Gaganendranath Tagore was an Indian painter and cartoonist of the Bengal school. Along with his brother Abanindranath Tagore, he was counted as one of the earliest modern artists in India.
Ghulam Mohammed Sheikh is a painter, poet and art critic from Gujarat, India. He was awarded the Padma Shri in 1983 and Padmabhushan in 2014 for his contribution in field of art.
Nandalal Bose was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.
Ravishankar Raval (1892–1977) was a painter, art teacher, art critic, journalist and essayist from Gujarat, India. He worked for the magazine Vismi Sadi until it closed in 1921, and then founded the cultural magazine Kumar.
Dhruva Mistry is an Indian sculptor.
Narayan Shridhar Bendre was a 20th-century Indian artist and one of the founder members of Baroda Group Narayan Shridhar Bendre was born in Indore. He made a name for himself as a landscape artist. In 1992 he was awarded the Padma Bhushan.
Sankho Chaudhuri was an Indian sculptor, and a noted figure in the art scene of India. (Although named Naranarain in due family tradition, he was more widely known by his pet name Sankho). Ram Kinker Baij was his teacher. He began close to cubism and then was influenced by István Beöthy, whom he had met in Paris. His themes have included the female figure and wildlife. He has worked in a wide range of media and produced large-scale reliefs and mobiles.
Kalpathi Ganpathi "K.G." Subramanyan was an Indian artist. He was awarded the Padma Vibhushan in 2012.
Bikash Bhattacharjee was an Indian painter from Kolkata in West Bengal. Through his paintings, he depicted the life of the average middle-class Bengali – their aspirations, superstitions, hypocrisy and corruption, and even the violence that is endemic to Kolkata. He worked in oils, acrylics, water-colours, conté and collage. In 2003, he was awarded the highest award of Lalit Kala Akademi, India's National Academy of Arts, the Lalit Kala Akademi Fellowship.
Haku Vajubhai Shah was an Indian painter, Gandhian, cultural anthropologist and author on folk and tribal art and culture. His art belonged to the Baroda Group and his works are considered in the line of artists who brought themes of folk or tribal art to Indian art.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
Somalal Shah was an Indian painter and art teacher. Born in Kapadvanj and educated in Bombay and Calcutta, he spent three decades painting and teaching art in Bhavnagar in Saurashtra, Gujarat.
Biman Bihari Das is an Indian sculptor and former Principal of the Government College of Art & Craft, Kolkata. He was honoured by the Government of India, in 2014, by bestowing on him the Padma Shri, the fourth highest civilian award, for his services to the field of Fine Arts.
Manu Parekh is an Indian painter, known for his several paintings on the city of Varanasi. Reported to be influenced by Rabindranath Tagore and Ram Kinker Baij, Parekh is a recipient of the 1982 Lalit Kala Akademi Award. The Government of India awarded him the fourth highest civilian award of the Padma Shri, in 1991.
Devi Prasad Roy Choudhury was an Indian sculptor, painter and educator. He is well known for his monumental bronze sculptures, especially the Triumph of Labour and the Martyrs' Memorial, and is rated by many as one among the major artists of Indian modern art. He worked in a broad spectrum of mediums including watercolors, expressionist landscapes and commissioned portraits. Large scale sculptures were his particular strength and he made social realism the cornerstone of his art. In addition to painting and sculpting, he also wrestled, played the flute, engaged in hunting and wrote short stories in his spare time.
Prabhakar Barwe was a pioneer of Modern Indian painting. He was active in Mumbai, India from the 1959 until his death in 1995. Influenced by the esoteric tradition of Tantric painting, Barwe along with G. R. Santosh, P. T. Reddy, K.C.S. Paniker, Biren De, Om Prakash, K. V. Haridasan, Prafulla Mohanti and Mahirwan Mamtani was considered part of the modernist movement Neo-Tantra.
The GROUP 1890 exhibition was held from 20 to 29 October 1963 at Lalit Kala Akademi, Rabindra Bhavan in New Delhi, India. It was the only exhibition of the artist collective 'group 1890', hence the only existing record of the group's exhibition history in the 1960s contemporary art in India. The group was an entirely male association with 12 members which 'stood passionately and romantically for values of modernism that signaled change'. The members were Raghav Kaneria, M. Reddeppa Naidu, Ambadas Khobragade, Rajesh Mehra, Gulam Mohammed Sheikh, Jagdish Swaminathan, Himmat Shah, Jeram Patel, S. G. Nikam, Eric Bowen, Jyoti Bhatt, and Balkrishna Patel. All of which participated in this inaugural exhibition.
Jayant Parikh is an Indian modern contemporary artist, printmaker, and muralist. He is a student of N. S. Bendre, K. G. Subramanyan and Sankho Chaudhuri. He lives and works in Vadodara, India.
Deepak Kannal is an Indian art historian, sculptor and a former professor at the Department of Art History and Aesthetics, Faculty of Fine Arts, Maharaja Sayajirao University of Baroda, Gujarat where he also served as dean and head of the department. He is a specialist on the Ellora caves on which he has written several influential research papers, delivered numerous lectures and has authored a book titled Ellora-An Enigma in Sculptural Styles (1996).
Shiavax Dhanjibhoy Chavda was an Indian painter, illustrator and muralist. Known for his dynamic line drawings and paintings, Chavda's work mainly showcased the dancers and musicians from India and Southeast Asia.
