Johar has also ventured into other avenues of the entertainment industry. He hosts a television talk show, Koffee with Karan since 2004,[9] a dating show What the Love! and a radio show Calling Karan, and appeared as a judge on competition reality shows Jhalak Dikhhla Jaa and India's Got Talent.
Johar has publicly discussed his sexual orientation, stating, "Everybody knows what my sexual orientation is," and in February 2017, he became a father to twins, son Yash and daughter Roohi, via surrogacy.[18] He named his son after his father, Yash Johar, and his daughter after his mother, Hiroo Johar.[19]
In 2020, following the death of Sushant Singh Rajput, Johar faced criticism and allegations of promoting nepotism in Bollywood, particularly regarding casting of star children.[20][21] Johar defended his casting choices, highlighting the number of debut directors and outsider talents introduced by his production house.[22]
Film career
Director
Initial work, debut and breakthrough (1995–2001)
Johar entered the film industry as an assistant director and actor on his cousin, Aditya Chopra's Dilwale Dulhania Le Jayenge (1995), which is one of the most successful films to date.[23]
He made his own directorial debut with the romantic comedy-drama Kuch Kuch Hota Hai (1998). The first half of the film centers on a college love triangle between an insensitive boy (Shah Rukh Khan), his tomboyish best friend (Kajol), and the prettiest girl at the college (Rani Mukerji), while the second half centers on the now-widowed boy's attempt to reconnect with his best friend who is now engaged to marry a businessman (Salman Khan). The film emerged as a major blockbuster at the box-office and received positive reviews from critics. Writing for PlanetBollywood.com, critic Anish Khanna commented that "Johar makes an impressive directorial debut, has a good script sense, and knows how to make a film with S-T-Y-L-E."[24] It won the National Film Award for Best Popular Film Providing Wholesome Entertainment. It swept most of the major awards at the 44th Filmfare Awards, including Best Film, Best Director, and all four acting awards.
Johar achieved his breakthrough with the ensemble family drama Kabhi Khushi Kabhie Gham (2001). The film starred Amitabh Bachchan as an egotistical rich industrialist, Jaya Bachchan as his compassionate wife, and Shah Rukh Khan and Hrithik Roshan as their two sons. It also featured Kajol and Kareena Kapoor as sisters from a lower-class family who become the love interests of Khan and Roshan respectively. The film emerged as Johar's second consecutive major blockbuster at the box-office and received positive reviews from critics. Critic Taran Adarsh commented that Johar "confirms the fact that he is the brightest in film firmament. The premise [of the film] is simple, but it is the storytelling that deserves the highest marks."[25]Kabhi Khushi Kabhie Gham earned him his second nomination for the Filmfare Award for Best Director.
Johar's third directorial venture was the ensemble musical romantic drama Kabhi Alvida Naa Kehna (2006), which dealt with the controversial subject of marital infidelity, emotional dissatisfaction, and dysfunctional relationships set against the backdrop of non-resident Indians (NRIs) living in New York City. The film's plot follows a washed-up athlete (Shah Rukh Khan), whose frustration with his wife (Preity Zinta) results in an extramarital affair with a family friend (Rani Mukerji), a schoolteacher who is also unhappy with her marriage to her childhood friend (Abhishek Bachchan). The film emerged as Johar's third consecutive major blockbuster at the box-office and emerged as the highest-grossing Indian film of all time in overseas markets at the time. It received highly positive reviews from critics who praised Johar's departure from the directorial style of his first two films. Rajeev Masand wrote, "Few writers have such solid control over their screenplay as Johar does. Few understand the intricacies of narrative as well as he does. Johar goes from highs to lows, from plateaus to peaks with the ease of a pro. He knows exactly how to turn a seemingly ordinary scene into something special with just that one line of dialogue, or that hint of background music."[26] The script of the film which was co-written by Johar received recognition by a number of critics and was invited to be included in the library of the Academy of Motion Picture Arts and Sciences. Kabhi Alvida Naa Kehna earned him his third nomination for the Filmfare Award for Best Director.
Johar's next directorial venture was the social drama My Name Is Khan (2010), his first film not written by him. The plot follows a Muslim man with Asperger's syndrome and his Hindu wife, played by Shah Rukh Khan and Kajol, who live in San Francisco and face racial prejudice after 11 September attacks. The film emerged as Johar's fourth consecutive major blockbuster in both domestic and overseas markets, and received rave reviews from critics who praised Johar's unconventional directorial style. Critic Subhash K. Jha wrote that the film "is a flawless work, as perfect in content, tone, and treatment as any film can get."[27]My Name Is Khan won Johar his second Filmfare Award for Best Director.
Continued success and experimental projects (2012–18)
For his next feature film Student of the Year (2012), Johar chose not to cast established actors for his lead roles and instead recruited three debutante actors (Sidharth Malhotra, Alia Bhatt and Varun Dhawan). The plot revolved around the quest of a group of students who are all gunning for the title of "Student of the Year" at their college. The film emerged as a moderate commercial success and received mixed reviews from critics. Some called it "supremely entertaining and enjoyable,"[28] while others called it "a film which suffers from the lack-of-a-story syndrome."[29]
Johar then teamed up with Zoya Akhtar, Anurag Kashyap, and Dibakar Banerjee for Bombay Talkies (2013), an anthology film released to celebrate the centenary year of Hindi cinema. Each of these directors made one short film to contribute to the large anthology. The plot of Johar's film followed a magazine editor (Rani Mukerji) who discovers that her husband (Randeep Hooda) is gay after an interaction with an intern at her office (Saqib Saleem). The film did not perform well at the box-office, but earned positive reviews from critics, with major praise for Johar's segment earning him a nomination for the Queer Palm award at the 2013 Cannes Film Festival.[30]
Johar's next directorial venture was the musical romantic drama Ae Dil Hai Mushkil (2016). The film featured Ranbir Kapoor as a man dealing with an unrequited love for his best friend, played by Anushka Sharma. It also featured Aishwarya Rai Bachchan as an older woman who engages in a brief relationship with Kapoor's character, and Fawad Khan as the love interest of Sharma's character. The film emerged as his fifth major blockbuster at the box-office and received positive reviews from critics, who called it "Johar's most grown-up film yet."[31]Ae Dil Hai Mushkil earned him his fifth nomination for the Filmfare Award for Best Director.
Johar in 2016
Johar teamed up again with Zoya Akhtar, Anurag Kashyap, and Dibakar Banerjee for Lust Stories (2018), an anthology film released on Netflix that served as a follow-up to BombayTalkies. The film was praised for its exploration of female sexuality, a subject rarely dealt with in Indian films. Johar's segment revolved around a newly married schoolteacher (Kiara Advani) whose husband (Vicky Kaushal) fails to recognize her lack of sexual satisfaction.
Career expansion (2018–present)
In August 2018, Johar took to Twitter to announce his next film Takht, a period drama based in the Mughal era. It was supposed to feature an ensemble star cast of Ranveer Singh, Kareena Kapoor, Alia Bhatt, Vicky Kaushal, Bhumi Pednekar, Janhvi Kapoor, and Anil Kapoor.[32] With a screenplay by Sumit Roy, dialogues by Hussain Haidry, and music composed by A. R. Rahman, it was supposed to be the second film directed by Johar that was not written by himself.[33] In an interview with Firstpost, Johar stated that Takht would begin filming in September 2019.[34] However, owing to the COVID-19 pandemic, the entire project was postponed, with Johar stating that he would pick it up again in the future.
In 2020, he reteamed with Banerjee, Akhtar and Kashyap for the horror anthology film Ghost Stories, the sequel to Lust Stories. Ghost Stories premiered on Netflix on 1 January 2020. His segment in the film told the story of a newly-married woman (Mrunal Thakur) and her experience with her husband's (Avinash Tiwary) post-traumatic stress disorder. Unlike its predecessors, it received mixed-to-negative reviews from critics upon release.
In addition to working as an assistant director on Dilwale Dulhania Le Jayenge (1995), Johar was an actor in the film, playing the minor role of a friend of Shah Rukh Khan’s character. Since then, he has made cameo appearances playing himself in films like Om Shanti Om (2007), Fashion (2008), and Luck by Chance (2009).
He made his full-fledged acting debut alongside Ranbir Kapoor and Anushka Sharma in Anurag Kashyap’s period drama BombayVelvet (2015), in which he played the main antagonist. Although the film did not perform well at the box-office, Johar earned mixed-to-positive reviews for his performance. Critic Sarita A. Tanwar commented, "The only consolation in the film is Johar who brings a lot of dignity to the character of Khambatta... which is commendable since this is totally outside his comfort space."[39]
Johar is also an investor in an AI-led adtech influencer marketing platform Konfluence. The company had raised a pre-series funding of $4 million as of 8 February 2022.[43]
↑ Nahta, Komal (19 October 2012). "STUDENT OF THE YEAR Review". Komal Nahta's Blog. Archived from the original on 6 January 2014. Retrieved 25 August 2014.
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