Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelt "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelt "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with local Caribbean calypso and soca music, and later on Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Saint Vincent and the Grenadines includes thriving music scenes based on Big Drum, calypso, soca, steelpan and also reggae. String band music, quadrille, bélé music and traditional storytelling are also popular.
The Panyols are a pardo (tri-racial) ethnic group in Trinidad and Tobago of Afro-Indigenous descent, primarily of mixed South American Amerindian, Trinidad and Tobago Amerindian, Afro-Trinidadian and Spanish descent. The name is a derivation of the word 'español', as well as the community's settlement in what became predominantly cocoa cultivated regions of Trinidad. Also referred to as Pagnols or Payols, the panyol communities draw cultural influence from both sides of the Gulf of Paria, and are predominantly found within the Northern Range rainforest mountains and valleys of Trinidad, with South American cultural influences most predominantly derived from regions around the Orinoco, and Caura River, Venezuela.
Aguinaldo It is a genre of Venezuelan traditional and cultural music, popular in several Latin American countries., based on Spanish Christmas carols or villancicos which is traditionally sung on Christmas itself or during the holiday season. Aguinaldo music is often performed by parrandas - a casual group of people, often family or friends, who merrily go from house to house taking along their singing.the instruments used are four, maracas and drums.one of the aguinaldos popular is burrito sabanero.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
Edwin Ayoung, better known as Crazy, is a Trinidadian calypsonian. He has been active since the mid-1970s and is one of the most successful artists from Trinidad and Tobago.
Laxmichand "Babla" Virji Shah and Kumari Kanchan Dinkarrao Mali-Shah were an Indian husband-wife musical group best known for work in the chutney music and Desi Folk music genres. They performed together for forty years until Kanchan died in 2004. Babla Shah is the younger brother of famous music director duo Kalyanji Anandji.
Destra Garcia is a Trinidadian musician, singer and songwriter of soca music. She is also known by the mononym Destra. She is one of the most popular female soca artists in the world.
Chutney parang or parang chutney is a style of music that is a cross between Venezuela, Colombia, and Trinidad and Tobago's traditional Christmas music, parang and Indo-Trinidadian chutney music. It is sung in English,Hindustani, and Spanish.
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
Caribbean Hindustani is an Indo-Aryan language spoken by Indo-Caribbeans and the Indo-Caribbean diaspora. It is mainly based on the Bhojpuri and Awadhi dialects. These Hindustani dialects were spoken by the Indians who came as immigrants to the Caribbean from India as indentured laborers. It is closely related to Fiji Hindi and the Bhojpuri-Hindustani spoken in Mauritius and South Africa.
The following outline is provided as an overview of and topical guide to Trinidad and Tobago:
The cuatro of Venezuela has four single nylon strings, tuned (ad'f#'b). It is similar in shape and tuning to the ukulele, but their character and playing technique are vastly different. It is tuned in a similar fashion to the traditional D tuning of the ukulele, but the A and B are an octave lower. Consequently, the same fingering can be used to shape the chords, but it produces a different inversion of each chord. A cuatro player is called a cuatrista.
Paramin is a village located on one of the highest points of western area of the Northern Range in Trinidad, Trinidad and Tobago, which forms part of the Maraval area. It is a sprawling, steep and mountainous village whose residents have traditionally been farmers, producing herbs like chives, thyme and parsley, as well as vegetables like tomatoes and yams.
Kenwrick Joseph, known professionally as Kenny J, was a Trinidad and Tobago calypsonian and Assistant Superintendent of Police who was best known for his soca parang hits including The Paint Brush.