Ratan Parimoo is an Indian art historian from Kashmir, who has worked as an art educator, pedagogue, artist and former director of the Lalbhai Dalpatbhai Museum, Ahmedabad. Ratan Parimoo was one of the founder members of Baroda Group. [1] [2] [3]
He publishes on the arts of Ajanta, Ellora, Jain, Rajasthani, Pahari and Mughal paintings and drawings. He authored Art of Three Tagores- From Revival to Modernity. [4]
This section of a biography of a living person does not include any references or sources .(June 2022) |
Participated in Artists’ Camps:
Hermitage, Lenningrad; National Gallery of Modern Art, New Delhi; Punjab University, Chandigarh; Air India, Bombay; Shyamal Builders, Baroda; Gujarat State Lalit Kala Akademi, Delhi Sahitya Kala Parishad, Madhavan Nair Foundation, Cochin, Cymroza Art Gallery, Mumbai; Welcome Hotel, Vadodara. & Private Collections.
1980 – Radhakamal Mukherji Memorial Lecture, U.P. State Lalit Kala Akademi, Lucknow.
1983 – UGC National Lectures at Chandigarh, Santiniketan & Madurai.
1989 – Hindi Sahitya Parishad, Ahmedabad.
1990 – Somashekhar Memorial Lecture, Dept. of Archaeology, Govt. of Andhra Pradesh, Hyderabad.
1999 – Abanindranath Memorial Lecture, Calcutta.
2005 – Raja Ravi Varma Death Centenary Lecture, Cochin.
1960-61 – Commonwealth Fellowship to study in London University.
1967 – One month's traveling in USSR under Indo-Soviet Cultural Programme.
1974 – JDR Rockefeller IIIrd Fund, New York, USA.
1978 – Invited to participate in the world Congress of International Society for Education Through Art, Adelaide, Australia.
1993 – Travelled to London, Paris, Berlin.
1981-1984 – Member, Executive Board, Lalit Kala Akademi, Delhi.
1982 – Member, UGC Panel Art History / Museology.
1982-1988 – Executive Secretary, Indian Association of Art Historians.
1985 – Member, UGC Pay Scale Revision committee.
1987 – Member, Central Advisory Board of Museums, Govt. of India.
1993-1995 – Member, History of Science Panel, Indian National Science Akademi, New Delhi.
1994-1997 – Member, UGC Panel for Art History / Fine Arts.
1998-2000 – Art Purchase Committee, NGMA, Delhi.
2003-2005 – Programme Advisory Committee, NGMA, Mumbai.
2003- 2005 – Board of Studies, Jawahar Nehru University, New Delhi. Board of Studies, National Council of Educational Research and Teaching, New Delhi.
2011 – Authentication Committee appointed by Archaeological Survey of India, New Delhi, to access the exhibition of 20 fake paintings of Rabindranath Tagore held at College of Arts and Crafts, Kolkata.
2012-2014 – Member, Board of Studies, School of Art and Aesthetics, JNU.
2014-2016 – Member, Acquisition Committee, NGMA, New Delhi.
2015-2020 – Chief Advisor, Textbooks in Fine Arts for class XI and Class XII, National Council of Educational Research and Training.
Gaganendranath Tagore was an Indian painter and cartoonist of the Bengal school. Along with his brother Abanindranath Tagore, he was counted as one of the earliest modern artists in India.
Ghulam Mohammed Sheikh is a painter, poet and art critic from Gujarat, India. He was awarded the Padma Shri in 1983 and Padmabhushan in 2014 for his contribution in field of art.
Nandalal Bose was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.
Ravishankar Raval (1892–1977) was a painter, art teacher, art critic, journalist and essayist from Gujarat, India. He worked for the magazine Vismi Sadi until it closed in 1921, and then founded the cultural magazine Kumar.
Dhruva Mistry is an Indian sculptor.
Narayan Shridhar Bendre was a 20th-century Indian artist and one of the founding members of Baroda Group Narayan Shridhar Bendre was born in Indore. He was known for being landscape artist. In 1992 he was awarded the Padma Bhushan.
Akbar Padamsee was an Indian artist and painter, considered one of the pioneers in modern Indian painting along with S.H. Raza, F.N. Souza and M.F. Husain. Over the years he also worked with various mediums from oil painting, plastic emulsion, water colour, sculpture, printmaking, to computer graphics, and photography. In addition, he worked as a film maker, sculptor, photographer, engraver, and lithographer. Today his paintings are among the most valued by modern Indian artists. His painting Reclining Nude was sold for US$1,426,500 at Sotheby's in New York on 25 March 2011.
Sankho Chaudhuri was an Indian sculptor, and a noted figure in the art scene of India. (Although named Naranarain in due family tradition, he was more widely known by his pet name Sankho). Ram Kinker Baij was his teacher. He began close to cubism and then was influenced by István Beöthy, whom he had met in Paris. His themes have included the female figure and wildlife. He has worked in a wide range of media and produced large-scale reliefs and mobiles.
Kalpathi Ganpathi "K.G." Subramanyan was an Indian artist. He was awarded the Padma Vibhushan in 2012.
Bikash Bhattacharjee was an Indian painter from Kolkata in West Bengal. Through his paintings, he depicted the life of the average middle-class Bengali – their aspirations, superstitions, hypocrisy and corruption, and even the violence that is endemic to Kolkata. He worked in oils, acrylics, water-colours, conté and collage. In 2003, he was awarded the highest award of Lalit Kala Akademi, India's National Academy of Arts, the Lalit Kala Akademi Fellowship.
Haku Vajubhai Shah was an Indian painter, Gandhian, cultural anthropologist and author on folk and tribal art and culture. His art belonged to the Baroda Group and his works are considered in the line of artists who brought themes of folk or tribal art to Indian art.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
Somalal Shah was an Indian painter and art teacher. Born in Kapadvanj and educated in Bombay and Calcutta, he spent three decades painting and teaching art in Bhavnagar in Saurashtra, Gujarat.
Biman Bihari Das is an Indian sculptor and former Principal of the Government College of Art & Craft, Kolkata. He was honoured by the Government of India, in 2014, by bestowing on him the Padma Shri, the fourth highest civilian award, for his services to the field of Fine Arts.
Chintan Upadhyay (born 1972) is an Indian visual artist, and convicted murderer. He began his art career as a painter, but later created sculptures and installations. His best known sculpture project is perhaps the Pet Shop project, which is an ongoing production of a "model baby" for every season, Baby Fetish.
Manu Parekh is an Indian painter, known for his several paintings on the city of Varanasi. Reported to be influenced by Rabindranath Tagore and Ram Kinker Baij, Parekh is a recipient of the 1982 Lalit Kala Akademi Award. The Government of India awarded him the fourth highest civilian award of the Padma Shri, in 1991.
Devi Prasad Roy Choudhury was an Indian sculptor, painter and educator. He is well known for his monumental bronze sculptures, especially the Triumph of Labour and the Martyrs' Memorial, and is rated by many as one among the major artists of Indian modern art. He worked in a broad spectrum of mediums including watercolors, expressionist landscapes and commissioned portraits. Large scale sculptures were his particular strength and he made social realism the cornerstone of his art. In addition to painting and sculpting, he also wrestled, played the flute, engaged in hunting and wrote short stories in his spare time.
Prabhakar Barwe was a pioneer of Modern Indian painting. He was active in Mumbai, India from the 1959 until his death in 1995. Influenced by the esoteric tradition of Tantric painting, Barwe along with G. R. Santosh, P. T. Reddy, K.C.S. Paniker, Biren De, Om Prakash, K. V. Haridasan, Prafulla Mohanti and Mahirwan Mamtani was considered part of the modernist movement Neo-Tantra.
The GROUP 1890 exhibition was held from 20 to 29 October 1963 at Lalit Kala Akademi, Rabindra Bhavan in New Delhi, India. It was the only exhibition of the artist collective 'group 1890', hence the only existing record of the group's exhibition history in the 1960s contemporary art in India. The group was an entirely male association with 12 members which 'stood passionately and romantically for values of modernism that signaled change'. The members were Raghav Kaneria, M. Reddeppa Naidu, Ambadas Khobragade, Rajesh Mehra, Gulam Mohammed Sheikh, Jagdish Swaminathan, Himmat Shah, Jeram Patel, S. G. Nikam, Eric Bowen, Jyoti Bhatt, and Balkrishna Patel. All of which participated in this inaugural exhibition.
Deepak Kannal is an Indian art historian, sculptor and a former professor at the Department of Art History and Aesthetics, Faculty of Fine Arts, Maharaja Sayajirao University of Baroda, Gujarat where he also served as dean and head of the department. He is a specialist on the Ellora caves on which he has written several influential research papers, delivered numerous lectures and has authored a book titled Ellora-An Enigma in Sculptural Styles (1996).