The amplitude of a periodicvariable is a measure of its change in a single period (such as time or spatial period). The amplitude of a non-periodic signal is its magnitude compared with a reference value. There are various definitions of amplitude (see below), which are all functions of the magnitude of the differences between the variable's extreme values. In older texts, the phase of a periodic function is sometimes called the amplitude.[1]
In audio system measurements, telecommunications and others where the measurand is a signal that swings above and below a reference value but is not sinusoidal, peak amplitude is often used. If the reference is zero, this is the maximum absolute value of the signal; if the reference is a mean value (DC component), the peak amplitude is the maximum absolute value of the difference from that reference.
Semi-amplitude
Semi-amplitude means half of the peak-to-peak amplitude.[2] The majority of scientific literature[3] employs the term amplitude or peak amplitude to mean semi-amplitude.
In general, the use of peak amplitude is simple and unambiguous only for symmetric periodic waves, like a sine wave, a square wave, or a triangle wave. For an asymmetric wave (periodic pulses in one direction, for example), the peak amplitude becomes ambiguous. This is because the value is different depending on whether the maximum positive signal is measured relative to the mean, the maximum negative signal is measured relative to the mean, or the maximum positive signal is measured relative to the maximum negative signal (the peak-to-peak amplitude) and then divided by two (the semi-amplitude). In electrical engineering, the usual solution to this ambiguity is to measure the amplitude from a defined reference potential (such as ground or 0V). Strictly speaking, this is no longer amplitude since there is the possibility that a constant (DC component) is included in the measurement.
Peak-to-peak amplitude
Peak-to-peak amplitude (abbreviated p–p) is the change between peak (highest amplitude value) and trough (lowest amplitude value, which can be negative). With appropriate circuitry, peak-to-peak amplitudes of electric oscillations can be measured by meters or by viewing the waveform on an oscilloscope. Peak-to-peak is a straightforward measurement on an oscilloscope, the peaks of the waveform being easily identified and measured against the graticule. This remains a common way of specifying amplitude, but sometimes other measures of amplitude are more appropriate.
For complicated waveforms, especially non-repeating signals like noise, the RMS amplitude is usually used because it is both unambiguous and has physical significance. For example, the averagepower transmitted by an acoustic or electromagnetic wave or by an electrical signal is proportional to the square of the RMS amplitude (and not, in general, to the square of the peak amplitude).[6]
For alternating currentelectric power, the universal practice is to specify RMS values of a sinusoidal waveform. One property of root mean square voltages and currents is that they produce the same heating effect as a direct current in a given resistance.
The peak-to-peak value is used, for example, when choosing rectifiers for power supplies, or when estimating the maximum voltage that insulation must withstand. Some common voltmeters are calibrated for RMS amplitude, but respond to the average value of a rectified waveform. Many digital voltmeters and all moving coil meters are in this category. The RMS calibration is only correct for a sine wave input since the ratio between peak, average and RMS values is dependent on waveform. If the wave shape being measured is greatly different from a sine wave, the relationship between RMS and average value changes. True RMS-responding meters were used in radio frequency measurements, where instruments measured the heating effect in a resistor to measure a current. The advent of microprocessor-controlled meters capable of calculating RMS by sampling the waveform has made true RMS measurement commonplace.
Pulse amplitude is measured with respect to a specified reference and therefore should be modified by qualifiers, such as average, instantaneous, peak, or root-mean-square.
Pulse amplitude also applies to the amplitude of frequency- and phase-modulated waveform envelopes.[7]
and are arbitrary constants representing time and displacement offsets respectively.
Units
The units of the amplitude depend on the type of wave, but are always in the same units as the oscillating variable. A more general representation of the wave equation is more complex, but the role of amplitude remains analogous to this simple case.
The amplitude of sound waves and audio signals (which relates to the volume) conventionally refers to the amplitude of the air pressure in the wave, but sometimes the amplitude of the displacement (movements of the air or the diaphragm of a speaker) is described.[8][9] The logarithm of the amplitude squared is usually quoted in dB, so a null amplitude corresponds to −∞dB. Loudness is related to amplitude and intensity and is one of the most salient qualities of a sound, although in general sounds it can be recognized independently of amplitude. The square of the amplitude is proportional to the intensity of the wave.
For electromagnetic radiation, the amplitude of a photon corresponds to the changes in the electric field of the wave. However, radio signals may be carried by electromagnetic radiation; the intensity of the radiation (amplitude modulation) or the frequency of the radiation (frequency modulation) is oscillated and then the individual oscillations are varied (modulated) to produce the signal.
Amplitude envelopes
Amplitude Envelope of Percussive and Flat Tones
Amplitude envelope refers to the changes in the amplitude of a sound over time, and is an influential property as it affects perception of timbre. A flat tone has a steady state amplitude that remains constant during time, which is represented by a scalar. Other sounds can have percussive amplitude envelopes featuring an abrupt onset followed by an immediate exponential decay. [10]
Percussive amplitude envelopes are characteristic of various impact sounds: two wine glasses clinking together, hitting a drum, slamming a door, etc. where the amplitude is transient and must be represented as either a continuous function or a discrete vector. Percussive amplitude envelopes model many common sounds that have a transient loudness attack, decay, sustain, and release. [11]
Amplitude normalization
With waveforms containing many overtones, complex transient timbres can be achieved by assigning each overtone to its own distinct transient amplitude envelope. Unfortunately, this has the effect of modulating the loudness of the sound as well. It makes more sense to separate loudness and harmonic quality to be parameters controlled independently of each other.
To do so, harmonic amplitude envelopes are frame-by-frame normalized to become amplitude proportion envelopes, where at each time frame all the harmonic amplitudes will add to 100% (or 1). This way, the main loudness-controlling envelope can be cleanly controlled.[12]
In Sound Recognition, max amplitude normalization can be used to help align the key harmonic features of 2 alike sounds, allowing similar timbres to be recognized independent of loudness.[13][14]
See also
Look up amplitude in Wiktionary, the free dictionary.
↑ "Amplitude Frequency Period Sound". VEDANTU. 2020-06-23. Retrieved 2022-06-30. Amplitude is the maximum displacement of the particles of a sound wave. Frequency is the number of vibrations made by a sound wave per second.
↑ "amplitude-frequency-period-sound". BYJUS. 2016-08-05. Retrieved 2022-06-30. The amplitude of a sound wave is the measure of the height of the wave. The amplitude of a sound wave can be defined as the loudness or the amount of maximum displacement of vibrating particles of the medium from their mean position when the sound is produced.
The decibel is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a power or root-power quantity on a logarithmic scale. Two signals whose levels differ by one decibel have a power ratio of 101/10 or root-power ratio of 101⁄20.
In physics and mathematics, the phase of a wave or other periodic function of some real variable is an angle-like quantity representing the fraction of the cycle covered up to . It is expressed in such a scale that it varies by one full turn as the variable goes through each period. It may be measured in any angular unit such as degrees or radians, thus increasing by 360° or as the variable completes a full period.
In physics, mathematics, engineering, and related fields, a wave is a propagating dynamic disturbance of one or more quantities. Periodic waves oscillate repeatedly about an equilibrium (resting) value at some frequency. When the entire waveform moves in one direction, it is said to be a traveling wave; by contrast, a pair of superimposed periodic waves traveling in opposite directions makes a standing wave. In a standing wave, the amplitude of vibration has nulls at some positions where the wave amplitude appears smaller or even zero. Waves are often described by a wave equation or a one-way wave equation for single wave propagation in a defined direction.
In signal processing, distortion is the alteration of the original shape of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel.
Signal-to-noise ratio is a measure used in science and engineering that compares the level of a desired signal to the level of background noise. SNR is defined as the ratio of signal power to noise power, often expressed in decibels. A ratio higher than 1:1 indicates more signal than noise.
The total harmonic distortion is a measurement of the harmonic distortion present in a signal and is defined as the ratio of the sum of the powers of all harmonic components to the power of the fundamental frequency. Distortion factor, a closely related term, is sometimes used as a synonym.
A signal generator is one of a class of electronic devices that generates electrical signals with set properties of amplitude, frequency, and wave shape. These generated signals are used as a stimulus for electronic measurements, typically used in designing, testing, troubleshooting, and repairing electronic or electroacoustic devices, though it often has artistic uses as well.
In electronics, acoustics, and related fields, the waveform of a signal is the shape of its graph as a function of time, independent of its time and magnitude scales and of any displacement in time. Periodic waveforms repeat regularly at a constant period. The term can also be used for non-periodic or aperiodic signals, like chirps and pulses.
In mathematics and its applications, the root mean square of a set of numbers is defined as the square root of the mean square of the set. The RMS is also known as the quadratic mean and is a particular case of the generalized mean. The RMS of a continuously varying function can be defined in terms of an integral of the squares of the instantaneous values during a cycle.
Pulse-width modulation (PWM), also known as pulse-duration modulation (PDM) or pulse-length modulation (PLM), is a method of controlling the average power or amplitude delivered by an electrical signal. The average value of voltage fed to the load is controlled by switching the supply between 0 and 100% at a rate faster than it takes the load to change significantly. The longer the switch is on, the higher the total power supplied to the load. Along with maximum power point tracking (MPPT), it is one of the primary methods of controlling the output of solar panels to that which can be utilized by a battery. PWM is particularly suited for running inertial loads such as motors, which are not as easily affected by this discrete switching. The goal of PWM is to control a load; however, the PWM switching frequency must be selected carefully in order to smoothly do so.
Audio power is the electrical power transferred from an audio amplifier to a loudspeaker, measured in watts. The electrical power delivered to the loudspeaker, together with its efficiency, determines the sound power generated.
Audio system measurements are a means of quantifying system performance. These measurements are made for several purposes. Designers take measurements so that they can specify the performance of a piece of equipment. Maintenance engineers make them to ensure equipment is still working to specification, or to ensure that the cumulative defects of an audio path are within limits considered acceptable. Audio system measurements often accommodate psychoacoustic principles to measure the system in a way that relates to human hearing.
A square wave is a non-sinusoidal periodic waveform in which the amplitude alternates at a steady frequency between fixed minimum and maximum values, with the same duration at minimum and maximum. In an ideal square wave, the transitions between minimum and maximum are instantaneous.
A sine wave, sinusoidal wave, or sinusoid is a periodic wave whose waveform (shape) is the trigonometric sine function. In mechanics, as a linear motion over time, this is simple harmonic motion; as rotation, it corresponds to uniform circular motion. Sine waves occur often in physics, including wind waves, sound waves, and light waves. In engineering, signal processing, and mathematics, Fourier analysis decomposes general functions into a sum of sine waves of various frequencies.
Electric power quality is the degree to which the voltage, frequency, and waveform of a power supply system conform to established specifications. Good power quality can be defined as a steady supply voltage that stays within the prescribed range, steady AC frequency close to the rated value, and smooth voltage curve waveform. In general, it is useful to consider power quality as the compatibility between what comes out of an electric outlet and the load that is plugged into it. The term is used to describe electric power that drives an electrical load and the load's ability to function properly. Without the proper power, an electrical device may malfunction, fail prematurely or not operate at all. There are many ways in which electric power can be of poor quality, and many more causes of such poor quality power.
Decibels relative to full scale is a unit of measurement for amplitude levels in digital systems, such as pulse-code modulation (PCM), which have a defined maximum peak level. The unit is similar to the units dBov and decibels relative to overload (dBO).
In electronics or electrical engineering the form factor of an alternating current waveform (signal) is the ratio of the RMS value to the average value. It identifies the ratio of the direct current of equal power relative to the given alternating current. The former can also be defined as the direct current that will produce equivalent heat.
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the reception of such waves and their perception by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of 17 meters (56 ft) to 1.7 centimeters (0.67 in). Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges.
In an electric power system, a harmonic of a voltage or current waveform is a sinusoidal wave whose frequency is an integer multiple of the fundamental frequency. Harmonic frequencies are produced by the action of non-linear loads such as rectifiers, discharge lighting, or saturated electric machines. They are a frequent cause of power quality problems and can result in increased equipment and conductor heating, misfiring in variable speed drives, and torque pulsations in motors and generators.
An audio analyzer is a test and measurement instrument used to objectively quantify the audio performance of electronic and electro-acoustical devices. Audio quality metrics cover a wide variety of parameters, including level, gain, noise, harmonic and intermodulation distortion, frequency response, relative phase of signals, interchannel crosstalk, and more. In addition, many manufacturers have requirements for behavior and connectivity of audio devices that require specific tests and confirmations.
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