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This is a list of soul musicians who have either been influential within the genre, or have had a considerable amount of fame. Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
Traditional pop is Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "standard" can be applied to any popular song that has become very widely known within mainstream culture.
The United States' multi-ethnic population is reflected through a diverse array of styles of music. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional hipop , jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip-hop/rap, soul, funk, religious, disco, house, techno, ragtime, doo-wop, folk, americana, boogaloo, tejano, surf, and salsa, amongst many others. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.
Beat music, British beat, or Merseybeat is a British popular music genre and developed around Liverpool in the late 1950s and early 1960s. The genre melded influences from British and American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture from 1960s movements such as garage rock, folk rock and psychedelic music.
Blue-eyed soul is rhythm and blues (R&B) and soul music performed by White artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by Black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul".
Louis Allen Rawls was an American baritone singer. He released 61 albums, sold more than 40 million records, and had numerous charting singles, most notably the song "You'll Never Find Another Love like Mine". He also worked as a film, television, and voice actor. He was a three-time winner of the Best Male R&B Vocal Performance Grammy Award.
American popular music is popular music produced in the United States and is a part of American pop culture. Distinctive styles of American popular music emerged early in the 19th century, and in the 20th century the American music industry developed a series of new forms of music, using elements of blues and other genres. These popular styles included country, R&B, jazz and rock. The 1960s and 1970s saw a number of important changes in American popular music, including the development of a number of new styles, such as heavy metal, punk, soul, and hip hop.
A Cellarful of Noise is the title of Brian Epstein's 1964 autobiography. His assistant, Derek Taylor, was the ghostwriter of the book, which describes the early days of The Beatles, whom Epstein managed.
John Sanford Gilliland Jr. was an American radio broadcaster and documentarian best known for the Pop Chronicles music documentaries and as one of the original members of The Credibility Gap. He was born and died in his hometown of Quanah, Texas. He worked for a number of radio stations in Texas and California including KOGO in San Diego (1961–1965), KRLA 1110 in Los Angeles (1965–1970), and KSFO (AM) in San Francisco (1971–1978).
The Pop Chronicles are two radio documentary series which together "may constitute the most complete audio history of 1940s–60s popular music." They originally aired starting in 1969 and concluded about 1974. Both were produced by John Gilliland.
"Chain of Fools" is a song written by Don Covay. Aretha Franklin first released the song as a single in 1967 and subsequently it appeared on many of her albums. It hit number one on the Billboard Hot Rhythm & Blues chart and number two on Billboard's Hot 100 chart.
"Baby I Love You" is a popular song by R&B singer Aretha Franklin. The only single release from her Aretha Arrives album in 1967, the song was a huge hit, peaking at number 4 on the Billboard Hot 100 Singles chart and spending two weeks at number-one on the Hot Rhythm & Blues Singles chart. In the UK, the song rose to number 39 in August 1967, spending four weeks on the chart. It was featured in Martin Scorsese's 1990 film Goodfellas. A live performance appears on the album Aretha in Paris (1968).
This article includes an overview of the events and trends in popular music in the 1960s.
This article includes an overview of the major events and trends in popular music in the 1950s.
"Sweet Soul Music" is a soul song first released by the American singer Arthur Conley in March 1967. Written by Conley and Otis Redding, it is based on the Sam Cooke song "Yeah Man" from his posthumous album Shake; the opening riff is a quote from Elmer Bernstein's score for the 1960 movie The Magnificent Seven.
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as the Beatles, the Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century.
Popular music of the United States in the 1960s became innately tied up into causes, opposing certain ideas, influenced by the sexual revolution, feminism, Black Power and environmentalism. This trend took place in a tumultuous period of massive public, unrest in the United States which consisted of the Cold War, Vietnam War, and Civil Rights Movement.
Autry DeWalt Mixon Jr., known professionally as Junior Walker, was an American multi-instrumentalist and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s.