A Mexican American (Spanish : mexicano-estadounidenses or mexicanoamericanos) is a resident of the United States who is of Mexican descent. [1] Mexican American-related topics include the following:
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A Mexican American (Spanish : mexicano-estadounidenses or mexicanoamericanos) is a resident of the United States who is of Mexican descent. [1] Mexican American-related topics include the following:
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Chicano, Chicana, is an identity for Mexican Americans who have a non-Anglo self-image. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into whiteness and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action. The acronym of the organization's name is the Chicano word mecha, which is the Chicano pronunciation of the English word match and therefore symbolic of a fire or spark; mecha in Spanish means fuse or wick. The motto of MEChA is 'La Union Hace La Fuerza'.
Pachucos are male members of a counterculture associated with zoot suit fashion, jump blues, jazz and swing music, a distinct dialect known as caló, and self-empowerment in rejecting assimilation into Anglo-American society that emerged in El Paso, Texas, in the late 1930s. The pachuco counterculture flourished among Chicano boys and men in the 1940s as a symbol of rebellion, especially in Los Angeles. It spread to women who became known as pachucas and were perceived as unruly, masculine, and un-American. Some pachucos adopted strong attitudes of social defiance, engaging in behavior seen as deviant by white/Anglo-American society, such as marijuana smoking, gang activity, and a turbulent night life. Although concentrated among a relatively small group of Mexican Americans, the pachuco counterculture became iconic among Chicanos and a predecessor for the cholo subculture which emerged among Chicano youth in the 1980s.
The Brown Berets is a pro-Chicano paramilitary organization that emerged during the Chicano Movement in the late 1960s. David Sanchez and Carlos Montes co-founded the group modeled after the Black Panther Party. The Brown Berets was part of the Third World Liberation Front. It worked for educational reform, farmworkers' rights, and against police brutality and the Vietnam War. It also sought to separate the American Southwest from the control of the United States government.
Chicanismo emerged as the cultural consciousness behind the Chicano Movement. The central aspect of Chicanismo is the identification of Chicanos with their Indigenous American roots to create an affinity with the notion that they are native to the land rather than immigrants. Chicanismo brought a new sense of nationalism for Chicanos that extended the notion of family to all Chicano people. Barrios, or working-class neighborhoods, became the cultural hubs for the people. It created a symbolic connection to the ancestral ties of Mesoamerica and the Nahuatl language through the situating of Aztlán, the ancestral home of the Aztecs, in the southwestern United States. Chicanismo also rejected Americanization and assimilation as a form of cultural destruction of the Chicano people, fostering notions of Brown Pride. Xicanisma has been referred to as an extension of Chicanismo.
José Angel Gutiérrez, is an attorney and professor at the University of Texas at Arlington in the United States. He was a founding member of the Mexican American Youth Organization (MAYO) in San Antonio in 1967, and a founding member and past president of the Raza Unida Party, a Mexican-American third party movement that supported candidates for elective office in Texas, California, and other areas of the Southwestern and Midwestern United States.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States inspired by prior acts of resistance among people of Mexican descent, especially of Pachucos in the 1940s and 1950s, and the Black Power movement, that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Before this, Chicano/a had been a term of derision, adopted by some Pachucos as an expression of defiance to Anglo-American society. With the rise of Chicanismo, Chicano/a became a reclaimed term in the 1960s and 1970s, used to express political autonomy, ethnic and cultural solidarity, and pride in being of Indigenous descent, diverging from the assimilationist Mexican-American identity. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
El Teatro Campesino is a Chicano theatre company in California. Performing in both English and Spanish, El Teatro Campesino was founded in 1965 as the cultural arm of the United Farm Workers and the Chicano Movement with the "full support of César Chávez." Originally based in Delano, California, during the Delano Strike, the theatre is currently based in San Juan Bautista, California.
The Centro Cultural de la Raza is a non-profit organization with the specific mission to create, preserve, promote and educate about Chicano, Mexicano, Native American and Latino art and culture. It is located in Balboa Park in San Diego, California.The cultural center supports and encourages the creative expression “of the indigenous cultures of the Americas.” It is currently a member of the American Alliance of Museums.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.
Alicia Gaspar de Alba is an American scholar, cultural critic, novelist, and poet whose works include historical novels and scholarly studies on Chicana/o art, culture and sexuality.
Las Adelitas de Aztlán was a short-lived Mexican American female civil rights organization that was created by Gloria Arellanes and Gracie and Hilda Reyes in 1970. Gloria Arellanes and Gracie and Hilda Reyes were all former members of the Brown Berets, another Mexican American Civil rights organization that had operated concurrently during the 1960s and 1970s in the California area. The founders left the Brown Berets due to enlarging gender discrepancies and disagreements that caused much alienation amongst their female members. The Las Adelitas De Aztlan advocated for Mexican-American Civil rights, better conditions for workers, protested police brutality and advocated for women's rights for the Latino community. The name of the organization was a tribute to Mexican female soldiers or soldaderas that fought during the Mexican Revolution of the early twentieth century.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
This is a Mexican American bibliography. This list consists of books, and journal articles, about Mexican Americans, Chicanos, and their history and culture. The list includes works of literature whose subject matter is significantly about Mexican Americans and the Chicano/a experience. This list does not include works by Mexican American writers which do not address the topic, such as science texts by Mexican American writers.
Hijas de Cuauhtémoc was a student Chicana feminist newspaper founded in 1971 by Anna Nieto-Gómez and Adelaida Castillo while both were students at California State University, Long Beach.
Gloria Arellanes is a political activist known for her involvement with the Brown Berets during the Chicano Movement and has been influential in the development of Chicana feminism. As the first female Prime Minister of the Brown Berets, Arellanes worked to include the Chicana perspective in fighting for Mexican rights in Los Angeles in the 1960s and 1970s. Conflicts of covert "macho attitude" within the delegation of labor in the Brown Berets led Gloria Arellanes along with other female Brown Berets to leave the organization and create Las Adelitas de Aztlán. Similar to the Brown Berets, Las Adelitas de Aztlán strived to assist its community members in creating awareness for better bilingual education in Los Angeles as well as protesting against the Vietnam War. Arellanes was also a prominent figure in the National Chicano Moratorium Committee, leading Las Adelitas de Aztlán to participate in marches against the violence of the Vietnam War.
Mexican-American folklore refers to the tales and history of Chicano people who live in the United States.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism', inspired by the developing movement of Afrofuturism. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
This is an alphabetical index of topics related to Hispanic and Latino Americans.