Algerian music is virtually synonymous with Raï among foreigners; the musical genre has achieved great popularity in France, Spain and other parts of Europe. For several centuries, Algerian music was dominated by styles inherited from Al-Andalus, eventually forming a unique North African twist on these poetic forms. Algerian music came to include suites called nuubaat. Later derivatives include rabaab and hawzii.
The music of the nomadic and rural Turkmen people is closely related to Kyrgyz and Kazakh folk forms. Important musical traditions in Turkmen music include traveling singers and shamans called bakshy, who act as healers and magicians and sing either a cappella or with instruments such as the two-stringed lute called dutar.
Tajik music is closely related to other Central Asian forms of music. The classical music is shashmaqam, which is also distinctive in Uzbekistan. Southern Tajikistan has a distinctive form of folk music called falak, which is played at celebrations for weddings, circumcisions and other occasions.
The music of French Polynesia came to the forefront of the world music scene in 1992, with the release of The Tahitian Choir's recordings of unaccompanied vocal Christian music called himene tārava, recorded by French musicologist Pascal Nabet-Meyer. This form of singing is common in French Polynesia and the Cook Islands, and is distinguished by a unique drop in pitch at the end of the phrases, which is a characteristic formed by several different voices; it is also accompanied by steady grunting of staccato, nonsensical syllables.
The music of Bahrain is part of the Persian Gulf folk traditions. Alongside Kuwait, it is known for sawt music, a bluesy genre influenced by African, Indian and Persian music. Sultan Hamid, Ali Bahar and Khaled El Sheikh are among the most popular musicians from Bahrain.
The Comoros is a group of islands in the Indian Ocean, mostly an independent nation but also including the French territory of Mayotte. It is historically linked to both East Africa and France, and now has a strong Malagasy influence. Zanzibar's taarab music, however, remains the most influential genre on the islands, and a Comorian version called twarab is popular. Leading twarab bands include Sambeco and Belle Lumière, as well as singers including Chamsia Sagaf and Mohammed Hassan.
Seychelles, which is an independent island chain in the Indian Ocean, has a distinct kind of music. Folk music incorporates multiple influences in a syncretic fashion, including English contredanse, polka and mazurka, French folk and pop, sega from Mauritius and Réunion, taarab, zouk, soukous moutya and other pan-African genres, as well as Polynesian and Indian music. A complex form of percussion music called Kanmtole is popular, along with combinations of Sega and Reggae called Seggae and combinations of Moutya and Reggae called Mouggae, as is Montea, a fusion of native folk rhythms with Kenyan benga developed by Patrick Victor. Jean Marc Volcy is another famous Seychellois musician who has brought a modern touch to traditional music. He has several albums including Sove Lavi.
The music of Rwanda encompasses Rwandan traditions of folk music as well as contemporary East African Afrobeat and Congolese ndombolo, and performers of a wide variety of Western genres including hip-hop, R&B, gospel music and pop ballads.
Burundi is a Central African nation that is closely linked with Rwanda, geographically, historically and culturally. The drum such as the karyenda is one of central importance. Internationally, the country has produced the music group Royal Drummers of Burundi.
São Tomé and Príncipe is an island country off the coast of Africa. Culturally, the people are African but have been highly influenced by the Portuguese rulers of the islands.
The traditional music of Tuvalu consists of dances, including fatele, fakanau and fakaseasea. The influence of the Samoan missionaries sent to Tuvalu by the London Missionary Society from the 1860s resulted in the suppression of songs about the traditional religions or magic and many songs were lost. As the influence of the missionaries diminished in the 20th century the traditional dances were revived and the siva dance tradition from Samoa also became popular.
Lagani Rabukawaqa is a pop musician from Fiji who achieved fame in Oceania in the 1980s.
The classical music of Afghanistan is called klasik, which includes both instrumental and vocal forms (ghazals). Many ustad, or professional musicians, are descended from Indian artists who emigrated to the royal court in Kabul in the 1860s upon the invitation of Amir Sher Ali Khan.
From the American Revolutionary War to the start of the American Civil War, American music underwent many changes. The folk vernacular traditions diversified and spread across the nation, while a number of prominent composers of European art music also arose.
The latter part of the 19th century saw the increased popularization of African-American music and the growth and maturity of folk styles such as the blues.
Bolel is a style of Ethiopian music that evolved out of the Azmari musical tradition in Addis Ababa and elements of modern urban culture. The word bolel is a corrupted form of the word meaning dust, in reference to the bad roads of the rural countryside.
Songo-salsa is a style of music that blends Spanish rapping and hip hop beats with salsa music and songo. Well-known exponents include Bamboleo and Charanga Habanera.
Ritmo Kombina is a style of popular Dutch Antillean music, influenced by zouk and soca music. The lyrics of combined rhythm are generally in the local Papiamento language.
The fatele or faatele is a traditional dance song of Tuvalu. Dancing songs are the most common type of traditional Tuvaluan song, with other traditional dance styles including fakanau and fakaseasea.
The fakaseasea is a tradition dance song of Tuvalu. Dancing songs are the most common type of the traditional Tuvaluan songs, with other tradition dance styles including fakanau and fatele.
