K. Balachandar | |
---|---|
Born | Kailasam Balachandar 9 July 1930 |
Died | 23 December 2014 84) | (aged
Occupation(s) | Playwright, Film director, Film producer, Screenwriter, Actor |
Years active | 1964–2015 |
Works | Full list |
Spouse | Rajam (m. 1956) |
Children | 3, including Bala Kailasam |
Awards | Full list |
Honours |
Kailasam Balachandar (9 July 1930 – 23 December 2014) was an Indian playwright, film director, film producer, screenwriter and actor who worked mainly in the Tamil cinema. He was well known for his distinct film-making style, and the Indian film industry knew him as a master of unconventional themes and hard-hitting contemporary subject matter. Balachander's films are well known for their portrayal of women as bold personalities and central characters. Popularly referred to as Iyakkunar Sigaram (lit. "Director Paramount"), [1] [2] his films are usually centred on unusual or complicated interpersonal relationships and social themes. He started his film career in 1964 as a screenwriter and graduated to a director with Neerkumizhi (1965).
In a career that spanned 50 years, he had contributed to nearly 100 feature films either as a screenwriter or director, thus becoming one of the most prolific filmmakers in the country. [3] Known among his colleagues as a tough task master, [4] he was credited with having nurtured numerous actors, notably Nagesh, Sujatha, Kamal Haasan, Rajinikanth, Chiranjeevi, Jaya Prada, Sridevi, Jayasudha, Saritha, Renuka, Nassar, Prakash Raj, Ramesh Aravind and Vivek.
In his film career, Balachander had won 9 National Film Awards, 11 Tamil Nadu State Film Awards, five Nandi Awards and 13 Filmfare Awards. He was honored with the Padma Shri (1987), India's fourth highest civilian award, and the Dadasaheb Phalke Award, India's highest award in cinema.
He also made films under his production house, Kavithalaya Productions. Apart from Tamil, he made films in other languages such as Telugu, Kannada and Hindi. Towards the tail end of his career, he directed a few TV serials and made a few film appearances as well.
K. Balachander was born in Tamil Brahmin family [5] in 1930 [6] [7] at Nannilam in the Tanjore district (now Tiruvarur district), India. [8] [9] Balachander stated that, "From my eighth year I've been seeing cinema" [2] and recalls that his earliest interest towards cinema grew after watching films of M. K. Thyagaraja Bhagavathar, then the Superstar of Tamil cinema. [2] At the age of twelve he was drawn to theatre and drama, [2] which eventually helped him develop an interest in acting, writing and directing amateur plays. [8] [10] His obsession towards theatre continued even while doing his graduation (in Zoology) at the Annamalai University, as he regularly took part in stage plays. [2] After completing his graduation in 1949, he started his career as a school teacher in Muthupet, Tiruvarur district. In 1950, he moved to Madras (now Chennai) and joined the Accountant General's office as an apprentice clerk, [11] and during this time he joined "United Amateur Artistes", an amateur drama company. [2] Soon he formed his own troupe and it was during this time he came to prominence as an amateur playwright with Major Chandrakanth, written in English. As the scope of English was highly limited in Madras, he re-wrote the play in Tamil, which ultimately became a "sensation" among the people. Balachander's acting troupe consisted of people from the Tamil film industry such as Major Sundarrajan, Nagesh, Srikanth and Sowcar Janaki. [8] Sunderrajan appeared in over 900 films, Nagesh in over 1,000, Sreekanth in more than 200 films, and Sowkar Janaki appeared in more than 350 films. Other plays written by Balachander include Server Sundaram (Waiter Sundaram), Neerkumizhi (Water Bubble), Mezhuguvarthi (Candle), Naanal (Tall Grass) and Navagraham (Nine Planets). [2] All these produced and directed by him, were received well by the critics. [8]
Balachander while working in the Accountant General's office, was offered to write the dialogues for the film Dheiva Thaai (1964) by its lead actor M. G. Ramachandran. [2] [12] [13] [14] Balachander was initially reluctant, as he was more theatre-oriented, but on the insistence of his friends he decided to work on the film. [2] By this time he was promoted as a superintendent in his office. [2] Avichi Meiyappa Chettiar acquired the rights of his play Server Sundaram , and decided to make a film based on it. The film dealt with the story of a waiting staff at a restaurant had Nagesh playing the lead. The film was directed by the renowned duo directors, Krishnan–Panju. [15] It won a lot of accolades including the Certificate of Merit for the third Best Feature Film in Tamil and Filmfare Award for Best Tamil Film. [15] During this time another play written and directed by him - Major Chandrakanth was adapted into a film in Hindi as Oonche Log . [16] The film won a National Film Award. Balachander then made his directional debut through Neerkumizhi (1965) which in turn was based on his own play. [15] The film's cast consisted of actors who were a part of Balachander's regular troupe. [15] His following efforts included Naanal, Major Chandrakanth and Ethir Neechal , all based on his own plays. [17] Major Chandrakanth was already filmed in Hindi as Oonche Log the previous year. Major Chandrakanth had Jayalalithaa playing the lead heroine role. [15] In 1967 he made Bama Vijayam , a full-length comedy family drama film. Featuring an ensemble cast, the film was highly successful and remade in Telugu by Balachander himself. The success of both the versions prompted a Hindi remake titled Teen Bahuraniyan , produced by Gemini pictures. In 1969, Balachander made Iru Kodugal , a family drama starring Gemini Ganesan, won the National Film Award for Best Feature Film in Tamil.[ citation needed ]
During the 1970s, Balachander turned indie, making realist movies revolving around family and social issues. [2] In 1971 he made four films. [2]
In 1973, he made Arangetram , which dealt with poverty and prostitution. [2] The film centred on the eldest daughter of a conservative Brahmin household who becomes a prostitute to settle her siblings and support her family. [2] It was ahead of its time in Tamil cinema mainly because of the controversial theme. [18] [19] The film also had Kamal Haasan playing his first major role as an adult actor. The actor would go on to act in 35 films under Balachander. [20] He made his directorial debut in Hindi films with the film Aaina starring Mumtaz and Rajesh Khanna in 1977, which was remake of Arangetram .[ citation needed ]
The same year, he made Sollathaan Ninaikkiren , based on a novel by Manian. The following year he made Naan Avanillai . [21] He made the film on the insistence of Gemini Ganesan, who also produced and enacted the lead role. [22] It is based on the Marathi play To Mee Navhech , revolved around a man who deceives and marries five women performing nine roles. [22] The film met with commercial failure. However, Gemini Ganesan was adjudged the Best Tamil Actor at the following year's Filmfare Awards ceremony. [22] Following that, Balachander's made Aval Oru Thodar Kathai (1974), [23] his second female-centric film after Arangetram that dealt with the story of a working woman who hails from a middle-class family. [24] Inspired by the 1960 Bengali film Meghe Dhaka Tara , [25] it explored the emotions of a young woman who happens to be the sole earner for her family. [24] He decided to cast an actress who worked as a child actress till then, as his film heroine with the film Mondru Moodichu and gave break to Sridevi. [26] The film Aboorva Raagangal was an original story about an inter-generational romance involving two families. It marked the acting debut of Rajinikanth, who would go on to establish himself as a leading actor. [27] It won critical acclaim in spite of its controversial theme; it won three National Film Awards including the award for the "Best Feature Film in Tamil".[ citation needed ]
During this period he made films mostly with Kamal Haasan as the lead actor. In 1976, he made three films: Manmadha Leelai , Anthuleni Katha and Moondru Mudichu . Manmadha Leelai explores the life of a womaniser, played by Kamal Haasan, who gets himself involved in affairs with women. [28] Often considered ahead of its time, it achieved cult status and is considered a "trendsetter" in Tamil cinema. [28] Anthuleni Katha, a Telugu remake of Aval Oru Thodar Kathai had Jaya Prada in her first starring role. received equal acclaim in Andhra Pradesh as in the neighbouring state of Tamil Nadu. Avargal (1977) follows the life of a divorcée as she traverses relationships in reverse, from divorce, to marriage, to falling in love. Varumayin Niram Sigappu (1980) was a drama that charts the travails and conflict of being unemployed in a bombastic and harsh city. 47 Natkal (1981) traces the adversities of a newlywed Indian woman living with an scurrilous, expatriate husband in a Parisian suburb. The film was a launchpad for its lead actor Chiranjeevi.[ citation needed ]
Balachander re-entered the Hindi film industry after Aaina through Ek Duuje Ke Liye in 1981. He gave Rati Agnihotri her debut Hindi film with Ek Duje Ke Liye. [29] The project was a remake of his own Telugu film Maro Charitra had Kamal Haasan repeating his role as a lead actor. The film marked the Bollywood debut of various artists including Kamal Haasan, Madhavi and S. P. Balasubrahmanyam. Like the original, Ek Duuje Ke Liye emerged as a major box-office success and earned critical acclaim. Balachander received the Filmfare Award for Best Screenplay, apart from two other nominations – for Best Director and Best Story. [30] The song "Tere Meere Beach Mein" became so popular, eventually winning a Filmfare Award for Anand Bakshi and a National Film Award for Balasubrahmanyam.[ citation needed ]
He made Sindhu Bhairavi (1985), which is about the intellectual collision and subsequent romance between a lofty Carnatic musician and his ardent critic. He has worked with a variety of music directors like V.Kumar, M.S.Viswanathan, Ilaiyaraja, Maragathamani, V. S. Narasimhan and A.R.Rahman. The actors who were regular in his films in the period 1963 to 1990 were Gemini Ganeshan, Sowcar Janaki, Nagesh, Jayanthi, Sujatha, Saritha, Rajnikanth and Kamal Haasan.[ citation needed ]
In 1998, he planned a film titled Thillana Thillana featuring Prashanth, Karthik, Meena and Simran, but the venture failed to develop. [31] His later films include Parthale Paravasam (2001) and Poi (2006). [32]
The period starting from the late 1980s till the late 1990s saw Balachander venturing into Television and making a number of Television series including Kai Alavu Manasu, Rail Sneham, [33] Ramany vs Ramany(a.k.a. Ramani vs Ramani), [33] Oru Koodai Paasam, [33] Kadhal Pagadai , [34] Premi , [33] Jannal, [34] Kasalavu Nesam , and Anni . [35] Like his earlier films, most of his serials focussed on women, and portrayed them as strong personalities. [35] Kasalvu Nesam was one of his comedy hits, starring Venu Aravind. In 2003, he made Sahana, that touted to be the sequel of his 1985 film Sindhu Bairavi. [35] On venturing into Television, he noted "This medium helps to reach out to the public. That's why I am into making serials". [35] In 2009, Balachander returned to theatre after a 40-year hiatus through the play Pournami, which had Renuka playing the lead role. [36]
In 1956, Balachander married Rajam while he was working at the Accountant General's Office. [3] The couple had two sons named Kailasam and Prasanna and a daughter Pushpa Kandaswamy, who is the chairwoman of their production house Kavithalaya Productions. [37] [38] Kailasam was an entrepreneur while Prasanna, a Chartered Accountant, is the managing director and CEO of a leading investment bank in India. Balachander's elder son, Bala Kailasam, died on 15 August 2014 after contracting pneumonia, at the age of 54. He was the head of the television production company Minbinbangal, and delivered memorable series in Tamil includes, Balachandarin Chinnathirai, Kaialavu Manasu, Rail Sneham, and Marma Desam. [39]
Following a neurosurgery in November 2014, Balachander was admitted to Kauvery Hospital in Chennai on 15 December. [40] Reports suggested that he was suffering from fever and from a urinary tract infection, but was recovering well. [41] However, on 23 December 2014 he died due to complications from the urinary infection and other age-related ailments. [42] [16] [43] [44] He was cremated with full state honours the next day.[ citation needed ]
Balachander is revered as one of the best directors India has ever produced. His ideas were original and his subjects were complex ideas expressed via art. He is also known for introducing new faces to the film industry. He has introduced over 100 actors in Tamil, Telugu and Kannada languages. Balachander had long associations with some senior artists in the South Indian film industry like Gemini Ganesan, Sowcar Janaki, Nagesh and Muthuraman. Even though he was not the one to discover them, he played a prominent role in shaping their careers.
Kamal Haasan and Rajinikanth, two leading film actors in Tamil cinema, are often referred to as products of Balachander who has paired with each of them or worked with them as a trio in several films during the 1970s. [45] Rajinikanth was chosen by Balachander to play a key supporting character in Apoorva Raagangal (1975) after noting that "there was something special about him". Sridevi, Srividhya, Jayapradha, Jayasudha, Jayachithra, Sujatha, Saritha were notable heroines that were introduced by Balachander. Nassar, Delhi Ganesh, Charlie, Madan Bob were some of the notable supporting actors introduced by him. After working in a few Kannada films, Prakash Raj was relaunched as an actor in Tamil cinema through his debut Duet (1994) and had also performed in some of Balachander's soap opera productions in the 1990s. [46] Through Manathil Uruthi Vendum , Balachander launched Vivek as an actor, who initially worked with him as his assistant writer, and later went on to become a leading comedy actor. He also launched A.R. Rahman in the film Roja which was his production.
When the old era was dominated by commercial action films, Balachander directed socially themed films with women as protagonists usually centred on unusual or complicated interpersonal relationships and social themes. He portrayed women as headstrong, intelligent and independent people. [47] Balachander revealed that many of his messages from his films, he has drawn inspiration from poet Subramaniya Bharathi whom he had admired since his childhood. [48] Screenwriter Gopu (of Gopu-Babu) said that he used to begin his script from the ending and then construct the plot. [49]
A documentary is getting ready about him. Ravisubramaniyan is selected by Kavidalaya for making documentary, to be released on 9 July 2020, the 90th birthday of the veteran Indian filmmaker. [50] [51]
Five decades of adamant, uncompromising movie making and K. Balachander is still in no mood to draw the curtain
K. Balachandar always tries to be different. This time, he has come up with yet another innovative idea... of making a teleserial "Sahana" that is a sequel to his popular film, "Sindhu Bhairavi"
Parthasarathy Srinivasan, known professionally as Kamal Haasan, is an Indian actor, film director, film producer, screenwriter, choreographer, playback singer, lyricist, television presenter, social activist and politician who works in Tamil cinema. Besides Tamil films, he has also appeared in some Malayalam, Telugu, Hindi, Kannada and Bengali films. Considered as one of the finest actors in Indian cinema, Haasan is also known for introducing many new innovations to the Indian film industry. He has won numerous accolades, including four National Film Awards, nine Tamil Nadu State Film Awards, four Nandi Awards, one Rashtrapati Award, two Filmfare Awards and eighteen Filmfare Awards South. He was awarded the Kalaimamani Award in 1984, the Padma Shri in 1990, the Padma Bhushan in 2014 and the Order of Arts and Letters (Chevalier) in 2016.
Apoorva Raagangal is a 1975 Indian Tamil-language romantic drama film written and directed by K. Balachander. It stars Kamal Haasan, Sundarrajan, Srividya and Jayasudha, while Nagesh and Rajinikanth, in his feature film debut, play supporting roles. The film revolves around Prasanna (Haasan) who falls in love with the much older Bhairavi (Srividya) while Bhairavi's daughter Ranjani (Jayasudha) is drawn to Prasanna's father Mahendran (Sundarrajan).
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K. S. Ravikumar is an Indian film director, film producer, screenwriter and actor who primarily works in Tamil cinema and few Telugu films. He is one of the most commercially successful directors of indian cinema.
Thillu Mullu (transl. Hanky-panky) is a 1981 Indian Tamil-language comedy film directed by K. Balachander and written by Visu. A remake of the 1979 Hindi film Gol Maal, it stars Rajinikanth, with Thengai Srinivasan, Nagesh, Poornam Viswanathan, Sowcar Janaki, Madhavi and Viji Chandrasekhar in supporting roles. The film is about Chandran, who lies to his boss to get a leave but gets caught. To save his job, he is forced to pretend to his boss that he has a twin brother.
Avargal is a 1977 Indian Tamil-language romantic drama film written and directed by K. Balachander. The film stars Sujatha, Kamal Haasan, Rajinikanth and Ravikumar. A triangular love story, it revolves around a woman who is caught between the man she fell in love with and her former sadistic husband who is supposedly reformed and wants to rejoin her.
Ninaithale Inikkum is a 1979 Indian Tamil-language film directed by K. Balachander starring Kamal Haasan, Rajinikanth, Jaya Prada and Geetha. The story was written by Sujatha. The film was also simultaneously shot in Telugu as Andamaina Anubhavam. A large part of the film was shot in Singapore. The film was later dubbed in Hindi as Pyara Tarana.
Ramesh Aravind, known mononymously as Ramesh, is an Indian actor, director, screenwriter and television presenter. Ramesh has predominantly worked in Kannada and Tamil films along with a few Telugu and Hindi films.
Kamal Haasan is an Indian actor, film director, film producer, screenwriter and dance choreographer who works primarily in Tamil cinema. At the age of 5, he debuted as a child actor in the 1960 Tamil film Kalathur Kannamma, directed by A. Bhimsingh, which won him the President's Gold Medal. Since then, he has acted in over 230 films in Tamil and other languages including Malayalam, Telugu, Hindi, Kannada, and Bengali. After a few projects as a child artist, he took a break to continue his education. He later concentrated on dance choreography and worked as an assistant choreographer. During this time, he made uncredited appearances in a few films which he worked on.
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Server Sundaram is a 1964 Indian Tamil-language comedy drama film directed by Krishnan–Panju and produced by A. V. Meiyappan. The film stars Nagesh as the title character. Muthuraman and K. R. Vijaya play the other lead roles while Major Sundarrajan, S. N. Lakshmi and Manorama play supporting roles. It focuses on a hotel waiter who strives to reach greater heights after he becomes an actor to attain the love of his restaurateur's daughter.
Iru Kodugal is a 1969 Indian Tamil-language drama film directed by K. Balachander. The film stars Gemini Ganesan, Sowcar Janaki, Jayanthi, Nagesh, V. S. Raghavan, S. N. Lakshmi and others. The story revolves around one man who was married to two women. Iru Kodugal won the National Film Award for Best Feature Film in Tamil, the first film by Balachander to win the award. The film, which was based on a stage play of same name, was remade in Kannada as Eradu Rekhegalu, in Telugu as Collector Janaki and in Hindi as Sanjog.
Aval Oru Thodar Kathai is a 1974 Indian Tamil-language drama film written and directed by K. Balachander. The lead role was played by Sujatha in her first Tamil film, which was also her first starring role. Kamal Haasan, Vijayakumar, Jai Ganesh, M. G. Soman and Sripriya play key roles. The story revolves around a working middle-class woman, who sacrifices her desires to support her large family
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Srikanth was an Indian actor who has performed in around 200 Tamil films since his debut in 1965. He is also referred to as Venniradai Srikanth. He has played the lead hero in around 50 films between 1965 and 1979 and has also played supporting roles in films with actors Sivaji Ganesan, Muthuraman, Ravichandran and Jaishankar in the lead roles. In the late seventies to early nineties, he appeared as a villain opposite actors including Sivakumar, Rajinikanth and Kamal Haasan.
Major Chandrakanth is a 1966 Indian Tamil-language drama film written and directed by K. Balachander. Based on his play of the same name, the film stars Major Sundarrajan, Nagesh, R. Muthuraman, A. V. M. Rajan and Jayalalithaa. Produced by A. V. Meiyappan of AVM Productions, it revolves around a retired and blind major who gives asylum to a fugitive wanted for committing murder, unaware that the victim was his younger son.
Major Chandrakanth is a Tamil-language play written by K. Balachander and staged in the 1960s. It was adapted into a Hindi film titled Oonche Log in 1965, a Tamil namesake film in 1966, a Telugu film titled Sukha Dukhalu in 1968, a Malayalam film titled Karthavyam in 1982, and a Kannada film titled Karune Illada Kanoonu in 1983.
Ananthakrishnan, better known as Ananthu, was an Indian screenwriter working on Tamil language films, often collaborating with K. Balachander. He was the mentor of actor Kamal Haasan.