Josefa Segovia

Last updated
Josefa Segovia
Hanging of Juanita in Downieville.jpg
Artist's impression of Segovia's hanging, from William Downie's Hunting for Gold, published 1893
Location Downieville, California
Coordinates 39°34′03″N120°48′44″W / 39.56750°N 120.81222°W / 39.56750; -120.81222
DateJuly 5, 1851;173 years ago (1851-07-05)

Josefa Segovia, also known as Juanita or Josefa Loaiza, was a Mexican-American woman who was executed by hanging in Downieville, California, on July 5, 1851. [1] She was found guilty of murdering a local miner, Frederick Cannon. She is known to be the first and only woman to be hanged in California. [2]

Contents

Early life and controversy about her name

Not much is known about the early life of Josefa Segovia. The date of her birth is unknown. [3] Josefa's actual name has been a topic of debate among historians and scholars. Before the Chicano Civil Rights Movement, most scholars stated that Josefa had no recorded last name. In Gordon Young's Days of 49, he says that her name was "Juanita". [4] Hubert Bancroft, in his account of the events [5] at Downieville, refers to Segovia as either "The Mexican" or "the little woman" but used "Juanita" during his description of her trial. [6] Historian Rodolpho F. Acuna stated her name was Juana Loaiza citing an 1877 Schedule of Mexican Claims Against the United States that listed a Jose Maria Loiza as claiming damages for the lynching of his wife. However, the name does not show up in the 1850 census, which suggests that the claim may have been fraudulent. [7] In 1976, Martha Cotera, an influential activist of both the Chicano Movement and Chicana Feminist Movement, informed Chicano scholars that her last name was Segovia. [2]

Adult life

Family

Irene I. Blea's book U.S. Chicanas and Latinas in a Historical Context claims that Josefa was a Sonoran and of good character. [3] She was about 26 years old at the time of her death. [3] Kerry Segrave recounts Josefa Segovia's life in Downieville, California, also known as "The Forks" for its location at the north fork of the Yuba River. She lived with a Mexican gambler, José, in a small house on the main street of town. It is not completely clear if they were married or not. [8]

Reputation in Downieville

Plaque on the Craycroft Building in Downieville commemorating Segovia's hanging Josefa Segovia plaque.jpg
Plaque on the Craycroft Building in Downieville commemorating Segovia's hanging

Josefa was probably not married to José, but she did live with him. Therefore, she received a bad reputation. [3] According to one account, Juanita (read Josefa) was slender and barely five feet (1.5 m) tall. [4] The same account states that Josefa was beautiful, vivacious and intelligent. Some say that she was not at all disliked in the mining camp in Downieville. [4]

Downie relates the story in the following fashion. Juanita had accompanied her partner to Downieville from Mexico and both lived in an adobe house. Downie states, "Whether she was his wife or not makes no difference in this story." He further describes her figure as "richly developed and in strict proportions." Only her temper was "not well balanced." Celebrating the Fourth of July, Cannon and companions were returning from the dram shop at a late hour, with Cannon staggering from the influence of liquor. Along the way, he stumbled through the door of the adobe hut. His friends quickly pulled him back outside and they proceeded home. Mortified the next morning of his embarrassing blunder, he proceeded to the hut to offer an apology in Spanish. This did not go well with the Mexican couple, and Juanita grew angry. In a rage, she drew a knife and stabbed Cannon. Soon a "mob of infuriated men" gathered, ready to invoke the "miner's law" of a "life for life". Only Mr. Thayer came to her defense, but to no avail as she was quickly tried and found guilty. A scaffold was erected and the "howling blood-thirsty mob...cried for vengeance" according to Downie. Downie states Juanita retold the story of the "unfortunate incident", how she had been "provoked" and if done so again would "repeat her act." She then took the rope, placed the noose around her neck, said "¡Adiós, señores!" and "leaped from the scaffold into eternity." Downie concludes by stating "it was one of those blots that stained the early history of California." [9]

Social and racial environment for Mexicans in California

Map of California during the Gold Rush CalGoldRushMap crop.jpg
Map of California during the Gold Rush

In 1835, Andrew Jackson tried to buy California for $3.5 million (~$109 million in 2023), but Mexico refused the offer.[ citation needed ] Ten years later, James K. Polk suggested annexing Texas, but also put California as a high priority on his list of territory to acquire. [10] The U.S. and Mexico went to war on May 13, 1846. On February 2, 1848, the Treaty of Guadalupe Hidalgo was signed. [10] What neither the U.S. nor Mexico realized was that nine days earlier, gold had been found in the foothills of the Sierra Nevada. [10] It is estimated that between 1848 and 1852, as many as 25,000 Mexicans migrated to California to mine. [11] In the fall of 1848, as many as 3,000 Mexicans migrated to the mining regions. Often, they traveled as entire families. [12] After hearing of the gold, thousands of American men borrowed money, mortgaged their homes, or spent their life savings to travel to California and take advantage of the opportunity to find gold. Because society at the time was based on a waged labor, the idea that a person could obtain wealth by finding gold became irresistible. [10] By 1849, the population of non-native Californians grew to over 100,000. Two-thirds of this non-native population were Americans. Despite the fact that the work of mining was the hardest kind of labor, the promise of gold drew miners west every year. [12]

In 1848, when the California Gold Rush began, the population of the state was a Mexican majority. However, this Mexican population fell to 15% by 1850 and to 4% by 1870. [13] Northern California, where Downieville is located, received the majority of the Anglo migration during the beginning of the Gold Rush. The Mexican majority in 1848 allowed for many successes for early racial relations. For example, all state laws and regulations were to be translated into Spanish. [13] [14]

Trial

The American mining population in Downieville was enraged by Cannon's death. Josefa was put on trial the next day, and the jury consisted of Cannon's friends and companions while the rest of Downieville waited for the results. [15] Supposedly, a physician, Dr. Cyrus D. Aiken, testified that Josefa was not in a fit condition to be hanged. [4] Protests immediately followed the doctor's testimony and he was forced from the stand and from the town. Moments later, Josefa was found guilty of the murder of Cannon. Also, Mr. Thayer, a lawyer from Nevada attempted to testify against the execution of Juanita but was beaten off the stand. [4] Reportedly, he asked for a fair trial for Juanita to see if a murder had really been committed. [15]

Execution

For the lynching, a scaffold was constructed on the Jersey Bridge over the Yuba River. [8] [16] The town came to stand on the banks of the river and watch her execution. It was an important event to lessen the anger of the townspeople over Cannon's death. Josefa was hanged immediately following the trial, and some accounts say that her last words before she was executed were "Adiós Señores". [17] She is widely known to be the first woman to be executed by hanging in California [8] Mr. Manly wrote, "Juanita went calmly to her death. She wore a Panama hat, and after mounting the platform she removed it, tossed it to a friend in the crowd, whose nickname was 'Oregon,' with the remark, 'Adios, amigo.' Then she adjusted the noose to her own neck, raising her long, loose tresses carefully in order to fix the rope firmly in its place; and then, with a smile and wave of her hand to the bloodthirsty crowd present, she stepped calmly from the plank into eternity. Singularly enough, her body rests side by side, in the cemetery on the hill, with that of the man whose life she had taken." Mr. Manly's book is generally a first person account of his experiences migrating to California to mine for gold. Although he did mine for gold near Downieville in 1851, he, by his own account, was not in Downieville on the dates in question. He does not cite the source for his version of the events though it seems conceivable he heard eyewitness accounts.

Some witnesses recalled Josefa saying before she died: "'I would do the same again if I was so provoked.'". [7] This is one of many characteristics pointed out by some who are of the opinion that she must have been an aggressive woman. This has been used to advance the idea that those who lynched her may have been right that she had murdered Joe the miner when he was not actually threatening her safety. Another fact brought up to support this idea is that the townsfolk noted that she was quick to anger. Due to conflicting witness statements and vague details some modern commentators believe that Juanita did not murder Frederick Cannon. [7]

Legacy

Segovia and the events leading to her death are a major plot point in Girls of the Golden West, a 2017 opera by John Adams based on the letters of Dame Shirley. [18]

Related Research Articles

<span class="mw-page-title-main">Chicano</span> Ethnic identity of some Mexican Americans

Chicano or Chicana is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture.

<span class="mw-page-title-main">Downieville, California</span> Census-designated place in California, United States

Downieville is a census-designated place in and the county seat of Sierra County, California, United States. Downieville is on the North Fork of the Yuba River, at an elevation of 2,966 feet (904 m). The 2020 United States census reported Downieville's population was 290.

<span class="mw-page-title-main">Chicano rock</span> Rock music performed by Chicano groups

Chicano rock, also called chicano fusion, is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.

<span class="mw-page-title-main">Chicana feminism</span> Sociopolitical movement

Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.

<span class="mw-page-title-main">Chicano poetry</span> Subgenre of Mexica-American literature

Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.

<span class="mw-page-title-main">Alicia Gaspar de Alba</span> American critic and writer

Alicia Gaspar de Alba is an American scholar, cultural critic, novelist, and poet whose works include historical novels and scholarly studies on Chicana/o art, culture and sexuality.

<span class="mw-page-title-main">Mexican-American literature</span> Literature written by Mexican Americans in the United States

Mexican American literature is literature written by Mexican Americans in the United States. Although its origins can be traced back to the sixteenth century, the bulk of Mexican American literature dates from post-1848 and the United States annexation of large parts of Mexico in the wake of the Mexican–American War. Today, as a part of American literature in general, this genre includes a vibrant and diverse set of narratives, prompting critics to describe it as providing "a new awareness of the historical and cultural independence of both northern and southern American hemispheres". Chicano literature is an aspect of Mexican American literature.

<span class="mw-page-title-main">Martha P. Cotera</span> Mexican librarian, writer, and activist

Martha P. Cotera is a librarian, writer, and influential activist of both the Chicano Civil Rights Movement and the Chicana Feminist movement of the 1960s and 1970s. Her two most notable works are Diosa y Hembra: The History and Heritage of Chicanas in the U.S. and The Chicana Feminist. Cotera was one of six women featured in a documentary, Las Mujeres de la Caucus Chicana, which recounts the experiences of some of the Chicana participants of the 1977 National Women's Conference in Houston, Texas.

<span class="mw-page-title-main">Chicana literature</span> Form of literature that has emerged from the Chicana Feminist movement

Chicana literature is a form of literature that has emerged from the Chicana Feminist movement. It aims to redefine Chicana archetypes, in an effort to provide positive models for Chicanas. Chicana writers redefine their relationships with what Gloria Anzaldúa has called "Las Tres Madres" of Mexican culture, by depicting them as feminist sources of strength and compassion.

<span class="mw-page-title-main">Sylvia Morales</span> American film director

Sylvia Morales is an American film director, writer, producer, and editor. Morales is recognized as one of the first female Mexican-American filmmakers to have established a Latino cinema. In her filmmaking career, Morales has been nationally recognized winning awards for film and video documentary on topics ranging from the farm workers struggle to the music of Los Lobos.

Anna Nieto-Gomez is a scholar, journalist, and author who was a central part of the early Chicana movement. She founded the feminist journal, Encuentro Femenil, in which she and other Chicana writers addressed issues affecting the Latina community, such as childcare, reproductive rights, and the feminization of poverty.

<i>Emplumada</i> 1981 poetry book by Lorna Dee Cervantes

Emplumada is the first collection of poetry authored by Lorna Dee Cervantes. It was published in 1981 by University of Pittsburgh Press.

Yreina Cervantez is an American artist and Chicana activist who is known for her multimedia painting, murals, and printmaking. She has exhibited nationally and internationally, and her work is in the permanent collections of the Smithsonian American Art Museum, The Mexican Museum, the Los Angeles County Museum, and the Los Angeles Museum of Contemporary Art.

Hijas de Cuauhtémoc was a student Chicana feminist newspaper founded in 1971 by Anna Nieto-Gómez and Adelaida Castillo while both were students at California State University, Long Beach.

Carla (Mari) Trujillo is an American fiction writer, noted for her first novel What Night Brings, about the cultural contradictions of a Chicana lesbian growing up in a Catholic home. She is an administrator at the University of California, Berkeley, and has taught courses in Women's Studies.

<span class="mw-page-title-main">Chicana art</span>

Chicana art emerged as part of the Chicano Movement in the 1960s. It used art to express political and social resistance through different art mediums. Chicana artists explore and interrogate traditional Mexican-American values and embody feminist themes through different mediums such as murals, painting, and photography. The momentum created from the Chicano Movement spurred a Chicano Renaissance among Chicanas and Chicanos. Artists voiced their concerns about oppression and empowerment in all areas of race, gender, class, and sexuality. Chicana feminist artists and Anglo-feminist took a different approach in the way they collaborated and made their work during the 1970s. Chicana feminist artists utilized artistic collaborations and collectives that included men, while Anglo-feminist artists generally utilized women-only participants. Art has been used as a cultural reclamation process for Chicana and Chicano artists allowing them to be proud of their roots by combining art styles to illustrate their multi-cultured lives.

<span class="mw-page-title-main">Mexican-American folklore</span>

Mexican-American folklore refers to the tales and history of Chicano people who live in the United States.

<span class="mw-page-title-main">Chicanafuturism</span>

The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism'. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.

<span class="mw-page-title-main">Index of articles related to Mexican Americans</span>

A Mexican American is a resident of the United States who is of Mexican descent. Mexican American-related topics include the following:

<span class="mw-page-title-main">Jersey Bridge (Downieville, California)</span> Historic bridge in Downieville, California

The Jersey Bridge is a truss bridge that carries traffic connecting Main and Commercial Streets over the Downie River in Downieville, California. Constructed in 1938, it is a rare surviving example of a one-lane, steel, rigid-connected polygonal Parker through Pratt truss span. On July 10, 2012, the bridge was listed on the National Register of Historic Places, recognizing its historical and architectural significance. The bridge is also known as the Highway 49 Bridge, or Downie River Bridge and continues to carry California State Route 49.

References

  1. Ochoa, Oscar (2015). The California Crucible: Frontier narratives and the lynching of Josefa Segovia. Dominguez Hills, CA: California State University. p. 1.
  2. 1 2 Gutierrez, Margo, and Matt S. Meier. Encyclopedia of the Mexican American Civil Rights Movement. Greenwood, 2000. Print. p. 135-136.
  3. 1 2 3 4 Blea, Irene I. U.S. Chicanas and Latinas Within a Global Context: Women of Color at the Fourth World Women's Conference. Praeger, 1997. 89–90. eBook.
  4. 1 2 3 4 5 Young, Gordon. "Days of 49'." Popular Tribunals[Downieville, California] 1851, Volume 1 Pg. 417-557. Web. 4 Nov. 2013.
  5. "Josefa Segovia - Pretty Juanita".
  6. Bancroft, Hubert. "The Downieville Tragedy." The Works of Hubert Howe Bancroft. San Francisco: The History Company. 1887. <https://archive.org/stream/cihm_14187#page/n7/mode/2up>
  7. 1 2 3 Rubio, J'Aime. "First Recorded Hanging of a Woman in California History." Dreaming Casually, 07 08 2013. Web. 12 Dec. 2013. <http://dreamingcasuallypoetry.blogspot.com/2013/07/first-lynching-of-woman-in-california.html>
  8. 1 2 3 Segrave, Kerry. Lynchings of Women in the United States: The Recorded Cases, 1851–1946. Jefferson: McFarland & Company, Inc., Publishers, 2010. 21-22. eBook. p. 21-22.
  9. Downie, William (1971). Hunting for Gold. Palo Alto: American West Publishing Company. pp. 146–153. ISBN   0-910118-22-1.
  10. 1 2 3 4 "The California Gold Rush." PBS. PBS, 13 Sept. 2006. Web. 05 Dec. 2013. <https://www.pbs.org/wgbh/amex/goldrush/peopleevents/e_goldrush.html Archived 2016-11-26 at the Wayback Machine >
  11. Carrigan, William D., and Clive Webb. "The Lynching of Persons of Mexican Origin or Descent in the United States, 1848 To 1928." Journal of Social History. 37.2 (2003): n. page. Web.
  12. 1 2 "Mexicans in the Gold Rush." PBS. PBS, 13 Sept. 2006. Web. 04 Dec. 2013. <https://www.pbs.org/wgbh/amex/goldrush/peopleevents/p_mexicans.html Archived 2016-12-10 at the Wayback Machine >
  13. 1 2 California Department of Parks and Recreation. California Department of Parks and Recreation, 1988. Print. < "Five Views: An Ethnic Historic Site Survey for California". Archived from the original on 2013-10-22. Retrieved 2013-12-03.>.
  14. Rosales, Francisco Arturo. Chicano! the History of the Mexican American Civil Rights Movement. 2 Revised Edition. Arte Publico Press, 1997. 14. Print.
  15. 1 2 "Woman up in the west". Fairbanks Weekly News – Miner [Alaska], January 21, 1921, p. 15.
  16. "In Memory of Juanita", Downie Chapter 1849, Downieville, California, August 21, 1996
  17. "Girls of the Golden West (San Francisco Opera)". Limelight. Retrieved 2020-10-25.