The Lunchbox | |
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Directed by | Ritesh Batra |
Written by | Ritesh Batra |
Produced by |
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Starring | |
Cinematography | Michael Simmonds |
Edited by | John F. Lyons |
Music by | Max Richter |
Production companies | DAR Motion Pictures NFDC Essel Vision Productions Sikhya Entertainment AKFPL The Match Factory Rohfilm ASAP Films Arte France Cinema Medienboard Berlin Brandenburg Aide Aux Cinemas Du Monde CNC Ministre Des Affairs Etrangeres Insituit Francais |
Distributed by | UTV Motion Pictures Dharma Productions (India) Sony Pictures Classics (United States and Canada) [1] NFP Marketing & Distribution (Germany) [2] Happiness Distribution (France) [2] |
Release dates |
|
Running time | 105 Minutes |
Countries | India United States Germany France |
Languages | Hindi English |
Budget | ₹22 crore [3] |
Box office | ₹110 crore (est.) |
The Lunchbox is a 2013 drama film written and directed by Ritesh Batra. Produced by Guneet Monga, Anurag Kashyap and Arun Rangachari, The Lunchbox is an international co-production of studios in India, the US, Germany and France. It stars Irrfan Khan and Nimrat Kaur alongside Nawazuddin Siddiqui, Bharti Achrekar and Nakul Vaid in supporting roles.
The Lunchbox was screened at Critics' Week at the 2013 Cannes Film Festival, and later won the Critics' Week Viewers Choice Award also known as Grand Rail d'Or. It was shown at the 2013 Toronto International Film Festival. The film was released in theatres in India on 20 September 2013. The Lunchbox was a box-office success and received unanimous critical acclaim. It was Khan's highest-grossing Hindi film, until it was surpassed by Hindi Medium (2017). The Lunchbox was nominated for Best Film Not in the English Language at the 2015 British Academy Film Awards.
Ila (Nimrat Kaur) is a young housewife seeking the attention of her husband, Rajeev (Nakul Vaid), and searching for ways to bring the romance back into her marriage; one of her ideas is to cook delicious lunches for him. Through a rare mix-up of the dabbawalas (complicated food delivery system in Mumbai that picks up and delivers lunches from restaurants or homes to people at work), the tiffin carrier (lunchbox) Ila prepares for her husband gets accidentally delivered, instead, to Saajan Fernandes (Irrfan Khan), a middle-aged widower who is about to retire from his job of an accountant. Ila eventually realises the mistake and with the advice of her neighbour aunt, Mrs. Deshpande (Bharti Achrekar - voice only), living in the apartment above her, writes a letter to Saajan about the mix-up and places it in the lunchbox (along with her husband's favourite meal) the next day. An exchange of the messages sent back and forth in the letters with the lunches ignites a friendship between the two, as they share memories and events of their own individual lives.
At work, Saajan is tasked with training his replacement, Aslam Shaikh (Nawazuddin Siddiqui). Socially distant after his wife's death, Saajan is initially reluctant to interact with Shaikh and train him. After Shaikh reveals that he is an orphan who taught himself accounting, Saajan gradually warms up to him, and eventually the duo strike a close friendship. At one point, Saajan saves Shaikh's job by covering for his blatant mistakes and becomes the best man at his marriage with Mehrunissa (Shruti Bapna). Meanwhile, Ila discovers that Rajeev is having an extramarital affair and gives up hope of rekindling her marriage. In one of the lunchbox letters, she suggests moving to Bhutan where the cost of living is much cheaper than in India. Saajan writes back with the suggestion that the two move there together. Ila then offers to meet in person at a popular restaurant but at the appointed time, Saajan does not show up. Upon receiving an empty lunchbox in disappointment the next day, Saajan writes back to the dejected Ila and apologises to her, stating that he did arrive and watched her from a distance, but could not approach her. He explains how young and beautiful she looked, while surmising that he is too old for her and advising her to move on.
Some time later, Ila's father, battling with lung cancer, dies in the care of her mother (Lillete Dubey), who confesses how unhappy her marriage was. She gives Ila the advice “Sometimes, the wrong train takes us to the right station”. Ila receives the address of Saajan's office from the dabbawalas only to learn from Shaikh that he has already retired and headed to Nashik. She writes a farewell message to Saajan announcing that she has decided to leave Rajeev and move to Bhutan with her young daughter, Yashvi. Meanwhile, Saajan changes his mind en route to Nashik and returns to Mumbai. The film ends with Ila waiting for Yashvi to return from school and Saajan heading to her house with the dabbawalas who regularly picked up and delivered the eponymous lunchbox.
Ritesh Batra, who had made short films, The Morning Ritual, Gareeb Nawaz Ki Taxi and Cafe Regular, Cairo, started researching for a documentary on the famous Lunchbox delivery system of Mumbai, dabbawala, known for their efficiency, however after spending a week with them in 2007, he got to know of many interesting personal stories they would overhear while waiting outside an apartment. This idea gave birth to the idea of the film, and instead of making the documentary he began writing a film script. [4] [5] In time the film became a joint production between Sikhya Entertainment, DAR motion pictures, National Film Development Corporation of India (NFDC), India, ROH Films, Germany, ASAP Films, France and the Cine Mosaic, US of Lydia Dean Pilcher who previously produced films like, The Talented Mr Ripley (1999) and The Namesake (2007), and Germany's Match Factory became its international sales agent. [6] [7]
Batra completed the first draft of the screenplay in 2011. [5] He was assisted by Rutvik Oza. [8] It went on to win an Honorable Jury Mention at the 2012 Cinemart at the Rotterdam International Film Festival. Thereafter the project was part of the Talent Project Market of Berlin International Film Festival and was mentored at the screenwriter's lab (Torino Film Lab) at the Torino Film Festival. [7] The character of Ila played by Nimrat Kaur, six months prior to the shooting, and the character played by Nawazuddin Siddiqui was further developed and improvised during shooting. [5]
Irrfan Khan liked the script of the film and the concept of his character, not speaking much but talking through notes. After seeing Batra's short film and a couple of meetings he agreed to act in the film. Batra wanted to work with Nawazuddin Siddiqui, another principal character of the film, for a long time. For the female lead, auditions were conducted, wherein Nimrat Kaur was selected. Kaur had extensive experience at the Mumbai theatre and worked in films like Peddlers . [5] [7] Some of the dabbawalas whom the director befriended while researching for the film, also were cast in minor roles. [4]
The film was shot in 2012 in Mumbai [5] at a budget of ₹220 million. Prior to the filming, the cast rehearsed for six months. It was shot using the Arri Alexa digital film camera. [7] Many of the scenes were logistically broken down to make way for last minute location changes. According to Ritesh Batra, scenes on the train involved the use of only one compartment, and even included actual local commuters when needed. [9]
Principal photography lasted 29 days, with a majority of the film's scenes done in three weeks. Afterwards, footage taken in a documentary manner were shot. Mumbai's famous dabbawalas were provided actual lunchboxes to deliver, and followed by a four-member film crew, which filmed the process in documentary style. [7] [10] [11]
The film was screened on 19 May 2013 as a part of the Critics' Week at the 2013 Cannes Film Festival, where it received a standing ovation and positive reviews. [12] [13] [14] It won the Critics' Week Viewers Choice Award also known as Grand Rail d'Or. [15] Variety called it "a notable debut from tyro helmer-scripter Ritesh Batra", for creating a film with "crossover appeal of Monsoon Wedding ", and also praised acting of Irrfan Khan and Nimrat Kaur. [16]
Thereafter, Sony Pictures Classics picked up all North American rights for distribution. [6]
In India, this film was released in more than 400 screens on 20 September 2013. [17] [18] In Japan, a Japanese dubbed version of the film was released on 9 August 2014, screening in a hundred theaters. [19]
The Lunchbox grossed ₹71 million in its first weekend of release in India, [17] [20] and ₹110 million in its first week. [21] The film continued to gross significant amounts over the next few weeks, earning over ₹200 million in the first three weeks and another estimated ₹40–50 lakhs on its fourth weekend. [22]
In the United States, The Lunchbox grossed $4.23 million, and was 2014's third highest grossing foreign film behind Cantinflas and P.K. . [23] [24] By 28 May 2014, the film's worldwide collection was ₹84.92 crore . [25] The film's total worldwide gross for the original Hindi version was ₹100.85 crore [3] ($17.24 million). [26] Most of its gross was from overseas with $11.71 million (₹72.602 crore) for the Hindi version, becoming 2013's third highest-grossing Indian film overseas after Dhoom 3 and Chennai Express . [27] It was Irrfan Khan's highest-grossing Hindi film, up until it was surpassed by Hindi Medium (2017). [28]
The Japanese dubbed version, released later in 2014, screened in a hundred theaters for ten weeks. The film grossed over ¥150 million ($1.42 million or ₹8.7 crore) in Japan. [19] Combined, the Hindi and Japanese versions grossed an estimated $13.1 million (₹81.3 crore) overseas and ₹110 crore (US$19 million) worldwide.
The Lunchbox received widespread critical acclaim from both critics and audiences alike. On the review aggregator website Rotten Tomatoes , 97% of 123 critics' reviews are positive, with an average rating of 7.7/10.The website's consensus reads: "Warm, affectionate, and sweet but not cloying, The Lunchbox is a clever crowd-pleaser from first-time director Ritesh Batra." [29] Metacritic , which uses a weighted average , assigned the film a score of 76 out of 100, based on 28 critics, indicating "generally favorable" reviews. [30]
Critic Rajeev Masand of CNN-IBN gave a rating of 5/5 to the film stating, "The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people." [31] Pratim D. Gupta of The Telegraph gave two thumbs up to The Lunchbox calling it "as much a moving and muted love story as it is an evocative portrayal of loneliness." [32] Taran Adarsh of Bollywood Hungama gave the movie a 4/5 stating, "A well-told old-fashioned romance, The Lunchbox gracefully unknots the trials, tribulations, fears and hopes of everyday people sans the glamour that the city of Mumbai has become synonymous with." [33] Karan Anshuman of Mumbai Mirror also went with a perfect score of 5/5 saying the film was, "one of the best films to come out of India in a long time." [34]
Raja Sen of Rediff.com praised the film further, giving another perfect score of 5/5 and offered particular compliments to the director Ritesh Batra, stating "Batra, who has also written The Lunchbox, has allowed his smashing actors tremendous room to improvise, all the while himself sketching in nuanced details about the city, its food-ferriers, and the many disparities Mumbai is crammed with." [35] Filmmaker/critic Khalid Mohammed of the Deccan Chronicle said "What stays in the mind at the end of The Lunchbox is pretty much what stays in mind at the end of a memorable set by jazzmen – not their lapses but the heights they scale." [36] Aditya Grover of YouthTimes gave it 4/5 stars and said, "The Lunchbox is delicious and delightful! If you're in the mood to witness genuinely moving cinema, you're in for a treat. The delectable taste of this lunchbox remains in your mouth much after you've left the theatre. Go for it!" [37] Suparna Sharma of The Asian Age gave it 4 out of 5 stars and said: "The Lunchbox is a gently pulsating sweet-sad story of loneliness and love, of wilting spirits finding water again. There are three women in three marriages in this film, of which two are ailing. The third one is over, almost, only the last rites haven't been performed. There are two men in the film – one who has lived a full life and is getting ready to quietly slip off the face of the earth; the other is eager to begin… What's both shocking and soothing is what the film shows us — that it takes very little for a soul to come back to life. Mostly, just a hint of hope will do." [38]
Trisha Gupta in the Sunday Guardian wrote "The Lunchbox is a lovely little film. But it does tick all the boxes that might appeal to festival audiences: quaint Asian urbanism (Mumbai trains, dabba delivery), Indian home-cooking, romance. It provides local colour, without being demandingly untranslatable." [39] In a less positive review for the Chicago Reader , J. R. Jones criticized the film's premise as a gimmick and its purported use of "irritating comic foil" in reference to Nawazuddin Siddiqui's and Bharati Achrekar's characters as Shaikh and Mrs. Deshpande, respectively. [40]
The Lunchbox was considered by many people throughout the year to be a lock as India's selection for the 86th Academy Awards Best Foreign Film Category, with many critics enthusiastically praising it and voting for it to be the representative film. [41] Director Karan Johar also put his support behind the film saying "All kinds of audience can connect with it and yet within the parameters of love story it is completely unusual. You feel all the love in the world for the protagonists and the unusual aspect of it is they haven't met." [42]
However, the selection committee of the Film Federation of India (FFI) deliberated on 17 September 2013 and decided to send the Gujarati film The Good Road instead. [43] This decision sparked outrage from many supporters of The Lunchbox, including its cast and crew. The film's producer Anurag Kashyap quickly took to Twitter and expressed his disgust, saying "I don't know who the Federation is, but it goes to show the complete lack of understanding to make films that can travel across borders." [44] He later deleted both his Twitter and Facebook accounts, saying, "this is a moment of defeat for me, and for independent cinema, because, for once, our chances were great." [45] Karan Johar also said he felt very disappointed that such a wonderful chance at Oscar glory with The Lunchbox was spoiled. [46] Guneet Monga, The Lunchbox's other producer, said she was flabbergasted as to how the Federation could select a movie that didn't even have an American distributor, and also listed the number of global festivals and appreciation her film received, concluding that it sadly and supposedly "wasn't enough for the FFI". [47] [48] [49]
In an interview with Siddharth Sivakumar of Tinpahar , Goutam Ghose, the chairman of the committee blamed the decision on the media and a backlash based on the hurt pride of the selection committee, revealing:
Personally I liked The Lunch Box[ sic ] [lower-alpha 1] very much. But eventually the eighteen member jury supported The Good Road. Now I can say that some people from Bombay felt that the basic premise of The Lunch Box was wrong. Because the Dabbawala never do such mistakes. Films are after all works of fiction, with the right to cinematic liberty! Although Lunch Box was my personal favourite, but as a chairman one should not impose his or her choice on others. And as you know this became suddenly a big controversy. And I think the media was again to some extent responsible for this decision. Because every day during the deliberation or the screenings, the media projected Lunch Box as the chosen one. It's my assumption, that the members probably thought, "My God! If the media has already taken the decision then why we are here?" It was a Chomskian 'manufacturing consent' – Lunch Box, Lunch Box, Lunch Box every day!! So the members, who are all very important people from the industry, had an opposite impulse. I don't know, but maybe that's the way it happened. [50]
Once it had been submitted to the Oscar selection committee, that committee did not nominate, nor shortlist, The Good Road; that year's Academy Award winner was Italy's The Great Beauty .
Award [lower-alpha 2] | Date of ceremony [lower-alpha 3] | Category | Recipient(s) | Result | Ref. |
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Asia-Pacific Film Festival | 13 – 15 December 2013 | Best Film | Ritesh Batra | Nominated | [51] [52] |
Best Director | Nominated | ||||
Best Screenplay | Won | ||||
Best Actor | Irrfan Khan | Nominated | |||
Outstanding Achievement Award | Won | ||||
Best Actress | Nimrat Kaur | Nominated | |||
Best Supporting Actor | Nawazuddin Siddiqui | Won | |||
Asia Pacific Screen Awards | 15 December 2013 | Best Screenplay | Ritesh Batra | Won | [53] |
Jury Grand Prize | Won | ||||
Asian Film Awards | 27 March 2014 | Best Film | The Lunchbox | Nominated | [54] |
Best Actor | Irrfan Khan | Won | |||
Best Screenwriter | Ritesh Batra | Won | |||
British Academy Film Awards | 8 February 2015 | Best Film Not in the English Language | Nominated | [55] | |
Dubai International Film Festival | 6 – 14 December 2013 | Best Film – Feature | Anurag Kashyap , Arun Rangachari, Guneet Monga | Nominated | [56] |
Special Mention – Feature | Ritesh Batra | Won | |||
Best Actor – Feature | Irrfan Khan | Won | |||
Filmfare Awards | 26 January 2014 | Best Film (Critics) | Ritesh Batra | Won | [57] [58] |
Best Debut Director | Won | ||||
Best Story | Nominated | ||||
Best Supporting Actor | Nawazuddin Siddiqui | Won | |||
Best Editing | John F. Lyons | Nominated | |||
Best Sound Design | Michael Kaczmarek | Nominated | |||
Ghent International Film Festival | 8 – 19 October 2013 | Canvas Audience Award | Ritesh Batra | Nominated | [59] |
Hong Kong Asian Film Festival | 25 October – 19 November 2013 | New Talent Award | Nominated | [60] | |
Critics' Week (Cannes Film Festival) | 15 – 26 May 2013 | Grand Rail d'Or (Viewers' Choice Award) | The Lunchbox | Won | [1] |
International Indian Film Academy Awards | 23 – 26 April 2014 | Best Actress in a Leading Role | Nimrat Kaur | Nominated | [61] |
Best Actor in a Supporting Role | Nawazuddin Siddiqui | Nominated | |||
Best Story | Ritesh Batra | Nominated | |||
London Film Festival | 9 – 20 October 2013 | Best Film | Nominated | [62] | |
Oslo Films from the South Festival | 10 – 20 October 2013 | Best Feature Film | Nominated | [63] | |
Producers Guild Film Awards | 16 January 2014 | Best Film | Anurag Kashyap, Arun Rangachari, Guneet Monga | Nominated | [64] [65] |
Best Director | Ritesh Batra | Nominated | |||
Best Debut Director | Won | ||||
Best Story | Nominated | ||||
Best Screenplay | Nominated | ||||
Best Actor in a Leading Role | Irrfan Khan | Nominated | |||
Performer of the Year | Won | ||||
Best Actress in a Leading Role | Nimrat Kaur | Nominated | |||
Best Female Debut | Nominated | ||||
Best Actor in a Supporting Role | Nawazuddin Siddiqui | Won | |||
Reykjavík International Film Festival | 26 September – 6 October 2013 | Church of Iceland Award | Ritesh Batra | Won | [66] |
Screen Awards | 14 January 2014 | Best Film | Anurag Kashyap, Arun Rangachari, Guneet Monga | Nominated | [67] [68] |
Most Promising Debut Director | Ritesh Batra | Won | |||
Best Story | Nominated | ||||
Best Screenplay | Nominated | ||||
Best Actor | Irrfan Khan | Nominated | |||
Best Actress | Nimrat Kaur | Nominated | |||
Best Supporting Actor | Nawazuddin Siddiqui | Nominated | |||
Zee Cine Awards | 8 February 2014 | Best Debut Director | Ritesh Batra | Won | [69] [70] |
Best Story | Nominated | ||||
Best Actor in a Supporting Role – Male | Nawazuddin Siddiqui | Nominated | |||
A dabbawala is a worker who delivers hot lunches from homes and restaurants to people at work in India, especially in Mumbai. The dabbawalas constitute a lunchbox delivery and return system for workers in Mumbai. The lunchboxes are picked up in the late morning, delivered predominantly using bicycles and railway trains, and returned empty in the afternoon.
Tiffin is a South Asian English word for a type of meal. It refers to a light breakfast or a light tea-time meal at about 3 p.m., consisting of typical tea-time foods. In certain parts of India, it can also refer to the midday luncheon or, in some regions of the Indian subcontinent, a between-meal snack. When used in place of the word "lunch", however, it does not necessarily mean a light meal.
Irrfan Khan was an Indian actor who worked in Indian cinema as well as British and American films. Widely regarded as one of the finest actors in world cinema, Khan's career spanned over 30 years and earned him numerous accolades, including a National Film Award, an Asian Film Award, and six Filmfare Awards. In 2011, he was awarded the Padma Shri, India's fourth highest civilian honour. In 2021, he was posthumously awarded the Filmfare Lifetime Achievement Award.
Anurag Kashyap is an Indian film director and actor known for his works in Hindi cinema. He is the recipient of four Filmfare Awards. For his contributions to film, the Government of France made him a Knight of the Order of Arts and Letters in 2013.
Nawazuddin Siddiqui is an Indian actor known for his work in Hindi cinema. He is the recipient of various accolades, including a National Film Award, an IIFA Award, and two Filmfare Awards, as well as a nomination for an International Emmy. After studying acting at the National School of Drama, Siddiqui had minor roles in films such as Sarfarosh (1999), Shool (1999), and Munna Bhai M.B.B.S (2003).
Tiffin carriers or dabbas are a kind of lunch box used widely in Asia and the Caribbean for tiffin meals. From India, they spread to Pakistan, Cambodia, Thailand, Indonesia, Malaysia, Singapore, Fiji, Mauritius, Guyana, Suriname and Trinidad and Tobago, where they are now widely used. They are also used extensively in Hungary, primarily to transport restaurant meals for consumption at home. The Hungarian version typically contains soup, a main course, and piece of cake. A very similar device is called Henkelmann in Germany. It is usually round or oval similar to military mess kits. The Henkelmann was very popular until the 1960s, but is very rarely used by Germans today.
The Producers Guild Film Award for Best Actor in a Supporting Role is given by the producers of the film and television guild as part of its annual award ceremony for Hindi films, to recognise a male actor who has delivered an outstanding performance in a supporting role. Following its inception in 2004, no one was awarded in 2005 and 2007.
DAR Motion Pictures (DAR), a wholly owned subsidiary of DAR Capital Group, is an Indian film production and distribution company headquartered out of Mumbai. Known for its focus on content driven cinema, DAR Motion Pictures has worked with a variety of film directors and companies, including Ritesh Batra, Nikhil Advani, Anurag Kashyap, Sikhya Entertainment amongst others. Apart from its investments in iRock Media, DAR has also focused immensely on innovation and the adoption of modern technology, creating Haunted 3D, India's first stereoscopic 3D horror film. Further, the movies credited to DAR clearly indicate a tilt towards, content and subject driven cinema. Films like City of Gold, D-Day and The Lunchbox are stark examples of that.
Peddlers is a 2012 Indian Hindi-language crime thriller film written and directed by Vasan Bala. The film stars Gulshan Devaiah, Nishikant Kamat, Kriti Malhotra, Nimrat Kaur and Siddharth Menon. The film was screened as part of Critics' Week of 2012 Cannes Film Festival.
Monsoon Shootout is a 2013 Indian Hindi-language neo-noir action thriller film written and directed by Amit Kumar and produced by Guneet Monga, Trevor Ingma, Martijn de Grunt, and co-produced by Anurag Kashyap, and Vivek Rangachari, starring Vijay Varma, Geetanjali Thapa, Sreejita De, Nawazuddin Siddiqui and Tannishtha Chatterjee in the lead roles. The film received positive reviews at the 2013 Cannes Film Festival in the Official Midnight Screenings section. Belonging to the school of Parallel cinema, Monsoon Shootout was released worldwide four years later on 15 December 2017 to positive reviews.
Nimrat Kaur is an Indian actress who appears in Hindi films and in American television. She began her career as a print model and went on to act in theater. After brief appearances in a few films, Kaur starred in Anurag Kashyap's production Peddlers (2012). She followed it with her breakthrough role in the critically acclaimed drama The Lunchbox (2014).
Sikhya Entertainment is a film production and distribution company that was established by Guneet Monga and Achin Jain in 2008.
Ritesh Batra is an Indian film director and screenwriter. Batra's Hindi-language debut feature film The Lunchbox premiered at the 2013 Cannes Film Festival and won the Rail d’Or. Batra also won the Toronto Film Critics Association Award for Best First Feature Film in 2014. The Lunchbox was the highest-grossing foreign film in North America, Europe and Australia for 2014 grossing over US$25 Million. The film was also nominated for a BAFTA Award for Best Film Not in the English Language in 2015.
Meraj Shaikh is an Indian film producer and Line Producer and the founder of Wingman Pictures, He was born in Mumbai, Maharashtra in 1977.
Hindi Medium is a 2017 Indian Hindi-language comedy-drama film written and directed by Saket Chaudhary, and produced by Dinesh Vijan and Bhushan Kumar under their respective banners Maddock Films and T-Series. It stars Irrfan Khan, Saba Qamar, Dishita Sehgal, Deepak Dobriyal and Amrita Singh. Set in Delhi, the plot centres on a couple's struggle to get their daughter admitted to a prestigious English-medium school in order to rise in society.
Zee Studios is an Indian entertainment company that specializes in film, streaming, and television, content development and production. It also specializes in film marketing and distribution. It is based in Mumbai, India, and it was established in 2012 as the content engine for Zee Entertainment Enterprises Limited.
Manto is a 2018 Indian Hindi-language biographical drama film based on the life of the prominent Urdu author Saadat Hasan Manto, written and directed by Nandita Das. The film stars Nawazuddin Siddiqui in the title character of Indo-Pakistani, author and writer Saadat Hasan Manto. Tahir Raj Bhasin plays the 1940s Hindi film superstar Shyam Chadda. Shyam was Manto's friend, confidant, and inspiration for a number of stories. Rasika Dugal plays the role of Manto's wife, Safia. Manto is based on the 1940s post-Independence period of India. The film earned seven nominations at 64th Filmfare Awards including Best Film Critics, Best Actor Critics for Siddiqui.
Sanya Malhotra is an Indian actress who works in Hindi films. She has had supporting roles in the sports film Dangal (2016) and the action film Jawan (2023), both of which rank among the highest-grossing Indian films. Her other commercially successful films were the comedy Badhaai Ho (2018) and the biopic Sam Bahadur (2023).
Photograph is a 2019 Indian romantic drama film written, co-produced and directed by Ritesh Batra. It stars Nawazuddin Siddiqui and Sanya Malhotra in the lead roles. The film follows a street photographer Rafi, who tries to convince Miloni to pose as his fiancee so that his grandmother stops pressuring him to get married.
Really shocked and disappointed ....#LUNCHBOX had every factor working in its favour...we may have just lost our golden chance....SAD!!!
Cannes, Telluride, Toronto, Sony was not enough for us the judge... I wish FFI success with their decision...!
@ankash1009 how do they even nominate a film without an american distributor... !!!