Cajun fiddle

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Michael Doucet

Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. [1] It is one of the few extant North American folk music traditions rooted in French chanson. [2] According to Ron Yule, "Louisiana fiddling had its birth roots in Europe, with fiddling being noted as early as the 1400s in Scotland". [3] Zydeco music is a geographically, culturally, and musically related style.

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Cajun music

Cajun music, an emblematic music of Louisiana, is rooted in the ballads of the French-speaking Acadians of Canada. Cajun music is often mentioned in tandem with the Creole-based, Cajun-influenced zydeco form, both of Acadiana origin. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials. It is an aural tradition dating past the Acadian conquest of southwest Louisiana after their displacement from Nova Scotia, from whence they brought a rich musical tradition. [4]

Blues fiddle has been directly influential in the development of Cajun fiddling, as with all music in the New Orleans music scene, and even proto-bluegrass influences from early American balladry. [5]

History

According to Bill Malone and David Sticklin, authors of Southern Music/American Music, Cajun music was first discovered commercially in the 1920s with release of Allons à Lafayette (Let's Go to Lafayette). [6] [ page needed ] By 1928 Cajun fiddle had already diverged into variegated styles. The most prominent proponent was Leo Soileau of Ville Platte, Louisiana, who started recording in 1928 with Mayuse Lafleur, accordionist, who "met his death from a stray bullet in a tavern brawl in October of that same year". [7] The fiddle was the central instrument in Cajun sound until the twenties when it was somewhat eclipsed by the accordion, both in Canada and the United States. In the early 1930s strings once again dominated. Mandolins, pianos, and banjos joined fiddles to create a jazzy swing beat strongly influenced by the western swing of Texas. [8]

Repertoire

Cajun fiddle includes quadrilles, jigs, hornpipes, reels, one-steps, two-steps, airs, mazurkas, schottisches, and waltzes. [3]

"Jambalaya" is based on a Cajun melody and has been covered by musicians of all genres, including Aldus Roger, Jo-El Sonnier and even a 1971 rock version by the young Bruce Springsteen [9] Hank William's recording of the song is so influential it is covered in and of itself, as by Dwight Yoakam. [10]

Prominent proponents of the style

Related Research Articles

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James Floyd Soileau is an American record producer.

Michael Doucet American musician

Michael Louis Doucet is an American singer-songwriter and musician best known as the founder of the Cajun band BeauSoleil.

Steve Riley and the Mamou Playboys

Steve Riley and the Mamou Playboys are an American Cajun band from southern Louisiana. The band formed in 1988 and has since recorded 10 albums, nine of which are on Rounder Records.

Dewey Balfa American Cajun fiddler and singer

Dewey Balfa was an American Cajun fiddler and singer who contributed significantly to the popularity of Cajun music. Balfa was born near Mamou, Louisiana. He is perhaps best known for his 1964 performance at the Newport Folk Festival with Gladius Thibodeaux and Vinus LeJeune, where the group received an enthusiastic response from over seventeen thousand audience members. He sang the song "Parlez Nous à Boire" in the 1981 cult film Southern Comfort, in which he had a small role.

Ginny Hawker and Tracy Schwarz Musical artist

Ginny Hawker and Tracy Schwarz are an American folk music duo known for performing traditional music from the early American canon of bluegrass, gospel, and old time music. The duo, however, on occasion does record original songs and music by contemporary songwriters. They live in West Virginia. Tracy Schwarz was a member of the New Lost City Ramblers.

Nathan Abshire American Cajun accordion player

Nathan Abshire was an American Cajun accordion player. His time in the U.S. Army inspired Abshire to write the crooner song "Service Blues", which the newspaper Daily World reported as "one of his most memorable tearjerkers". After the war, he settled in Basile, Louisiana, where he played regularly at the Avalon Club. He released his best-known record, "Pine Grove Blues", in 1949. Abshire's music became more well known outside of Louisiana at the 1964 Newport Folk Festival. Abshire was never able to write so he was unable to sign autographs, resulting in him having to politely decline the requests. Despite thoughts of Abshire being "arrogant or stuck-up" for not signing autographs, he was unable to read and write. However, Abshire was taught how to write his own signature by Barry Jean Ancelet. Despite receiving more income from music than the majority of Cajun musicians, Abshire was not able to entirely depend on that income to live on. Abshire had multiple jobs during his life and his final job was working as the custodian of the town's dump. Abshire's legacy continued after his death in the form of a museum, a book, and a magazine special issue.

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Alphonse "Bois Sec" Ardoin was a Creole accordionist who specialized in the Creole music called "la la music" or "la musique Creole" and was influential in what became zydeco music.

History of Cajun music

Cajun music has its roots based in the ballads of the French-speaking Acadians of Canada, and in country music.

The Balfa Brothers

The Balfa Brothers were an American cajun music ensemble. Its members were five brothers; Dewey on fiddle, Will on fiddle, Rodney on guitar, harmonica, and vocals, Burkeman on triangle and spoons, and Harry on Cajun accordion.

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A Cajun accordion, also known as a squeezebox, is single-row diatonic button accordion used for playing Cajun music.

The culture of Louisiana involves its music, food, religion, clothing, language, architecture, art, literature, games, and sports. Often, these elements are the basis for one of the many festivals in the state. Louisiana, while sharing many similarities to its neighbors along the Gulf Coast, is unique in the influence of Cajun culture, due to the historical waves of immigration of French-speaking settlers to Louisiana. Likewise, African-American culture plays a prominent role. While New Orleans, as the largest city, has had an outsize influence on Louisiana throughout its history, other regions both rural and urban have contributed their shared histories and identities to the culture of the state.

Christine Balfa Cajun musician, born 1968

Christine Balfa is a Cajun musician and founder of the group Balfa Toujours known for performing vocals, guitar, and the triangle. She is the youngest daughter of Dewey Balfa.

Varise Conner American musician

Varise Conner was a Cajun fiddler born in Lake Arthur, Louisiana. His works and personality has inspired many prominent Cajun musicians.

Dirk Powell is an American fiddler, banjo player, and singer. Powell was born in Oberlin, Ohio into a family with deep Kentucky roots. He has lived in Louisiana since 1992. He is considered one of the world's leading experts on traditional Appalachian fiddle and banjo styles. Powell is also a recording engineer and producer, with his own studio, the Cypress House, in Breaux Bridge, near Lafayette, Louisiana. The studio is in a converted 1850s Louisiana Creole home on Bayou Teche and focuses on vintage gear and audio..

Mojo & The Bayou Gypsies Band from Louisiana, United States

Mojo & The Bayou Gypsies is a band led by Mojo from Breaux Bridge Louisiana. Their music is a blend of zydeco, Cajun and their particular style which he calls Red Hot Mojo Music. Circa 2018, they consist of Mojo on vocals and Cajun accordion, Zydeco T Carrier on Frottoir (rubboard), Greg Hirte on Cajun fiddle, Tee John Moser on drums Beau Brian Burke on bass.

References

  1. Dôle, Gérard; Vadunthun, Marie-Paule; D. S. Smith (1982). "Bayou Memories: Louisiana French Folk Songs and Dance Tunes" (PDF). Folkway Records. OCLC   51479374 . Retrieved 2011-09-11.
  2. Reiner, David; Anick, Peter (1989). Old Time Fiddling Across America. Pacific, Missouri: Mel Bay Publications. ISBN   978-0-87166-766-3.
  3. 1 2 Yule, Ron (2005). "Louisiana's Living Traditions: Fiddling in Louisiana". Louisiana Division of the Arts: Department of Culture, Recreation & Tourism. Retrieved 2011-09-11.
  4. Aginsky, Yasha; producer (1983). Les Blues de Balfa (16 mm film). Aginsky Productions with Les Films Cinetrie and Les Films d'Ici. OCLC   24289884 . Retrieved 2011-09-11. We are here to tell you a little bit about what a Cajun is. A Cajun is a person who his homeland was France. Went into Nova Scotia, at the time Acadia, and settled there and was there for about a hundred years, and afterwards the British took over the territory and then the French-speaking people, the French descendants, known as the Acadians, came down to the South-Western part of Louisiana, and that was back in 1755. So over all of these years, your language, and your music has been preserved from daddy to son or daddy to daughter or momma to daughter.
  5. Balfa, Dewey; Tracey Schwarz (1982). "Cajun Fiddle Old and New with Dewy Balfa" (PDF). Folkway Records. OCLC   51479374 . Retrieved 2011-09-11.
  6. Malone 1979.
  7. Malone 1979, p. 61.
  8. Malone 1979, p. 62.
  9. Marsh, Dave (2006). Bruce Springsteen on tour, 1968-2005. New York: Bloomsbury. p. 45. ISBN   1596912820.
  10. Yoakum, Dwight (June 4, 2000). Dwight Yoakam – Jambalaya (On the Bayou) . Retrieved 2011-09-11.

Bibliography

See also