Siddharth Sivakumar | |
---|---|
Born | 1992 (age 31–32) Kerala, India |
Education | Visva Bharati University |
Occupation(s) | Curator, Art critic, Writer |
Family | R. Siva Kumar |
Siddharth Sivakumar is a curator, art critic, and writer. He is presently the Creative Director of a Kolkata-based gallery and archive space, Gallery Rasa. [1] He is also the Curator & Director of the inaugural edition of Bengal Biennale, [2] [3] the largest arts festival of the region, that envisions itself as a cultural platform enriched by confluences, the meeting of history and the present, the tradition and the unorthodox, selfhood and community, home and the world. Siddharth's contribution to the art scene of Bengal and beyond has been significant with him organising and curating multiple impactful shows, including in his previous role as the Head of Visual Arts and Publication at the Kolkata-based multidisciplinary arts centre, Kolkata Centre for Creativity. [4] He takes a keen interest in the matters of the art world and regularly writes for art magazines such as Art and Deal, [5] [6] ArtEast, and Art India. [7] [8] His articles on socio-cultural issues have appeared in National dailies including The Hindu Business Line, [9] The Statesman, [10] The Wire, [11] and The Telegraph (India) among others. [12] [13]
Siddharth Sivakumar is the son of art historian R. Siva Kumar and Mini Sivakumar. [14] He hails from a family of filmmakers that include Adoor Gopalakrishnan and Padmarajan. Thus, coming from a background steeped in the arts, he is deeply passionate about making an impact in the world of art and culture.
Siddharth spent his growing years in Santiniketan, completing his schooling from Patha Bhavana before pursuing a Bachelor's and master's degrees in English Literature from Visva-Bharati University. In 2015, he received the Charles Wallace Scholarship [15] from the University of Edinburgh, Scotland and was also sent to Yunnan University, China as part of a student delegation from Visva-Bharati. He was selected for a short-term course ‘Researching the Contemporary’ offered by the Centre for the Study of Developing Societies in 2017.
Siddharth is presently the Creative Director of Gallery Rasa [16] and the Curator & Director of the first edition of a one-of-its-kind arts festival in Bengal - the Bengal Biennale. He has organised and curated two landmark shows in Kolkata since assuming office at Gallery Rasa - "The World Through Abu's Eyes: A Centennial Celebration" [17] [18] [19] [20] and "Roots to Petals, Peaks to Sea: The Paintings of Chameli Ramachandran". [21] In his earlier role as the Head of the Departments of Visual Arts and Publishing [22] at Kolkata Centre for Creativity, Siddharth organised and executed over 30 wide-ranging exhibitions. Some of the major ones include a 3-volume Satyajit Ray Centenary Show — the final volume of which travelled to Kochi in collaboration with Kerala Lalithakala Akademi; [23] [24] a one-of-a-kind immersive exhibition of Nikhil Chopra's works titled The Afterlife of Performance; a travelling exhibition featuring Benode Behari Mukherjee’s longest ever scroll, his other handscrolls and some murals — Scenes from Santiniketan and Benodebehari’s Handscrolls (2023) — that has travelled to Santiniketan in collaboration with the Santiniketan Society of Visual Art and Design and Durbar Hall at Kochi in collaboration with the Kerala Lalithakala Akademi; Raza Festival celebrating the life and works of S. H. Raza in collaboration with the Raza Foundation; [25] and a 2-year long exhibition, showcased in two phases, titled Freedom and Awakening at the Alipore Jail-turned-Museum. [26] He has also, as part of the Museum exhibition, organised two major art camps involving both prominent and promising artists from the state and beyond. As the HoD of the publishing department at KCC, he has also overseen the publication of several catalogues and other publications of the organisation during this time. Siddharth is also passionate about imparting education to young minds. He has had a short stint as a Business Skills faculty at Tata Consultancy Services, Trivandrum in 2016 and was a Visiting Faculty at the Performing Arts Department at Presidency University, Kolkata for the even semester in 2022. Siddharth, a creative thinker, has an entrepreneurial streak which led to him becoming the Founding Editor of Tinpahar, [27] an online publication on art and culture, 14 editions of which he edited between 2012 and 2016. He is also a co-founder of the Yellow Curtain Store and Design Lab (2018–2020).
Shantiniketan is a neighbourhood of Bolpur town in the Bolpur subdivision of Birbhum district in West Bengal, India, approximately 152 km north of Kolkata. It was established by Maharshi Devendranath Tagore, and later expanded by his son, Rabindranath Tagore whose vision became what is now a university town with the creation of Visva-Bharati. It is also the birthplace of Amartya Sen, an Economist, Philosopher, & Nobel Laureate
Visva-Bharati, is a public central university and an Institute of National Importance located in Shantiniketan, West Bengal, India. It was founded by Rabindranath Tagore who called it Visva-Bharati, which means the communion of the world with India. Until independence it was a college. Soon after independence, the institution was given the status of a central university in 1951 by an act of the Parliament.
Nandalal Bose was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.
The Inner Eye is a 1972 short documentary film made by Satyajit Ray on Benode Behari Mukherjee, a blind artist and a teacher from Visva-Bharati University, a university founded by Rabindranath Tagore at Santiniketan. The twenty minutes documentary features the life and works of Mukherjee in the form of paintings and photographs, starring himself. The documentary covers his journey from childhood till his blindness along with much of his works and features his words, "Blindness is a new feeling, a new experience, a new state of being". The documentary was awarded as Best Information Film (Documentary) at 20th National Film Awards in 1972.
Benode Behari Mukherjee was an Indian artist from West Bengal state. Mukherjee was one of the pioneers of Indian modern art and a key figure of Contextual Modernism. He was one of the earliest artists in modern India to take up to murals as a mode of artistic expression. All his murals depict a subtle understanding of environmental through pioneering architectural nuances.
Satyajit Ray Film and Television Institute (SRFTI) is a film and television institute located in Kolkata, West Bengal, India. Named after renowned Indian filmmaker Satyajit Ray, the institute provides higher and professional education and technical expertise in the art and technique of film-making and television production. Established in 1995, the institute is an autonomous society funded by Ministry of Information and Broadcasting, Government of India.
Sankho Chaudhuri was an Indian sculptor, and a noted figure in the art scene of India. (Although named Naranarain in due family tradition, he was more widely known by his pet name Sankho). Ram Kinker Baij was his teacher. He began close to cubism and then was influenced by István Beöthy, whom he had met in Paris. His themes have included the female figure and wildlife. He has worked in a wide range of media and produced large-scale reliefs and mobiles.
Kalpathi Ganpathi "K.G." Subramanyan was an Indian artist. He was awarded the Padma Vibhushan in 2012.
T. V. Santhosh is an Indian artist based in Mumbai. He obtained his graduate degree in painting from Santiniketan and master's degree in Sculpture from M.S. University, Baroda. Santhosh has acquired a major presence in the Indian and International art scene over the last decade with several successful shows with international galleries and museums. His earlier works tackle global issues of war and terrorism and its representation and manipulation by politics and the media. Santhosh's sculptural installation "Houndingdown" was exhibited in Frank Cohen collection ‘Passage to India’. Some of his prominent museum shows are ‘Aftershock’ at Sainsbury Centre, Contemporary Art Norwich, England in 2007 and ’Continuity and Transformation’ show promoted by Provincia di Milano, Italy. He lives and works in Mumbai.
Jahar Dasgupta, is a contemporary painter from India. He was born in Jamshedpur, British India.
Chittrovanu Mazumdar is a contemporary Indian artist of Bengali-Indian and French descent. Mazumdar has been described as a "conceptual artist" and a "post-structuralist" while some critics consider it difficult to classify his oeuvre into a single artistic tradition or even into any consistent genre of his own. Mazudmar has referred to himself as an "expressionist painter" but has also said he generally prefers not to use "a particular word to qualify" his work because it comprises different kinds of media and forms, and that art is more interesting when fully given over to the viewer's own experience rather than constrained by the prescriptive power of labels.
Sudhir Ranjan Khastgir was an Indian painter of Bengal school of art and an art educator. A pupil of Abanindranath Tagore and Nandalal Bose, Sudhir was known for "Indian style" of painting. He graduated from Visva-Bharati University at Santiniketan in 1929. He was influenced by the Tagore family and his classic works include paintings of scenes from Indian mythologies, women, and village life. He was also the first Art teacher at The Doon School, Dehradun, when it opened in 1935. Today, the many statues and murals on display at Doon, and frescoes of dancers at the entrance of a local cinema hall, 'The Orient', are a product of his creation.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
Kala Bhavana is the fine arts faculty of Visva-Bharati University, in Shantiniketan, India. It is an institution of education and research in visual arts, founded in 1919, it was established by Nobel laureate Rabindranath Tagore.
Tinpahar is a bimonthly, bilingual Indian online magazine that promotes art, literature, and culture with the motto, "Free and Fertile".
Suresh K. Nair is an artist based in Banaras. Nair obtained his national diploma in mural painting from the Institute of Mural Painting Guruvayur, Kerala under the guidance of Mammiyur Krishnan Kuty Nair. He was inspired by the works of Rabindranath Tagore, Nandalal Bose, Benode Behari Mukherjee and Ramkinker Baij and continued his studies at the Department of Painting, Visva Bharati University, Santiniketan. Nair has acquired a presence in the Indian and international art scene over the last decade with several shows organized by regional and international galleries and museums, and created many murals in India and abroad. His early works are based on Kerala murals, both in terms of technique and ideas. One of his modern paintings, ‘Cosmic Butterfly" is owned by Essl Museum, Vienna, Austria since 2010. His works were exhibited in the US, Spain, and Canada, and his awards include the Elizabath Green Shield Foundation Scholarship (1999) of Canada; Fulbright Fellowship ( 2006–07) for an Educational Exchange Program at Tyler School of Art, Temple University, Philadelphia under Professor Nicholas Kripal; and the State Award of Kerala Lalithkala Akademi, Ministry of Culture, Government of Kerala.
Tom Vattakuzhy is an Indian painter, Printmaker, and Illustrator. His works have been cited for their use of light effects.
The following is a list of notable people associated withVisva- Bharati University and/or Santiniketan, a neighbourhood in Bolpur city in West Bengal, India:
Alex Aronson was a German-born Israeli author and educator.
Oindrilla Maity Surai is an Indian independent curator, art critic, and pedagogue based in Kolkata. She has curated exhibitions beyond the paradigms of the commercial gallery. Her major contributions lie in her converting the exhibition spaces as sites of resistances in the post-Covid 19 era, following the country's political conditions and experimenting with the anatomy of what may be termed as the biennale mode of exhibition making in the city's public sphere. She has also participated in several community- based art projects as an artist.
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