Skid Row (James Ferraro album)

Last updated
Skid Row
JamesFerraroSkidRow.jpg
Studio album by
ReleasedNovember 13, 2015
Genre
Length56:51
Label Break World
Producer James Ferraro
James Ferraro chronology
Suki Girlz
(2014)
Skid Row
(2015)
Human Story 3
(2016)
Singles from Skid Row
  1. "Skid Row"
    Released: September 24, 2015

Skid Row is a studio album by American electronic musician James Ferraro, released on November 13, 2015 by Break World Records. Lyrically, it had previously existed as a series of poems before it turned into a set of lyrics for an album named after the crime-and-poverty-heavy Los Angeles area Skid Row. It is the Los Angeles counterpart to Ferraro's previous studio effort NYC, Hell 3:00 AM (2013). Its sound palette includes elements of funk, news reports, new jack swing, film scores, smooth jazz and 1980s rock and hip-hop. The album garnered generally positive reviews upon its release.

Contents

Recording and concept

"I remember seeing the Rodney King home video beating on TV. I remember adults being around T.V. talking about it. And I remember there being this sort of energy around it, that this was different to just watching a primetime sitcom or something. There was a little more tension; adults seemed a little more worked up. I remember the visuals too – I was at my grandma's house and there was this huge old wooden T.V. It was just the lexicon for a while. It was something people referenced pretty easily. That's the thing about L.A. – it's still referenced in the actual behaviour [of people]. You see the actual shell-shocked nature of what these things have done to L.A. It sheds a light on a certain character of the environment."

— Ferraro recalling his time during the 1992 Los Angeles riots [1]

When James Ferraro was raised in the early 1990s, his mother lived in New York City and his father in Los Angeles. While traveling back and forth to these homes every few years or less, he noticed the difference of trends and cultures that took place in the cities he went through, describing the experience as "like the internet before the internet had really evolved." [2] Skid Row is a follow-up and the Los Angeles equivalent to Ferraro's previous LP NYC, Hell 3:00 AM (2013), [2] [3] a Hippos in Tanks release that was about the unwholesome part of New York City Ferraro saw that was unknown to most of the world and "a surreal psychological sculpture of American decay and confusion" as Ferraro described. [4] [5]

One time, when visiting the University of Southern California to meet a friend, Ferraro was authorized to use the virtual reality therapy software Bravemind, which is normally used by war veterans to re-experience traumatic war events in order to relieve severe symptoms of post-traumatic stress disorder. [2] He described the virtual area he viewed as "lifeless and really void," and it inspired him to create the three-track extended play War (2015) shortly after using the software, around the same time he began writing Skid Row. [2] The experience with Bravemind painted the mood of the album that Ferraro conceived, saying that his Los Angeles experiences felt like a hyperreal war zone or a "psychic battlefield". [2] [3] Skid Row is about the city's relation to how the media dramatizes information about topics like the 1992 Los Angeles riots and the 1994 O. J. Simpson trial. [1] Some parts of Los Angeles he saw are used on the record as metaphors, such as burning Toyota Prius cars, showcasing how consumerism have caused people to ruin climate. [1] The album is interlaced with samples from online shopping commercials, a take on the culture of Silicon Valley according to God Is in the TV. [6]

In the tradition of making most of Ferraro's records where he imagined an album as being a stage play, film or opera, [2] what would later be an album named after the crime-and-poverty-heavy Los Angeles area of Skid Row [3] began as a series of poems named after The Terminator (1984), a film set in Los Angeles. [2] The films Colors (1988) and Boyz n the Hood (1991) were influences throughout the whole writing process when he the turned the poems into album lyrics and changed the name to Skid Row. As Ferraro said, "I kind of see it as if, you know when you go to a movie house, there's Colors and Boyz n the Hood, and then there's Skid Row, this weird B-movie from the time that nobody really saw." [2] Skid Row was the second record in Ferraro's career where he produced in an actual studio. [A] Ferraro said in an interview that "it's cool to be in an actual space that is just dedicated to you crafting this work. You really hone in [sic] on certain things and spend more time being focused." [2] One difference of making Skid Row from his previous releases is that the recording was done first before mixing instead of all at one time. [2]

Music and sound

Skid Row utilizes influences and sound palettes from Los Angeles' music culture, different from NYC, Hell 3:00 AM in the style of "cold and brittle" contemporary R&B. [7] The online magazine God Is in the TV categorized the LP as a vaporwave album due to its use of news snippets overlaid on top of each other, samples of lounge music and smooth jazz, slow track tempos, and 1980s rock and hip-hop samples. [6] A Pitchfork reviewer also noticed more pop hooks in Skid Row than on NYC, Hell 3:00 AM, which suggests that "he might be starting to come to terms with his innate pop talents, or it could just be a new tactic of dispensing hints of traditional pop pleasures into the gloom to keep his audience off balance." [7]

Ferraro's lead singing on Skid Row serve as an internal monologue about the feeling of isolation while in a car, a vehicle that is a big part of the overall lifestyle of Los Angeles. [1] God is in the TV described his voice on the album as a "slowed-down Maxi Jazz" with occasional influences of George Michael on tracks like "Sentinel Beast." [6] Sonic aspects of the album are arranged to represent conflict associated with the city, and cinematic strings are played to enhance the movie-like feeling of the album. [1]

Release and promotion

Professional ratings
Review scores
SourceRating
God is in the TV Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [6]
Pitchfork 6.6/10 [7]
Tiny Mix Tapes TMT full.svgTMT full.svgTMT full.svgTMT full.svgTMT half.svg [8]

On September 24, 2015, Vice Media's electronic music publication THUMP premiered Skid Row's title track, and announced that the album would be released on November 13, 2015 through Break World Records. [3] On November 15, Stereogum premiered the official video for “Thrash & Escalate," which Ferraro directed with Elsa Henderson. The video consists of white silhouettes of angels laid on erratically arranged footage of smog, factories and dark streets. [9]

Reviews of Skid Row were generally positive. A Pitchfork critic described the album as "solidly built cohesive" and "a worthy addition to the long line of punk albums about Los Angeles that render it as a city built on fantasy with a nihilistic streak that runs to its core." [7] A review published in God Is in the TV spotlighted Ferraro's knowledge of Los Angeles which was unusual for a person who usually lives in New York, and described its "metallic" chopped and screwed style as "idiosyncratic". [6] A Tiny Mix Tapes review was put under the site's "EUREKA!" column, a section for albums "so incredible we just can't help but exclaim EUREKA!" [8] The review described the album as "a sad, chaotic, asymmetrical report, but it's honest." [8] Skid Row landed at number three on the publication's list of best albums of 2015. [10]

Track listing

Skid Row [11]
No.TitleLength
1."Burning Prius (for the World)"1:34
2."White Bronco"4:32
3."Pollution"3:48
4."Street Freaks"4:28
5."Million Dollar Man"1:14
6."Thrash & Escalate"3:14
7."Skid Row"4:32
8."To Live and Die in La"8:33
9."Rhinestones"5:32
10."Doctor Hollywood"6:54
11."1992"4:18
12."Sentinel Beast"4:54
13."At the Beach"3:18
Total length:56:51

Release history

RegionDateFormat(s)Label
WorldwideNovember 13, 2015Break World

Notes

Related Research Articles

Skid row Impoverished urban area in North America

A skid row or skid road is an impoverished area, typically urban, in English-speaking North America whose inhabitants are mostly poor people "on the skids". This specifically refers to poor or homeless, either considered disreputable, downtrodden or forgotten by society. A skid row may be anything from an impoverished urban district to a red-light district to a gathering area for homeless people and drug addicts. In general, skid row areas are inhabited or frequented by individuals marginalized by poverty and also drug addicts. Urban areas considered skid rows are marked by high vagrancy, dilapidated buildings, and drug dens, as well as other features of urban blight. Used figuratively, the phrase may indicate the state of a poor person's life.

<i>Skid Row</i> (Skid Row album) 1989 studio album by Skid Row

Skid Row is the debut studio album by American heavy metal band Skid Row, released on January 24, 1989, by Atlantic Records. After signing with manager Doc McGhee, Skid Row signed with Atlantic and began recording its debut. The album was recorded in Lake Geneva, Wisconsin with producer Michael Wagener, and received mixed reviews upon its release. The band toured behind the album mainly as an opening act, supporting Bon Jovi and Aerosmith in 1989–1990. The album peaked at number six on the Billboard 200 and was certified 5× platinum by the Recording Industry Association of America (RIAA) in 1995 for shipping five million copies in the United States. It generated four singles: "Youth Gone Wild", "18 and Life", "I Remember You" and "Piece of Me", all of which were accompanied by music videos and received heavy rotation on MTV. The album's commercial and critical success made Skid Row a regular feature in rock magazines and brought the group nationwide popularity.

Ryan Adams American rock singer-songwriter

David Ryan Adams is an American singer-songwriter, record producer, and poet. He has released 18 albums, as well as three studio albums as a former member of rock/alt-country band Whiskeytown.

Sebastian Bach Canadian singer

Sebastian Philip Bierk, known professionally as Sebastian Bach, is a Canadian singer who achieved mainstream success as the frontman of heavy metal band Skid Row from 1987 to 1996. He has acted on Broadway and has made appearances in film and television such as Trailer Park Boys and Gilmore Girls. He continues his music career as a solo artist.

A skid row is a part of a city known for high vagrancy and poor maintenance.

Skid Row (American band) American heavy metal band

Skid Row is an American rock band, formed in 1986 in Toms River, New Jersey. Their current lineup comprises bassist Rachel Bolan, guitarists Dave Sabo and Scotti Hill, drummer Rob Hammersmith and vocalist ZP Theart. The group achieved commercial success in the late 1980s and early 1990s, with its first two albums Skid Row (1989) and Slave to the Grind (1991) certified multi-platinum, the latter of which reached number one on the Billboard 200. Those two albums also produced some of Skid Row's most popular hits, both in and outside of the United States, including "18 and Life" and "I Remember You", which peaked in the top 10 of the Billboard Hot 100, and other charting singles such as "Youth Gone Wild", "Monkey Business", "Slave to the Grind", "Wasted Time", and "In a Darkened Room". The band's third album Subhuman Race (1995) was also critically acclaimed, but failed to repeat the success of its predecessors. During this period, the band consisted of Bolan, Sabo, Hill, drummer Rob Affuso and frontman Sebastian Bach. The band had sold 20 million albums worldwide by the end of 1996. Amid rising tensions, Bach and Affuso had both left Skid Row towards the end of that year, after which the band entered a three-year hiatus.

Skid Row, Los Angeles Neighborhood in Downtown Los Angeles

Chillwave is a music microgenre that emerged in the late 2000s. It loosely emulates 1980s electropop while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop sound, escapist lyrics, psychedelic or lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, effects processing, and vintage synthesizers.

Oneohtrix Point Never American musician

Daniel Lopatin, best known by the recording alias Oneohtrix Point Never or OPN, is an American experimental electronic music producer, composer, singer and songwriter. He began releasing synth-based recordings in the mid-2000s and received initial acclaim, and has subsequently explored varied approaches, styles and aesthetics, including sample-based composition, kitschy MIDI production and experimentation with musical clichés.

James Ferraro Musical artist

James Ferraro is an American musician, producer, composer and contemporary artist. He has been credited as a pioneer of hypnagogic pop and vaporwave and is known for artistic works, often studio albums, which explore themes of hyperreality and consumer culture.

Kim Planert is a German film and television composer based in Los Angeles. He has composed music for over 230 episodes of prime-time television shows and feature films. His collection of TV credits includes: eight seasons on the score for ABC's television show, Castle, Timeless (NBC), Missing (ABC), The Whispers, The McKenna Files, The Unit (CBS), Lie To Me(FOX), The Gates (ABC), The Chicago Code (FOX), Last Resort (ABC) and Rush

<i>Far Side Virtual</i> 2011 studio album by James Ferraro

Far Side Virtual is a studio album by American electronic musician James Ferraro, released on October 25, 2011 by Hippos in Tanks. Conceived as a series of ringtones, the album marked Ferraro's transition from his previous lo-fi recording approach to a sharply produced, electronic aesthetic that deliberately evokes sources such as elevator music, corporate mood music, easy listening, and early computer sound design. The album has been interpreted as engaging with themes such as hyperreality, disposable consumer culture, 1990s retrofuturism, advertising, and musical kitsch.

Vaporwave Online musical genre and visual aesthetic

Vaporwave is a microgenre of electronic music, a visual art style, and an Internet meme that emerged in the early 2010s. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, elevator, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.

<i>Chuck Persons Eccojams Vol. 1</i> 2010 studio album by Chuck Person

Chuck Person's Eccojams Vol. 1 is an album by American electronic musician Daniel Lopatin, released under the one-time pseudonym Chuck Person. It was released on August 8, 2010 via The Curatorial Club as a limited edition cassette.

Hypnagogic pop Music genre

Hypnagogic pop is pop or psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past. It emerged in the mid to late 2000s as American lo-fi and noise musicians began adopting retro aesthetics remembered from their childhood, such as radio rock, new wave pop, light rock, video game music, synth-pop, and R&B. Recordings circulated on cassette or Internet blogs and were typically marked by the use of outmoded analog equipment and DIY experimentation.

<i>NYC, Hell 3:00 AM</i> 2013 album by James Ferraro

NYC, Hell 3:00 AM is a studio album by American electronic musician James Ferraro, released on October 15, 2013 by the label Hippos in Tanks. The album, exploring a combination of R&B and avant-garde music, began as a conceptual project for Ferraro to only record at or around midnight, and the material was "realized" instead of planned out. It is Ferraro's first album recorded with studio instrumentation.

<i>Human Story 3</i> 2016 studio album by James Ferraro

Human Story 3 is a studio album by American electronic musician James Ferraro, self-released on June 14, 2016. Displaying a turn towards the style and aesthetic of modern classical, the album garnered critical acclaim and landed at number seven on Tiny Mix Tapes' year-end list of the best albums of 2016.

<i>Suki Girlz</i> 2014 mixtape by user703918785

Suki Girlz is a mixtape by producer James Ferraro, self-released under the moniker user703918785 on SoundCloud on July 2, 2014. The concept of the trap mixtape is symbolized through both its sound and its marketing; all of the tracks are low-quality and borrow tropes common in music self-released on sites like SoundCloud, and it was released with the name user703918785, which spoofs the spambots of these services, thus making it symbolically disposable. It garnered favorable opinions from music journalists, landing at number one on a list of the best mixtapes of 2014 by Pretty Much Amazing.

Keith Rankin is an American electronic musician who records under the alias Giant Claw, a project in which the producer explores vaporwave and psychedelic music. AllMusic biographer Paul Simpson describes Rankin's music as Giant Claw as ranging "from dense sound collages and synth freak-outs to mutated prog rock and psychedelia to footwork and vaporwave". In 2010, the year Giant Claw debuted, Rankin launched the label Orange Milk with his friend Seth Graham, aiming to release records by underground American musicians. The artwork for all of the label's releases have been designed by Rankin himself. Fact Magazine have ranked the label as one of the 10 best of both 2013 and 2016.

Dreampunk is a microgenre of electronic music characterized by its focus on cinematic ambience and field recordings, combined with various traits and techniques from electronic genres such as techno, jungle, electro, and dubstep.

References

  1. 1 2 3 4 5 Bulut, Selim (December 21, 2015). "James Ferraro: “The amount of burning Priuses that I’ve seen in L.A. is pretty strange.”". Dummy. Retrieved January 21, 2017.
  2. 1 2 3 4 5 6 7 8 9 10 11 Barry, Robert (November 24, 2015). "James Ferraro On His New Album, An Imaginary Film About The War Zone of LA Life". THUMP. Vice Media. Retrieved January 21, 2017.
  3. 1 2 3 4 Friedlander, Emilie (September 24, 2015). "James Ferraro Has a New Album Coming Out, and It's Called 'Skid Row'". THUMP. Vice Media. Retrieved January 21, 2017.
  4. Coultate, Aaron (July 22, 2013). "James Ferraro readies HELL, NYC 3:00 AM". Resident Advisor . Retrieved January 21, 2017.
  5. Bowe, Miles (October 11, 2013). "Q&A: James Ferraro On NYC’s Hidden Darkness, Musical Sincerity, And Being Called “The God Of Vaporwave”". Stereogum . SpinMedia. Retrieved January 21, 2017.
  6. 1 2 3 4 5 Hobbs, Matt (December 30, 2015). "James Ferraro – Skid Row (Break World Records)". God is in the TV. Retrieved January 21, 2017.
  7. 1 2 3 4 Raymer, Miles (November 16, 2015). "James Ferraro: Skid Row". Pitchfork . Conde Nast. Retrieved January 21, 2017.
  8. 1 2 3 Hydroyoga (November 16, 2015). "James Ferraro – Skid Row". Tiny Mix Tapes . Retrieved January 22, 2017.
  9. Helman, Peter (November 12, 2015). "James Ferraro – “Thrash & Escalate” Video". Stereogum. SpinMedia. Retrieved January 22, 2017.
  10. "2015: Favorite 50 Music Releases". Tiny Mix Tapes. December 23, 2015. p. 4. Retrieved January 22, 2017.
  11. 1 2 "Skid Row by James Ferraro". iTunes Store. Apple Inc.. Retrieved January 22, 2017.
  12. Skid Row (2015) (Cassette). James Ferraro. Break World Records. BWR-007.
  13. Skid Row (2015) (CD). James Ferraro. Break World Records. BWR-007.
  14. Skid Row (2015) (Vinyl). James Ferraro. Break World Records. BWR-007.
  15. Snodgrass, Catlin (October 16, 2013). "James Ferraro". Bomb . New Arts Publications, Inc. Retrieved January 17, 2017.