James Ferraro | |
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Background information | |
Also known as | Bebetune$, Bodyguard, Edward Flex, K2, Lamborghini Crystal |
Born | Rochester, New York, U.S. | November 7, 1986
Genres | |
Instrument(s) | Synthesizer, computer, sampler, piano, vocals |
Years active | 2004–present |
Labels | Hippos in Tanks, Olde English Spelling Bee, New Age Tapes, Holy Mountain |
Website | James Ferraro on Bandcamp |
James Ferraro (born November 7, 1986) is an American experimental musician, producer, composer, and contemporary artist. He has been credited as a pioneer of the 21st century genres hypnagogic pop and vaporwave, with his work exploring themes related to hyperreality and consumer culture. His music has drawn on diverse styles such as 1980s electronic music, easy listening, drone, lo-fi, sound collage, and R&B.
Ferraro began his career in the early 2000s as a member of the Californian noise duo The Skaters, after which he began recording solo work under his name and a wide variety of aliases. [2] [3] He released projects on labels such as Hippos in Tanks and New Age Tapes. [2] Ferraro received wider recognition when his polarizing 2011 album Far Side Virtual was chosen as Album of the Year by The Wire . [4]
Ferraro was born in Rochester, New York, to Italian and African-American parents. [5] He came from a musical background; [6] his father was a musician, DJ, and record enthusiast, while his mother was a singer. [6] He began making instrumentals in high school with the program MTV Music Generator (1999). [6] When Ferraro was 18, he moved from New York to San Diego, California, where he met Spencer Clark. [7] He explained that "we had this conversation and it ended with us collaborating on visual art and paintings and stuff together." [7]
When Ferraro was 20, he formed a drone noise music project [8] with Clark called The Skaters, and the two recorded music for a year under the moniker. [7] After a year of recording, they began touring around the country and issued releases from that year of recording. [7] Physicalities Of The Sensibilities Of Ingrediential Stairways (2008), issued on Eclipse Records, was the last record released by The Skaters. [7]
Ferraro started the label New Age Tapes to release his own solo work; his early solo material was often released under myriad pseudonyms such as Lamborghini Crystal and Teotihuacan and was often distributed as limited cassettes or CD-Rs, although some LPs, such as Clear (2008) and Last American Hero (2008), were released through labels such as Holy Mountain Records and Olde English Spelling Bee. [2] According to AllMusic's Paul Simpson, these early recordings "explored everything from gamelan to drone to lo-fi Casio pop" and were associated with the 2000s "hypnagogic pop" trend by the media. [2] Around 2010, Ferraro's music developed an eccentric pop style on releases such as the high-school themed Night Dolls with Hairspray (2010). [2] He also collaborated on the 2011 RVNG ambient album collaboration FRKWYS 7 with Daniel Lopatin, David Borden, Laurel Halo, and Sam Godin. [2]
With the release of his polarizing 2011 album Far Side Virtual [9] on Hippos in Tanks, Ferraro's work abruptly embraced MIDI music technology and corporate Muzak. [2] Beginning as a series of ringtones, the album was met with both praise and derision from critics and was named Album of the Year by UK experimental magazine The Wire ; it was interpreted as "providing a postmodern critique on consumer culture, retro-futurism, and hyperreality", and along with Lopatin's Chuck Person's Eccojams Vol. 1 would go on to influence the 2010s Internet genre vaporwave, which explored similar themes. [2] Following the release of Far Side Virtual, Ferraro's work became increasingly influenced by contemporary hip hop and R&B, as evidenced on albums such as Sushi (2012), NYC, Hell 3:00 AM (2013), and Skid Row (2015). [2] He also released digital downloads under aliases such as Bebetune$ and Bodyguard. His 2016 album Human Story 3 returned to themes explored on Far Side Virtual. [2]
In August 2017, Ferraro's multimedia art exhibition Extinction Renaissance premiered at the Loyal Gallery in Stockholm, Sweden. [10] Ferraro also released a limited edition musical piece, 'Anthrospray: Music for Extinction Renaissance', on USB credit cards through the Loyal Gallery's website. On November 26, 2017, Ferraro digitally released Troll , a five-track EP. [11] In February 2018, Ferraro officially premiered Plague, an opera with scenography by Nate Boyce, at the 2018 transmediale festival. The work starred German actor Christoph Schüchner as an "undead" Steve Jobs, "the surrogate of a deranged AI, a data mongrel comprised of all our networked activity", and also featured chorales by PHØNIX16. [12] On May 18, 2018, Ferraro digitally released Four Pieces for Mirai , an EP working as the first part of and the prologue to the ongoing 'body of work' and project of the same name. Ferraro was featured and interviewed on the 416th cover of The Wire, October 2018.
Ferraro has created music since the mid-2000s, initially with Spencer Clark as The Skaters. His style has ranged from drone music and noise music with a lo-fi ethos [7] to sound collages. [13] His works are known for being conceptual in nature and for uniquely expressing specific modern subjects; his albums have incorporated themes of consumerism, cybernetics, emaciation, social experience, hyperreality, [7] post-9/11 New York, [13] lo-fi counterculture, [7] and the collapse of civilization. His 2011 work Far Side Virtual is often credited for helping to spark the development of the internet-based micro-genre vaporwave, although he has not considered himself a part of its history. [14] [15] [16]
In a 2009 issue of The Wire , David Keenan characterized Ferraro as a progenitor of an emerging post-noise music style dubbed "hypnagogic pop", in which memory and nostalgia for retro formats (especially 1980s recording technology and culture) acted as a defining characteristic. [17] [18]
Red Bull Music Academy described the concept of Ferraro's albums as regarding the "dark underbelly of masculine culture in the digital age." [7] Most of Ferraro's records take place in dystopian environments, focusing on the consequences of consumerism. [6] According to Ferraro, the consumerism concept of his albums came from his interest in "signs" and "symbols" and the fact that they lose their identity due to "excessive repetition." [6] His works have been compared to theories of French sociologist Jean Baudrillard, who stated that only "symbols" and "signs" have destroyed any sort of real meaning and that human activity is "only a simulation of reality." [19]
The sounds Ferraro uses are those that humans encounter but are not aware of. [19] These include television jingles, cell phone ringtones, and ATM noises. [19] Robert Grunenberg of Ssense characterized the sounds as "communicational tools" between humans and electronics that are "informing, warning, or pleasing" humans. [19] He also writes that "the shelf life of electronic audio rarely surpasses that of your average milk carton. And so, his compilations become a nostalgic sound archive of the near-past." [19] Overall, Grunenberg analyzed that concepts of Ferraro's sound palette was that "as much as we are living under the dominance of our visual culture, we are greatly affected by the powers of our audio culture as well." [19] Ferraro symbolized the nostalgia element that comes out of these "near-past" sounds as "the decline of American prosperity, a ghost of a once-superpower that is dying." [19] In making an album, Ferraro says that he comes up with a "vision", or an imaginary visual picture of what it will be. [6] He explained in a 2012 interview, "I try not to be overly conceptual about what I’m doing. You can contrive it to a point where it gets too heady. Music wise, I try to be careful." [8] When interviewed by Bomb magazine on the subject of sampling in 2013, Ferraro said, "I sample my own sources of sounds. I use AT&T Natural Voices and text-to-speech generators so it's all original content." [6]
Year | Title |
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2007 | Alternative Soundtrack To: Scream in Blue Surf Video |
2008 | Clear |
Discovery | |
Marble Surf | |
Multitopia | |
Postremo Mundus Techno-Symposium | |
Virtual Erase | |
Last American Hero / Adrenaline's End | |
2009 | Heaven's Gate |
Genie Head Gas in the Tower of Dreams (Jesters Midnight Toys) | |
KFC City 3099: Pt.1 Toxic Spill | |
Star Digital Theatre: Movies for P.T. Cruisers | |
Jarvid 9: Flushpipe | |
Jarvid 9: Gecko | |
Jarvid 9: Kava Jar Race | |
Body Fusion 1 | |
Body Fusion 2 | |
Rerex 1 | |
Rerex 2 | |
iAsia | |
Son Of Dracula | |
Wild World | |
Hacker Track | |
2010 | Pixarni |
Feed Me | |
On Air | |
Night Dolls With Hairspray | |
iAsia 2 Raver | |
2011 | Far Side Virtual |
2012 | Sushi |
2013 | NYC, Hell 3:00 AM |
2015 | Skid Row |
2016 | Human Story 3 |
2017 | Anthrospray: Music for Extinction Renaissance |
Speed | |
2019 | Requiem For Recycled Earth |
2020 | Neurogeist |
2021 | Terminus |
They Don't Know It's Christmas | |
2023 | Concerto I for Strings |
Concerto II for Strings | |
2024 | Genware I: DIHCRO |
Genware II: Eigen Embyro | |
Genware III: Neuralpaint |
Year | Title |
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2013 | Cold |
Year | Title |
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2009 | Citrac |
2016 | Rerex |
Year | Title |
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2011 | Condo Pets |
2012 | Hurting |
2013 | God Of London |
2014 | Eco – Savage Suite |
LAPD (Extended Motifs) | |
1 WTC | |
2015 | War |
FUKU-TONE | |
2016 | Burning Prius ® |
2017 | Fanfare for the Boston Marathon 2017 |
Troll | |
2018 | Four Pieces for Mirai (Overture) |
Year | Title |
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2006 | 1992 Cool Runnings |
Lamborghini Crystal | |
2007 | Clock Tower Acid |
Demon Channels (Radio Demons) | |
Dial: 747 Creepozoid | |
Draco-Shop Bop Vol. 1 | |
Little Deuce Coupe T.V. Dinners | |
Roach Motel | |
Smoking Out His Majesties UFO | |
2008 | Refried Demon Channels |
Year | Title |
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2007 | Alien Microwave |
Year | Title | Alias released under |
---|---|---|
2004 | Cruisin' the Nightbiker Strip 1977 | Cruisin' the Nightbiker Strip 1977 |
2005 | Sunbrain Albino (Aquarium Temples) | 8pashupatinath |
Acid Eagle | Acid Eagle | |
Newage Panther Mistique | Newage Panther Mistique | |
Live Smokeshows From Inside the Ciguri Cave Hazed Diamonds With Windswept Hair | Teotihuacán | |
Teotihuacán | ||
2006 | Dreams | Dreams |
Purple Gongs | Purple Gongs | |
Pan als Allgott Saturnia, 1977 | Pan als Allgott Saturnia, 1977 | |
Wheel Of Heaven | Snake Figures Fan | |
Composition of the Sensibilities of Melted Knowledge | Composition of the Sensibilities of Melted Knowledge | |
2007 | Body of Consciousness / Uguiya to Jeep by Iguana Greenwave | Nirvana |
Malanyang Nirvana Safari | ||
Peyote Cactus Rituals | Peyote Cactus Rituals | |
Slippery Beach Trashed Gamelan | Splash | |
Prelude to Diminishing Forms | Sky and Mirrorbalm in Preparation for Deja Vu | |
2008 | D.M.T | D.M.T |
Infrared Roots | ||
Chameleon Ballet | K2 | |
Dianetic Biodome | ||
Encino Man: Cryogenic Awakening | ||
Silicon Oasis | ||
Alternative Soundtrack to "Digital Overdrive" | Liquid Metal | |
Symbio Dome | Symbio Dome |
Year | Title | Alias released under |
---|---|---|
2011 | Inhale C-4 $$$$$ | BEBETUNE$ |
2014 | Suki Girlz | User703918785 |
Year | Title | Alias released under |
---|---|---|
2005 | Menstrual Chinese Dream | Menstrual Chinese Dream |
Boiling the Animal in the Sky | The Wooden Cupboard | |
Palm Reading in the Sacred Universe Wilderness | ||
Animals Speak the Spirit Tongue | ||
2007 | Observatory cg II & III (Coconut of Teotihuacan) | Arecaceae |
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Lo-fi is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved over the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music. Some subsets of lo-fi music have become popular for their perceived nostalgic and/or relaxing qualities, which originate from the imperfections that define the genre.
Chillwave is a music microgenre that emerged in the late 2000s. It is characterized by evoking the popular music of the late 1970s and early 1980s while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop sound, escapist lyrics, psychedelic or lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, effects processing, and vintage synthesizers.
Daniel Lopatin, best known as Oneohtrix Point Never or OPN, is an American experimental electronic music producer, composer, singer, and songwriter. His music has utilized tropes from various musical genres and eras, sample-based composition, and complex MIDI production.
Far Side Virtual is a studio album by American electronic musician James Ferraro, released on October 25, 2011 by Hippos in Tanks. Conceived as a series of ringtones, the album marked Ferraro's transition from his previous lo-fi recording approach to a sharply produced, electronic aesthetic that deliberately evokes sources such as elevator music, corporate mood music, easy listening, and early computer sound design. The album has been interpreted as engaging with themes such as hyperreality, disposable consumer culture, 1990s retrofuturism, advertising, and musical kitsch.
Vaporwave is a microgenre of electronic music and a subgenre of hauntology, a visual art style, and an Internet meme that emerged in the early 2010s, and became well-known in 2015. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, 1970s elevator music, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, stylized Ancient Greek or Roman sculptures, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.
Floral Shoppe is the ninth studio album by the American electronic musician Ramona Andra Langley under the alias Macintosh Plus, released on December 9, 2011 by the independent record label Beer on the Rug. It was one of the first releases of the 2010s microgenre known as vaporwave to gain popular recognition on the Internet. Since then, Floral Shoppe has been considered by some critics to be the defining album of the style.
Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources. It was used as an initial template for the vaporwave internet microgenre.
Hypnagogic pop is pop or psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past. It emerged in the mid to late 2000s as American lo-fi and noise musicians began adopting retro aesthetics remembered from their childhood, such as radio rock, new wave pop, light rock, video game music, synth-pop, and R&B. Recordings circulated on cassette or Internet blogs and were typically marked by the use of outmoded analog equipment and DIY experimentation.
Sushi is a studio album by the American electronic musician James Ferraro, released on November 7, 2012, by the independent record label Hippos in Tanks. The electronica dance-pop record has a much more mainstream sound than Ferraro's past albums, continuing some of the trap, R&B and hip-hop underpinnings that were a part of Ferraro's two mixtapes Inhale C-4 $$$$$ (2012) and Silica Gel (2012), released under his Bebetune$ and Bodyguard monikers, respectively. Sushi garnered mixed to positive reviews upon its release, a common criticism being its lack of depth or indication of a main concept.
Night Dolls with Hairspray is a studio album by American electronic musician James Ferraro, released on October 31, 2010 by Olde English Spelling Bee. Described as a "cycle of bubblegum pop songs," its lo-fi sound draws on sources such as 1980s pop culture tropes, B-movies, and glam punk. The album garnered generally favorable reviews from critics, and was called a "weirdo masterpiece of the 21st century" by Impose.
NYC, Hell 3:00 AM is a studio album by American musician James Ferraro, released digitally and physically on October 15, 2013 by the label Hippos in Tanks. The album, stylistically exploring a combination of R&B and avant-garde music, was Ferraro's first album recorded with studio instrumentation. It began as a conceptual project, described by Ferraro as "a surreal psychological sculpture of American decay and confusion", for him to only record at or around midnight, and the album's material was "realized" instead of structured and planned out.
Skid Row is a studio album by American electronic musician James Ferraro, released on November 13, 2015 by Break World Records. Lyrically, it had previously existed as a series of poems before it turned into a set of lyrics for an album named after the crime-and-poverty-heavy Los Angeles area Skid Row. It is the Los Angeles counterpart to Ferraro's previous studio effort NYC, Hell 3:00 AM (2013). Its sound palette includes elements of funk, news reports, new jack swing, film scores, smooth jazz and 1980s rock and hip-hop. The album garnered generally positive reviews upon its release.
Human Story 3 is a studio album by American electronic musician James Ferraro, self-released on June 14, 2016. Displaying a turn towards the style and aesthetic of modern classical, the album's concept revolves philosophically and structurally on how technology that can be used meaningfully is often used less usefully for commerce and, as a result, how the technology may eventually end up subverting humanness. The record garnered critical acclaim and landed at number seven on Tiny Mix Tapes' year-end list of the best albums of 2016.
Suki Girlz is a mixtape by producer James Ferraro, self-released under the moniker user703918785 on SoundCloud on July 2, 2014. The concept of the trap mixtape is symbolized through both its sound and its marketing; all of the tracks are low-quality and borrow tropes common in music self-released on sites like SoundCloud, and it was released with the name user703918785, which spoofs the spambots of these services, thus making it symbolically disposable. It garnered favorable opinions from music journalists, landing at number one on a list of the best mixtapes of 2014 by Pretty Much Amazing.
Last American Hero is a studio album by American musician James Ferraro, released on November 10, 2008 by Taped Sounds. It was later repressed in March 2010 by Olde English Spelling Bee.
Hauntology is a music genre or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1940s to the 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling.
Jornt Elzinga, commonly known as Cat System Corp., is a Dutch musician regarded as a vaporwave figure that originated the mallsoft subgenre. He also previously recorded as Mesektet for his dark ambient releases.
Luke Laurila, better known as Telepath, is an American musician notable for his considerable impact within the vaporwave scene. During the mid-2010s, his ambient sound and dream-like presentation turned him into the main originator of the slushwave subgenre. He also released albums under the alias Virtual Dream Plaza, and he currently releases music under the pseudonym Tianhuojian.
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