The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Bollywood film songs, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diameter and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is made for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak can made of sheesham or mango wood. The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning. Commonly in the Indian subcontinent, there are only one set of rings for tuning the treble side of the dholak, while in the Caribbean, hook screws are placed into the sides of the dholak to allow tuning of both the treble and the bass. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Suriname is known for kaseko music, and for having an Indo-Caribbean tradition.
The music of Guyana encompasses a range of musical styles and genres that draw from various influences including: Indian, Latino-Hispanic, European, African, Chinese, and Amerindian music. Popular Guyanese performers include: Terry Gajraj, Eddy Grant, Dave Martins & the Tradewinds, Aubrey Cummings, Colle´ Kharis and Nicky Porter. Eddie Hooper The Guyana Music Festival has proven to be influential on the Guyana music scene.
Rakesh Yankaran, nicknamed The Raja is an Indo-Trinidadian musician. He is the son of the late Indian classical musician, Isaac Yankarran and brother of the late Indian classical and chutney musicians Anand, Suresh, and Sharm Yankaran. His grandfather came from Andhra Pradesh, India to Trinidad and Tobago during the indentured labour times. He is a self-taught musician. As a child, young Rakesh loved to listen to his father sing. As a teen he started to play music himself. Today he is a professional chutney artist. He can play the Indian instruments tabla, dholak, harmonium, dhantal, and the tassa drum.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
Indo-Guyanese or Indian-Guyanese, are Guyanese nationals of Indian origin who trace their ancestry to India and the wider subcontinent. They are the descendants of indentured servants and settlers who migrated from India beginning in 1838, and continuing during the British Raj.
In Trinidad and Tobago, and other parts of the Caribbean, the term tassa refers to a drumming ensemble drawn from an amalgamation of various North Indian folk drumming traditions, most importantly dhol-tasha, a style that remains popular today in many parts of India and Pakistan. Beginning in the 1830s and lasting until 1918, dhol-tasha was taken around the world by Indian workers, mostly from present-day Bihar and Uttar Pradesh, enmeshed in a global scheme of indentured labor in British, French, and Dutch territories.
The dhantal (dandtal) is a long steel rod based percussion instrument, which was adapted from the iron "bows" which yoked the oxen that pulled the carts on the estates in Guyana, Suriname, Trinidad and Tobago, other parts of the Caribbean. The original beater was an actual horseshoe, a shape which is still retained in the dhantal's modern context as a musical instrument. The top of the dhantal may be blunt or tapered to a fine point to allow for greater resonance, and its end is shaped into a circle that rests on the ground, table, or other surface when it is played. Dhantal sizes can range from 3' to 6' in length and 3/8" to 1/2" in width. The dhantal is an important instrument in Indo-Caribbean music styles, such as Chutney, Baithak Gana and Taan Singing.
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
Caribbean Hindustani is an Indo-Aryan language spoken by Indo-Caribbeans and the Indo-Caribbean diaspora. It is a koiné language mainly based on the Bhojpuri and Awadhi dialects. These Hindustani dialects were the most spoken dialects by the Indians who came as immigrants to the Caribbean from India as indentured laborers. It is closely related to Fiji Hindi and the Bhojpuri-Hindustani spoken in Mauritius and South Africa.
Heeralal Rampartap is an Indo-Trinidadian entertainer. He has repeatedly produced hits and has won numerous awards both locally and internationally. He is a three-time International Chutney Soca Monarch — in 1997, 2003 and 2005 – and the National Chutney Monarch of 2002 and 2003. He has also taken first place in the Indian Cultural Pageant for three consecutive years and won the first Tuco Chutney Monarch in 2005 followed by two further wins in 2006, 2007 and 2008. He received the National Humming Bird Silver Medal for Culture in Trinidad and Tobago in 2005.
Baithak Gana is a form of music originating in Suriname by the Indian community. Baithak is a social gathering. It is a mix of Bhojpuri folk songs with other Caribbean influences. It is similar to Chutney music that originated in Trinidad and Tobago. The most popular exponent in Surinam of the genre were Ramdew Chaitoe and Dropati.
Chowtal or Chautal or Chawtal, aside from being the name of a "taal"/"tala" or meter in Hindustani classical music, is a form of folksong of North India's Bhojpuri region, sung during the Phagwa or Holi festival.
Pholourie, also spelled phulourie or phoulourie, is a snack food of Indo-Caribbean origin that is commonly eaten in Trinidad and Tobago, Guyana, Suriname and other parts of the Caribbean. It consists of fried, spiced split pea and flour dough balls that are served with a chutney.
Bhojpuri music is a form of Hindustani Classical Music and includes a broad array of Bhojpuri language performances in distinct style, both traditional and modern. This form of music is mostly created in Indian states of Bihar, Uttar Pradesh and other countries like Nepal, Trinidad and Tobago, Suriname, Guyana, Netherlands, Mauritius and other Caribbean Islands.
Caribbean Shaktism, also known as Kalimai or Madras Religion in Guyana, refers to the syncretic Shakti Kali/Mariamman worship that has evolved within the Indo-Caribbean Tamil community in countries such as Trinidad and Tobago, Guyana, Guadeloupe, Martinique, Jamaica and Suriname. It can be found across the Caribbean and any South American country with an Indo-Caribbean community. It is a syncretic blend of Dravidian folk religion and Hinduism and has also been influenced by other cultural and religious traditions found in the Caribbean such as Catholicism, Trinidad Orisha, Comfa and Obeah. It is considered to be a form of Folk Tamil Hinduism and many attend services of Vedic Origin, more Orthodox Tamil Origin, and Madrasi origin.
