Mtume | |
---|---|
Origin | New York City, United States |
Genres | R&B, funk, jazz-funk, [1] post-disco [1] |
Years active | 1973–1995 |
Labels | Third Street (1973–1977) Epic (1978–1995) |
Past members | Hubert Eaves III (1978–1980) Reggie Lucas (1978–1980) Basil Fearrington (1978–1980) Howard King (1978–1980) James Mtume (1978–1995) Tawatha Agee (1978–1986) Philip Field (1982–1995) Ed "Tree" Moore (1982–1986) Leslie Ming (1982–1995) |
Mtume (pronounced em-tu-may) was an American funk and soul group that rose to prominence during the early 1980s and had several R&B hits during its career. Its founder, former percussionist James Mtume, previously played and toured with Miles Davis in the early 1970s. [1] Other members of the group included Reggie Lucas, Philip Field, and vocalist Tawatha Agee. Mtume also gained recognition after having its hit single "Juicy Fruit" extensively sampled by many hip-hop artists, most notably by the Notorious B.I.G. in the 1994 hit song "Juicy". [1]
During the start of the group's career, they recorded three albums, their first for Strata East (1972) titled Alkebu-Lan- The Land of the Blacks, and two for the independent label Third Street Records: Kawaida (1973); Alkebu-Lan [2] (1975); and Rebirth Cycle [3] (1977). However, not finding pop or R&B chart success, they signed to major label Epic Records in 1978, releasing the albums Kiss This World Goodbye (1978), and In Search of the Rainbow Seekers (1980), which found modest success on the R&B chart. Their 1983 album Juicy Fruit , however, provided Mtume with its biggest hit, when the title song reached number one for eight weeks on the U.S. R&B chart, and was certified gold by the RIAA, [4] despite being just shy of the top 40 on the Billboard Hot 100 at 45.
Mtume's 1984 album You, Me, and He also proved to be a success with the title song reaching number 2 on the R&B chart. [5] Their final R&B top ten hit was "Breathless" [5] (1986) from their final album Theater of the Mind. Mtume continued recording with Epic Records until the late 1980s. Group member Tawatha Agee subsequently went solo in 1987. [2]
Concurrent with his time in Mtume, James Mtume wrote several songs for an assortment of artists, often with Mtume bandmate Reggie Lucas, such as Stephanie Mills' Top-ten single "Never Knew Love Like This Before" (for which they both received a Grammy Award for Best R&B Song Writing and Producing) and the Roberta Flack/Donny Hathaway hit singles "The Closer I Get to You" and "Back Together Again". [1] [6]
Following Mtume's disbandment, James Mtume resumed his already prolific production and songwriting career, which has included writing "Freak Tonight" [7] by R. Kelly from the A Thin Line Between Love and Hate Soundtrack, and co-producing Mary J. Blige's album, Share My World . [6] He also produced Roy Ayers, and the Bar-Kays, and composed the music and theme tune for the 1990s television police drama New York Undercover .
Reggie Lucas (along with Jellybean Benitez) produced the majority of Madonna's first album, Madonna , [1] including the songs 'Borderline' and 'Lucky Star'.
Tawatha Agee later became a background singer. She sang on Steely Dan's 2003 album Everything Must Go , Empire of the Sun's 2013 album Ice on the Dune and Lenny Kravitz's 2014 album Strut .
Philip Field continued to produce and write for many artists including Gwen Guthrie, Tawatha Agee, Tyrone Brunson, the Bar-Kays, Charles Earland and others. He co-wrote and co-produced on Roy Ayers' album You Might Be Surprised and co-wrote How Many Ways from Toni Braxton's debut album.
The 1978–80 line-up was:
| The 1982–86 line-up was:
|
Year | Album | Peak chart positions | Certifications | Record Label | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
US [8] | US R&B [8] | UK [9] | ||||||||||||
1978 | Kiss This World Goodbye | — | — | — | Epic | |||||||||
1980 | In Search of the Rainbow Seekers | 119 | 30 | — | ||||||||||
1983 | Juicy Fruit | 26 | 3 | — | ||||||||||
1984 | You, Me and He | 77 | 5 | 85 | ||||||||||
1986 | Theater of the Mind | 135 | 23 | — | ||||||||||
"—" denotes a recording that did not chart. | ||||||||||||||
Year | Single | Peak chart positions | Certifications | Album | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
US [8] [11] | US R&B [8] [11] | US Dan [8] [11] | UK [9] | |||||||||||
1978 | "Just Funnin'" | — | 93 | — | — | Kiss This World Goodbye | ||||||||
"Funky Constellation" | — | — | — | — | ||||||||||
1980 | "Give It on Up (If You Want To)" | — | 26 | 30 | — | In Search of the Rainbow Seekers | ||||||||
"So You Wanna Be a Star" | — | 60 | 52 | — | ||||||||||
1983 | "Juicy Fruit" | 45 | 1 | 30 | 34 | Juicy Fruit | ||||||||
"Would You Like To (Fool Around)" | — | 11 | — | — | ||||||||||
"Green Light" | — | 66 | — | — | ||||||||||
1984 | "You, Me and He" | 83 | 2 | — | — | You, Me and He | ||||||||
"Prime Time" | — | — | — | 57 | ||||||||||
"C.O.D. (I'll Deliver)" | — | 20 | — | — | ||||||||||
"I Simply Like" | — | — | — | — | ||||||||||
1986 | "Breathless" | — | 9 | — | — | Theater of the Mind | ||||||||
"P.O.P. (Pursuits of Pleasure) Generation" | — | 39 | — | — | ||||||||||
"Body & Soul (Take Me)" | — | 71 | — | — | ||||||||||
"—" denotes a recording that did not chart. | ||||||||||||||
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James Forman, known professionally as Mtume or James Mtume, was an American jazz and R&B musician, songwriter, record producer, activist, and radio personality.
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"Let It Go" is a song by American R&B singer Keyshia Cole featuring American rappers Missy Elliott and Lil' Kim. It was written by Cole, Jack Knight, Cainon Lamb, Lil' Kim, and Missy Elliott for her second album Just Like You (2007) and samples "Juicy Fruit" by Mtume, and "Don't Stop the Music" by Yarbrough and Peoples, while also interpolating "Juicy" by The Notorious B.I.G., who also sampled "Juicy Fruit." An uptempo song written by all three artists with Jack Knight, Cainon Lamb and James Mtume and produced by Lamb and Elliott, it marked the first collaboration between any of the three artists with one another.
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Juicy Fruit is a 1983 album by R&B group Mtume. It contains their No. 1 R&B hit, "Juicy Fruit". It was their third album for Epic Records.
"Juicy Fruit" is a song written by James Mtume and released as the lead-off single from Mtume's third album, also titled Juicy Fruit. It features lead vocals by Tawatha Agee. The mid-tempo song is Mtume's most well-known, proving enormously successful on R&B radio stations when first released. The song is about oral sex.
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"Two Hearts'" is a hit duet sung by American R&B singers Stephanie Mills and Teddy Pendergrass, from Mills' fifth studio album Stephanie (1981). The song was written and produced by James Mtume, Reggie Lucas and Tawatha Agee. Released in January 1981, the single reached number 40 on the US Billboard Hot 100 in 1981. On the US Billboard R&B chart, "Two Hearts" reached number three.
Stephanie is the Grammy-nominated fifth studio album by American R&B/soul singer Stephanie Mills. It was released in 1981 and produced by James Mtume and Reggie Lucas. The album features hit song "Two Hearts" a duet with Teddy Pendergrass. By default, this fulfilled her contract with 20th Century-Fox Records, as the following year, the label was sold to PolyGram Records, which quickly folded it into Casablanca Records, to which Mills' contract was subsequently transferred. Stephanie scored Mills her second nomination for Best Female R&B Vocal Performance at the 24th Annual Grammy Awards in 1982.
What Cha Gonna Do with My Lovin' is the third album by Stephanie Mills. It was released in 1979 and produced by James Mtume and Reggie Lucas.
In Search Of The Rainbow Seekers is a 1980 album by R&B group Mtume. This was their second album on the Epic Records label.
Kiss This World Goodbye is a 1978 album by R&B group Mtume. This was their debut album on the Epic Records label as well as the first album featuring vocals by Tawatha Agee.
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Rebirth Cycle is the second studio album by American musician James Mtume. It was produced by Mtume himself, and released on the Third Street Records label. It is one of a number of contemporary albums described as "some of the most compelling artifacts of the Black Power-Black music nexus", with "explicit endorsements of radical nationalist principles" and "of a very high artistic level and featuring some of the best musicians".