Ghulam Mohammed Sheikh is a painter, poet and art critic from Gujarat, India. He was awarded the Padma Shri in 1983 and Padmabhushan in 2014 for his contribution in field of art.
Narayan Shridhar Bendre was a 20th-century Indian artist and one of the founder members of Baroda Group Narayan Shridhar Bendre was born in Indore. He made a name for himself as a landscape artist. In 1992 he was awarded the Padma Bhushan.
Bhupen Khakhar was an Indian artist. He was a member of the Baroda Group and gained international recognition for his work as "India's first 'Pop' artist."
The Faculty of Fine Arts, Maharaja Sayajirao University of Baroda is one of the major art colleges in India. It has a reputation for promoting a creative and individualist approach among its students, and has historically adhered to secularist, humanist, and modernist ideals.
Kalpathi Ganpathi "K.G." Subramanyan was an Indian artist. He was awarded the Padma Vibhushan in 2012.
Pushpamala N. is a photo and visual artist based in Bangalore, India.
Jyotindra Manshankar Bhatt, better known as Jyoti Bhatt, is an Indian artist best known for his modernist work in painting and printmaking and also his photographic documentation of rural Indian culture. He studied painting under N. S. Bendre and K.G. Subramanyan at the Faculty of Fine Arts, Maharaja Sayajirao University (M.S.U.), Baroda. Later he studied fresco and mural painting at Banasthali Vidyapith in Rajasthan, and in the early 1960s went on to study at the Academia di Belle Arti in Naples, Italy, as well the Pratt Institute in New York. He was awarded the Padma Shri in 2019 and elected as a Fellow of the Lalit Kala Akademi in 2022.
N. N. Rimzon is an Indian artist known primarily for his symbolic and enigmatic sculptures. His metal, fiberglass and stone sculptures have won him international acclaim, though in recent years his drawings have gained recognition.
Timothy Hyman is a British figurative painter, art writer and curator. He has published monographs on both Sienese Painting and on Pierre Bonnard, as well as most recently The World New Made: Figurative Painting in the Twentieth Century. He has written extensively on art and film, has been a regular contributor to The Times Literary Supplement (TLS) and has curated exhibitions at the Tate, Institute of Contemporary Arts and Hayward galleries. Hyman is a portraitist, but is best known for his narrative renditions of London. Drawing inspiration from artists such as Max Beckmann and Bonnard, as well as Lorenzetti and Brueghel, he explores his personal relationship, both real and mythological, with the city where he lives and works. He employs vivid colours, shifting scale and perspectives, to create visionary works. He was elected an RA in 2011.
The modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century. The old traditions of painting had more or less died out in Bengal and new schools of art were started by the British. Initially, protagonists of Indian art such as Raja Ravi Varma drew on Western traditions and techniques including oil paint and easel painting. A reaction to the Western influence led to a revival in primitivism, called as the Bengal school of art, which drew from the rich cultural heritage of India. It was succeeded by the Santiniketan school, led by Rabindranath Tagore's harking back to idyllic rural folk and rural life. Despite its country-wide influence in the early years, the importance of the school declined by the 'forties' and now it is as good as dead.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
Anita Dube is an Indian contemporary artist whose work has been widely exhibited in India.
Santiniketan: The Making of a Contextual Modernism was an exhibition curated by R. Siva Kumar at the National Gallery of Modern Art in 1997, on the occasion of the 50th anniversary of India's Independence.
The Kiran Nadar Museum of Art (KNMA) is a private modern and contemporary art museum with locations in New Delhi and Noida. Established in 2010, it is India's first private museum dedicated to modern and contemporary art. The core collection of the institution comprises post-independence 20th century painters, but the museum holds exhibits of younger, contemporary artists as well. It is a multi faceted initiative, that helps promote art in public spheres and encourages art appreciation with an active collaboration between artists, schools and the public.
The GROUP 1890 exhibition was held from 20 to 29 October 1963 at Lalit Kala Akademi, Rabindra Bhavan in New Delhi, India. It was the only exhibition of the artist collective 'group 1890', hence the only existing record of the group's exhibition history in the 1960s contemporary art in India. The group was an entirely male association with 12 members which 'stood passionately and romantically for values of modernism that signaled change'. The members were Raghav Kaneria, M. Reddeppa Naidu, Ambadas Khobragade, Rajesh Mehra, Gulam Mohammed Sheikh, Jagdish Swaminathan, Himmat Shah, Jeram Patel, S. G. Nikam, Eric Bowen, Jyoti Bhatt, and Balkrishna Patel. All of which participated in this inaugural exhibition.
Contemporary Indian Art was an exhibition held from September 18 – October 31, 1982 at The Royal Academy of Arts in London. The exhibition featured two sections, I. The Gesture, and Motif, which was on view from September 18 – October 5, 1982, and II. Stories, Situations, which was on view from October 9 – 31, 1982. The exhibition was co-curated by Akbar Padamsee, Richard Bartholomew, and Geeta Kapur.
Jayant Parikh is an Indian artist, printmaker, and muralist. He is a student of N. S. Bendre, K. G. Subramanyan and Sankho Chaudhuri. He lives and works in Vadodara, India.
The Indian Radical Painters' and Sculptors' Association, also known as the Radical Painters' and Sculptors' Association, the Kerala Radicals, or the Radical Group, was a group of leftisit artists that primarily consisted of Keralites working in Baroda. The group informally originated with the 1985 exhibition Seven Young Sculptors before becoming an active collective of artists who worked and exhibited between 1987 and 1989. The group ended with the suicide of sculptor and leader K. P. Krishnakumar. Other notable artists included K. M. Madhusudhanan, CK Rajan, Alex Mathew and Anita Dube, the only female and non-Keralite member.
Rekha Rodwittiya is a contemporary Indian artist associated with the Baroda School. She is known for her allegorical and metaphoric narrative paintings depicted through the style of surrealism and magical realism. She conducts an art studio in Vadodara called The Collective Studio, jointly with her husband and artist Surendran Nair.
The Jehangir Nicholson Art Foundation (JNAF) is a private, not-for-profit organization located in Mumbai, Indian with its core interest in promoting the preservation, exhibition, education, and research of post-colonial Indian modern art. The collection is endowed by the personal collection of the late Jehangir Nicholson, comprising over 800 pieces of art across mediums from artists including M. F. Husain, Vasudeo S. Gaitonde, S. H. Raza, K. H. Ara, etc. The foundation is currently housed in the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, managing the Jehangir Nicholson Gallery - the modern and contemporary art wing of the museum.
