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DJ Charlie Chase | |
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Birth name | Carlos Mandes |
Born | Manhattan, New York, United States | January 16, 1959
Genres | Hip-hop |
Occupation | DJ |
Years active | 1975–present |
Carlos Mandes (born January 16, 1959), also known as DJ Charlie Chase, is a Puerto Rican DJ who played a key role in establishing the Latino community as a contributing force in the Bronx's early hip hop culture. Hitting the hip hop scene in 1975, Chase was a founding member of The Cold Crush Brothers, along with DJ Tony Tone and members Grandmaster Caz, JDL, EZ AD and Almighty Kay Gee. In 1980, Chase and Tone were responsible for forming the first MC convention in hip hop history.
Chase was born in Manhattan on January 16, 1959, to Puerto Rican-born parents. Chase's family moved often and lived in different New York City neighborhoods, which were primarily Puerto Rican or Black. Chase began playing music as a bassist in bands at the age of 14, representing a variety of musical styles. Chase produced his first album at the age of 16.
In the 1980s, Chase DJ'd for WBLS alongside the legendary Funkmaster Flex. Chase received criticism from some in the Hispanic community for playing hip-hop music because it was thought of at the time as a distinctly Black form of music. He fused hip-hop with salsa, among other music genres. In the early 1980s, Chase was the DJ for the New York hip-hopgroup The Cold Crush Brothers, the first rap group to be signed by CBS Records, and also the first to go on tour in Japan. In 1981, Chase got his first movie role. He played himself in the film Wild Style. In the film, he had a small speaking part and he performed with his rap group. Chase was inducted into the Technics DMC DJ Hall of Fame in 2003. [1] Other DJs to receive this honor are the late Jam Master Jay, DJ Jazzy Jeff, and Grandmaster Flash.
Chase was one of the only Hispanic artists in the early hip hop scene. He remembers not feeling welcome because most early participants felt that it was, “a Black thing and something that’s from their roots…being Hispanic, you’re not accepted in rap.” [2]
Chase was never queit about his ethnicity, though, despite some backlash. “That was my way of opening the doors for everybody else to do what they’re doing now,” he said. “And being that I was there at the very beginning, that was the I way I had to do it, that was my contribution.” [3]
When artists like Mean Machine began to popularize Spanish-language hip-hop, Chase was wary that they were straying too far from hip hop's roots but, eventually, he recognized their new contributions to the genre and threw his support behind what he deemed, “cool and new.” [4]
Chase's work influenced many artists that came after him, such as underground acts like Mellow Man Ace and Latin Empire, and mainstream rappers like Fat Joe and Big Pun.
Latin hip hop is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
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The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Reggaeton, is a modern style of popular and electronic music that originated in Panamá during the late 1980s, and which rose to prominence in the late 1990s and early 2000s through a plethora of Puerto Rican musicians. It has evolved from dancehall, with elements of hip hop, Latin American, and Caribbean music. Vocals include toasting/rapping and singing, typically in Spanish.
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The Cold Crush Brothers are an American hip hop group that formed in 1978 in the Bronx, New York City. They were especially known for their memorable routines which included harmonies, melodies and stage-stomping performances. The Cold Crush Brothers still perform in the United States as of 2023. "A snapshot from hip-hop's 50th summer: A live mixtape"..
James Austin Whipper II, better known by his stage name Prince Whipper Whip, is an American hip hop recording artist. He is of Puerto Rican descent and an original member of Grandwizard Theodore & the Fantastic Five.
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Grandmaster Flash and the Furious Five were an American hip hop group formed in the South Bronx of New York City in 1978. The group's members were Grandmaster Flash, Kidd Creole, Keef Cowboy, Melle Mel, Scorpio, and Rahiem. The group's use of turntablism, breakbeat DJing, and conscious lyricism were significant in the early development of hip hop music.
Bachatón is a fusion genre of reggaeton from Panama and Puerto Rico as well as bachata from the Dominican Republic. Bachaton combines bachata melodies and reggaeton style beats, lyrics, rapping, and disc jockeying. The word "bachatón" is a portmanteau of "bachata" and "reggaeton". "Bachatón" was coined and widely accepted in 2005. It is a subgenre of reggaeton and bachata.
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Joseph Robert Saddler, known by his stage name Grandmaster Flash, is an American musician and DJ. He created a DJ technique called the Quick Mix Theory. This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to cutting and scratching. It also gave rappers better music with a seamless elongated bed of beats to speak on. He also invented the slipmat.
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