first time you hear them". [18] The album contains a loose concept starting out with an intro that details his birth,his early childhood,his adolescence and his life at the point of the album's release. [20] Songs on the album range from homicide narratives ("Warning") to braggadocios battle raps ("The What," "Unbelievable"). "Things Done Changed" deals with how life in the ghetto has changed since B.I.G.'s childhood. [22] "One More Chance" as recited by B.I.G largely centers around the rapper's sexual prowess. [23] "Juicy" is a "rags-to-riches chronicle". [19] The title for "Big Poppa" is based on one of The Notorious B.I.G.'s many nicknames. [24] The final song was "Suicidal Thoughts",a song where The Notorious B.I.G. contemplates and finally commits suicide. [23]
Three singles were released from the album: "Juicy", "Big Poppa", "One More Chance" and a promotional track of Biggie: "Warning". According to XXL the more commercial sound of the singles compared to the rest of the album was a result of encouragement by Combs during the later recording sessions in which they were recorded. [7]
"Juicy" was released as the lead single on August 8, 1994. It peaked at number 27 on the Billboard Hot 100, number 14 on Hot R&B/Hip-Hop Singles & Tracks and reached number 3 on the Hot Rap Singles. [3] It shipped 500,000 copies in the United States and the RIAA certified it Gold on November 16, 1994. [25] Produced by Combs, it features a prominent sample of "Juicy Fruit" as performed by James Mtume. AllMusic's Steve Huey stated that, along with the other singles, it was an "upbeat, commercial moment", calling it a "rags-to-riches chronicle". [19] Andrew Kameka, of HipHopDX , stated that the song was one of his "greatest and most-revealing songs" and went on to say it was a "Part-autobiography, part-declaration-of-success. It document[s] the star's transition from Brooklyn knucklehead to magazine cover story." [26] Producer Pete Rock, who was commissioned to remix the track, alleged that Puffy stole the idea for the original song's beat after hearing it from him during a visit. Rock explained this in an interview with Wax Poetics : [27]
I did the original version, didn't get credit for it. They came to my house, heard the beat going on the drum machine, it's the same story. You come downstairs at my crib, you hear music. He heard that shit and the next thing you know it comes out. They had me do a remix, but I tell people, and I will fight it to the end, that I did the original version of that. I'm not mad at anybody, I just want the correct credit.
"Big Poppa" was released as the second single on December 24, 1994, and like the previous single, it was a hit on multiple charts. It reached number six on the Billboard Hot 100, number four on the Hot R&B/Hip-Hop Singles & Tracks and number one on Hot Rap Singles. [3] It sold over a million units and the RIAA certified it Platinum on May 23, 1995. [25] Featuring production by Combs and Chucky Thompson of The Hitmen, it samples "Between the Sheets" by The Isley Brothers. The song was nominated at the 1996 Grammy Awards for Best Rap Solo Performance, but lost to Coolio's "Gangsta's Paradise". Steve Huey named it an "overweight-lover anthem". [19]
"One More Chance" was released as the third single on June 9, 1995. The single was a remix of the album track. It was produced by Combs and featured a sample from DeBarge's "Stay With Me". It peaked at number two on the Billboard Hot 100 and reached number one on the Hot R&B/Hip-Hop Singles & Tracks and Hot Rap Singles. [3] It sold over a million copies and the RIAA certified it Platinum on July 31, 1995. [25] Steve Huey labeled it a "graphic sex rap". [19] Rolling Stone writer Cheo H. Coker had a similar view of the song, noting that it was "one of the bawdiest sex raps since Kool G Rap's classic, "Talk Like Sex" and continued, stating it "proves hilarious simply because of B.I.G.'s Dolemitelike vulgarity." [18]
Review scores | |
---|---|
Source | Rating |
AllMusic | [19] |
Blender | [28] |
Christgau's Consumer Guide | A− [29] |
HipHopDX | 5/5 [26] |
Pitchfork | 10/10 [22] |
Q | [30] |
Rolling Stone | [18] |
The Rolling Stone Album Guide | [31] |
The Source | [32] |
Uncut | [33] |
Ready to Die received widespread acclaim from music critics. In his review for Rolling Stone , Cheo H. Coker stated "Ready to Die is the strongest solo rap debut since Ice Cube's AmeriKKKa's Most Wanted . From the breathtakingly visual moments of his birth to his Cobainesque end in 'Suicidal Thoughts,' B.I.G. proves a captivating listen. It's difficult to get him out of your head once you sample what he has to offer". [18] Robert Christgau from The Village Voice commented "His sex raps are erotic, his jokes are funny, and his music makes the thug life sound scary rather than luxuriously laid back. When he considers suicide, I not only take him at his word, I actively hope he finds another way". [29] The New York Times wrote "Though drug dealing carries tremendous heroic value with some young urban dwellers, he sacrifices the figure's romantic potential. His raps acknowledge both the excitement of drug dealing and the stress caused by the threat from other dealers, robbers, the police and parents, sometimes one's own. In presenting the downside of that life, Ready to Die offers perhaps the most balanced and honest portrait of the dealer's life of any in hip-hop". [1]
Q magazine gave Ready to Die three out of five stars, and stated "the natural rapping, clever use of sound effects and acted dialogue, and concept element (from a baby being born at the start to the fading heartbeat at the end) set this well apart from the average gangsta bragging". [30] In their original review for Ready to Die, The Source gave it four-and-a-half out of five 'mics', stating "Big weaves tales like a cinematographer, each song is like another scene in his lifestyle. Overall, this package is complete: ridiculous beats, harmonizing honeys, ill sound effects, criminal scenarios, and familiar hooks". [32]
Ready to Die shipped 57,000 units in its first week of release. [34] However, it was then certified Gold by the RIAA only two months after its release on November 15, 1994. on October 16, 1995, only a year and one month after its release the album was certified double Platinum. [25] Ready to Die was then certified triple Platinum on August 26, 1998, and was later certified 4× Platinum by the RIAA on October 19, 1999. In April 2018, Ready to Die was certified 6 × Platinum by the Recording Industry Association of America (RIAA).
Ready to Die has been highly acclaimed. In 1998, The Source included it on their 100 Best Rap Albums of All Time list, [35] and in 2002, they re-rated it to the maximum five 'mics'. [36] Rolling Stone has also given acclaim to Ready to Die over the years. In 2003, they ranked it number 133 on their 500 Greatest Albums of All Time list, [37] 134 in a 2012 revised list, [38] and 22 in a 2020 revised list. [39] In 2004, they re-rated it to five stars. [31] In 2011, Rolling Stone also placed it at number eight on their 100 Best Albums of the Nineties list, and described it as "mapping out the sound of 'Nineties cool'". [40] Kilian Murphy from Stylus Magazine wrote favorably of the album in a retrospective review, and concluded "Sweet, hypocritical, sensitive, violent, depressed and jubilant; these words could all fittingly describe Big at various points on Ready to Die." [41]
Steve Huey from AllMusic gave it five stars, stating "The album that reinvented East Coast rap for the gangsta age, Ready to Die made the Notorious B.I.G. a star. Today it's recognized as one of the greatest hardcore rap albums ever recorded, and that's mostly due to Biggie's skill as a storyteller". [19] In 2006, Time magazine included it on their 100 Greatest Albums of All Time list, and stated "On Ready to Die, Wallace took his street corner experiences and filtered them through his considerable charm. The result was a record that mixed long stretches of menace with romance and lots of humor. No rapper ever made multi-syllabic rhymes sound as smooth". [42] The album was also included in the book 1001 Albums You Must Hear Before You Die . [43]
Publication | Country | Accolade | Year | Rank |
---|---|---|---|---|
About.com | United States | 100 Greatest Hip Hop Albums [44] | 2008 | 2 |
Best Rap Albums of 1994 [45] | ||||
10 Essential Hip-Hop Albums [46] | 3 | |||
Apple Music | 100 Best Albums [47] | 2024 | 32 | |
Blender | 500 CDs You Must Own Before You Die [48] | 2003 | * | |
Dance De Lux | Spain | The 25 Best Hip-Hop Records[ citation needed ] | 2001 | 21 |
Robert Dimery | United States | 1001 Albums You Must Hear Before You Die [49] | 2005 | * |
ego trip | Hip Hop's Greatest Albums by Year 1980–98 [50] | 1999 | 2 | |
Entertainment Weekly | The 100 Best Albums from 1983 to 2008 [51] | 2008 | 40 | |
The Guardian | United Kingdom | 1000 Albums to Hear Before You Die [52] | 2007 | * |
Mojo | Mojo 1000, the Ultimate CD Buyers Guide [53] | 2001 | ||
The Mojo Collection [54] | 2003 | |||
Tom Moon | United States | 1,000 Recordings to Hear Before You Die [55] | 2008 | |
MTV | The Greatest Hip-Hop Albums of All Time [56] | 2005 | 4 | |
MUZIQ | France | 200 Records for a Dream Collection[ citation needed ] | 2007 | * |
The New Nation | United Kingdom | Top 100 Albums by Black Artists[ citation needed ] | 2005 | 8 |
Pause & Play | United States | Albums Inducted into a Time Capsule [57] | — | * |
Pitchfork | Top 100 Favorite Records of the 1990s [58] | 2003 | 32 | |
Q | United Kingdom | The Ultimate Music Collection [59] | 2005 | * |
Rolling Stone | United States | The Essential Recordings of the '90s [60] | 1999 | |
500 Greatest Albums of All Time [39] | 2020 | 22 | ||
100 Best Albums of the Nineties [40] | 2011 | 8 | ||
Sounds by Rolling Stone | Germany | The 50 Best Albums of the 1990s [61] | 2009 | 37 |
The Source | United States | The 100 Best Rap Albums of All Time [35] | 1998 | * |
Spin | The 90 Greatest Albums of the 90s [62] | 1999 | 27 | |
100 Greatest Albums (1985–2005) [63] | 2005 | 30 | ||
125 Best Albums of the Past 25 Years [64] | 2012 | 43 | ||
Time | The All-TIME 100 Albums [65] | 2006 | * | |
Vibe | 100 Essential Albums of the 20th Century [66] | 1999 | ||
150 Albums That Define the Vibe Era (1992–2007) [67] | 2007 | |||
Village Voice | Pazz & Jop [68] | 1995 | 38 | |
VPRO | Netherlands | 299 Nominations of the Best Album of All Time[ citation needed ] | 2006 | * |
All tracks are written by Christopher Wallace except "The What" written by Christopher Wallace and Clifford Smith [69]
No. | Title | Producer(s) | Length |
---|---|---|---|
1. | "Intro" | Sean "Puffy" Combs | 3:24 |
2. | "Things Done Changed" | Darnell Scott | 3:58 |
3. | "Gimme the Loot" | Easy Mo Bee | 5:04 |
4. | "Machine Gun Funk" | Easy Mo Bee | 4:17 |
5. | "Warning" | Easy Mo Bee | 3:40 |
6. | "Ready to Die" | Easy Mo Bee | 4:24 |
7. | "One More Chance" |
| 4:43 |
8. | "#!*@ Me (Interlude)" | Combs | 1:31 |
9. | "The What" (featuring Method Man) | Easy Mo Bee | 3:57 |
10. | "Juicy" | 5:02 | |
11. | "Everyday Struggle" | Bluez Brothers | 5:19 |
12. | "Me & My Bitch" |
| 4:00 |
13. | "Big Poppa" |
| 4:13 |
14. | "Respect" |
| 5:21 |
15. | "Friend of Mine" | Easy Mo Bee | 3:28 |
16. | "Unbelievable" | DJ Premier | 3:43 |
17. | "Suicidal Thoughts" | Lord Finesse | 2:50 |
Total length: | 69:05 |
No. | Title | Producer(s) | Length |
---|---|---|---|
18. | "Who Shot Ya?" |
| 5:19 |
19. | "Just Playing (Dreams)" | Rashad Smith | 2:43 |
Total length: | 77:03 |
|
|
Weekly charts
| Year-end charts
|
</ref>|relyear=1994}}
Region | Certification | Certified units/sales |
---|---|---|
Denmark (IFPI Danmark) [85] | Gold | 10,000‡ |
United Kingdom (BPI) [86] | Platinum | 300,000‡ |
United States (RIAA) [87] | 6× Platinum | 5,000,000 [88] |
‡ Sales+streaming figures based on certification alone. |
Christopher George Latore Wallace, known by the stage names the Notorious B.I.G., Biggie Smalls, and Biggie, was an American rapper. Rooted in the New York rap scene and gangsta rap traditions, he is widely considered one of the greatest rappers of all time. Wallace became known for his distinctive, laidback lyrical delivery, offsetting his lyrics' often grim content. His music was usually semi-autobiographical, telling of hardship and criminality but also of debauchery and celebration.
400 Degreez is the commercial debut and overall third studio album by American rapper Juvenile. The album was released on November 3, 1998, by Universal Records and Bryan "Baby" Williams' Cash Money Records. It remains Juvenile's best-selling album of his solo career, with six million copies sold as of 2021. The album received quadruple platinum certification by the Recording Industry Association of America (RIAA) on December 19, 2000.
Life After Death is the second studio album by American rapper the Notorious B.I.G., released on March 25, 1997, on Bad Boy Records and Arista Records. A double album, it was released sixteen days after his murder. It features collaborations with guest artists such as 112, Jay-Z, Lil' Kim, Mase, Bone Thugs-n-Harmony, Too $hort, Angela Winbush, D.M.C. of Run-D.M.C., R. Kelly, the Lox, and Puff Daddy. Life After Death exhibits the Notorious B.I.G. further delving into the mafioso rap subgenre. The album is a sequel to his first album, Ready to Die, and picks up where the last song, "Suicidal Thoughts", ends.
Bad Boy Entertainment, doing business as Bad Boy Records, is an American record label founded in 1993 by Sean "Puffy" Combs. During the mid-1990s, the label signed hip hop and contemporary R&B artists, beginning with the Notorious B.I.G. Following his commercial success, the label signed other acts, including Faith Evans, Mase, 112, Total, The Lox, Shyne and Carl Thomas. At its 1997 peak, Bad Boy was worth an estimated US$100 million.
Reasonable Doubt is the debut studio album by American rapper Jay-Z. It was released on June 25, 1996, by his own record label Roc-A-Fella Records and distributed by Priority Records. The album features production provided by DJ Premier, Ski, Knobody and Clark Kent, and also includes guest appearances from Memphis Bleek, Mary J. Blige, Jaz-O, and the Notorious B.I.G., among others. The album features mafioso rap themes and gritty lyrics about the "hustler" lifestyle and material obsessions.
Total is an American R&B girl group and one of the signature acts of the Bad Boy Records imprint during the mid-1990s. The group consists of founding members Kima Raynor, Keisha Spivey, and Pamela Long. Total is best known for their feature on Mase's "What You Want", as well as their hits "Kissin' You", "Can't You See", and "What About Us?" and "Trippin'", both featuring Missy Elliott. Long also sung the chorus of The Notorious B.I.G.'s hit song "Hypnotize", although she was not officially credited. Total made their first appearance singing the hook on The Notorious B.I.G.'s debut single, "Juicy", widely considered one of the greatest hip-hop songs of all time.
Hard Core is the debut studio album by American rapper Lil' Kim, released on November 12, 1996, by Undeas Recordings, Big Beat Records, and Atlantic Records. After achieving success with the hip hop group Junior M.A.F.I.A. and their album Conspiracy (1995), Kim began working on her solo album with the Notorious B.I.G. serving as the executive producer. She collaborated with a number of producers, such as Sean "Puff Daddy" Combs, Stevie J., David "Ski" Willis and Jermaine Dupri, among others. Other rappers, including Jay-Z, Lil' Cease and Puff Daddy were featured on the album.
Born Again is the third studio album and first posthumous album by American rapper the Notorious B.I.G., released by Bad Boy Records and Arista Records on December 7, 1999. It is composed primarily of early recorded verses with remixed beats and newly recorded guest vocals.
"One More Chance / Stay with Me (Remix)" is a song written and recorded by American rapper The Notorious B.I.G. Three versions of the song exist: An original, lyrically explicit version prefaced by an answering machine performance featured on the album, and two versions released as singles, both of which contain identical lyrics by B.I.G. despite differing instrumentals and choruses. The first is an upbeat "Hip Hop Mix" that samples Marley Marl's "Droppin Science", and the second is a sultrier R&B remix parenthetically labeled the "Stay with Me Remix", which samples the namesake 1983 song by the band DeBarge. The lattermost remains the most popular, and features backing vocals and harmonies performed by his wife Faith Evans, as well as uncredited appearances by Mary J. Blige and Bad Boy Records label boss Puff Daddy—who also produced the version with Rashad Smith. It received platinum certification by the RIAA by July 31, 1995, and has sold 1.1 million copies.
The Notorious K.I.M. is the second studio album by American rapper Lil' Kim. It was released on June 27, 2000, by Atlantic Records and was her first album on her new label Queen Bee Entertainment. It debuted at number four on the US Billboard 200 chart, selling 229,000 copies in its first week, achieving Lil' Kim's highest peak and biggest first-week sales, and reached the top of the Top R&B/Hip-Hop Albums chart. A commercial success, The Notorious K.I.M. was certified platinum by the Recording Industry Association of America (RIAA) on August 2, 2000. It was the best-selling female rap album in 2000 with sales of over 1.4 million copies in the United States. To date, The Notorious K.I.M. has sold 5.1 million copies worldwide.
My Life is the second album by American R&B recording artist Mary J. Blige, released on November 29, 1994, by Uptown Records and MCA Records. Many of the topics on My Life deal with clinical depression, Blige's battling with both drugs and alcohol, as well as being in an abusive relationship. Unlike her debut, What's the 411? (1992), Blige contributed lyrics to fourteen of the album's tracks, making it her most introspective and personal album at the time. Similar to her debut album, My Life features extensive production from Sean "Puffy" Combs for his newly founded label, Bad Boy Entertainment, which was at the time backed by Arista Records.
"Hypnotize" is a song by American rapper the Notorious B.I.G. featuring uncredited vocals by Pamela Long, released as the first single from his album Life After Death by Bad Boy and Arista Records on March 4, 1997. The last song released before his death in a drive-by shooting a week later, it was the fifth song by a credited artist to peak the Billboard Hot 100 posthumously since "(Just Like) Starting Over" by John Lennon in 1980. Rolling Stone ranked the song as number 30 on their list of the "100 Greatest Hip-Hop Songs of All Time".
"Let It Go" is a song by American R&B singer Keyshia Cole featuring American rappers Missy Elliott and Lil' Kim. It was written by Cole, Jack Knight, Cainon Lamb, Lil' Kim, and Missy Elliott for her second album Just Like You (2007) and samples "Juicy Fruit" by Mtume, and "Don't Stop the Music" by Yarbrough and Peoples, while also interpolating "Juicy" by The Notorious B.I.G., who also sampled "Juicy Fruit." An uptempo song written by all three artists with Jack Knight, Cainon Lamb and James Mtume and produced by Lamb and Elliott, it marked the first collaboration between any of the three artists with one another.
"Party and Bullshit" is a song by the American hip hop artist The Notorious B.I.G., credited as BIG. Released on June 29, 1993, as the fourth single from the soundtrack to the film Who's the Man? (1993), "Party and Bullshit" was the rapper's debut single.
"Juicy Fruit" is a song written by James Mtume and released as the lead-off single from Mtume's third album, also titled Juicy Fruit. It features lead vocals by Tawatha Agee. The mid-tempo song is Mtume's most well-known, proving enormously successful on R&B radio stations when first released. The song is about oral sex.
"Juicy" is the first single by American rapper the Notorious B.I.G. from his 1994 debut album, Ready to Die. It was produced by Poke of the duo Trackmasters and Sean "Puffy" Combs. "Juicy" contains a sample of Mtume's 1983 song, "Juicy Fruit", though it is directly sampled from the song's "Fruity Instrumental" mix, and has an alternative chorus sung by Bad Boy Records cohorts, the girl group Total and label founder Combs. The song is widely considered to be one of the greatest hip-hop songs of all time.
Duets: The Final Chapter is the second posthumous album by American rapper The Notorious B.I.G., and is a collection of songs featuring appearances of other prominent rappers. The album was released by Bad Boy Records and Atlantic Records in the UK on December 19, 2005, and in the US on December 20 and charted at #3 selling 438,000 copies, beaten by the extremely high sales of Jamie Foxx's Unpredictable and Mary J. Blige's The Breakthrough. In the UK it climbed as high as #13 after the release of the album's first single "Nasty Girl". It is his second posthumous album that was certified platinum.
"Mo Money Mo Problems" is a song by American rapper The Notorious B.I.G., released as the second single from his second studio album, Life After Death (1997) on July 15, 1997 by Bad Boy Records and Arista Records. It features guest performances from labelmate Mase and label boss Sean "Puff Daddy" Combs; all three performers co-wrote the song with Stevie J, who also co-produced it with Combs. "Mo Money Mo Problems" contains a sample and an interpolation of "I'm Coming Out" by Diana Ross, hence Bernard Edwards and Nile Rodgers are credited as songwriters; the sampled portions are heard in the production, while the hook is interpolative and performed by Kelly Price in an uncredited appearance.
"Flava in Ya Ear" is a song by American rapper Craig Mack. It was released as the lead single from his debut studio album Project: Funk da World on July 2, 1994, by Bad Boy Records and Arista Records. It was remixed with the addition of rappers The Notorious B.I.G., Rampage, LL Cool J and Busta Rhymes.
"Big Poppa" is a song by American rapper The Notorious B.I.G., released on December 24, 1994, as the second single from his first studio album Ready to Die. Featuring a sample of the song "Between the Sheets" by The Isley Brothers, "Big Poppa" was nominated for Best Rap Solo Performance at the 1996 Grammy Awards and also went on to win at the Billboard Music Awards.
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