History
Critic Ruben Molina said roots of chicano soul music was from the 1950s jazz, blues, doo wop, jump blues, latin jazz, rock, ranchera, norteno, and conjunto music in the West Coast, Texas Latino communities. [4] Latino artists began to draw inspiration from African American R&B hits, and as a result, Latino soul began sounding very similar to African American soul music; Latino soul and R & B was further influenced by Afro-Latin American music, including but not limited to Afro-Spanish-Caribbean origin. Early artists owed little to traditional Latino and rarely performed in Spanish. [5]
Hispanic rock singer Ritchie Valens, also became one of the first artists to bring traditional music and rock and roll. Valens recorded "Donna", " La Bamba", "Come On, Let's Go", and "Donna" reached #2 on Billboard pop chart in 1959. [6]
1960s and 1970s bands such as Cannibal & the Headhunters ("Land of a Thousand Dances") and Thee Midniters played R&B music with a rebellious rock and roll edge. Sunny and the Sunliners were popular in the 1960s. [7]
However, the large Latino population on the West Coast began gradually moving away from energetic R&B to romantic soul, and the results were "some of the sweetest soul music heard during the late '60s and '70s." [1] Latino groups on the West Coast and Texas also drew from the doo wop-influenced Philadelphia soul ("Philly" soul). The West Coast Latin rock scene continued to influence other Latino soul musicians as well. Tierra gained the top 40 hit "Together". [8]
Richard Steven Valenzuela, better known by his stage name Ritchie Valens, was an American guitarist, singer and songwriter. A rock and roll pioneer and a forefather of the Chicano rock movement, Valens died in a plane crash just eight months into his music career.
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul.
Tejano music, also known as Tex-Mex music, is a popular music style fusing Mexican and US influences. Typically, Tejano combines Mexican Spanish vocal styles with dance rhythms from Czech and German genres – particularly polka or waltz. Tejano music is traditionally played by small groups featuring accordion and guitar or bajo sexto. Its evolution began in northern Mexico.
Chicano rock, also called chicano fusion, is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.
Thee Midniters were an American rock group, among the first Chicano rock bands to have a major hit in the United States. They were one of the best known acts to come out of East Los Angeles in the 1960s, with a cover of "Land of a Thousand Dances" that charted in Canada in 1965, and an instrumental track "Whittier Boulevard" in 1965. Thee Midniters were among the first rock acts to openly sing about Chicano themes in songs such as "Chicano Power" and "The Ballad of César Chávez" in the late 1960s.
Latin rock is a term to describe a subgenre blending traditional sounds and elements of Latin American and Hispanic Caribbean folk with rock music. However, it is widely used in the English-language media to refer any kind of rock music featuring Spanish or Portuguese vocals. This has led to controversy about the scope of the terminology.
Chicano rap is a subgenre of hip hop that embodies aspects of Southwest Mexican American or Chicano culture. It is typically performed by rappers and musicians of Mexican descent.
El Chicano was an American brown-eyed soul group from Los Angeles, California, whose style incorporated various modern music genres including rock, funk, soul, blues, jazz, and salsa. The group's name was from Chicano, a term for United States citizens of typically Mexican descent.
"Land of a Thousand Dances" is a song written and first recorded by American rhythm and blues singer Chris Kenner in 1962. It later became a bigger hit in versions by Cannibal & the Headhunters and Wilson Pickett. A version by Thee Midniters reached number 27 in Canada on March 22, 1965.
Ruben and the Jets was an American rock and roll band from Los Angeles, California. The band originated as an alias for The Mothers of Invention, Frank Zappa's band, to release Cruising with Ruben & the Jets (1968). Later, musician Rubén Guevara Jr. continued the band with his own lineup. Guevara's "Jets" recorded two albums, For Real! (1973) and Con Safos (1974).
Rock en español is a term used to refer to any kind of rock music featuring Spanish vocals. Compared to English-speaking bands, very few acts reached worldwide success or between Spanish-speaking countries due to a lack of promotion. Despite rock en español's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some rock en español artists did become internationally popular with the help of a promotional campaign from the mid-1980s to the mid-1990s called "Rock en tu idioma". Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are Latin rock ; Latin alternative, an alternative rock scene that blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or Andalusian rock, a flamenco-influenced style that emerged in Spain.
Little Ray also known as Ray Jimenez, is an American Chicano rock and brown-eyed soul musician, prominent in the 1960s. Jimenez was born and raised in Delano, California, and later moved to East Los Angeles.
"Talk to Me", or "Talk to Me, Talk to Me", is a song written by Joe Seneca. It was originally recorded in 1958 by Little Willie John, whose version reached No. 5 on the R&B chart and No. 20 on the Hot 100. "Talk to Me" was also recorded by Seneca in 1960. The most successful version was recorded by Texas brown-eyed soul group Sunny & the Sunliners, who took it to number 11 on the Hot 100 in 1963.
The Blendells were a 1960s Mexican American brown-eyed soul group from East Los Angeles, California. They garnered success in 1964 with their Latin-tinged cover of Little Stevie Wonder's "La La La La La", written by Clarence Paul. During the brief time they were together, they performed at venues such as the famous Shrine Auditorium. Their tours included performances in California, Arizona, New Mexico, Nevada, Idaho, Oregon and the state of Washington. They shared the stage with The Dave Clark Five, Roy Orbison, Dick Dale, The Ventures, The Shirelles, The Drifters, The Coasters, and Chuck Berry. Though little known today, The Blendells retain a cult following in West Coast Mexican American communities.
Richard James "Dick" Hugg was a radio disc jockey in Los Angeles, California.
Sunny & the Sunglows was an American musical group in started 1959, and later known as Sunny & the Sunliners in 1963 after moving to San Antonio, Texas.
This article includes an overview of the major events and trends in popular music in the 1950s.
Bobby Espinosa was an influential and important part of the Latin rock scene in Los Angeles from the late 1960s to the 2000s. He was a founding member of El Chicano.
The Romancers were an American Chicano rock band from the Eastside Los Angeles who were active in the 1960s. The Romancers were the first East L.A. Chicano band to record an album and were the main influence of the mid-sixties East L.A. sound. The band made two albums on Del-Fi Records and a string of singles for Eddie Davis' Linda label. Max Uballez was the group's leader, chief songwriter, and rhythm guitarist.
