Part of a series on |
Chicanos and Mexican Americans |
---|
Part of a series on |
Hispanic and Latino Americans |
---|
In Mexico, the Spanish expression la Raza [1] ('the people' [2] or 'the community'; [3] literal translation: 'the race' [2] ) has historically been used to refer to the mixed-race populations (primarily though not always exclusively in the Western Hemisphere), [4] considered as an ethnic or racial unit [5] historically deriving from the Spanish Empire, and the process of racial intermixing during the Spanish colonization of the Americas with the Indigenous populations of the Americas.
The term was not widely used in Latin America in the early-to-mid-20th century but has been redefined and reclaimed in Chicanismo and the United Farm Worker organization since 1968. It still remains in active use specifically in the context of Mexican-American identity politics in the United States ( ). [6] This terminology for mixed-race originated as a reference to "La Raza Cosmica" by José Vasconcelos, although it is no longer used in this context or associated with "La Raza Cosmica" ideology by Mexican-American, Native rights movements and activists in the United States.
The term la raza was in use by 1858 in local California newspapers such as El Clamor Publico by californios writing about America latina and latinoamerica (Latin America), and identifying as latinos as the abbreviated term for their membership in the newly named Latin America's la raza. [7]
The shortened name of Día de la Raza (now often, though not always, with a capitalized R) was used in 1939, when the feast day was celebrated in Zaragoza in combination with a special devotion to the Virgen del Pilar (Our Lady of the Pillar). Chilean foreign vice-secretary Germán Vergara Donoso commented that the "profound significance of the celebration was the intimate inter-penetration of the homage to the Race and the devotion to Our Lady of the Pillar, i.e. the symbol of the ever more extensive union between America and Spain." [8]
Francisco Franco wrote a novel under the pen name "Jaime de Andrade" which was turned into the film Raza of 1942. [9] It celebrates idealized "Spanish national qualities", and exemplifies this usage of raza española as referring specifically to Spanish Roman Catholic heritage. The Monumento a la Raza was inaugurated in Mexico City in 1940. La Raza metro station in Mexico City was inaugurated in 1978.
The term Chicano (feminine Chicana) likewise arose in the early 20th century as a designation of Mexicans. In the 1960s to 1970s, the term became associated with the Chicano Movement in relation to Mexican-American identity politics activism. In the United States, the terms la Raza and Chicano subsequently became closely associated. [10] Various Hispanic groups in the United States still use the term. [11] The Raza Unida Party was active as a political party representing Mexican-American racial identity politics in the 1970s. The Hispanic advocacy organization National Council of La Raza was formed in 1968 (renamed to UnidosUS in 2017).
La Raza was the name of a Chicano community newspaper edited by Eliezer Risco in 1968. Risco was one of the "LA Thirteen", a group of young Mexican-American men who were political activists identified by the government as being leaders of a Brown Power movement in Los Angeles. Raul Ruiz joined the staff of La Raza while a student at California State University, Los Angeles. Other community newspapers of the time were Inside Eastside and Chicano Student Movement. Ruiz, a key journalist in the movement, eventually became the editor of La Raza. [12] It became the most influential Chicano-movement publication in southern California. The publications filled a void: for the most part, there had heretofore been no media coverage of any type for the Brown Power movement and its activities. The movement's own print-media publications were really the only forum that the Brown Power movement had to keep party members informed about what was going on in the movement across the Los Angeles area. The lack of the mainstream media coverage contributed to silencing the movement and its activities, unlike with the Black Power movement; the latter received much more coverage, which contributed to that movement's success in spreading their message and growing their movement. [13]
Chicano or Chicana is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture.
The masculine term Latino, along with its feminine form Latina, is a noun and adjective, often used in English, Spanish, and Portuguese, that most commonly refers to United States inhabitants who have cultural ties to Latin America.
Chicano rock, also called chicano fusion, is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.
M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action.
Bronze race is a term used since the early 20th century by Hispanic American writers of the indigenista and americanista schools to refer to the mestizo population that arose in the Americas with the arrival of Latin European settlers and their intermingling with the New World's Amerindian peoples.
Latino studies is an academic discipline which studies the experience of people of Latin American ancestry in the United States. Closely related to other ethnic studies disciplines such as African-American studies, Asian American studies, and Native American studies, Latino studies critically examines the history, culture, politics, issues, sociology, spirituality (Indigenous) and experiences of Latino people. Drawing from numerous disciplines such as sociology, history, literature, political science, religious studies and gender studies, Latino studies scholars consider a variety of perspectives and employ diverse analytical tools in their work.
La raza cósmica is a Spanish-language book written and published in 1925 by Mexican philosopher, secretary of education, and 1929 presidential candidate José Vasconcelos to express the ideology of a future "fifth race" in the Americas; an agglomeration of all the races in the world with no respect to color or number to erect a new civilization: Universópolis.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Rodolfo "Rudy" Francisco Acuña is an American historian, professor emeritus at California State University, Northridge, and a scholar of Chicano studies. He authored the 1972 book Occupied America: A History of Chicanos, an approach to the history of the Southwestern United States with an emphasis on Mexican Americans. An eighth edition was published in 2014. Acuña has also written for the Los Angeles Times,The Los Angeles Herald-Express, La Opinión, and other newspapers. Acuña is an activist and has supported numerous causes of the Chicano Movement. He currently teaches an online history course at California State University, Northridge.
Barrioization or barriorization is a theory developed by Chicano scholars Albert Camarillo and Richard Griswold del Castillo to explain the historical formation and maintenance of ethnically segregated neighborhoods of Chicanos and Latinos in the United States. The term was first coined by Camarillo in his book Chicanos in a Changing Society (1979). The process was explained in the context of Los Angeles by Griswold del Castillo in The Los Angeles Barrio, 1850-1890: A Social History (1979). Camarillo defined the term as "the formation of residentially and segregated Chicano barrios." The term is used in the field of Human Geography.
Hispanic and Latino are ethnonyms used to refer collectively to the inhabitants of the United States who are of Spanish or Latin American ancestry. While many use the terms interchangeably, for example, the United States Census Bureau, others maintain a distinction: Hispanic refers to people from Spanish-speaking countries, while Latino refers people from Latin American countries. Spain is included in the Hispanic category, and Brazil is included in the Latino category; Portugal is excluded from both categories. Every Latin American country is included in both categories, excluding Brazil.
Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She is a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
This is a Mexican American bibliography. This list consists of books, and journal articles, about Mexican Americans, Chicanos, and their history and culture. The list includes works of literature whose subject matter is significantly about Mexican Americans and the Chicano/a experience. This list does not include works by Mexican American writers which do not address the topic, such as science texts by Mexican American writers.
Las Mujeres Muralistas were an all-female Latina artist collective based in the Mission District in San Francisco in the 1970s. They created a number of public murals throughout the San Francisco Bay Area, and are said to have sparked the beginning of the female muralist movement in the US and Mexico. Their murals were colorful and large scale and often focused on themes such as womanhood, culture, beauty, and socio-political change. Patricia Rodriguez, Graciela Carrillo, Consuelo Mendez, and Irene Perez are recognized as the founders and most prominent members of the collective, but other female Chicana artists assisted along the way and even joined later on, such as Susan Cervantes, Ester Hernandez, and Miriam Olivo among others.
La Raza was a bilingual newspaper and magazine published by Chicano activists in East Los Angeles from 1967 to 1977. The paper played a seminal role in the Chicano Movement, providing activists a platform to document the abuses and inequalities faced by Mexican-Americans in Southern California. Taking a photojournalistic approach, the editors and contributors at La Raza were able to capture images of police brutality, segregation, and protests that rallied support to the Chicano cause.
Xicanx is an English-language gender-neutral neologism and identity referring to people of Mexican descent in the United States. The ⟨-x⟩ suffix replaces the ⟨-o/-a⟩ ending of Chicano and Chicana that are typical of grammatical gender in Spanish. The term references a connection to Indigeneity, decolonial consciousness, inclusion of genders outside the Western gender binary imposed through colonialism, and transnationality. In contrast, most Latinos tend to define themselves in nationalist terms, such as by a Latin American country of origin.
A Mexican American is a resident of the United States who is of Mexican descent. Mexican American-related topics include the following:
Blaxicans are Americans who are of both Black and Mexican American descent. Some may prefer to identify as Afro-Chicano or Black Chicana/o and embrace Chicano identity, culture, and political consciousness. Most Blaxicans have origins in working class community interactions between African Americans and Mexican Americans. Los Angeles has been cited as the hub for Blaxican culture. In 2010, it was recorded that 42,000 people in Los Angeles County identified as both Black and Latino, most of whom are believed to be both Black and Mexican American.
By the late 1850s, californios were writing in newspapers about their membership in América latina (Latin America) and latinoamerica, calling themselves latinos as the shortened name for their hemispheric membership in a la raza latina (a Latin race). Reprinting an 1858 opinion piece by a correspondent in Havana on race relations in the Americas, El Clamor Publico of Los Angeles surmised that 'two rival races are competing with each other ... the Anglo Saxon and the Latin one.'