Indian culture is the heritage of social norms and technologies that originated in or are associated with the ethno-linguistically diverse India, pertaining to the Indian subcontinent until 1947 and the Republic of India post-1947. The term also applies beyond India to countries and cultures whose histories are strongly connected to India by immigration, colonisation, or influence, particularly in South Asia and Southeast Asia. India's languages, religions, dance, music, architecture, food, and customs differ from place to place within the country.
Indian culture, often labelled as a combination of several cultures, has been influenced by a history that is several millennia old, beginning with the Indus Valley Civilization and other early cultural areas.[1][2]
India has 28 states and 8 union territories with different cultures and is the most populated country in the world.[15] The Indian culture, often labeled as an amalgamation of several various cultures, spans across the Indian subcontinent and has been influenced and shaped by a history that is several thousand years old.[1][2] Throughout the history of India, Indian culture has been heavily influenced by Dharmic religions.[16] Influence from East/Southeast Asian cultures onto ancient India and early Hinduism, specifically via Austroasiatic groups, such as early Munda and Mon Khmer, but also Tibetic and other Tibeto-Burmese groups, had noteworthy impact on local Indian peoples and cultures. Several scholars, such as Professor Przyluski, Jules Bloch, and Lévi, among others, concluded that there is a significant cultural, linguistic, and political Mon-Khmer (Austroasiatic) influence on early India, which can also be observed by Austroasiatic loanwords within Indo-Aryan languages and rice cultivation, which was introduced by East/Southeast Asian rice-agriculturalists using a route from Southeast Asia through Northeast India into the Indian subcontinent.[17][18] They have been credited with shaping much of Indian philosophy, literature, architecture, art and music.[19]Greater India was the historical extent of Indian culture beyond the Indian subcontinent. This particularly concerns the spread of Hinduism, Buddhism, architecture, administration and writing system from India to other parts of Asia through the Silk Road by the travelers and maritime traders during the early centuries of the Common Era.[20][21] To the west, Greater India overlaps with Greater Persia in the Hindu Kush and Pamir Mountains.[22] Over the centuries, there has been a significant fusion of cultures between Buddhists, Hindus, Muslims, Jains, Sikhs and various tribal populations in India.[23][24]
India is the birthplace of Hinduism, Buddhism, Jainism, Sikhism, and other religions. They are collectively known as Indian religions.[25] Indian religions are a major form of world religions along with Abrahamic ones. Today, Hinduism and Buddhism are the world's third and fourth-largest religions respectively, with over 2 billion followers altogether,[26][27][28] and possibly as many as 2.5 or 2.6 billion followers.[26][29] Followers of Indian religions – Hindus, Sikhs, Jains and Buddhists make up around 80–82% population of India.
Because of the diversity of religious groups in India, there has been a history of turmoil and violence between them. India has been a theatre for violent religious clashes between members of different religions such as Hindus, Christians, Muslims, and Sikhs.[30] Several groups have founded various national-religious political parties, and in spite of government policies minority religious groups are being subjected to prejudice from more dominant groups in order to maintain and control resources in particular regions of India.[30]
According to the 2011 census, 79.8% of the population of India practice Hinduism. Islam (14.2%), Christianity (2.3%), Sikhism (1.7%), Buddhism (0.7%) and Jainism (0.4%) are the other major religions followed by the people of India.[31] Many tribal religions, such as Sarnaism, are found in India, though these have been affected by major religions such as Hinduism, Buddhism, Islam and Christianity.[32] Jainism, Zoroastrianism, Judaism, and the Baháʼí Faith are also influential but their numbers are smaller.[32]Atheism and agnostics also have visible influence in India, along with a self-ascribed tolerance to other faiths.[32]
Indian philosophy comprises the philosophical traditions of the Indian subcontinent. There are six schools of orthodox Hindu philosophy—Nyaya, Vaisheshika, Samkhya, Yoga, Mīmāṃsā and Vedanta—and four heterodox schools—Jain, Buddhist, Ājīvika and Cārvāka – last two are also schools of Hinduism.[44][45] However, there are other methods of classification; Vidyarania for instance identifies sixteen schools of Indian philosophy by including those that belong to the Śaiva and Raseśvara traditions.[46] Since medieval India (ca.1000–1500), schools of Indian philosophical thought have been classified by the Brahmanical tradition[47][48] as either orthodox or non-orthodox – āstika or nāstika – depending on whether they regard the Vedas as an infallible source of knowledge.[42]
The main schools of Indian philosophy were formalized chiefly between 1000 BCE to the early centuries of the Common Era. According to philosopher Sarvepalli Radhakrishnan, the earliest of these, which date back to the composition of the Upanishads in the later Vedic period (1000–500 BCE), constitute "the earliest philosophical compositions of the world."[49] Competition and integration between the various schools were intense during their formative years, especially between 800 BCE and 200 CE. Some schools like Jainism, Buddhism, Śaiva, and Advaita Vedanta survived, but others, like Samkhya and Ājīvika, did not; they were either assimilated or became extinct. Subsequent centuries produced commentaries and reformulations continuing up to as late as the 20th century. Authors who gave contemporary meaning to traditional philosophies include Shrimad Rajchandra, Swami Vivekananda, Ram Mohan Roy, and Swami Dayananda Saraswati.[50]
North Indian Hindu wedding with the bride and groom in traditional dress.
South Indian Telugu Hindu wedding ceremony officiated by priests.
For generations, India has had a prevailing tradition of the joint family system. It is when extended members of a family – parents, children, the children's spouses, and their offspring, etc. – live together. Usually, the oldest male member is the head of the joint Indian family system. He mostly makes all important decisions and rules, and other family members are likely to abide by them. With the current economy, lifestyle, and cost of living in most of the metro cities are high, the population is leaving behind the joint family model and adapting to the nuclear family model. Earlier living in a joint family was with the purpose of creating love and concern for the family members. However, now it's a challenge to give time to each other as most of them are out for survival needs.[51] Rise in the trends of nuclear family settings has led to a change in the traditional family headship structure and older males are no longer the mandated heads of the family as they mostly live alone during old age and are far more vulnerable than before.[52]
In a 1966 study, Orenstein and Micklin analysed India's population data and family structure. Their studies suggest that Indian household sizes had remained similar over the 1911 to 1951 period. Thereafter, with urbanisation and economic development, India has witnessed a break up of traditional joint family into more nuclear-like families.[53][54] Sinha, in his book, after summarising the numerous sociological studies done on the Indian family, notes that over the last 60 years, the cultural trend in most parts of India has been an accelerated change from joint family to nuclear families, much like population trends in other parts of the world. The traditionally large joint family in India, in the 1990s, accounted for a small percent of Indian households, and on average had lower per capita household income. He finds that joint family still persists in some areas and in certain conditions, in part due to cultural traditions and in part due to practical factors.[53] Youth in lower socio-economic classes are more inclined to spend time with their families than their peers due to differing ideologies in rural and urban parenting.[55] With the spread of education and growth of economics, the traditional joint-family system is breaking down rapidly across India and attitudes towards working women have changed.
Arranged marriage
Brides in India
Bride in a Hindu Indian wedding
Indian bride on her wedding day
Arranged marriages have long been the norm in Indian society. Even today, the majority of Indians have their marriages planned by their parents and other respected family members. In the past, the age of marriage was young.[56] The average age of marriage for women in India has increased to 21 years, according to the 2011 Census of India.[57] In 2009, about 7% of women got married before the age of 18.[58]
In most marriages, the bride's family provides a dowry to the bridegroom. Traditionally, the dowry was considered a woman's share of the family wealth, since a daughter had no legal claim on her natal family's real estate. It also typically included portable valuables such as jewelry and household goods that a bride could control throughout her life.[59] Historically, in most families the inheritance of family estates passed down the male line. Since 1956, Indian laws treat males and females as equal in matters of inheritance without a legal will.[60] Indians are increasingly using a legal will for inheritance and property succession, with about 20 percent using a legal will by 2004.[61]
In India, the divorce rate is low — 1% compared with about 40% in the United States.[62][63] These statistics do not reflect a complete picture, though. There is a dearth of scientific surveys or studies on Indian marriages where the perspectives of both husbands and wives were solicited in-depth. Sample surveys suggest the issues with marriages in India are similar to trends observed elsewhere in the world. The divorce rates are rising in India. Urban divorce rates are much higher. Women initiate about 80 percent of divorces in India.[64]
Opinion is divided over what the phenomenon means: for traditionalists, the rising numbers portend the breakdown of society while, for some modernists, they speak of healthy new empowerment for women.[65]
Recent studies suggest that Indian culture is trending away from traditional arranged marriages. Banerjee et al. surveyed 41,554 households across 33 states and union territories in India in 2005. They find that the marriage trends in India are similar to trends observed over the last 40 years in China, Japan, and other nations.[66] The study found that fewer marriages are purely arranged without consent and that the majority of surveyed Indian marriages are arranged with consent. The percentage of self-arranged marriages (called love marriages in India) was also increasing, particularly in the urban parts of India.[67]
Wedding rituals
A Hindu wedding ritual in progress. The bride and the groom are seated together, receiving instructions from the priest. The sacred square fire container (yajna kund) is behind the priest.
Weddings are festive occasions in India with extensive decorations, colors, music, dance, costumes and rituals that depend on the religion of the bride and the groom, as well as their preferences.[68] The nation celebrates about 10 million weddings per year,[69] of which over 80% are Hindu weddings.
While there are many festival-related rituals in Hinduism, vivaha (wedding) is the most extensive personal ritual an adult Hindu undertakes in his or her life.[70][71] Typical Hindu families spend significant effort and financial resources to prepare and celebrate weddings. The rituals and processes of a Hindu wedding vary depending on the region of India, local adaptations, family resources and preferences of the bride and the groom. Nevertheless, there are a few key rituals common in Hindu weddings – Kanyadaan, Panigrahana, and Saptapadi; these are respectively, gifting away of daughter by the father, voluntarily holding hand near the fire to signify impending union, and taking seven circles before firing with each circle including a set of mutual vows. Mangalsutra necklace of bond a Hindu groom ties with three knots around the bride's neck in a marriage ceremony. The practice is integral to a marriage ceremony as prescribed in Manusmriti, the traditional law governing Hindu marriage. After the seventh circle and vows of Saptapadi, the couple is legally husband and wife.[71][72][73] Sikhs get married through a ceremony called Anand Karaj. The couple walks around the holy book, the Guru Granth Sahib four times. Indian Muslims celebrate a traditional Islamic wedding following customs similar to those practiced in the Middle East. The rituals include Nikah, payment of financial dower called Mahr by the groom to the bride, signing of a marriage contract, and a reception.[74] Indian Christian weddings follow customs similar to those practiced in the Christian countries in the West in states like Goa but have more Indian customs in other states.
Durga Puja is a multi-day festival in Eastern India that features elaborate temple and stage decorations (pandals), scripture recitation, performance arts, revelry, and processions.[76]
The Hornbill Festival, Kohima, Nagaland. The festival involves colourful performances, crafts, sports, food fairs, games and ceremonies.[77]
Carnival in Goa or Viva Carnival is a Celebration prior to fasting season of Lent. It refers to the festival of carnival, or Mardi Gras, in the Indian state of Goa.
India celebrates a variety of festivals due to the large diversity of India. Many religious festivals like Diwali (Hindu) Eid (Muslim) Christmas (Christian), etc. are celebrated by all. The government also provides facilities for the celebration of all religious festivals with equality and grants road bookings, security, etc. providing equality to the diverse religions and their festivals.
Chapchar Kutcheraw dance in Mizoram. Chapchar Kut festival is celebrated during March after completion of their most arduous task of Jhum operation i.e., jungle-clearing (clearing of the remnants of burning).
Certain festivals in India are celebrated by multiple religions. Notable examples include Diwali, which is celebrated by Hindus, Sikhs, Buddhists, and Jains across the country and Buddha Purnima, Krishna Janmashtami, Ambedkar Jayanti celebrated by Buddhists and Hindus. Sikh festivals, such as Guru Nanak Jayanti, Baisakhi are celebrated with full fanfare by Sikhs and Hindus of Punjab and Delhi where the two communities together form an overwhelming majority of the population. Adding colours to the culture of India, the Dree Festival is one of the tribal festivals of India celebrated by the Apatanis of the Ziro valley of Arunachal Pradesh, which is the easternmost state of India. Nowruz is the most important festival among the Parsi community of India.
Christianity in India is the third-largest religion with over 27.8 million Christians, according to India's 2011 census.[79] With over 27.8 million Christians, of which 17 million are Roman Catholics, India is home to many Christian festivals. The country celebrates Christmas and Good Friday as public holidays.[78]
Regional and community fairs are also a common festivals in India. For example, Pushkar Fair of Rajasthan is one of the world's largest markets of cattle and livestock.
The women lift & carry other women at many festivals.
Greetings include Namaste (Hindi,Sanskrit and Kannada), Nômôskar in Odia, Khulumkha (Tripuri), Namaskar (Marathi),Namaskara (Kannada and Sanskrit), Paranaam (Bhojpuri), Namaskaram (Telugu, Malayalam), Vanakkam (Tamil), Nômôshkar (Bengali), Nomoskar (Assamese), Aadab (Urdu), and Sat Shri Akal (Punjabi). All these are commonly spoken greetings or salutations when people meet and are forms of farewell when they depart. Namaskar is considered slightly more formal than Namaste but both express deep respect. Namaskar is commonly used in India and Nepal by Hindus, Jains and Buddhists, and many continue to use this outside the Indian subcontinent. In Indian and Nepali culture, the word is spoken at the beginning of written or verbal communication. However, the same hands folded gesture may be made wordlessly or said without the folded hand gesture. The word is derived from Sanskrit (Namah): to bow, reverential salutation, and respect, and (te): "to you". Taken literally, it means "I bow to you".[80] In Hinduism it means "I bow to the divine in you."[81][82] In most Indian families, younger men and women are taught to seek the blessing of their elders by reverentially bowing to their elders. This custom is known as Pranāma.
Pressing hands together with a smile to greet Namaste – a common cultural practice in India.
These traditional forms of greeting may be absent in the world of business and in India's urban environment, where a handshake is a common form of greeting.[83]
In Hinduism, the cow is regarded as a symbol of ahimsa (non-violence), mother goddess and bringer of good fortune and wealth.[85] For this reason, cows are revered in Hindu culture and feeding a cow is seen as an act of worship. This is why beef remains a taboo food in mainstream Hindu and Jain society.[86]
The Article 48 of the Constitution of India is one of the Directive Principles which directs that the state shall endeavor to prohibit slaughtering and smuggling of cattle, calves and other milch and draught cattle.[87][88] As of January 2012, cow remains a divisive and controversial topic in India. Several states of India have passed laws to protect cows, while many states have no restrictions on the production and consumption of beef. Some groups oppose the butchering of cows, while other secular groups argue that what kind of meat one eats ought to be a matter of personal choice in a democracy. Madhya Pradesh enacted a law in January 2012, namely the Gau-Vansh Vadh Pratishedh (Sanshodhan) Act, which makes cow slaughter a serious offence.[89]
Gujarat, a western state of India, has the Animal Preservation Act, enacted in October 2011, that prohibits the killing of cows along with buying, selling and transport of beef. In contrast, Assam and Andhra Pradesh allow butchering of cattle with a fit-for-slaughter certificate. In the states of West Bengal and Kerala, consumption of beef is not deemed an offence. Contrary to stereotypes, a sizeable number of Hindus eat beef, and many argue that their scriptures, such as Vedic and Upanishadic texts do not prohibit its consumption. In southern Indian state Kerala, for instance, beef accounts for nearly half of all meat consumed by all communities, including Hindus. Sociologists theorise that the widespread consumption of cow meat in India is because it is a far cheaper source of animal protein for the poor than mutton or chicken, which retail at double the price. For these reasons, India's beef consumption post-independence in 1947 has witnessed a much faster growth than any other kind of meat; currently, India is one of the five largest producers and consumers of cattle livestock meat in the world. A beef ban has been made in Maharashtra and other states as of 2015. While states such as Madhya Pradesh are passing local laws to prevent cruelty to cows, other Indians are arguing "If the real objective is to prevent cruelty to animals, then why single out the cows when hundreds of other animals are maltreated?"[90][91][92]
Indian cuisine is diverse, ranging from very spicy to very mild, varying with seasons in each region. These reflect the local agriculture, regional climate, culinary innovations and cultural diversity. Food in India is sometimes served in thali – a plate with rice, bread and a selection of sides. Above are thali samples.
Indian food is as diverse as India. Indian cuisines use numerous ingredients, deploy a wide range of food preparation styles, cooking techniques, and culinary presentations. From salads to sauces, from vegetarian to meat, from spices to sensuous, from bread to desserts, Indian cuisine is invariably complex. Harold McGee, a favourite of many Michelin-starred chefs, writes "for sheer inventiveness with the milk itself as the primary ingredient, no country on earth can match India."[93]
I travel to India at least three to four times a year. It's always inspirational. There is so much to learn from India because each and every state is a country by itself and each has its own cuisine. There are lots of things to learn about the different cuisines – it just amazes me. I keep my mind open and like to explore different places and pick up different influences as I go along. I don't actually think that there is a single state in India that I haven't visited. Indian food is a cosmopolitan cuisine that has so many ingredients. I don't think any cuisine in the world has got so many influences on the way that Indian food has. It is a very rich cuisine and is very varied. Every region in the world has its own sense of how Indian food should be perceived.
...it takes me back to the first Christmas I can remember, when the grandmother I hadn't yet met, who was Indian and lived in England, sent me a box. For me it still carries the taste of strangeness and confusion and wonder.
A typical varieties of North Indian dishes in a restaurant
According to Sanjeev Kapoor, a member of Singapore Airlines' International Culinary Panel, Indian food has long been an expression of world cuisine. Kapoor claims, "if you looked back in India's history and study the food that our ancestors ate, you will notice how much attention was paid to the planning and cooking of a meal. Great thought was given to the texture and taste of each dish."[96] One such historical record is Mānasollāsa, (Sanskrit: मानसोल्लास, The Delight of Mind), written in the 12th century. The book describes the need to change cuisine and food with seasons, various methods of cooking, the best blend of flavours, the feel of various foods, planning and style of dining amongst other things.[97]
India is known for its love of food and spices. Indian cuisine varies from region to region, reflecting the local produce, cultural diversity, and varied demographics of the country. Generally, Indian cuisine can be split into five categories – northern, southern, eastern, western, and northeastern. The diversity of Indian cuisine is characterised by the differing use of many spices and herbs, a wide assortment of recipes and cooking techniques. Though a significant portion of Indian food is vegetarian, many Indian dishes also include meats like chicken, mutton, beef (both cow and buffalo), pork and fish, egg and other seafood. Fish-based cuisines are common in eastern states of India, particularly West Bengal and the southern states of Kerala and Tamil Nadu.[98]
Some Indian confectionery desserts from hundreds of varieties. In certain parts of India, these are called mithai or sweets. Sugar and desserts have a long history in India: by about 500 BCE, people in India had developed the technology to produce sugar crystals. In the local language, these crystals were called khanda (खण्ड), which is the source of the word candy.
Despite this diversity, some unifying threads emerge. Varied uses of spices are an integral part of certain food preparations and are used to enhance the flavour of a dish and create unique flavours and aromas. Cuisine across India has also been influenced by various cultural groups that entered India throughout history, such as the Central Asians, Arabs, Mughals, and European colonists. Sweets are also very popular among Indians, particularly in West Bengal where both Bengali Hindus and Bengali Muslims distribute sweets to mark joyous occasions. There is specifically evidence for early influences from East and Southeast Asian-derived cultural areas, primarily via Austroasiatic (Mon Khmer) groups during the Neolithic period, on certain cultural and political elements of Ancient India, and which may have arrived together with the spread of rice cultivation from Mainland Southeast Asia. A significant number of ethnic minorities in central, eastern and northeastern India are Austroasiatic language speakers, most notably the Munda and Khasic.[100][101][102][103][104]
Chicken tikka masala is an Indian dish which became the national dish of The United Kingdom. It was made popular by Indian Immigrants living in Britain.
Indian cuisine is one of the most popular cuisines across the globe.[105] In most Indian restaurants outside India, the menu does not do justice to the enormous variety of Indian cuisine available – the most common cuisine served on the menu would be Punjabi cuisine (chicken tikka masala is a very popular dish in the United Kingdom). There do exist some restaurants serving cuisines from other regions of India, although these are few and far between. Historically, Indian spices and herbs were one of the most sought after trade commodities. The spice trade between India and Europe led to the rise and dominance of Arab traders to such an extent that European explorers, such as Vasco da Gama and Christopher Columbus, set out to find new trade routes with India leading to the Age of Discovery.[106] The popularity of curry, which originated in India, across Asia has often led to the dish being labeled as the "pan-Asian" dish.[107]
Regional Indian cuisine continues to evolve. A fusion of East Asian and Western cooking methods with traditional cuisines, along with regional adaptations of fast food are prominent in major Indian cities.[108]
The cuisine of Andhra Pradesh and Telangana consists of the Telugu cuisine, of the Telugu people as well as Hyderabadi cuisine (also known as Nizami cuisine), of the Hyderabadi Muslim community.[109][110]Hyderabadi food is based heavily on non-vegetarian ingredients while, Telugu food is a mix of both vegetarian and non-vegetarian ingredients. Telugu food is rich in spices and chillies are abundantly used. The food also generally tends to be more on the tangy side with tamarind and lime juice both used liberally as souring agents. Rice is the staple food of Telugu people. Starch is consumed with a variety of curries and lentil soups or broths.[111][112] Vegetarian and non-vegetarian foods are both popular. Hyderabadi cuisine includes popular delicacies such as Biryani, Haleem, Baghara baingan and Kheema, while Hyderabadi day to day dishes see some commonalities with Telanganite Telugu food, with its use of tamarind, rice, and lentils, along with meat.[111]Yogurt is a common addition to meals, as a way of tempering spiciness.[113]
Traditional clothing in India greatly varies across different parts of the country and is influenced by local culture, geography, climate, and rural/urban settings. Popular styles of dress include draped garments such as sari and mekhela sador for women and the kurta, dhoti or lungi or panche (in Kannada) for men. Stitched clothes are also popular such as churidar or salwar-kameez for women, with dupatta (long scarf) thrown over shoulder completing the outfit. The salwar is often loose fitting, while churidar is a tighter cut.[114] The dastar, a headgear worn by Sikhs is common in Punjab.
Indian women perfect their sense of charm and fashion with makeup and ornaments. Bindi, mehendi, earrings, bangles and other jewelry are common. On special occasions, such as marriage ceremonies and festivals, women may wear cheerful colours with various ornaments made with gold, silver or other regional stones and gems. Bindi is often an essential part of a Hindu woman's make up. Worn on their forehead, some consider the bindi as an auspicious mark. Traditionally, the red bindi was worn only by married Hindu women, and coloured bindi was worn by single women, but now all colours and glitter have become a part of women's fashion. Some women wear sindoor – a traditional red or orange-red powder (vermilion) in the parting of their hair (locally called mang). Sindoor is the traditional mark of a married woman for Hindus. Single Hindu women do not wear sindoor; neither do over 1 million Indian women from religions other than Hindu and agnostics/atheists who may be married.[114] The make up and clothing styles differ regionally between the Hindu groups, and also by climate or religion, with Christians preferring Western and Muslim preferring the Arabic styles.[115] For men, stitched versions include kurta-pyjama and European-style trousers and shirts. In urban and semi-urban centres, men and women of all religious backgrounds, can often be seen in jeans, trousers, shirts, suits, kurtas and variety of other fashions.[116]
Rigveda (padapatha) manuscript in Devanagari, early 19th century. After a scribal benediction ("śrīgaṇéśāyanamaḥ;; Aum(3);;"), the first line has the opening words of RV.1.1.1 (agniṃ; iḷe; puraḥ-hitaṃ; yajñasya; devaṃ; ṛtvijaṃ). The Vedic accent is marked by underscores and vertical overscores in red.
Literary records suggest India had interacted in languages of other ancient civilisations. This inscription is from the Indian emperor Ashoka, carved in stone about 250 BCE, found in Afghanistan. Inscriptions are in Greek and Aramaic, with ideas of non-violence against men and all living beings, as the doctrine of Eusebeia – spiritual maturity.
The Sanskrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists; there is a similar reason, though not quite so forcible, for supposing that both the Gothic and the Celtic, though blended with a very different idiom, had the same origin with the Sanskrit...
The RigvedicSanskrit is one of the oldest attestations of any Indo-Aryan languages, and one of the earliest attested members of the Indo-European languages. The discovery of Sanskrit by early European explorers of India led to the development of comparative Philology. The scholars of the 18th century were struck by the far-reaching similarity of Sanskrit, both in grammar and vocabulary, to the classical languages of Europe. Intensive scientific studies that followed have established that Sanskrit and many Indian derivative languages belong to the family which includes English, German, French, Italian, Spanish, Celtic, Greek, Baltic, Armenian, Persian, Tocharian, and other Indo-European languages.[119]
Tamil, one of India's major classical language, descends from Proto-Dravidian languages spoken around the third millennium BCE in peninsular India. The earliest inscriptions of Tamil have been found on pottery dating back to 500 BC. Tamil literature has existed for over two thousand years[120] and the earliest epigraphic records found date from around the 3rd century BCE.[121]
Language families in India and its neighbouring countries. India has 22 official languages – 15 of which are Indo-European. The 2001 census of India found 122 first languages in active use. The second map shows the distribution of Indo-European languages throughout the world.
The evolution of language within India may be distinguished over three periods: old, middle and modern Indo-Aryan. The classical form of old Indo-Aryan was Sanskrit meaning polished, cultivated and correct, in distinction to Prakrit – the practical language of the migrating masses evolving without concern to proper pronunciation or grammar, the structure of language changing as those masses mingled, settled new lands and adopted words from people of other native languages. Prakrita became middle Indo-Aryan leading to Pali (the language of early Buddhists and Ashoka era in 200–300 BCE), Prakrit (the language of Jain philosophers) and Apabhramsa (the language blend at the final stage of middle Indo-Aryan). It is Apabhramsa, scholars claim,[119] that flowered into Hindi, Gujarati, Bengali, Marathi, Punjabi, and many other languages now in use in India's north, east and west. All of these Indian languages have roots and structures similar to Sanskrit, to each other and to other Indo-European languages. Thus we have in India three thousand years of continuous linguistic history recorded and preserved in literary documents. This enables scholars to follow language evolution and observe how, by changes hardly noticeable from generation to generation, an original language alters into descendant languages that are now barely recognisable as the same.[119]
Sanskrit has had a profound impact on the languages and literature of India. Hindi, India's most spoken language, is a "Sanskritised register" of the Delhi dialect. In addition, all modern Indo-Aryan languages, Munda languages and Dravidian languages, have borrowed many words either directly from Sanskrit (tatsama words), or indirectly via middle Indo-Aryan languages (tadbhava words).[124] Words originating in Sanskrit are estimated to constitute roughly fifty percent of the vocabulary of modern Indo-Aryan languages,[125] and the literary forms of (Dravidian) Telugu, Malayalam and Kannada. Tamil, although to a slightly smaller extent, has also been significantly influenced by Sanskrit.[124] Part of the Eastern Indo-Aryan languages, the Bengali language arose from the eastern Middle Indic languages and its roots are traced to the 5th-century BCE Ardhamagadhi language.[126][127]
Another major Classical Dravidian language, Kannada is attested epigraphically from the mid-1st millennium AD, and literary Old Kannada flourished in the 9th- to 10th-century Rashtrakuta Dynasty. Pre-old Kannada (or Purava Hazhe-Gannada) was the language of Banavasi in the early Common Era, the Satavahana and Kadamba periods and hence has a history of over 2000 years.[128][129][130][131] The Ashoka rock edict found at Brahmagiri (dated 230 BCE) has been suggested to contain a word in identifiable Kannada.[132]Odia is India's 6th classical language in addition to Sanskrit, Tamil, Telugu, Kannada, and Malayalam.[133] It is also one of the 22 official languages in the 8th schedule of Indian constitution. Odia's importance to Indian culture, from ancient times, is evidenced by its presence in Ashoka's Rock Edict X, dated to the 2nd century BC.[134][135]
In addition to Indo-European and Dravidian languages, Austro-Asiatic and Tibeto-Burman languages are in use in India.[138][139] The 2011 Linguistic Survey of India states that India has over 780 languages and 66 different scripts, with its state of Arunachal Pradesh with 90 languages.[140]
Epics
The Mahābhārata and the Rāmāyaṇa are the oldest preserved and well-known epics of India. Versions have been adopted as the epics of Southeast Asian countries like Philippines, Thailand, Malaysia and Indonesia. The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[141] and tells the story of Rama (an incarnation or Avatar of the Hindu preserver-god Vishnu), whose wife Sita is abducted by the demon king of Lanka, Ravana. This epic played a pivotal role in establishing the role of dhárma as a principal ideal guiding force for Hindu way of life.[142] The earliest parts of the Mahabharata text date to 400 BC[143] and is estimated to have reached its final form by the early Gupta period (c. 4th century AD).[144] Other regional variations of these, as well as unrelated epics include the Tamil Ramavataram, Assamese Saptakanda Ramayana, Kannada Pampa Bharata, Hindi Ramacharitamanasa, and Malayalam Adhyathmaramayanam. In addition to these two great Indian epics, there are The Five Great Epics of Tamil Literature composed in classical Tamil language — Manimegalai, Cīvaka Cintāmaṇi, Silappadikaram, Valayapathi and Kundalakesi.
The Battle at Lanka, Ramayana by Sahibdin. It depicts the monkey army of the protagonist Rama (top left, blue figure) fighting Ravana—the demon-king of the Lanka—to save Rama's kidnapped wife, Sita. The painting depicts multiple events in the battle against the three-headed demon general Trisiras, in the bottom left. Trisiras is beheaded by Hanuman, the monkey-companion of Rama.
Dance in India includes classical (above), semiclassical, folk and tribal.
Let drama and dance (Nātya, नाट्य) be the fifth vedic scripture. Combined with an epic story, tending to virtue, wealth, joy and spiritual freedom, it must contain the significance of every scripture, and forward every art.
—First chapter of Nātyaśāstra, sometime between 200 BCE – 200 CE.[146][147]
India has had a long romance with the art of dance. The Hindu Sanskrit texts Natya Shastra (Science of Dance) and Abhinaya Darpana (Mirror of Gesture) are estimated to be from 200 BCE to early centuries of the 1st millennium CE.[147][148][149]
The Indian art of dance as taught in these ancient books, according to Ragini Devi, is the expression of inner beauty and the divine in man.[150] It is a deliberate art, nothing is left to chance, each gesture seeks to communicate the ideas, each facial expression the emotions.
India has a long tradition of puppetry. In the ancient Indian epic Mahabharata there are references to puppets. Kathputli, a form of string puppet performance native to Rajasthan, is notable and there are many Indian ventriloquists and puppeteers. The first Indian ventriloquist, Professor Y. K. Padhye, introduced this form of puppetry to India in the 1920s and his son, Ramdas Padhye, subsequently popularised ventriloquism and puppetry. Ramdas Padhye's son, Satyajit Padhye is also a ventriloquist and puppeteer. Almost all types of puppets are found in India.
India has a rich and ancient tradition of string puppets or marionettes. Marionettes with jointed limbs controlled by strings allow far greater flexibility and are therefore the most articulate of the puppets. Rajasthan, Orissa, Karnataka and Tamil Nadu are some of the regions where this form of puppetry has flourished. The traditional marionettes of Rajasthan are known as Kathputli. Carved from a single piece of wood, these puppets are like large dolls that are colourfully dressed. The string puppets of Orissa are known as Kundhei. The string puppets of Karnataka are called Gombeyatta. Puppets from Tamil Nadu, known as Bommalattam, combine the techniques of rod and string puppets.
Rod puppets
Rod puppets are an extension of glove-puppets, but are often much larger and supported and manipulated by rods from below. This form of puppetry now is found mostly in West Bengal and Orissa. The traditional rod puppet form of West Bengal is known as Putul Nautch. They are carved from wood and follow the various artistic styles of a particular region. The traditional rod puppet of Bihar is known as Yampuri.
Glove puppets
Glove puppets are also known as sleeve, hand or palm puppets. The head is made of either papier mâché, cloth or wood, with two hands emerging from just below the neck. The rest of the figure consists of a long, flowing skirt. These puppets are like limp dolls, but in the hands of an able puppeteer, are capable of producing a wide range of movements. The manipulation technique is simple the movements are controlled by the human hand, the first finger inserted in the head and the middle finger and the thumb in the two arms of the puppet. With the help of these three fingers, the glove puppet comes alive.
The tradition of glove puppets in India is popular in Uttar Pradesh, Orissa, West Bengal and Kerala. In Uttar Pradesh, glove puppet plays usually present social themes, whereas in Orissa such plays are based on stories of Radha and Krishna. In Orissa, the puppeteer plays a dholak (hand drum) with one hand and manipulates the puppet with the other. The delivery of the dialogue, the movement of the puppet and the beat of the dholak are well synchronised and create a dramatic atmosphere. In Kerala, the traditional glove puppet play is called Pavakoothu.
Shadow puppets are an ancient part of India's culture and art, particularly regionally as the keelu bomme and Tholu bommalata of Andhra Pradesh, the Togalu gombeyaata in Karnataka, the charma bahuli natya in Maharashtra, the Ravana chhaya in Odisha, the Tholpavakoothu in Kerala and the thol bommalatta in Tamil Nadu. Shadow puppet play is also found in pictorial traditions in India, such as temple mural painting, loose-leaf folio paintings, and the narrative paintings.[157] Dance forms such as the Chhau of Odisha literally mean "shadow".[158] The shadow theatre dance drama theatre are usually performed on platform stages attached to Hindu temples, and in some regions these are called Koothu Madams or Koothambalams.[159] In many regions, the puppet drama play is performed by itinerant artist families on temporary stages during major temple festivals.[160] Legends from the Hindu epics Ramayana and the Mahabharata dominate their repertoire.[160] However, the details and the stories vary regionally.[161][162]
During the 19th century and early parts of the 20th century of the colonial era, Indologists believed that shadow puppet plays had become extinct in India, though mentioned in its ancient Sanskrit texts.[160] In the 1930s and thereafter, states Stuart Blackburn, these fears of its extinction were found to be false as evidence emerged that shadow puppetry had remained a vigorous rural tradition in central Kerala mountains, most of Karnataka, northern Andhra Pradesh, parts of Tamil Nadu, Odisha and southern Maharashtra.[160] The Marathi people, particularly of low caste, had preserved and vigorously performed the legends of Hindu epics as a folk tradition. The importance of Marathi artists is evidenced, states Blackburn, from the puppeteers speaking Marathi as their mother tongue in many non-Marathi speaking states of India.[160]
According to Beth Osnes, the tholu bommalata shadow puppet theatre dates back to the 3rd century BCE, and has attracted patronage ever since.[163] The puppets used in a tholu bommalata performance, states Phyllis Dircks, are "translucent, lusciously multicolored leather figures four to five feet tall, and feature one or two articulated arms".[164] The process of making the puppets is an elaborate ritual, where the artist families in India pray, go into seclusion, produce the required art work, then celebrate the "metaphorical birth of a puppet" with flowers and incense.[165]
The tholu pava koothu of Kerala uses leather puppets whose images are projected on a backlit screen. The shadows are used to creatively express characters and stories in the Ramayana. A complete performance of the epic can take forty-one nights, while an abridged performance lasts as few as seven days.[166] One feature of the tholu pava koothu show is that it is a team performance of puppeteers, while other shadow plays such as the wayang of Indonesia are performed by a single puppeteer for the same Ramayana story.[166] There are regional differences within India in the puppet arts. For example, women play a major role in shadow play theatre in most parts of India, except in Kerala and Maharashtra.[160] Almost everywhere, except Odisha, the puppets are made from tanned deer skin, painted and articulated. Translucent leather puppets are typical in Andhra Pradesh and Tamil Nadu, while opaque puppets are typical in Kerala and Odisha. The artist troupes typically carry over a hundred puppets for their performance in rural India.[160]
Music is an integral part of India's culture. Natyasastra, a 2000-year-old Sanskrit text, describes five systems of taxonomy to classify musical instruments.[169] One of these ancient Indian systems classifies musical instruments into four groups according to four primary sources of vibration: strings, membranes, cymbals, and air. According to Reis Flora, this is similar to the Western theory of organology. Archeologists have also reported the discovery of a 3000-year-old, 20-key, carefully shaped polished basalt lithophone in the highlands of Odisha.[170]
The oldest preserved examples of Indian music are the melodies of the Samaveda (1000 BC) that are still sung in certain Vedic Śrauta sacrifices; this is the earliest account of Indian musical hymns.[171] It proposed a tonal structure consisting of seven notes, which were named, in descending order, as Krusht, Pratham, Dwitiya, Tritiya, Chaturth, Mandra and Atiswār. These refer to the notes of a flute, which was the only fixed frequency instrument. The Samaveda, and other Hindu texts, heavily influenced India's classical music tradition, which is known today in two distinct styles: Carnatic and Hindustani music. Both the Carnatic music and Hindustani music systems are based on the melodic base (known as Rāga), sung to a rhythmic cycle (known as Tāla); these principles were refined in the nātyaśāstra (200 BC) and the dattilam (300 AD).[172]
The current music of India includes multiple varieties of religious, classical, folk, filmi, rock and pop music and dance. The appeal of traditional classical music and dance is on the rapid decline, especially among the younger generation.
Prominent contemporary Indian musical forms included filmi and Indipop. Filmi refers to the wide range of music written and performed for mainstream Indian cinema, primarily Bollywood, and accounts for more than 70 percent of all music sales in the country.[173] Indipop is one of the most popular contemporary styles of Indian music which is either a fusion of Indian folk, classical or Sufi music with Western musical traditions.[174]
Emperor Jahangir weighs Prince Khurram by Manohar Das, 1610–15, from Jahangir's own copy of the Tuzk-e-Jahangiri. The names of the main figures are noted on their clothes, and the artist shown at bottom.
Cave paintings from Ajanta, Bagh, Ellora and Sittanavasal and temple paintings testify to a love of naturalism. Most early and medieval art in India is Hindu, Buddhist or Jain. A freshly made coloured floor design (Rangoli) is still a common sight outside the doorstep of many (mostly South Indian) Indian homes. Raja Ravi Varma is one of the classical painters from medieval India.
The first sculptures in India date back to the Indus Valley civilisation, where stone and bronze figures have been discovered. Later, as Hinduism, Buddhism, and Jainism developed further, India produced some extremely intricate bronzes as well as temple carvings. Some huge shrines, such as the one at Ellora were not constructed by using blocks but carved out of solid rock.
Sculptures produced in the northwest, in stucco, schist, or clay, display a very strong blend of Indian and Classical Hellenistic or possibly even Greco-Roman influence. The pink sandstone sculptures of Mathura evolved almost simultaneously. During the Gupta period (4th to 6th centuries) sculpture reached a very high standard in execution and delicacy in modeling. These styles and others elsewhere in India evolved leading to classical Indian art that contributed to Buddhist and Hindu sculptures throughout Southeast Central and East Asia.
Indian architecture encompasses a multitude of expressions over space and time, constantly absorbing new ideas. The result is an evolving range of architectural production that nonetheless retains a certain amount of continuity across history. Some of its earliest production are found in the Indus Valley civilisation (2600–1900 BC) which is characterised by well-planned cities and houses. Religion and kingship do not seem to have played an important role in the planning and layout of these towns.[177]
The traditional system of Vaastu Shastra serves as India's version of Feng Shui, influencing town planning, architecture, and ergonomics. It is unclear which system is older, but they contain certain similarities. Feng Shui is more commonly used throughout the world. Though Vastu is conceptually similar to Feng Shui in that it also tries to harmonise the flow of energy, (also called life-force or Prana in Sanskrit and Chi/Ki in Chinese/Japanese), through the house, it differs in the details, such as the exact directions in which various objects, rooms, materials, etc. are to be placed.
With the advent of Islamic influence from the west, Indian architecture was adapted to allow the traditions of the new religion, creating the Indo-Islamic style of architecture. The Qutb complex, a group of monuments constructed by successive sultanas of the Delhi Sultanate is one of the earliest examples. Fatehpur Sikri,[179]Taj Mahal,[180]Gol Gumbaz, Red Fort of Delhi[181] and Charminar are creations of this era, and are often used as the stereotypical symbols of India.
Indian architecture has influenced eastern and southeastern Asia, due to the spread of Buddhism. A number of Indian architectural features such as the temple mound or stupa, temple spire or shikhara, temple tower or pagoda and temple gate or torana, have become famous symbols of Asian culture, used extensively in East Asia and South East Asia. The central spire is also sometimes called a vimanam. The southern temple gate, or gopuram is noted for its intricacy and majesty.
Chess is commonly believed to have originated in northwestern India during the Gupta empire,[187][188][189][190] where its early form in the 6th century was known as chaturanga. Other games which originated in India and continue to remain popular in wide parts of northern India include Kabaddi, Gilli-danda, and Kho kho. Traditional southern Indian games include Snake boat race and Kuttiyum kolum. The modern game of polo is derived from Manipur, India, where the game was known as 'Sagol Kangjei', 'Kanjai-bazee', or 'Pulu'.[191][192] It was the anglicised form of the last, referring to the wooden ball that was used, which was adopted by the sport in its slow spread to the west. The first polo club was established in the town of Silchar in Assam, India, in 1833.
Yoga originated in India. Patañjali, in India's ancient books, suggests yoga's goal is to help one focus, reflect upon, know and express one's highest self.[195][196] India's cultural journey with yoga is now popular in many parts of the world.
One of the best known forms of ancient Indian martial arts is the Kalarippayattu from Kerala. This ancient fighting style is mentioned in Sangam literature 400 BCE and 600 CE and is regarded as one of the oldest surviving martial arts.[197][198] In this form of martial arts, various stages of physical training include ayurvedic massage with sesame oil to impart suppleness to the body (uzichil); a series of sharp body movements so as to gain control over various parts of the body (miapayattu); and, complex sword fighting techniques (paliyankam).[199]Silambam, which was developed around 200 AD, traces its roots to the Sangam period in southern India.[200] Silambam is unique among Indian martial arts because it uses complex footwork techniques (kaaladi), including a variety of spinning styles. A bamboo staff is used as the main weapon.[200] The ancient Tamil Sangam literature mentions that between 400 BCE and 600 CE, soldiers from southern India received special martial arts training which revolved primarily around the use of spear (vel), sword (val) and shield (kedaham).[201]
Among eastern states, Paika akhada is a martial art found in Odisha. Paika akhada, or paika akhara, roughly translates as "warrior gymnasium" or "warrior school".[202] In ancient times, these were training schools of the peasant militia. Today's Paika akhada teach physical exercises and martial arts in addition to the Paika dance, performance art with rhythmic movements and weapons being hit in time to the drum. It incorporates acrobatic manoeuvres and use of the khanda (straight sword), patta (guantlet-sword), sticks, and other weapons.
In northern India, the musti yuddha evolved in 1100 AD and focussed on mental, physical and spiritual training.[203] In addition, the Dhanur Veda tradition was an influential fighting arts style which considered the bow and the arrow to be the supreme weapons. The Dhanur Veda was first described in the 5th-century BCE Viṣṇu Purāṇa[198] and is also mentioned in both of the major ancient Indian epics, the Rāmāyaṇa and Mahābhārata. A distinctive factor of Indian martial arts is the heavy emphasis laid on meditation (dhyāna) as a tool to remove fear, doubt and anxiety.[204]
Indian martial arts techniques have had a profound impact on other martial arts styles across Asia. The 3rd-century BCE Yoga Sutras of Patanjali taught how to meditate single-mindedly on points located inside one's body, which was later used in martial arts, while various mudra finger movements were taught in Yogacara Buddhism. These elements of yoga, as well as finger movements in the nata dances, were later incorporated into various martial arts.[205] According to some historical accounts, the South Indian Buddhist monk Bodhidharma was one of the main founders of the Shaolin Kungfu.[206]
Indian television started off in 1959 in New Delhi with tests for educational telecasts.[207][208] Indian small screen programming started off in the mid-1970s. Only one national channel, the government-owned Doordarshan existed around that time. The year 1982 marked a revolution in TV programming in India, as the New Delhi Asian games became the first to be broadcast on the colour version of TV. The Ramayana and Mahabharat were among the popular television series produced. By the late 1980s television set ownership rapidly increased.[209] Because a single channel was catering to an ever-growing audience, television programming quickly reached saturation. Hence the government started another channel that had part of national programming and part regional. This channel was known as DD 2 (later DD Metro). Both channels were broadcast terrestrially.
In 1991, the government liberated its markets, opening them up to cable television. Since then, there has been a spurt in the number of channels available. Today, the Indian small screen is a huge industry by itself and offers hundreds of programmes in almost all the regional languages of India. The small screen has produced numerous celebrities of their own kind, some even attaining national fame for themselves. TV soaps enjoy popularity among women of all classes. Indian TV also consists of Western channels such as Cartoon Network, Nickelodeon, HBO, and FX. In 2016 the list of TV channels in India stood at 892.[210]
India's diversity has inspired many writers to describe their perceptions of the country's culture. These writings paint a complex and often conflicting picture of the culture of India. India is one of the most ethnically and religiously diverse countries in the world. The concept of "Indian culture" is a very complex and complicated matter. Indian citizens are divided into various ethnic, religious, caste, linguistic and regional groups, making the realities of "Indianness" extremely complicated. This is why the conception of Indian identity poses certain difficulties and presupposes a series of assumptions about what concisely the expression "Indian" means. However, despite this vast and heterogeneous composition, the creation of some sort of typical or shared Indian culture results from some inherent internal forces (such as a robust Constitution, universal adult franchise, flexible federal structure, secular educational policy, etc.) and from certain historical events (such as Indian Independence Movement, Partition, wars against Pakistan, etc.) Hindu Sanskriti Ankh is an ancient series of books originally from northern part of India highlighting the Bharatiya Sanskriti, that is, the culture of India.
According to industry consultant Eugene M. Makar, for example, traditional Indian culture is defined by a relatively strict social hierarchy. He also mentions that from an early age, children are reminded of their roles and places in society.[211] This is reinforced, Makar notes, by the way, many believe gods and spirits have an integral and functional role in determining their life. Several differences such as religion divide the culture. However, a far more powerful division is the traditional Hindu bifurcation into non-polluting and polluting occupations. Strict social taboos have governed these groups for thousands of years, claims Makar. In recent years, particularly in cities, some of these lines have blurred and sometimes even disappeared. He writes important family relations extend as far as 1 gotra, the mainly patrilinear lineage or clan assigned to a Hindu at birth. In rural areas & sometimes in urban areas as well, it is common that three or four generations of the family live under the same roof. The patriarch often resolves family issues.[211]
Others have a different perception of Indian culture. According to an interview with C.K. Prahalad by Des Dearlove, author of many best selling business books, modern India is a country of very diverse cultures with many languages, religions, and traditions. Children begin by coping and learning to accept and assimilate in this diversity. Prahalad – who was born in India and grew up there – claimed, in the interview, that Indians, like everyone else in the world, want to be treated as unique, as individuals, want to express themselves and seek innovation.[212] In another report, Nancy Lockwood of Society for Human Resource Management, the world's largest human resources association with members in 140 countries, writes that in the past two decades or so, social change in India is in dramatic contrast to the expectations from traditional Indian culture. These changes have led to Indian families giving education opportunities to girls, accepting women working outside the home, pursuing a career, and opening the possibility for women to attain managerial roles in corporate India. Lockwood claims that change is slow, yet the scale of cultural change can be sensed from the fact that of India's 397 million workers, 124 million are now women. The issues in India with women empowerment are similar to those elsewhere in the world.[213]
According to Amartya Sen, the India born Nobel Laureate in Economics, the culture of modern India is a complex blend of its historical traditions, influences from the effects of colonial rule over centuries and current Western culture – both collaterally and dialectically. Sen observes that external images of India in the West often tend to emphasise the difference – real or imagined – between India and the West.[214] There is a considerable inclination in the Western countries to distance and highlight the differences in Indian culture from the mainstream of Western traditions, rather than discover and show similarities. Western writers and media usually misses, in important ways, crucial aspects of Indian culture and traditions. The deep-seated heterogeneity of Indian traditions, in different parts of India, is neglected in these homogenised descriptions of India. The perceptions of Indian culture, by those who weren't born and raised in India, tend to be one of at least three categories, writes Sen:
Exoticist approach: it concentrates on the wondrous aspects of the culture of India. The focus of this approach of understanding Indian culture is to present the different, the strange and as Hegel put it, "a country that has existed for millennia in the imaginations of the Europeans."
Magisterial approach: it assumes a sense of superiority and guardianship necessary to deal with India, a country that James Mill's historiography thought of as grotesquely primitive culture. While a great many British observers did not agree with such views of India, and some non-British ones did, it is an approach that contributes to some confusion about the culture of India.
Curatorial approach: it attempts to observe, classify and record the diversity of Indian culture in different parts of India. The curators do not look only for the strange, are not weighed by political priorities, and tend to be freer from stereotypes. The curatorial approach, nevertheless, has an inclination to see Indian culture as more special and extraordinarily interesting than it actually may be.
The curatorial approach, one inspired by a systematic curiosity for the cultural diversity of India within India, is mostly absent.
Susan Bayly, in her book, observes that there is a considerable dispute in India and Orientalist scholars on perceived Indian culture. She acknowledges that many dispute claims of the pervasiveness of caste and strict social hierarchy in modern India. Bayly notes that much of the Indian subcontinent was populated by people for whom the formal distinctions of caste and strict social hierarchies were of only limited importance in their lifestyles.[215]
According to Rosser, an American sociologist, Americans of South Asian origins feel the Western perception of the culture of India has numerous stereotypes. Rosser notes that the discourse in much of the United States about the culture of India is rarely devoted to independent India. People quickly make sweeping and flawed metaphysical assumptions about its religion and culture but are far more circumspect when evaluating civil society and political culture in modern India. It is as if the value of South Asia resides only in its ancient contributions to human knowledge whereas its pathetic attempts to modernise or develop are to be winked at and patronised.[216] Rosser conducted numerous interviews and summarised the comments. The study reports a stark contrast between Western perceptions of the culture of India, versus the direct experience of the interviewed people. For example:
The presentation of South Asians is a standard pedagogic approach which runs quickly from the "Cradle of Civilisation"—contrasting the Indus Valley with Egypt and Mesopotamia—on past the Aryans, who were somehow our ancestors— to the poverty-stricken, superstitious, polytheistic, caste-ridden Hindu way of life... and then somehow magically culminates with a eulogy of Mahatma Gandhi. A typical textbook trope presents standard Ancient India Meets the Age of Expansion Approach with a colour photo of the Taj Mahal. There may be a sidebar on ahimsa or a chart of connecting circles graphically explaining samsara and reincarnation or illustrations of the four stages of life or the Four Noble Truths. Amid the dearth of real information, there may be found an entire page dedicated to a deity such as Indra or Varuna, who admittedly are rather an obscure vis-à-vis the beliefs of most modern Hindus.
Indian religions, sometimes also termed Dharmic religions or Indic religions, are the religions that originated in the Indian subcontinent. These religions, which include Buddhism, Hinduism, Jainism, and Sikhism, are also classified as Eastern religions. Although Indian religions are connected through the history of India, they constitute a wide range of religious communities, and are not confined to the Indian subcontinent.
Sanskrit is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies.
Agastya was a revered Indian sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He is regarded in some traditions to be a Chiranjivi. He and his wife Lopamudra are the celebrated authors of hymns 1.165 to 1.191 in the Sanskrit text Rigveda and other Vedic literature.
The historical Vedic religion, also called Vedicism or Vedism, and sometimes ancient Hinduism or Vedic Hinduism, constituted the religious ideas and practices prevalent amongst some of the Indo-Aryan peoples of the northwest Indian subcontinent during the Vedic period. These ideas and practices are found in the Vedic texts, and some Vedic rituals are still practiced today. The Vedic religion is one of the major traditions which shaped modern Hinduism, though present-day Hinduism is significantly different from the historical Vedic religion.
The Hindu calendar, also called Panchanga, is one of various lunisolar calendars that are traditionally used in the Indian subcontinent and Southeast Asia, with further regional variations for social and Hindu religious purposes. They adopt a similar underlying concept for timekeeping based on sidereal year for solar cycle and adjustment of lunar cycles in every three years, but differ in their relative emphasis to moon cycle or the sun cycle and the names of months and when they consider the New Year to start. Of the various regional calendars, the most studied and known Hindu calendars are the Shalivahana Shaka found in the Deccan region of Southern India and the Vikram Samvat (Bikrami) found in Nepal and the North and Central regions of India – both of which emphasize the lunar cycle. Their new year starts in spring. In regions such as Tamil Nadu and Kerala, the solar cycle is emphasized and this is called the Tamil calendar and Malayalam calendar and these have origins in the second half of the 1st millennium CE. A Hindu calendar is sometimes referred to as Panchangam (पञ्चाङ्गम्), which is also known as Panjika in Eastern India.
The Tamils, also known as the Tamilar, are a Dravidian ethnolinguistic group who natively speak the Tamil language and trace their ancestry mainly to the southern part of the Indian subcontinent. The Tamil language is one of the longest-surviving classical languages, with over two thousand years of written history, dating back to the Sangam period. Tamils constitute about 5.7% of the Indian population and form the majority in the South Indian state of Tamil Nadu and the union territory of Puducherry. They also form significant proportion of the population in Sri Lanka (15.3%), Malaysia (7%) and Singapore (5%). Tamils have migrated world-wide since the 19th century CE and a significant population exists in South Africa, Mauritius, Fiji, as well as other regions such as the Southeast Asia, Middle East, Caribbean and parts of the Western World.
Hinduism in Southeast Asia had a profound impact on the region's cultural development and its history. As the Indic scripts were introduced from the Indian subcontinent, people of Southeast Asia entered the historical period by producing their earliest inscriptions around the 1st to 5th century CE. Today, Hindus in Southeast Asia are mainly Overseas Indians and Balinese. There are also Javanese and Balamon Cham minority in Cambodia and south central Vietnam who also practice Hinduism.
Arts and architecture in India have been shaped by a synthesis of indigenous and foreign influences that have consequently shaped the course of the arts of the rest of Asia, since ancient times. Arts refer to paintings, architecture, literature, music, dance, languages and cinema. In early India, most of the arts were derived Vedic influences. After the birth of contemporary Hinduism, Jainism, Buddhism, and Sikhism arts flourished under the patronage of kings and emperors. The coming of Islam spawned a whole new era of Indian architecture and art. Finally the British brought their own Gothic and Roman influences and fused it with the Indian style. They have a culture infusion in their art.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Dance in India comprises numerous styles of dances, generally classified as classical or folk. As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
The history of Hinduism covers a wide variety of related religious traditions native to the Indian subcontinent. It overlaps or coincides with the development of religion in the Indian subcontinent since the Iron Age, with some of its traditions tracing back to prehistoric religions such as those of the Bronze Age Indus Valley Civilisation. Hinduism has been called the "oldest religion" in the world, but scholars regard Hinduism as a relatively recent synthesis of various Indian cultures and traditions, with diverse roots and no single founder, which emerged around the beginning of the Common Era.
Telugu people, also called Āndhras, are an ethno-linguistic group who speak the Telugu language and are native to the Indian states of Andhra Pradesh, Telangana and Yanam district of Puducherry. They are the most populous of the four major Dravidian linguistic groups. Telugu is the fourth most spoken language in India and the 14th most spoken native language in the world. A significant number of Telugus also reside in the Indian states of Karnataka, Tamil Nadu, Orissa, Maharashtra. Members of the Telugu diaspora are spread across countries like United States, Australia, Malaysia, Mauritius, UAE and others. Telugu is the fastest-growing language in the United States. It is also a protected language in South Africa.
Hinduism in South India refers to the Hindu culture of the people of South India. Hinduism in South India is characterized by Dravidian customs and traditions, hence it is also called Dravidian Hinduism. The Dravidians made great contributions to the development of Hinduism. South India was the birthplace of many Hindu saints and reformers. The Brahmins of ancient Dakshinapatha were classified as Pancha-Dravida. The Hindus in South India are followers of various Hindu branches such as Vaishnavism, Shaivism, Shaktism, Brahmanism and others. Hinduism was the state religion of most of the South Indian kingdoms. During the Ancient and Middle Ages were built in South India one of the greatest Hindu temples. South Indian kings such as the Cholas spread Hinduism overseas to parts of Southeast Asia. The activities of South India across the Palk Strait led to survival of Hinduism in Sri Lanka among the Sri Lankan Tamils. Some Hindu festivals are celebrated mostly or exclusively in South India and Sri Lanka. In South India are also numerous Hindu pilgrimage site that is visited annually by thousands of devotees.
The Dravidian peoples, Dravidian-speakers or Dravidians, are a collection of ethnolinguistic groups native to South Asia who speak Dravidian languages. There are around 250 million native speakers of Dravidian languages. Dravidian speakers form the majority of the population of South India and are natively found in India, Pakistan, Afghanistan, Bangladesh, the Maldives, Nepal, Bhutan and Sri Lanka. Dravidian peoples are also present in Singapore, Mauritius, Malaysia, France, South Africa, Myanmar, East Africa, the Caribbean, and the United Arab Emirates through recent migration.
This article contains the index of articles related to Jainism.
Rama is a major deity in Hinduism. He is worshipped as the seventh and one of the most popular avatars of Vishnu. In Rama-centric Hindu traditions, he is considered the Supreme Being. Also considered as the ideal man, Rama is the male protagonist of the Hindu epic Ramayana. His birth is celebrated every year on Rama Navami, which falls on the ninth day of the bright half of the lunar cycle of Chaitra (March–April), the first month in the Hindu calendar.
Surya is the Sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan.
Tamil culture refers to the culture of the Tamil people. The Tamils speak the Tamil language, one of the oldest languages in India with more than two thousand years of written history.
The early Dravidian religion constituted a non-Vedic, pre-Indo-Aryan, indigenous religion practiced by Dravidian peoples in the Indian subcontinent that they were either historically or are at present Āgamic. The Agamas are non-Vedic in origin, and have been dated either as post-Vedic texts, or as pre-Vedic compositions. The Agamas are a collection of Tamil and Sanskrit scriptures chiefly constituting the methods of temple construction and creation of murti, worship means of deities, philosophical doctrines, meditative practices, attainment of sixfold desires and four kinds of yoga. The worship of tutelary deities and sacred flora and fauna in Hinduism is also recognized as a survival of the pre-Vedic Dravidian religion. Dravidian linguistic influence on early Vedic religion is evident; many of these features are already present in the oldest known Indo-Aryan language, the language of the Rigveda, which also includes over a dozen words borrowed from Dravidian. The linguistic evidence for Dravidian impact grows increasingly strong as one moves from the Samhitas down through the later Vedic works and into the classical post-Vedic literature. This represents an early religious and cultural fusion or synthesis between ancient Dravidians and Indo-Aryans that went on to influence Indian civilisation.
The culture of South Asia, also known as Desi culture, is a mixture of several cultures in and around the Indian subcontinent. Ancient South Asian culture was primarily based in Hinduism, which itself formed as a mixture of Vedic religion and indigenous traditions, and later Buddhist influences. From the medieval era onwards, influences from the Muslim world and then Europe also became prevalent.
References
Citations
1 2 John Keay (2012), India: A History, 2nd Ed – Revised and Updated, Grove Press / Harper Collins, ISBN978-0-8021-4558-1, see Introduction and Chapters 3 through 11
1 2 Mohammada, Malika (2007), The foundations of the composite culture in India, Aakar Books, ISBN81-89833-18-9
↑ Stepaniants Marietta, 2002, The Encounter of Zoroastrianism with Islam, journal=Philosophy East and West, volume 52, issue 2, University of Hawai'i Press, page 163.
↑ Mottahedeh, Roy, The Mantle of the Prophet: Religion and Politics in Iran, One World, Oxford, 1985, 2000, p.238
↑ Ann K. S. Lambton, 1981, State and government in medieval Islam: an introduction to the study of Islamic political theory: the jurists, Routledge, page 205, ISBN9780197136003.
↑ Meri Josef W., Bacharach Jere L., 2006, Medieval Islamic Civilization: L-Z, index, series: Medieval Islamic Civilization: An Encyclopedia, volume = II, Taylor & Francis, pages 878, ISBN9780415966924
↑ Lévi, Sylvain; Przyluski, Jean; Bloch, Jules (1993). Pre-Aryan and Pre-Dravidian in India. Asian Educational Services. ISBN978-81-206-0772-9. Archived from the original on 26 March 2023. Retrieved 26 October 2021. It has been further proved that not only linguistic but also certain cultural and political facts of ancient India, can be explained by Austroasiatic (Mon-Khmer) elements.
1 2 3 Clothey, Fred (2006). Religion in India: a historical introduction. London New York: Routledge. ISBN978-0-415-94024-5.
↑ Ramkrishna Bhattacharya (2011), Studies on the Cārvāka/Lokāyata, Anthem Press, ISBN978-0857284334, pages 26–29
↑ Johannes Quack (2014), Disenchanting India: Organized Rationalism and Criticism of Religion in India, Oxford University Press, ISBN978-0199812615, page 50 with footnote 3
↑ Raman, Varadaraja V. (2012). "Hinduism and science: some reflections". Zygon. 47 (3): 549–574. doi:10.1111/j.1467-9744.2012.01274.x. Quote (page 557): "Aside from nontheistic schools like the Samkhya, there have also been explicitly atheistic schools in the Hindu tradition. One virulently anti-supernatural system is/was the so-called Charvaka school.",
↑ Ben-Ami Scharfstein (1998), A comparative history of world philosophy: from the Upanishads to Kant, Albany: State University of New York Press, pp. 9-11
1 2 Sinha, Raghuvir (1993). Dynamics of Change in the Modern Hindu Family. South Asia Books. ISBN978-81-7022-448-8.
↑ Orenstein, Henry; Micklin, Michael (1966). "The Hindu Joint Family: The Norms and the Numbers". Pacific Affairs. 39 (3/4): 314–325. doi:10.2307/2754275. JSTOR2754275. Autumn, 1966
↑ Verma, Suman; Saraswathi, T.S. (2002). Adolescence in India. Rawat Publications. p.112.
↑ Heitzman, James. "India: A Country Study". US Library of Congress. Archived from the original on 9 May 2012. Retrieved 26 December 2012.
↑ Pisharoty, Sangeeta (15 May 2010). "Marriages are in trouble". The Hindu newspaper. Archived from the original on 24 November 2012. Retrieved 19 February 2012.
↑ Ying, Y. W., Coombs, M., & Lee, P. A. (1999), the Family intergenerational relationship of Asian American adolescents, Cultural Diversity and Ethnic Minority Psychology, 5(4), pp 350–363
↑ Lawrence, J. D. (2007), The Boundaries of Faith: A Journey in India, Homily Service, 41(2), pp 1–3
↑ Cf. Messner, W. (2013). India – Intercultural Skills. A Resource Book for Improving Interpersonal Communication and Business Collaboration. Bangalore: Createspace, p. 92.
↑ Lévi, Sylvain; Przyluski, Jean; Bloch, Jules (1993). Pre-Aryan and Pre-Dravidian in India. Asian Educational Services. ISBN978-81-206-0772-9. Archived from the original on 26 March 2023. Retrieved 26 October 2021. It has been further proved that not only linguistic but also certain cultural and political facts of ancient India, can be explained by Austroasiatic (Mon-Khmer) elements.
↑ Zvelebil 1992, p.12: "...the most acceptable periodisation which has so far been suggested for the development of Tamil writing seems to me to be that of A Chidambaranatha Chettiar (1907–1967): 1. Sangam Literature – 200BC to AD 200; 2. Post Sangam literature – AD 200 – AD 600; 3. Early Medieval literature – AD 600 to AD 1200; 4. Later Medieval literature – AD 1200 to AD 1800; 5. Pre-Modern literature – AD 1800 to 1900"
See Wordnik link in: Happy DiwaliArchived 22 June 2017 at the Wayback Machine The Economist (14 November 2012); Wordnik claims about 2000 English words are sourced from different Indian languages. Hobson-Jobson above lists over 2300 Indian words, as well as non-Indian words from East Asia, Persia and other regions in the British Empire that expanded English vocabulary.
↑ The word Isila found in the Ashokan inscription (called the Brahmagiri edict from Karnataka) meaning to shoot an arrow is a Kannada word, indicating that Kannada was a spoken language in the 3rd century BCE (Dr. D.L. Narasimhachar in Kamath 2001, p5)
↑ Schwarzschild (1972), Some Unusual Sound-Changes in Prākrit, Journal of the American Oriental Society, pp 100–104
↑ Dash (2012). Soma-vamsi yayati in tradition and medieval Oriya literature, Studies in History, 28(2), pp 151–177
↑ Brown, Keith; Ogilvie, Sarah (2008), Concise Encyclopedia of Languages of the World, Elsevier, ISBN978-0-08-087774-7, archived from the original on 24 March 2023, retrieved 19 September 2020, Apabhramsha seemed to be in a state of transition from Middle Indo-Aryan to the New Indo-Aryan stage. Some elements of Hindustani appear ... the distinct form of the lingua franca Hindustani appears in the writings of Amir Khusro (1253–1325), who called it Hindwi[.]
↑ Mani Madhava Chakkyar: The Master at Work (film- English), Kavalam N. Panikar, Sangeet Natak Akademi, New Delhi, 1994
↑ Lopes, Rui Oliveira. (2016) "A new light on the shadows of heavenly bodies. Indian shadow puppets: from still paintings to motion pictures". Religion and the Arts, vol. 20, no. 1-2, pp. 160-196. DOI: 10.1163/15685292-02001008
↑ Stuart Blackburn (1998), Looking Across the Contextual Divide: Studying Performance in South India, South Asia Research, Volume 18, Issue 1, pages 1-11, Quote: "If performance is the cultural organisation of behaviour, it is interesting that these cultural forms vary so widely from area to area. To return to south India, tales are told and songs sung throughout the region, but the same is not true for long narrative singing (epic and the like), or for dance, or for drama; even masks, so widespread in Kerala and other parts of south India, are not significant in Tamil culture."
1 2 Zarrilli, Phillip B. (1998). When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art. Oxford: Oxford University Press. ISBN978-0-19-563940-7.
1 2 Raj, J. David Manuel (1977). The Origin and the Historical Development of Silambam Fencing: An Ancient Self-Defence Sport of India. Oregon: College of Health, Physical Education and Recreation, Univ. of Oregon. pp.44, 50, 83.
Maloney, Clarence (May 1970). "The Beginnings of Civilization in South India". The Journal of Asian Studies. 29 (3): 603–616. doi:10.2307/2943246. JSTOR2943246. S2CID162291987.
Gupta, S. P., & Shastri Indo-Canadian Institute. (2011). The roots of Indian art: A detailed study of the formative period of Indian art and architecture, third and second centuries B.C., Mauryan and late Mauryan. Delhi: B.R. Publishing Corporation.
A.L. Basham, The Wonder That was India, ISBN0-330-43909-X, Picador London
Auboyer, Jeannine (2002). Daily Life in Ancient India, from 200 BC to 700 AD. (originally published in French in 1961), Phoenix Press, London ISBN1-84212-591-5
Dalmia, Vasudha and Rashmi Sadana (editors), The Cambridge Companion to Modern Indian Culture, Cambridge University Press, ISBN978-0-521-51625-9
Grihault, Nicki. Culture Smart! India: A Quick Guide to Customs and Etiquette. ISBN1-85733-305-5.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
