 | This biographical article is written like a résumé .(August 2022) |
| This article may contain an excessive amount of intricate detail that may interest only a particular audience. Specifically, excessive use of long lists of ensembles, festivals and works.(August 2022) |
Jennifer Walshe (born 1 June 1974) is an Irish composer, vocalist and artist.
Jennifer Walshe was born in Dublin, Ireland, in 1974. She studied composition with John Maxwell Geddes at the Royal Scottish Academy of Music and Drama, Kevin Volans in Dublin and graduated from Northwestern University (Evanston, IL) with a doctoral degree in composition in June 2002. Her chief teachers at Northwestern were Amnon Wolman and Michael Pisaro. [1] In 2003–04 Walshe was a fellow of Akademie Schloss Solitude, Stuttgart; during 2004–05 she lived in Berlin as a guest of the DAAD Berliner Künstlerprogramm. [1] From 2006 to 2008 she was the composer-in-residence in South Dublin County for In Context 3. Walshe received a 2007 Foundation for Contemporary Arts Grants to Artists Award. In 2008 she was awarded the Praetorius Music Prize for Composition by the Niedersächsisches Ministerium für Wissenschaft und Kultur. [1] In 2014 she was invited as guest curator for the Danish music and sound art festival SPOR festival. [2]
Walshe's work has been performed all over the world by ensembles such as Alter Ego, ensemble recherche, Ensemble Resonanz, Apartment House, ensemble Intégrales, Neue Vocalsolisten Stuttgart, Stuttgarter Kammerorchester, Schlagquartett Köln, Crash Ensemble, Con Tempo Quartet, Trio Scordatura, Ensemble Ascolta, Champ d'Action, ensemble laboratorium, ensemble surplus, the Rilke Ensemble, the Irish Chamber Orchestra, the Irish Youth Wind Ensemble, Bozzini Quartet, Callino Quartet, Ensemble 2000, Concorde, Kaleidoscop, Black Hair, Continuum, Musica Nova Consort, ensemble chronophonie, the Scottish Chamber Orchestra Wind Quintet, the Hebrides Ensemble, Psappha, and Q-02 among others. [1]
She has received commissions from organisations including Raidió Teilifís Éireann (RTÉ), Westdeutscher Rundfunk (WDR), Südwest Rundfunk (SWR), the Internationale Ferienkurse für Neue Musik, Darmstadt, MaerzMusik, Musik der Jahrhundert, the Huddersfield Contemporary Music Festival, Dresdener Tage der zeitgenössischen Musik, Wien Modern, the Dresden Semperoper, Center for Art and Media Karlsruhe, the Irish Chamber Orchestra, Crash Ensemble, the Project Arts Centre and the National Concert Hall, Ireland, as well as commission awards from the New Music Scheme of the Arts Council of Ireland and the Scottish Arts Council.
In 2003–04 Walshe was composer-in-residence at the National Sculpture Factory, Cork. In 2000 she won the Kranichsteiner Musikpreis at the Internationale Ferienkurse für Neue Musik in Darmstadt, and received first prize in the SCI/ASCAP 2002 Commission Competition. In July 2002 she returned to Darmstadt to lecture in composition at the Internationale Ferienkurse für Neue Musik. Her work was shortlisted for the 2002 and 2003 Gaudeamus Foundation composition prize.
In addition to her activities as a composer, Walshe frequently performs as a vocalist, specialising in extended techniques. Many of her recent compositions were commissioned for her voice in conjunction with other instruments, and her works have been performed by her and others at festivals such as RTÉ Living Music (Dublin), Båstad Kammarmusik Festival (Sweden), Ultraschall (Berlin), Ars Musica (Brussels), Steirischer Herbst, Wien Modern, Wittener Tage für neue Kammermusik, Donaueschinger Musiktage, the Huddersfield Contemporary Music Festival, Late Music Festival (York), Hamburger Klangwerktage, Gaida (Lithuania), BMIC Cutting Edge, Composer's Choice (Dublin), SoundField (Chicago) the Internationale Ferienkurse für Neue Musik Darmstadt, Stockholm New Music, BELEF (Belgrade), Traiettorie (Parma), Lucerne Festival (Switzerland), SPOR (Denmark), Frau musica nova (Cologne), Performa (New York), Electric Eclectics (Canada), Reihe 0 (Austria), Ergodos (Dublin), Music at the Anthology (New York) and the 17th edition of the Sonic Acts Festival: The Noise of Being (Amsterdam). Walshe is also active as an improviser, performing regularly with musicians in Europe and the US. [1]
Recent projects of note include Grúpat, a two-year project in which Walshe assumed nine different alter egos – all members of art collective Grúpat – and created compositions, installations, graphic scores, films, photography, sculptures and fashion under these alter egos. Pieces by Grúpat members have been performed and exhibited all over the world, most notably at the Dublin Electronic Arts Festival; Kilkenny Arts Festival; the Museum of Arts & Design, New York; the Contemporary Arts Museum Houston; New Langton Arts, San Francisco; Ultrasound Festival, Tel Aviv and Festival Rümlingen, Switzerland. [1] In February 2009 Grúpat were the feature of a retrospective at the Project Arts Centre, Dublin, which coincided with the launch of the book Grúpat by Project Press and the release of two CDs featuring Walshe's music written under her Grúpat alter egos. Walshe is part of the first edition of the Monheim Triennale. [3]
Since 2016, Walshe has been Professor at the Hochschule für Musik und Darstellende Kunst Stuttgart. [1] She has taught, held lectures, and performed workshops within the framework of conferences and festivals, and has acted as mentor at the Forecast program in Berlin. [4] In 2019, The Guardian ranked XXX_LIVE_NUDE_GIRLS!!! (2003) the 25th greatest work of art music since 2000, with Kate Molleson stating that "she yanks off the plastic veneer of commercial culture by parodying then systematically dismembering the archetypes." [5]
As of 2021, Walshe is Professor of Composition at the University of Oxford. [6]
Karlheinz Essl is an Austrian composer, performer, sound artist, improviser, and composition teacher.
James Dillon is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Jukka Santeri Tiensuu is a Finnish contemporary classical composer, harpsichordist, pianist and conductor.
Georg Friedrich Haas is an Austrian composer. In a 2017 Classic Voice poll of the greatest works of art music since 2000, pieces by Haas received the most votes (49), and his composition in vain (2000) topped the list.
Liza Lim is an Australian composer. Lim writes concert music as well as music theatre and has collaborated with artists on a number of installation and video projects. Her work reflects her interests in Asian ritual culture, the aesthetics of Aboriginal art and shows the influence of non-Western music performance practice.
Rebecca Saunders is a London-born composer who lives and works freelance in Berlin. In a 2017 Classic Voice poll of the greatest works of art music since 2000, Saunders' compositions received the third highest total number of votes (30), surpassed only by the works of Georg Friedrich Haas (49) and Simon Steen-Andersen (35). In 2019, writers of The Guardian ranked Skin (2016) the 16th greatest work of art music since 2000, with Tom Service writing that "Saunders burrows into the interior world of the instruments, and inside the grain of Fraser's voice [...] and finds a revelatory world of heightened feeling."
Marc-André Dalbavie is a French composer. He had his first music lessons at age 6. He attended the Conservatoire de Paris, where he studied composition with Marius Constant and orchestration with Pierre Boulez. In 1985 he joined the research department of IRCAM where he studied digital synthesis, computer assisted composition and spectral analysis. In the early 1990s he moved to Berlin. Currently he lives in the town of St. Cyprien and teaches orchestration at the Conservatoire de Paris.
Mariano Etkin (1943–2016) was an Argentine composer.
Eres Holz, is a German composer of Israeli origin. He has been living in Germany since 2003.
Guðmundur Steinn Gunnarsson is an Icelandic composer, performer and a founding member of S.L.Á.T.U.R., an experimental arts organization in Reykjavík. In his compositions he has developed a rhythmic language devoid of regular beat or metre, and he has created a new musical notation to represent his music.
Annesley Black is a Canadian composer based in Germany and Austria. Her works span from instrumental music to electronics and video performances, from orchestra and chamber music to theatre, solo performances and installations. She has appeared as a performer, improviser and sound-director.
Ann Cleare is an Irish composer. She is assistant professor at Trinity College Dublin. In 2019 she won the Ernst von Siemens Composers' Prize, sharing it with Annesley Black and Mithatcan Öcal.
Frederic D’haene is an avant-garde composer born in Kortrijk (Belgium) in 1961. After completing musicology at Ghent University and KU Leuven, he studied composition at Royal Conservatory of Liège with Frederic Rzewski, Walter Zimmerman, Henri Pousseur and Vinko Globokar. He later worked as assistant of Frederic Rzewski at the Conservatory of Liège (1990–96). He was introduced to Gagaku Music through Tadatoshi Miyagawa and Kanehiko Togi. His own composition technique is called ‘paradoxophony’.
Gwyn Pritchard is a British composer, ensemble and festival director, and teacher.
Péter Kőszeghy is a Hungarian composer and music eductor.
Juliane Klein is a German composer and publishing director.
Paul Clift is an Australian composer of contemporary classical music. His catalogue of works to date comprises mostly instrumental music, often with electronics, video or other multimedia elements.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
