Chicano or Chicana is an ethnic identity for Mexican Americans who have a non-Anglo self-image, embracing their Mexican Native ancestry. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into whiteness and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
José Montoya was a poet and an artist from Sacramento, California. He was one of the most influential Chicano bilingual poets. He has published many well-known poems in anthologies and magazines, and served as Sacramento's poet laureate.
El Plan de Santa Bárbara: A Chicano Plan for Higher Education is a 155-page document, which was written in 1969 by the Chicano Coordinating Council on Higher Education. Drafted at the University of California Santa Barbara, it is a blueprint for the inception of Chicana/o studies programs in colleges and universities throughout the US. The Chicano Coordinating Council expresses political mobilization to be dependent upon political consciousness, thus the institution of education is targeted as the platform to raise political conscious amongst Chicanos and spur higher learning to political action. The Plan proposes a curriculum in Chicano studies, the role of community control in Chicano education and the necessity of Chicano political independence. The document was a framework for educational and curriculum goals for the Chicano movements within the institution of education, while being the foundation for the Chicano student group Movimiento Estudiantil Chicano de Aztlán (MEChA).
John Francisco Rechy is a Mexican-American novelist and essayist. His novels are written extensively about gay culture in Los Angeles and wider America, among other subject matter. City of Night, his debut novel published in 1963, was a best seller. Drawing on his own background, he has contributed to Mexican-American literature, notably with his novel The Miraculous Day of Amalia Gomez, which has been taught in several Chicano studies courses throughout the United States. But, even after the success of his first novel, he still worked as a prostitute, teaching during the day, and hustling at night. He worked as a prostitute into his forties while also teaching at UCLA. Through the 1970's and 1980's he dealt with personal drug use, as well as the AIDS crisis, which killed many of his friends.
Norma Elia Cantú is a Chicana postmodernist writer and the Murchison Professor in the Humanities at Trinity University in San Antonio, Texas.
Gronk, born Glugio Nicandro, is a Chicano painter, printmaker, and performance artist. His work is collected by museums around the country including the Smithsonian American Art Museum.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
Yolanda Margarita López was an American painter, printmaker, educator, and film producer. She was known for her Chicana feminist works focusing on the experiences of Mexican-American women, often challenging the ethnic stereotypes associated with them. Lopez was recognized for her series of paintings which re-imagined the image of the Virgen de Guadalupe. Her work is held in several public collections including the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.
Chicano/a studies, also known as Chican@ studies, originates from the Chicano Movement of the late 1960s and 1970s, and is the study of the Chicana/o and Latina/o experience. Chican@ studies draws upon a variety of fields, including history, sociology, the arts, and Chican@ literature. The area of studies additionally emphasizes the importance of Chican@ educational materials taught by Chican@ educators for Chican@ students.
Alicia Gaspar de Alba is an American scholar, cultural critic, novelist, and poet whose works include historical novels and scholarly studies on Chicana/o art, culture and sexuality.
Rodolfo "Rudy" Francisco Acuña is an American historian, professor emeritus at California State University, Northridge, and a scholar of Chicano studies. He authored the 1972 book Occupied America: A History of Chicanos, approaching history of the Southwestern United States with a heavy emphasis on Mexican Americans. An eighth edition was published in 2014. Acuña has also written for the Los Angeles Times,The Los Angeles Herald-Express, La Opinión, and numerous other newspapers. His work emphasizes the struggles of Mexican American people. Acuña is an activist and he has supported numerous causes of the Chicano Movement. He currently teaches an on-line history course at California State University, Northridge.
Juan Gómez-Quiñones was an American historian, professor of history, poet, and activist. He was best known for his work in the field of Chicana/o history. As a co-editor of the Plan de Santa Bárbara, an educational manifesto for the implementation of Chicano studies programs in universities nationwide, he was an influential figure in the development of the field.
Diane Rodriguez was an American theatre artist who directed, wrote and performed. An OBIE Award winning actress, she was known for using comedy to confront various forms of oppression, often with special attention to issues of gender and sexuality.
Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She is a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Yreina Cervantez is an American artist and Chicana activist who is known for her multimedia painting, murals, and printmaking. She has exhibited nationally and internationally, and her work is in the permanent collections of the Smithsonian American Art Museum, The Mexican Museum, the Los Angeles County Museum, and the Los Angeles Museum of Contemporary Art.
Isabel Castro, also known as Isabel Castro-Melendez, is a Mexican American artist born in Mexico City. She was raised and still resides in Los Angeles, California. Aside from being an artist, Castro's career includes curatorial work, education, journalism and photography.
Chon A. Noriega is an American art historian, media scholar, and curator. Noriega is professor of cinema and media studies at UCLA School of Theater, Film and Television. He was also the director of the UCLA Chicano Studies Research Center (CSRC) from 2002 to 2021.
Margaret Garcia is a Chicana muralist, educator, and arts-advocate based in Los Angeles.
Angélica Becerra is an activist visual artist who primarily works in watercolor and digital media.
