Daniel Lopatin, best known as Oneohtrix Point Never or OPN, is an American experimental electronic music producer, composer, singer and songwriter. His music has experimented with tropes from various music genres and eras, sample-based song structures, and elaborate MIDI production.
James Ferraro is an American experimental musician, producer, composer and contemporary artist. He has been credited as a pioneer of the 21st century genres hypnagogic pop and vaporwave, with his work exploring themes related to hyperreality and consumer culture. His music has drawn on diverse styles such as 1980s electronic music, easy listening, drone, lo-fi, sound collage, and R&B.
Far Side Virtual is a studio album by American electronic musician James Ferraro, released on October 25, 2011 by Hippos in Tanks. Conceived as a series of ringtones, the album marked Ferraro's transition from his previous lo-fi recording approach to a sharply produced, electronic aesthetic that deliberately evokes sources such as elevator music, corporate mood music, easy listening, and early computer sound design. The album has been interpreted as engaging with themes such as hyperreality, disposable consumer culture, 1990s retrofuturism, advertising, and musical kitsch.
R Plus Seven is the sixth studio album by American electronic musician Oneohtrix Point Never, released on September 30, 2013, as his debut album on Warp Records. The album's musical palette draws heavily on the synthetic sounds of MIDI instruments, 1980s synth presets and VSTs.
Tomorrow’s Hits is the fifth studio album by the Brooklyn punk rock band The Men released March 4, 2014 on Sacred Bones Records.
Vaporwave is a microgenre of electronic music, visual art style, and Internet meme that emerged in the early 2010s. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, elevator, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.
Floral Shoppe is the ninth studio album by the American electronic musician Vektroid under the alias Macintosh Plus, released on December 9, 2011 by the independent record label Beer on the Rug. It is her ninth full-length album and was one of the first releases of the 2010s microgenre known as vaporwave to gain popular recognition on the Internet. Since then, Floral Shoppe has been considered by some critics to be the defining album of the style.
Polly-Louisa Salmon, better known by her stage name GFOTY, an abbreviation of Girlfriend of the Year, is a British pop singer. From 2013 to 2018, she released music through the PC Music label. She now independently releases her music. Much of her work has been in the form of mini-mixes.
Chuck Person's Eccojams Vol. 1 is an album by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. A plunderphonics and chopped and screwed album, Eccojams Vol. 1 features songs that consist of looped samples from popular songs from the 1980s and 1990s, with effects such as pitch shifting being applied. The album has an overall mournful tone and often takes melancholic lyrics from the songs it samples.
Hypnagogic pop is pop or psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past. It emerged in the mid to late 2000s as American lo-fi and noise musicians began adopting retro aesthetics remembered from their childhood, such as radio rock, new wave pop, light rock, video game music, synth-pop, and R&B. Recordings circulated on cassette or Internet blogs and were typically marked by the use of outmoded analog equipment and DIY experimentation.
Sushi is a studio album by the American electronic musician James Ferraro, released on November 7, 2012, by the independent record label Hippos in Tanks. The electronica dance-pop record has a much more mainstream sound than Ferraro's past albums, continuing some of the trap, R&B and hip-hop underpinnings that were a part of Ferraro's two mixtapes Inhale C-4 $$$$$ (2012) and Silica Gel (2012), released under his Bebetune$ and Bodyguard monikers, respectively. Sushi garnered mixed to positive reviews upon its release, a common criticism being its lack of depth or indication of a main concept.
Cold is a mixtape by American electronic musician James Ferraro, recorded in New York City and released in March 2013 on the Hippos in Tanks label. The press release stated that Cold is about "human drama" that is a part of a nihilistic period, as well as "the repetition and consumption of hedonism that cannot represent or replace one night of love." Described by one journalist as a pastiche of contemporary R&B and hip-hop, Cold contains elements of two-step, dubstep, techno and lounge music styles. Reviews of the mixtape were very favorable in general, common praises including its production and the use of Ferraro's own vocals.
Skid Row is a studio album by American electronic musician James Ferraro, released on November 13, 2015 by Break World Records. Lyrically, it had previously existed as a series of poems before it turned into a set of lyrics for an album named after the crime-and-poverty-heavy Los Angeles area Skid Row. It is the Los Angeles counterpart to Ferraro's previous studio effort NYC, Hell 3:00 AM (2013). Its sound palette includes elements of funk, news reports, new jack swing, film scores, smooth jazz and 1980s rock and hip-hop. The album garnered generally positive reviews upon its release.
Human Story 3 is a studio album by American electronic musician James Ferraro, self-released on June 14, 2016. Displaying a turn towards the style and aesthetic of modern classical, the album's concept revolves philosophically and structurally on how technology that can be used meaningfully is often used less usefully for commerce and, as a result, how the technology may eventually end up subverting humanness. The record garnered critical acclaim and landed at number seven on Tiny Mix Tapes' year-end list of the best albums of 2016.
Suki Girlz is a mixtape by producer James Ferraro, self-released under the moniker user703918785 on SoundCloud on July 2, 2014. The concept of the trap mixtape is symbolized through both its sound and its marketing; all of the tracks are low-quality and borrow tropes common in music self-released on sites like SoundCloud, and it was released with the name user703918785, which spoofs the spambots of these services, thus making it symbolically disposable. It garnered favorable opinions from music journalists, landing at number one on a list of the best mixtapes of 2014 by Pretty Much Amazing.
Inhale C-4 $$$$$ is a mixtape by American electronic musician James Ferraro under the alias BEBETUNE$, released for free on December 14, 2011. Parodying the tropes of contemporary American hip hop music and its culture, it marks the first time in Ferraro's career that he approached such a style. Reviews of the mixtape were mostly positive, and it appeared in the top 20 of Tiny Mix Tapes' list of the best releases of 2012.
&&&&& is the debut mixtape by Venezuelan electronic producer Arca. It was released on 23 July 2013 through Hippos in Tanks on SoundCloud. Even though 14 tracks are listed, the entire mixtape is in sequence as a single track. A vinyl release of the mixtape with an alternative album cover was released in January 2014 and was limited to 500 copies. On 28 July 2020, Arca announced a re-release of &&&&& through PAN, making the mixtape available on mainstream streaming platforms for the first time on 18 September 2020.
Dark Web is a studio album by American producer Keith Rankin, known by his stage name Giant Claw, released in September 2014 worldwide by the labels Orange Milk Records, Noumenal Loom, and in Japan by Virgin Babylon. Dark Web depicts the idea of existing cultures and music coming together to form, in the words of Orange Milk, "new compositional tools." As such, its melodies are executed from a combination of half-second-length snippets of vocal samples from pop and R&B songs. Dark Web follows Giant Claw's typical style of samples and MIDI compositions but with more influences of modern music than Rankin's previous records. Dark Web garnered a favorable critical response for its odd tone and landed in the year-end lists of publications such as Tiny Mix Tapes and CMJ.
Pharma is a double album by American vaporwave producer Alex Koenig, also known as Nmesh. It was released August 4, 2017 on Orange Milk Records. It follows the same vaporwave style as other Nmesh albums like Nu.wav Hallucinations (2013) and Dream Sequins (2014).
Everywhere at the End of Time is the eleventh and final recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.
