Hardvapour

Last updated

Hardvapour is an Internet-based microgenre [1] of music that emerged in late 2015 as a tongue-in-cheek response to vaporwave, [2] departing from the calm, muzak-sampling capitalist utopia concept of the latter in favor of a gabber- and punk-influenced sound. Canadian music producer Wolfenstein OS X album End of World Rave (2015) and the Antifur record label are credited with having first defined the hardvapour sound. It is also related to vaportrap.[ original research? ]

Contents

Beginnings

On 29 November 2015, Canadian vaporwave producer Wolfenstein OS X (or WosX for short) released End of World Rave, the earliest notable hardvapour release, [1] via the Bandcamp label Dream Catalogue. [1] [3] [4] The album featured music that intentionally opposed aspects that were typically associated with the vaporwave sound. [1] Todd Ledford, founder of the label HVRF Central Command explained:

In the Fall of 2015 Wolfenstein OS X envisioned these Eastern European thug kids becoming inspired by how 'punk' putting your music on Bandcamp could be—especially all these imaginary vaporwave aliases—except these kids hated all the slowed down shit and thought it was 'for pussies'—so they launched HARDVAPOUR. [5]

On 9 December 2015, producer Hong Kong Express, under the alias Sandtimer, released Vaporwave Is Dead also under Dream Catalogue, [6] which announced the "death" of vaporwave and a "new era." [1] The album features a spoken word track with the lyrics, “Now, in the beginnings of the end of the world, vaporwave is dead. From now on, it will only be… the hardvapour.” [1]

Musical characteristics

Common elements include thick synthesizer sounds, programmed drums, fast tempos, and influences of acid house, big beat, broken beat, gabber, speedcore, noise music, hard techno, industrial techno, hardstyle and drum 'n' bass. [1] [5] The 56-track compilation album Hardvapour. by DJ VLAD, released worldwide via Antifur's Bandcamp page, showcases elements and influences from a variety of styles, such as techno, industrial music and trap. [1] Hacking For Freedom by Wolfenstein OS X's pseudonym Flash Kostivich was characterised by journalist Matt Broomfield as a "unique sonic space somewhere between early Clicks and Cuts compilations and the Ghost in the Shell soundtrack." [1]

Thump contributor Rob Arcand interprets the hardvapour sound as a rebellion against vaporwave that sometimes toys with elements of punk music. Examples such as "Humanoid Sound (гуманоид звук)" by Trende borrow the three-chord song structure of punk, while "Immortal" by DJ Alina features basslines distorted in a similar fashion to the works of Circle Jerks or Dead Kennedys. [5] Arcand views hardvapour as somewhere between vaporwave and a genre journalist Adam Harper calls distroid, a style that was "hi-fi to the point of actively fetishizing the hi-frequency hisses and twinkles that lo-fi was unable to produce." [5] According to Arcand, in common with vaporwave, hardvapour uses similar music software tools "not out of any special fixation with them, but simply because they're now the cheapest and most accessible tools around." [5]

Subcultural identity

The hardvapour aesthetic is influenced by Eastern European culture and some of its producers are thought to be of Eastern European origin; the J-card of the hardvapour. compilation album reveals that around a quarter of the producers included and involved were from Russia, Ukraine and Croatia. [5] Other producers like Flash, DJ Alina, and Krokodil Hunter have falsely labeled themselves to be Ukrainian and Russian, which German critic Jens Balzer felt added quirkiness to the hardvapour scene. [5]

wosX has noted that one of the major goals of hardvapour was "globalization" and showcasing the true harsh cultures of not only Eastern European but also other nations. [1] According to Matt Broomfield where vaporwave "exposes the artificiality below the utopic sheen of late capitalism" hardvapour "throws post-apocalyptic raves in defiance of dystopia." [1]

Thump writer Rob Arcand noted hardvapour's self-mocking aspect to be another major part of the culture with track titles such as "Long Live Hardvapour" and "Welcome to Hardvapour" that "either directly referencing the movement itself or obliquely mocking how the sound will be interpreted online (or eventually declared "over") though an endless proliferation of bizarre .gifs and nihilistic photos and videos." [5] Elements of cyberpunk also heavily come into play into the works of hardvapour and their visual aesthetic, such as on Hacking For Freedom whose iconography is inspired by the film The Matrix (1999) and the LPs Visions by Chinese Hackers and Жорсткий щойно випав сніг by Bannik Krew that feature aspects of the frequent cyberpunk element of surveillance footage. [5]

According to Thump's Colin Joyce, "At the forefront of the genre is the absurdly prolific collective and label H.V.R.F. (short for hardvapour Resistance Front). According to their Bandcamp, they're based in Pripyat, Ukraine, a ghost town near the border the country shares with Belarus. It seems unlikely, however, that anyone associated with the collective is actually based there, given that the city was evacuated after the Chernobyl nuclear disaster in 1986." [7]

Reception

Hardvapour was called "exciting" by the publications THUMP, [5] and the British magazine Dazed [1] According to Dazed, hardvapour garnered criticism from many vaporwave listeners as an "over-worn in-joke" mainly due to the "arcane backstories" that conceptualised most releases of the style. [1] Any discussion of hardvapour is banned from the official subreddit for vaporwave. [1] Hong Kong Express responded to this banning: "Some people can't take things with humour in seriously for some reason. It’s closer to Dr. Strangelove – a serious message with a dark and humorous slant.” [1]

See also

Related Research Articles

Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere.

Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.

<span class="mw-page-title-main">Anthony Rother</span>

Anthony Rother is an electronic music composer, producer and label owner living in Frankfurt, Germany.

Chillwave is a music microgenre that emerged in the late 2000s. It is characterized by evoking the popular music of the late 1970s and early 1980s while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop sound, escapist lyrics, psychedelic or lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, effects processing, and vintage synthesizers.

Seapunk is a subculture that originated on Tumblr in 2011. It is associated with an aquatic-themed style of fashion, 3D net art, iconography, and allusions to popular culture of the 1990s. The advent of seapunk also spawned its own electronic music microgenre, featuring elements of Southern hip hop and pop music and R&B music of the 1990s. Seapunk gained limited popularity as it spread through the Internet, although it was said to have developed a Chicago club scene.

<span class="mw-page-title-main">Vaporwave</span> Online musical genre and visual aesthetic

Vaporwave is a microgenre of electronic music and a subgenre of hauntology, a visual art style, and an Internet meme that emerged in the early 2010s, and became well-known in 2015. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, 1970s elevator music, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, stylized Greek sculptures, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.

<i>Floral Shoppe</i> 2011 studio album by Macintosh Plus

Floral Shoppe is the ninth studio album by the American electronic musician Ramona Xavier under the alias Macintosh Plus, released on December 9, 2011 by the independent record label Beer on the Rug. It was one of the first releases of the 2010s microgenre known as vaporwave to gain popular recognition on the Internet. Since then, Floral Shoppe has been considered by some critics to be the defining album of the style.

<span class="mw-page-title-main">PC Music</span> UK-based record label and art collective

PC Music is a record label and art collective based in London and run by producer A. G. Cook. It was founded in 2013, uploading its first releases to SoundCloud that year. Artists on its roster have included Hannah Diamond, GFOTY, Danny L Harle, EASYFUN, Namasenda, and Planet 1999. The label's releases have been showcased on the compilations PC Music Volume 1 (2015), Volume 2 (2016), and Volume 3 (2022). Following a decade-long run, since 2024 the label is now only dedicated to archival projects and special reissues.

<span class="mw-page-title-main">Synthwave</span> Music genre

Synthwave is an electronic music microgenre that is based predominantly on the music associated with action, science-fiction, and horror film soundtracks of the 1980s. Other influences are drawn from the decade's art and video games. Synthwave musicians often espouse nostalgia for 1980s culture and attempt to capture the era's atmosphere and celebrate it.

<i>Birth of a New Day</i> 2015 studio album by 2814

Birth of a New Day is the second studio album by English-American electronic music duo of dreampunk producers Hong Kong Express and Telepath, both collaborating under the alias 2814, released on January 21, 2015, by HKE's record label Dream Catalogue. With the popularity of vaporwave in the early to mid-2010s, the duo experimented with the genre by not using any form of samples to compose the album, thus becoming notable for being one of the first vaporwave releases not to include such production techniques. 2814 stated that they wanted it to "have a strong sense of place"; its themes reflect the dark worldviews of HKE.

<i>Blank Banshee 0</i> 2012 studio album by Blank Banshee

Blank Banshee 0 is the debut studio album by Canadian artist and producer Blank Banshee. It was released for free via Bandcamp on September 1, 2012.

A microgenre is a specialized or niche genre. The term has been used since at least the 1970s to describe highly specific subgenres of music, literature, film, and art. In music, examples include the myriad sub-subgenres of heavy metal and electronic music. Some genres are sometimes retroactively created by record dealers and collectors as a way to increase the monetary value of certain records, with early examples including Northern soul, freakbeat, garage punk, and sunshine pop. By the early 2010s, most microgenres were linked and defined through various outlets on the Internet, usually as part of generating popularity and hype for a newly perceived trend. Examples of these include chillwave, witch house, seapunk, shitgaze, vaporwave, and cloud rap.

<i>Rain Temple</i> 2016 studio album by 2814

Rain Temple is the third studio album by English-American electronic music duo of dreampunk musicians Hong Kong Express and Telepath, both collaborating under the alias 2814, released on July 26, 2016, by their record label Dream Catalogue. After the success of Birth of a New Day, one of the members stated that he wanted to "leave 2814 to rest", but he couldn't as he states that the project "just works so well for us both."

Hyperpop is a loosely defined electronic music movement and microgenre that predominantly originated in the United Kingdom during the early 2010s. It is characterised by a maximalist or exaggerated take on popular music, and artists within the microgenre typically integrate pop and avant-garde sensibilities while drawing on elements commonly found in electronic, hip hop, and dance music.

Wave is a genre of bass music and a visual art style that emerged in the early 2010s in online communities. It is characterized by atmospheric melodies and harmonies, melodic and heavy bass such as reese, modern trap drums, chopped vocal samples processed with reverb and delay, and arpeggiators. Visually, it incorporates computer-generated imagery and animation, and imagery from video games and cartoons.

Dreampunk is a microgenre of electronic music characterized by its focus on cinematic ambience and field recordings, combined with various traits and techniques from electronic genres such as techno, jungle, electro, and dubstep.

Jornt Elzinga, commonly known as Cat System Corp., is a Dutch musician regarded as a vaporwave figure that originated the mallsoft subgenre. He also previously recorded as Mesektet for his dark ambient releases.

<i>News at 11</i> (album) 2016 studio album by Cat System Corp.

News at 11 is the fourteenth studio album by Cat System Corp., the alias of Dutch electronic musician Jornt Elzinga. Released on September 11, 2016, it samples smooth jazz songs and excerpts from TV talk shows and commercials as a tribute to the victims of the September 11 attacks. Inspired by a vaporwave mix featuring a picture of the burning Twin Towers, Elzinga produced News at 11 as a portrayal of "a parallel universe where it never happened." Initially intended to be a Weather Channel-themed release, the album was produced over the course of nine months, and drew comparisons to the themes of author Ottessa Moshfegh's My Year of Rest and Relaxation (2018).

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Broomfield, Matt (28 April 2016). "Inside ‘hardvapour’, the internet’s latest microgenre". Dazed . Retrieved 11 March 2017.
  2. Joyce, Colin (September 6, 2016). "This New Hardvapour Comp Is a Perfect Soundtrack to the Horrifying Comedy of the Modern Era".
  3. 33 Independent Record Labels You Should Know|Complex
  4. End of World Rave by wosX on Amazon Music
  5. 1 2 3 4 5 6 7 8 9 10 Arcand, Rob (12 July 2016). "Inside Hardvapour, an Aggressive, Wry Rebellion Against Vaporwave". THUMP. Vice Media. Retrieved 11 March 2017.
  6. "Genre As Method: The Vaporwave Family Tree, From Eccojams to Hardvapour" Bandcamp Daily
  7. Joyce, Colin (January 20, 2017). "Hard Vapour Resistance Front Is Releasing Music as Confusing as the World Is". Thump.