The Revolt of the Cockroach People

Last updated
The Revolt of the Cockroach People
TheRevoltOfTheCockroachPeople.jpg
First edition
Author Oscar Zeta Acosta
CountryUnited States
LanguageEnglish
Publisher Straight Arrow Press
Publication date
1973
Pages258
ISBN 0-87932-060-5
Preceded by Autobiography of a Brown Buffalo  

The Revolt of the Cockroach People is a novel by Oscar Zeta Acosta. It tells the story of a Chicano lawyer, "Buffalo Zeta Brown", fictionalizing events from Oscar Acosta's own life, including the East L.A. walkouts at Garfield High School, the founding of the Brown Berets, the Christmas protests at St. Basil's church, the Castro v. Superior Court decision of 1970, Acosta's run for sheriff of Los Angeles County later that year, the Chicano National Moratorium, and the death of Ruben Salazar, who is referred to as "Roland Zanzibar" in the novel. [1] [2] [3] The novel is written in the style of Gonzo journalism, which he helped codify the conventions with American journalist and friend Hunter S. Thompson. The story of Buffalo Z. Brown, a persona of the author, satirizes the East L.A. Chicano movement through the eyes of a participant observer. [4] Acosta uses the historical events of the late 1960s and early 1970s "as the context for the construction of a Chicano identity and the realization of a revolutionary class consciousness." [3]

Contents

Acosta frames Brown as a lawyer who understands the United States's legal system as both arbitrary and differential and therefore comes to the realization that an "objective truth" can never materialize "either in the courtroom or elsewhere." Through the character of Brown, Acosta acknowledges that what is understood as "truth" is a social construct or cultural convention. This realization is destabilizing yet invigorating for Brown, who understands that law can function both "as a tool of repression but it may also be used to project a radically new form of legality that cannot be achieved within present institutions," as described by Mexican-American scholar Ramón Saldívar. Saldívar characterizes this as an important moment for Brown (and Acosta), as he understands that "ideological commitment to a cause" is not a matter of identifying "truth" or "falsehood" but an "issue of taking sides in a struggle between embattled groups." [3]

Plot

Brown becomes involved with the Chicano movement when he moved to Los Angeles in 1968 looking to write a book. He spent three years with the Chicano Militants, defending them in various court cases and helping to organize protests and marches. The novel depicts the Chicano movement in the fictional barrio of "Tooner Flats" in East Los Angeles. The leaders are eventually indicted on charges of conspiracy to disrupt the schools. Brown defends them and wins.

See also

Related Research Articles

<span class="mw-page-title-main">Oscar Zeta Acosta</span> Mexican-American attorney, politician and novelist

Oscar "Zeta" Acosta Fierro was a Mexican American attorney, author and activist in the Chicano Movement. He wrote the semi-autobiographical novels Autobiography of a Brown Buffalo (1972) and The Revolt of the Cockroach People (1973), and was friends with American author Hunter S. Thompson. Thompson characterized him as a heavyweight Samoan attorney, Dr. Gonzo, in his 1971 novel Fear and Loathing in Las Vegas. Acosta disappeared in 1974 during a trip in Mexico and is presumed dead.

<i>Autobiography of a Brown Buffalo</i>

Autobiography of a Brown Buffalo is the first novel by Oscar Zeta Acosta and it focuses on his own self-discovery in a fictionalized manner. An autobiography, the plot presents an alienated lawyer of Mexican descent, who works in an Oakland, California antipoverty agency, without any sense of purpose or identity.

<span class="mw-page-title-main">Raoul Duke</span> Fictional character and antihero

Raoul Duke is the partially fictionalized author surrogate character and sometimes pseudonym used by Hunter S. Thompson as the main character and antihero for many of his works. He is perhaps best known as the narrator for his 1971 autobiographical novel Fear and Loathing in Las Vegas. The book was originally written under the name Raoul Duke. The character wears a bucket hat and yellow tinted aviator sunglasses.

"Strange Rumblings in Aztlan" is an article published in Rolling Stone #81, dated April 29, 1971, and written by Hunter S. Thompson. It was included in the first volume of Thompson's Gonzo Papers, The Great Shark Hunt, published in 1979.

<i>Where the Buffalo Roam</i> 1980 film about Hunter S. Thompson

Where the Buffalo Roam is a 1980 American semi-biographical comedy film which loosely depicts author Hunter S. Thompson's rise to fame in the 1970s and his relationship with Chicano attorney and activist Oscar "Zeta" Acosta. The film was produced and directed by Art Linson. Bill Murray portrayed Thompson and Peter Boyle portrayed Acosta, who is referred to in the film as Carl Lazlo, Esq. A number of other names, places, and details of Thompson's life are also changed.

<span class="mw-page-title-main">Brown Berets</span> American Chicano rights organization

The Brown Berets is a pro-Chicano paramilitary organization that emerged during the Chicano Movement in the late 1960s. David Sanchez and Carlos Montes co-founded the group modeled after the Black Panther Party. The Brown Berets was part of the Third World Liberation Front. It worked for educational reform, farmworkers' rights, and against police brutality and the Vietnam War. It also sought to separate the American Southwest from the control of the United States government.

<span class="mw-page-title-main">Ruben Salazar</span> Mexican-American civil rights activist and journalist; killed by riot police in 1970

Ruben Salazar was a civil rights activist and a reporter for the Los Angeles Times, the first Mexican journalist from mainstream media to cover the Chicano community, in the US.

Ricardo Cruz, aka Richard V. (Vincent) Cruz, was a Los Angeles, California attorney who fought for many Chicano Movement causes. He was an early organizer of La Raza Law Students and the short-lived but highly effective Catolicos Por La Raza in the 1960s and 1970s.

<span class="mw-page-title-main">Católicos por La Raza</span> Catholic activists fighting racism and discrimination

Católicos por La Raza is a political association organized by Ricardo Cruz in the later 1960s in Los Angeles, California. Formed in the fall of 1969, Católicos por La Raza was made up of Chicano Catholic student activists who were engaged with both "their Catholic and Chicano heritage," enabling them to name and fight against the racism in the Catholic Church and the effects on the community. The CPLR was concerned with the discrimination and hypocrisy of the church's institutional power and wealth, arguing that such should be "brought to bear in solving the current Chicano urban and rural crisis". CPLR sought to transform the Church into an institution for social change, creating projects focussed on housing development, education, and small business development; believing that the Catholic Church in Los Angeles should use its power and wealth to address the economic and social needs of Mexican Americans.

<span class="mw-page-title-main">Chicano Movement</span> Social and political movement combating racism in the United States

The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.

<span class="mw-page-title-main">East L.A. walkouts</span> 1968 protests

The East Los Angeles Walkouts or Chicano Blowouts were a series of 1968 protests by Chicano students against unequal conditions in Los Angeles Unified School District high schools. The first walkout occurred on March 5, 1968. The students who organized and carried out the protests were primarily concerned with the quality of their education. This movement, which involved thousands of students in the Los Angeles area, was identified as "the first major mass protest against racism undertaken by Mexican-Americans in the history of the United States".

<i>Fear and Loathing in Las Vegas</i> 1971 novel by Hunter S. Thompson

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a 1971 novel in the gonzo journalism style by Hunter S. Thompson. The book is a roman à clef, rooted in autobiographical incidents. The story follows its protagonist, Raoul Duke, and his attorney, Doctor Gonzo, as they descend on Las Vegas to chase the American Dream through a drug-induced haze, all the while ruminating on the failure of the 1960s countercultural movement. The work is Thompson's most famous book and is noted for its lurid descriptions of illicit drug use and its early retrospective on the culture of the 1960s. Thompson's highly subjective blend of fact and fiction, which it popularized, became known as gonzo journalism. Illustrated by Ralph Steadman, the novel first appeared as a two-part series in Rolling Stone magazine in 1971 before being published in book form in 1972. It was later adapted into a film of the same title in 1998 by director Terry Gilliam, starring Johnny Depp and Benicio del Toro, who portrayed Raoul Duke and Dr. Gonzo, respectively.

Straight Arrow Press was a publishing company that published the periodical Rolling Stone.

<span class="mw-page-title-main">Mexican-American literature</span> Literature written by Mexican Americans in the United States

Mexican American literature is literature written by Mexican Americans in the United States. Although its origins can be traced back to the sixteenth century, the bulk of Mexican American literature dates from post-1848 and the United States annexation of large parts of Mexico in the wake of the Mexican–American War. Today, as a part of American literature in general, this genre includes a vibrant and diverse set of narratives, prompting critics to describe it as providing "a new awareness of the historical and cultural independence of both northern and southern American hemispheres". Chicano literature is an aspect of Mexican American literature.

<span class="mw-page-title-main">St. Basil Catholic Church</span> Church in California , United States

St. Basil Catholic Church is a Catholic Church parish of the Archdiocese of Los Angeles. Serving the archdiocese's Our Lady of the Angels Pastoral Region, the Roman Rite parish is located at 3611 Wilshire Boulevard in the Wilshire district of Los Angeles, California. The parish church building was built from 1967 to 1969 and dedicated in 1969. In 1969 and 1970, the parish was the site of pickets and demonstrations by Chicano Movement protesters who objected to the archdiocese's expenditure of substantial funds on construction of the new parish rather than on the poor and social justice programs.

<span class="mw-page-title-main">Phillip Rodriguez</span> American documentary filmmaker

Phillip Rodriguez is an American documentary filmmaker and veteran content provider for PBS.

The Rise and Fall of the Brown Buffalo is a 2017 American documentary film directed by Phillip Rodriguez, and written by Phillip Rodriguez, and David Ventura.

<span class="mw-page-title-main">Index of articles related to Mexican Americans</span>

A Mexican American is a resident of the United States who is of Mexican descent. Mexican American-related topics include the following:

<span class="mw-page-title-main">Chicano literature</span>

Chicano literature is an aspect of Mexican-American literature that emerged from the cultural consciousness developed in the Chicano Movement. Chicano literature formed out of the political and cultural struggle of Chicana/os to develop a political foundation and identity that rejected Anglo-American hegemony. This literature embraced the pre-Columbian roots of Mexican-Americans, especially those who identify as Chicana/os.

<span class="mw-page-title-main">Chicano Liberation Front</span> 1970s American terrorist group

The Chicano Liberation Front (CLF) was an underground revolutionary group in California, United States, that committed dozens of bombings and arson attacks in the Los Angeles area in the early 1970s. The radical militant group publicly claimed responsibility for 28 bombings between March 1970 and July 1971 in a taped message sent to the Los Angeles Free Press. Their targets were typically banks, schools and supermarkets. They also claimed responsibility for a bomb at Los Angeles City Hall. The Chicano Liberation Front was also more than likely responsible for explosions at a downtown federal building and at the Los Angeles Hall of Justice, although those incidents remain officially unsolved.

References

  1. Castro v. Superior Court,9Cal. App. 3d(Court of Appeals of California, Second Appellate District, Division FiveJuly 17, 1970).
  2. "Los Angeles County Sheriff". Our Campaigns. Retrieved January 29, 2019.
  3. 1 2 3 Saldívar, Ramón (1990). Chicano Narrative: The Dialectics of Difference. University of Wisconsin Press. pp. 95–97. ISBN   0299124746.
  4. Jirón-King, Shimberlee (2008-03-01). "Thompson's and Acosta's Collaborative Creation of the Gonzo Narrative Style". CLCWeb: Comparative Literature and Culture. 10 (1). doi:10.7771/1481-4374.1330. ISSN   1481-4374.