In 2003, Bhansali announced the production of his new project, Black. Its idea first came up when he met several physically disabled children while shooting Khamoshi: The Musical in the 1990s. The story was inspired by the activist Helen Keller's life and her 1903 autobiography, The Story of My Life. Principal photography was done by Ravi K. Chandran in 100 days from mid-January to April 2004, taking place in Shimla and Film City. Omung Kumar was the production designer, while Sham Kaushal was the action director. After filming, it was edited by Bela Sehgal. The soundtrack and score were composed by Monty Sharma.
Black released worldwide on 4 February 2005, and proved to be a commercial success at the box office with a total gross of ₹666 million (US$15.1 million), thus becoming the eighth-highest grossing Bollywood film of 2005. It received widespread critical acclaim upon release, with praise for its direction, story, screenplay, dialogues, cinematography, production design, costumes, and the performances of the cast, with major praise directed towards Bachchan and Mukherji's performances, and Bhansali's direction and screenplay.
Michelle McNally, a 42-year-old, Anglo-Indian woman living in Shimla, is "special" in more ways than one for being blind, deaf and mute. She inhabits a suffocating world of infinite BLACK -- where she is isolated in the darkness of her own existence, trapped by her inability to see, hear and speak. Michelle, her younger sister, Sara, and their mother, Catherine, find Michelle's long-lost former teacher, Debraj Sahai, near the fountain outside their house. Debraj is admitted to a mental hospital, where the doctor diagnoses him as the patient of incurable Alzheimer's disease, who has near-inability to remember his past and even how to speak. However, Michelle denies the statement and vows to help Debraj in regaining his normal mental health, in return for Debraj's kindness to help her discover her identity, which makes her feel human rather than someone inferior with a disability. The film then flashbacks to the past to Michelle's childhood. Michelle was a girl who tragically lost her eyesight, hearing and speech after recovering from an illness at the age of two. On the sheer will of her ferocious rage against destiny, Michelle grows up prone to violent outbursts for becoming more and more frustrated by the seamless, endless void in her life, where nothing reaches her and she reaches nothing. As a result, Michelle becomes a violent, uncontrollable 8-year-old child and her parents, Paul and Catherine, are at their wits' end trying to control her, especially after Catherine gives birth to Sara.
However, the light shines through the end of the tunnel one day. Debraj, an elderly alcoholic teacher for the blind and deaf in Dehradun, enters their lives and becomes a ray of hope for Michelle. Debraj sees himself as a magician and is a disillusioned eccentric man. He takes it upon himself to bring the young Michelle into the light and build her into someone who can express and communicate. Debraj even gives up salary, allowance and alcohol and only requests for time and trust to complete his mission. He uses harsh methods, although always for Michelle's long-term benefit, but Paul initially disapproves of the methods and orders Debraj to leave. Although Paul believes him to be gone, Debraj stays as the teacher while Paul is away on a business trip for 20 days. Catherine grudgingly approves of his continuation, given her fear of Michelle being sent to a mental hospital. By the 20th day, Debraj manages to teach Michelle some words and better manners, but he still has difficulty teaching her the meaning of words. When Paul returns, Debraj packs his bags and begins to leave, but at the very last moment, he gets frustrated with Michelle's continuing insolent behaviour, as he is walking towards the door with suitcase in hand. As a result, Debraj immediately takes Michelle out in the courtyard and throws her into a fountain full of water. At that moment, Michelle suddenly takes to Debraj's lessons and begins to understand the meaning of water. She is also able to identify her parents and can vocalise the first syllables of small words, causing Paul and Catherine to retain Debraj as Michelle's teacher.
22 years later, 30-year-old Michelle has learned a great deal, becoming a relaxed and expressive woman, who is even able to dance and expertly sign. Debraj convinces the principal of a university to grant her an interview, which Michelle successfully passes with assistance from Debraj's friend, Mrs. Nair, and receives admission to pursue a degree of Bachelor of Arts, the first blind-deaf person to do so at that university. Michelle moves away from home and lives with Debraj and one of her servants. Over the next two years, she struggles to gain her degree, failing year after year, but she still maintains her spirit. One reason is that she must rely on Debraj completely for interpretation of the material and studying. This problem is overcome by the principal of the college, who prepares the whole first-year Arts course of study in braille for Michelle. Another reason for the continuing failure of Michelle is that her typing skills are lacking and typing is her only way to write down what she knows during exams. However, she also soon overcomes this deficiency through another flash of increased competence when Michelle almost quits the university and gets into an argument with Debraj. At the same time as Michelle faces all her challenges with resilience, numerous other changes are also witnessed. Debraj begins to succumb to Alzheimer's disease, first forgetting the way out of the principal's office, and then forgetting Michelle and leaving her stranded during an ice-cream celebration for her improved typing.
Meanwhile, Michelle also reconciles with Sara, who turns out was always jealous of her parents' affection for Michelle throughout her life. After attending Sara's marriage, Michelle begins to wonder about love, which she has never experienced, and she even requests Debraj to kiss her on the lips. Debraj reluctantly does so but decides to leave Michelle himself because of this demand and the position she has put him in. In the present, which is twelve years after Michelle's enrollment into the college, she successfully manages to gain her BA degree, and with her proud parents looking on her, Michelle even gives a speech to the graduating class. Wearing no black graduation robe, she expresses gratitude to everyone and announces that she will only wear the robe so that her teacher may see her first. At the mental hospital, Michelle visits Debraj wearing her robe and glimmers of memory are seen returning as Debraj realises that she has graduated and even performs a victory dance. As the window opens to the rain outside, Debraj's hand is seen in Michelle's reaching into the rain, and the teacher-student pair is heard vocalising the first syllable of the word "water", with echoes of the scene in which Michelle first began understanding the meaning of words, when Debraj threw her into her fountain earlier in the film. However, this time, it is Debraj who is beginning to learn to speak and understand. The film ends with a scene of Michelle among a crowd of people, all dressed in black, carrying candles while walking towards a church. There is a voiceover of a letter that Michelle has written to Mrs. Nair, explaining that today was her teacher's first day of school, and that just like hers, his alphabet began with the letters "B L A C K", implying that Debraj had finally succumbed to his illness and died.
The production of Black started when Sanjay Leela Bhansali came up with the idea for the film while the shooting of his directorial debut, the musical Khamoshi: The Musical, between 1993 and 1994 when he interacted with physically disabled children.[2] After the successes of the romance Hum Dil De Chuke Sanam (1999) and the historical epic Devdas (2002)—one of the most expensive Hindi films ever made at the time—he had made a plan to make another film in the romantic genre.[8][9] Still, the actress Jaya Bachchan criticized his work from Devdas and encouraged him to "attempt something different"; in later years, he would say that it motivated him to make Black.[10] Bhansali chose to address a subject that no other directors had done before: "I didn't want to stop making a film straight from my heart because of the fear of losing my audiences."[11] He described it as "a step towards a more complex kind of film than what we get in mainstream cinema", adding, "It is an uplifting tale on the triumph of the human spirit."[11][12] He announced the film in July 2003, along with his other project, Bajirao Mastani, which would be released in 2015.[12] The media declared it as his "most personal film".[13]
Bhansali revealed that he was inspired by American activist Helen Keller's life story. However, he stated that he only used it as a reference and the film was "a completely original piece of work".[14] Additionally, Bhansali also read Keller's autobiography The Story of My Life and other related books, including Geraldine Lawhorn's On the Crossroads (about a deaf-and-blind musician). In an interview with The Hindu, he said, "I was fascinated by the ways in which teachers and parents struggled to reach out to the hearing-impaired children. How do you start the communication? How do you keep it going? What takes other children a year to learn takes 10 years for them to absorb."[11] In addition, some sources claimed that it served as a remake for Arthur Penn's The Miracle Worker (1962), but Bhansali denied the reports.[15] Others claimed that the film was based on Prakash Kapadia's Gujarati play Aatam Vinjhe Paankh, which was inspired by The Miracle Worker.[16]
Bhansali chose the word black for the film's title; according to him, black is his favorite color and he felt it has a "universal resonance".[12] He explained how the color's monotones and shades were "very attractive if used intelligently", and it was "the best element ... that ... doesn't overshadow the characters or narrative".[17] He added that it was "a powerful striking colour which describes the film's sensitivities", and defined his mood and temperament.[12][18] "I wear black clothes most of the time. The colour calms me. When I decided to make a film about the world of the sightless, Black was the title that came to mind immediately", he said when interviewed by Sify.[19] The same title had been registered by the actor Kumar Gaurav before, and Bhansali asked him to relinquish and gave the title for his next project. According to an article published by Screen in November 2005, Gaurav saw that the film was "bold and path-breaking"; consequently, he finally gave up the title. As gratitude, Bhansali credited Gaurav's name in the opening credits of Black.[16]
Bhansali told The Telegraph that Keller's life was an "exemplary to all of us", believing that he had "personally learned so much from her"; he stated that he learned "the value of a teacher in any student's life".[15] Journalists asserted that his involvement in both Black and Bajirao Mastani (a period film about the PeshwaBaji Rao I and his second wife Mastani) proved his ability in two opposite film genres; he expressed: "It is a conscious process of rejuvenation as a filmmaker. I have to reinvent myself as a creative person."[12] He then described the former film as "an uplifting tale on the triumph of the human spirit",[20] and it was "about feeling, not speaking".[15] Furthermore, he added, "Black is about the love between a girl and her teacher. They teach each other the dignity of living. To call Black a love story is a true compliment. Black is a pure love story."[15]
On the same day of the film's announcement, Amitabh Bachchan and Rani Mukerji were officially cast in the lead roles.[12] Bachchan featured as Debraj Sahai, a role which he described as a "brilliant teacher but an alcoholic", and he took it as an attempt to avoid typecasting.[21] Bhansali, who is a "diehard fan" of him, said that he actually wanted to cast him (and his wife Jaya) in Khamoshi: The Musical. However, that was the time when Bachchan took a hiatus from his acting career. Bhansali eventually cast Bachchan in Black, after the actor watch his previous work, Hum Dil De Chuke Sanam (1999).[20] Bachchan had big expectations with Black, as he said in an interview to the Deccan Herald, "I feel the Indian audience should like this film."[21] He praised the "fascinating" and "unusual" screenplay of the film, stating, "To be very frank, I would have said 'Yes' even without listening to the script."[21][22]
To prepare for his part, Bachchan underwent special training before the shooting. He visited schools for physically disabled children and learned haptic communication, which he found to be "very weird because we can not see, hear or talk", from them for six to seven months; he read some books related on it.[21][23] Also, he did extensive research about Alzheimer's disease and what happens after a person being affected by it.[21] He thought that it "was the most-challenging role... It is a first-time experience because there is not even a single scene in this film that I felt I have done before."[24]
Meanwhile, Mukerji got the role of Michelle McNally (which Bhansali wrote specifically for her) and confirmed her involvement in the film in July 2003.[25][26] She spoke positively of her rapport with Bachchan, and stated that she felt "humbled" with the actor, describing him as "a very modest person, very sweet, a father figure".[27] Same as Bachchan, she accepted it to avoid the typecasting in romantic roles.[28] Mukerji revealed that she was initially reluctant to play the part, when Bhansali read the story Black to her in June that year, because of the "challenging" subject and she had no reference to do it.[25][29][30] She confessed, "I was scared when I heard the script. I wondered how I will play this character."[25] In preparation, she also met children with physical disabilities, this time, at the Helen Keller Institute in Mumbai and practiced sign language there for six months.[30] According to Mukerji, her interaction with them helped her to "gain sensitivity towards their reactions, aspirations and hopes".[28] Moreover, she had to learn braille and found the experience was "like speaking with my hands and my fingers."[31] In spite of that, she said that the film "has made me realize that those who are physically or mentally challenged are actually much stronger than normal, successful human beings."[30]
The child artist Ayesha Kapur made her debut with Black, playing the version of Michelle. She learned sign language for prepared her brief role as well as Mukerji. Media reports stated that it was "the most difficult character ever written for a child", but Kapur refused that by saying, "I don't know how I played Michelle. I just did it. It wasn't that difficult, really."[32] Shernaz Patel, who had only one film experience in Mahesh Bhatt's drama Janam (1985), portrayed Michelle's mother Catherine "Kathy"; she was cast by casting director Amita Sehgal on the basis of her work as a theatre actress. Nandana Sen played Michelle's younger sister Sarah, a role she described as "an emotional experience".[33] She observed of her part, "... she's a typical 16 year old ... You see her evolving in the film, from this oversensitive, moody teenager who is constantly hungry for more affection to a nurturing, loving, caregiver who deals with her sister's circumstances with a lot of love and understanding."[34] She found Black to be "a pathbreaking film, both in terms of content and style", and called her role "a breakthrough" in her acting career. For it, she learned how to communicate with sign language, four months before the shooting.[34]
Pre-production
"Here the look was so intense and understated that I couldn't bring anything that I usually do. It was never the play of colours and that special juxtaposition and rhythm that colours bring. It was particularly fascinating for me because the look was so monochromatic, so minimalist. It was pure ... and I seriously feel that I evolved to a new plane while doing that look."
Bhansali—with his production company SLB Films—produced, financed, and distributed the film alongside Anshuman Swami of Applause Entertainment;[36][37] another company, Yash Raj Films, also served as a distributor.[38] Bhansali wrote the screenplay in three months, and the story with Bhavani Iyer and Kapadia;[3][6] the latter two also wrote the dialogues in English and Hindi, respectively.[39] When asked by Rediff.com's Subhash K. Jha, Bhansali found the English dialogues to be "too lucid to be left behind in translation".[12]Omung Kumar was the art director for Black. In a party sequence featuring all of the lead cast from the film, he used 200 lamps on the ceiling. According to India Today, Bhansali was not sure about it, but he allowed Kumar to do that as an "experiment".[40] He used black as the main color to be in tune with the film's themes.[41]
Clothes for all actors from Black were done by the costume designer Sabyasachi Mukherjee for eight months.[42] He spoke of excitement involved in the project: "Black was a brilliant experience, literally a once in a lifetime experience."[35] He added that "the film is about you and me and, therefore, it called for serious clothes."[42] In preparation, Mukherjee saw many black-and-white photographs. He used a lot of monochromatic colors—including beige, black, brown, gray, khaki, and indigo—for the film, as it is set between the 1950s and 1960s.[42][43] For her role, Mukerji (who has green eyes) was required to use dark-tinted contact lenses.[16] She did not use make-up, and she would only take fifteen minutes to prepared before filming.[44] After the release of Black, Sabyasachi Mukherjee talked about his experiment with the film's two leads; he found working with Bachchan to be "amazing", as the latter "is so down-to-earth", and similarly to Mukerji, saying that she was the "girl-next-door" and "effortlessly brilliant".[42]
Ranbir Kapoor and Sonam Ahuja were chosen as assistant directors for Bhansali; the newcomers confessed that their motives were to get Bhansali to offer them acting jobs.[45][46] They later made their debut as actors in Bhansali's next directorial venture, Saawariya (2007), an adaptation of Fyodor Dostoevsky's 1848 short story "White Nights",[47] which was commercially and critically failed.[48][49] Kapoor would go on to become one of the highest-paid actors in Bollywood while establishing himself as a leading actor of Indian cinema.[50] Ahuja has a good career in Bollywood as well.[51][52]
Black was filmed in 100 days by Ravi K. Chandran.[12][41] In an interview with Rediff.com, Chandran called it one of the most "important" films in his career and considered it as his favorite project; this also marked the first time he shot a film without songs. He revealed that he had previously rejected Bhansali's offers to shoots Devdas as he had busy schedules at that time. However, Chandran promised to collaborate with Bhansali in his next venture, which would be Black. When Bhansali narrated the film's story to him, Chandran decided to use the cinematography style same with that of Guru Dutt's 1959 drama Kaagaz Ke Phool.[41] Sham Kaushal was the action director.[6] Kapoor served as a body-double for Bachchan in several scenes.[53]
In mid-January 2004, the entire cast and crew of Black went to Shimla to begin the first schedule.[16] The first sequence filmed was the film's opening scene, featuring Mukerji stretching out her hand when snow begins to fall.[54] Shimla was very cold at the time, but it did not show any signs that snow would fall. Therefore, the crew bought kilos of salt and snow-making machines from Mumbai's local markets. The media reported that the shooting would end at 04:00.[16]
Filming moved to the film studio complex Film City the next month and India Today said that seventy percent of Black was shot there.[55] The studio, which has a 15,000-square-foot (1,400m2) area, was rented by Bhansali in January 2004 for 45 days, but on 18 February, a fire burned most of the set, resulting in a shooting delay.[55] Bhansali recalled, "It was a torturous exercise and I couldn't sleep, but we needed continuity. I would not shoot if the cottage looked different."[3] In June 2005, the Maharashtra Film, Stage and Cultural Development Corporation fined Bhansali ₹60 million (US$1.36 million), with ₹20 million (US$453,514.74) for its reconstruction and ₹40 million (US$907,029.48) for its rental cost.[55] A month later, the art dealer Farida Hoosenwally also accused him for not return 390 artifacts she lent, and she sent a complaint letter to the Deputy Chief Minister of MaharashtraR. R. Patil.[56] According to the media reports, the incidents made the initial budget of the film—estimated ₹135 million (US$3.06 million)—increased to more than ₹200 million (US$4.54 million).[4] The schedule was continued on 28 February 2004.[57] The filming was done two months later,[12] and Bhansali's sister Bela Sehgal edited it.[6][58] Canadian composer Mychael Danna completed its background score.[13]
In October 2003, an article written by Savita Gautham of The Hindu reported that A. R. Rahman would work as the composer for Black.[59] However, Monty Sharma (who previously collaborated with Bhansali in Devdas) replaced him for an unknown reason.[60] Unlike Bhansali's previous ventures, it has only one lyrics-contained song, titled "Haan Maine Chukar Dekha Hai", written by Prasoon Joshi and performed by Gayatri Iyer.[61][62]
Black garnered attention before its release.[3] In The Hindu Internet poll of "The Most Awaited Movie of 2005", the film peaked the first position with 66 percent.[70] The trade analyst Amod Mehra felt that the film had good word-of-mouth publicity, though he believed that it would attract a restricted audience: "It might be difficult for such a subject to click in the B and C centres. One thing which could go against the film is that 60 percent of the film is in English."[71] A similar sentiment was shared by the exhibitor Manoj Desai, saying that the film's subject was "very sensitive" and its first show would "decide the final outcome".[71] The critic and journalist Taran Adarsh, however, stated: "It will be a great film. I am eagerly awaiting the premiere. Considering the technical brilliance of Bhansali, I pray that Black breaks the 2005 jinx. No film has succeeded this year so far."[71]
"It was an experience I'll never forget... not only because it was my first retrospective at any festival, but also because of the interaction that I had to undergo with the audience after my film was screened. A lot of them were cinema students and their curiosity about our films and culture and their insightful questions made me very proud to represent our country and cinema."
On 24 January 2005, Bhansali organized a special screening of Black to Bachchan's and Mukerji's family, his mother and himself, and his close friends. Bachchan's wife Jaya was amazed with the film. She stated that it was "something we've never experience before. Black just ends all discussion", describing it as "the kind of movie experience that raises the scale of our cinema so high that you cannot classify its merits".[73] The film's theatrical release was originally scheduled on 10 December 2004, but Bhansali decided to postpone it, as the date coincided with the new moon week, which he considered to be "inauspicious".[13] It was opened in 170 different towns in India on 4 February 2005, the same day as the release of Leena Yadav's Shabd and Irfan Khan's Bullet: Ek Dhamaka.[16][74] The film was released in South Korea on 28 August 2009 on 180 screens, a big number for a non-Korean film, with its distribution handled by Yash Raj Films.[75][76] It clashed with two other Korean films, including Take Off and Tidal Wave.[76]
The world television premiere of the film took place on 25 September 2005 on Star Gold.[16] Distributed by Dancing Dolphin, it was released on DVD on 20 November 2007 in all regions in a single-disc pack.[84] A VCD version was released at the same time.[85] The film was available for streaming on Amazon Prime Video in May 2017.[86][87]
Critical reception
Black received positive reviews, with most critics praising its story, Bhansali's direction, and the performances—mostly that from Bachchan and Mukerji.[16][88] It received a rating of 87 percent on the review aggregator website Rotten Tomatoes based on six reviews, with an average rating of 8.5 out of 10.[86]
The entertainment portal Bollywood Hungama gave the film two stars, finding it to be "relies heavily on performances".[89] The critic observed of Mukerji, "With no dialogues in her lap, the actress conveys through expressions solely and what a terrific impact she makes! Here's a performance that should act as a reference guide for all aspiring actors. And yes, she's bound to walk away with all major awards next year as well!"[89]Baradwaj Rangan of The New Sunday Express felt that the actress was "outstanding" in the part,[90] which Rediff.com's Sita Menon described as "a pure, performance-driven role".[91]Ziya Us Salam hailed her for "[pleasing] the [audience] eyes" despite her "minimal make-up".[92]Khalid Mohammed of Mid-Day added, "Rani Mukherjee is a revelation, belting out a multi-nuanced performance which compels you to reach out for that hyperbolic adjective, awesome. Lock up all the awards already, they're hers."[93] Devesh Sharma from Screen said that Bachchan and Mukerji have given "the performance of a lifetime", noting that with the film, "Bhansali has proved that we don't lack raw materials or the talent—all it takes is guts and a determined belief in oneself to make a world class film."[94]
Jaspreet Pandohar of BBC opined that "Bhansali proves that neither he, nor the never better Bachchan, need a Hollywood film to produce an Oscar-worthy film [with Black]."[95] She also took note of its production aspects; she lauded that the screenplay and cinematography were "carefully crafted" and "beautiful", respectively.[95] In The Hindu, Gautaman Bhaskaran claimed that the film was the best among Bhansali's other directorial ventures.[96]Namrata Joshi of Outlook wrote of how it "provides a redefining moment in commercial Hindi cinema, pushing its frontiers of narration and style".[97] Sunny Dua of The Telegraph said, "Black is beautiful, for it is real. What is unreal is the way multicoloured, multilateral mainstream Hindi cinema has been suddenly rendered colourless. It will be hard to rate staple Bollywood fare from now, for the bar has been set way too bright by a stark, dark colour."[98]Hindustan Times's reviewer Vinayak Chakravorty rated Black three out of five stars, appreciating Kapur's portrayal of young Michelle and described her as "the anchor of the film's first half".[99] Similar thoughts was given by Nikhat Kazmi, who felt that Kapur was "absolutely brilliant".[100]
India Today called the film "a world-class Hindi film" and "a landmark", and found both Bachchan and Mukerji to be "brutally unattractive but always heart wrenching"; Shruti Gupta of NDTV added that they "score yet again with their performance".[101][102] Writing for another Telegraph review, Anil Grover complimented the "fantastic" chemistry between the two actors.[103] Shubhra Gupta of The Indian Express, also positively reviewed the chemistry, hailing it was "mesmeric". Gupta, however, believed that Mukerji "who really lights up" the film, concluding, "The tilt of the head, the face, alternating between animation and vacuousness, the slightly open mouth, the bewildered lost look, the jerky gait—any or all of it could have turned Michelle into a caricature. But Rani overcomes the handicap of being 'normal', and nails all of it down with an unsparing, unsentimental starkness."[104]The Times of India's critic Jhoomur Bose Malik praised Mukerji's costume, elaborating that "she did cut a diminutive yet striking picture with the cap, the structured black outfits and of course the no make-up look."[105] Reviewing Bachchan's role, Subhash K. Jha saw that it resembled "Shakespearean tragic-hero" character.[106]
Sushma Mohan of the Deccan Herald compared the film's story with Khamoshi: The Musical, and argued that it was "more complex and sensitive" but "better and finer" than the latter.[107] The director and critic Raja Sen from Rediff.com also did a comparative review of Black with Paheli (2005), also starring Bachchan (in a guest appearance) and Mukerji (in a lead role opposite Shah Rukh Khan). He termed the former "a half-baked, often derivative and crucially flawed film", while called the latter "leads to a languorously unhurried fairytale, a unique love story told without fuss". In Black, Sen felt that its script "keeps [Mukerji's performance] from being an immortal [one]". Conversely, in Paheli, he believed that she had delivered "a powerful, sensuous, emotive performance".[108]Derek Elley of Variety called Mukerji "seems to be hitting her stride as a serious actress".[109] A reviewer of Empire said that Bhansali "expertly draws engaging, convincing [p]erformances" from the leads of Black despite his "unsentimental" direction.[110] Pakistani magazine Newsline concluded, "[It] is an inspirational film and a must-see, even if only for its beautiful direction and acting."[111]
Box office
Black was successful at the box office in India and overseas; trade analysts believed that it was influenced by its positive critical reviews.[112] In India, the film had a theatrical run of nine weeks.[113][114] It earned ₹10.3 million (US$233,560.09) on its opening day.[112] It collected ₹34.3 million (US$410,000) on its first weekend and ₹64.7 million (US$1.47 million) at the end of its first week.[112] The film earned ₹330 million (US$7.48 million) in India, making it the year's ninth highest-grossing film in the country.[115] In North America, Black grossed $560,000 in four weeks.[116] In the United Kingdom, it grossed $600,000 in four weeks.[116] The film-trade website Box Office India estimated the Hindi language version's total collections to be ₹409.4 million (US$9.28 million), concluding its commercial performance to be "average".[112]
In South Korea, the Korean language version was a major success upon release there in 2009. The newspaper Kyunghyang Shinmun reported that it sold 560,000 tickets and collected ₩3.8 billion ($2.98 million) within two weeks of its release.[117] It went on to sell 877,408 tickets and gross ₩6,241,612,000,[118] equivalent to US$5.88 million (₹256.6 million).[119] It became the highest-grossing 2005 Indian film in overseas markets with $7.7 million[120] (₹335.8 million), and the second highest-grossing 2005 Indian film worldwide with ₹666 million (US$15.1 million).[121]
Black has featured in several listings. In 2005, Richard Corliss of Time included it in "Best Movies of 2005", peaking at #5. He wrote, "In so many Indian films the deepest searches are for romantic ecstasy and for reconciliation with the father figure. By addressing both these needs, Black is more than a noble weepie; it is the ultimate Bollywood love story."[131] The same year, it ranked #1 in Rachna Kanwar of The Times of India's "25 Must See Bollywood Movies", stating that it was "made with astounding sensitivity and enthralling quest for perfection".[132] In 2017, cultural professor Rachel Dwyer featured it in "70 Iconic Movies of Independent India", and in 2018, Lata Jha of Mint featured it in "10 Unusual Indian Film Takes on Disability".[133][134]Time Out placed the film at 80th position in its "The 100 best Bollywood movies" list.[135]
Mukerji's performance has been noted as one of her notable works, and it was referenced in several films.[136][137] In Golmaal: Fun Unlimited, a 2006 comedy by Rohit Shetty, actor Arshad Warsi dressed up as Mukerji's character.[138] In 2010, Filmfare included her work in their listing of Indian cinema's "80 Iconic Performances", and wrote, "... Mukerji sure filled the silences with her stupendous presence and how. Mukerji has left an indelible mark with this role that usually comes once in a lifetime for most."[139] In its March 2016 issue, New Woman magazine asserted: "It is hard to forget Mukerji ... essaying the role of a speech-impaired, deaf and blind girl with little or no make-up ... This was once when her action spoke louder than words."[140]
Black was remade in Turkish as Benim Dünyam (2013), which generated controversy in the media. On 5 September, when TMC Films released its trailer, Bhansali sent e-mails to the production company as no remake rights had been purchased, but they did not provide any response.[141] The remake opened on 25 October 2013 to positive reviews from critics.[142][143]
In February 2024, Black was made available for streaming on Netflix, to mark its 19th anniversary.[144]
↑ Sources inconsistently reported the total budget of Black; Lata Khubchandani of Outlook wrote ₹200 million (US$4.54 million),[2] Surajeet Das Gupta of Business Standard said ₹210 million (US$4.76 million),[3] Kaveree Bamzai of India Today mentioned ₹215 million (US$4.88 million)[4] and The Financial Express stated that the number was ₹220 million (US$4.99 million).[5]
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Rani Mukerji is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.
Preity G Zinta is an Indian actress, producer and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She subsequently established a career as a leading actress of Hindi cinema with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona won her recognition and several accolades.
Kareena Kapoor Khan is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses.
Yuva is a 2004 Indian Hindi-language political drama film directed by Mani Ratnam. The film was simultaneously shot in Tamil as Aayutha Ezhuthu. It stars Ajay Devgn, Abhishek Bachchan, Vivek Oberoi, Rani Mukerji, Kareena Kapoor, and Esha Deol.
Jaya Bachchan is an Indian actress and politician. She is serving as member of the parliament in the Rajya Sabha from the Samajwadi Party since 2004. Having worked in Hindi films and Bengali films, she is noted for reinforcing a natural style of acting in both mainstream and arthouse cinema. A recipient of several accolades, she has won a record nine Filmfare Awards and the Padma Shri, the fourth-highest civilian honour awarded by the Government of India.
Saathiya (transl.Companion) is a 2002 Indian Hindi-language romantic drama film directed by Shaad Ali and produced by Mani Ratnam and Yash Chopra under the banners, Yash Raj Films and Madras Talkies. It is a remake of the Tamil film Alaipayuthey (2000), whose climax was inspired by the English film Sliding Doors (1998). The film stars Vivek Oberoi and Rani Mukerji in lead roles with Sandhya Mridul, Tanuja, Swaroop Sampat, Satish Shah, Sharat Saxena and Kunal Kumar.
Sanjay Leela Bhansali is an Indian filmmaker and music composer, who works in Hindi cinema. He is the recipient of several awards, including seven National Film Awards and 12 Filmfare Awards, in addition to a nomination for a BAFTA Award. In 2015, the Government of India honoured him with the Padma Shri, the fourth-highest civilian award. Bhansali is best known for his use of aesthetics, musical vision and Period dramas.
Bunty Aur Babli is a 2005 Indian Hindi-language crime comedy film directed by Shaad Ali and written by Jaideep Sahni, based on a story by Aditya Chopra, who produces the film under the Yash Raj Films. The film, inspired by the 1967 American film Bonnie and Clyde, stars Amitabh Bachchan, Abhishek Bachchan, and Rani Mukerji in lead roles and marks the first of the many collaborations between the former two. The younger Bachchan and Mukerji play the titular con-artist partners-in-crime, while the elder Bachchan plays the DCP whose focus is solely to catch them.
Devdas is a 2002 Indian Hindi-language period romantic drama film directed by Sanjay Leela Bhansali and produced by Bharat Shah under his banner, Mega Bollywood. It stars Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit in lead roles, with Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge in supporting roles. Based on the 1917 novel of the same name by Sarat Chandra Chattopadhyay, the film narrates the story of Devdas Mukherjee (Khan), a wealthy law graduate who returns from London to marry his childhood friend, Parvati "Paro" (Rai). However, the rejection of their marriage by his own family sparks his descent into alcoholism, ultimately leading to his emotional deterioration and him seeking refuge with the golden-hearted courtesan Chandramukhi (Dixit).
Armaan (transl.Desire) is a 2003 Indian Hindi-language medical drama film that was co-written and directed by Honey Irani. Starring the ensemble cast of Amitabh Bachchan, Anil Kapoor, Preity Zinta, Gracy Singh, and Randhir Kapoor, the film is set in a hospital and follows the travails of its principal, Dr.Akash, to sustain the institution financially. Meanwhile, a mentally unstable woman named Sonia (Zinta) comes into his life and offers to help by donating to the hospital on the condition that Akash marries her.
Ayesha Giulia Kapur is an Indian-German actress, who is best known from the Bollywood movie Black. Kapur became the recipient of many awards in the "Best Supporting Actress" category. In doing so, she became the second youngest to be both nominated and win a Filmfare Award and is currently the youngest person ever to win a Zee Cine Award and an IIFA Award.
Devdas is the soundtrack of the 2002 Indian Hindi-language film of the same name directed by Sanjay Leela Bhansali. It was released on 6 March 2002 by Universal Music India. The soundtrack, which was developed for two years, contains nine original songs and one background score, with lyrics by Nusrat Badr and Sameer Anjaan. It stars Shah Rukh Khan, Aishwarya Rai Bachchan and Madhuri Dixit.
Aishwarya Rai Bachchan is an Indian actress who is primarily known for her work in Hindi and Tamil films. Rai won the Miss World 1994 pageant and later established herself as one of the most-popular and influential celebrities in India. She has received numerous accolades for her acting, including two Filmfare Awards. In 2004, Time magazine named her one of the 100 most influential people in the world. In 2009, the Government of India honoured her with the Padma Shri and in 2012, the Government of France awarded her with the Order of Arts and Letters. In the media and by her fans, she has often been called "the most beautiful woman in the world".
Hindi film actress Rani Mukerji made her screen debut in Biyer Phool (1996), a Bengali film directed by her father Ram Mukherjee. Her first leading role was that of a rape victim in the 1996 social drama Raja Ki Aayegi Baaraat. In 1998 she received wider recognition for her role alongside Aamir Khan in the action film Ghulam, and had her breakthrough as the romantic interest of Shah Rukh Khan's character in the romantic drama Kuch Kuch Hota Hai. The latter earned Mukerji her first Filmfare Award in the Best Supporting Actress category. She followed this by playing the leading lady in several films, including Hello Brother (1999) and Nayak: The Real Hero (2001), none of which helped propel her career forward.
Black is the soundtrack album to the 2005 film of the same name directed by Sanjay Leela Bhansali and starring Amitabh Bachchan and Rani Mukerji. The album consisted of thirty-three tracks composed by Monty Sharma with one song contained lyrics by Prasoon Joshi and sung by Gayatri Iyer. The soundtrack was released under the YRF Music label on 10 February 2005. The score met with widespread acclaim and Sharma received accolades for his work.
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↑ बजोरिया, जयश्री (3 February 2005). "भंसाली की 'ब्लैक' एक भिन्न फ़िल्म"[Bhansali's 'Black' is a different film]. BBC (in Hindi). Mumbai, India. Archived from the original on 9 February 2021. Retrieved 29 January 2021.
1 2 "'Rani is the new Kajol'". The Times of India. Indo-Asian News Service. 19 January 2005. Archived from the original on 19 March 2005. Retrieved 30 January 2021.
↑ Black (2005). Event occurs at approximately 0:00 to 0:20
↑ Nayar, Mandira (17 February 2005). "'Black' magic works". The Hindu. Archived from the original on 9 February 2021. Retrieved 31 January 2021.
↑ Chatterjee, Avijit (28 May 2005). "Sabyasachi's haute affair". The Tribune. Archived from the original on 9 February 2021. Retrieved 30 January 2021.
↑ Gautham, Savita (23 October 2003). "Chinese rhapsody". The Hindu. Archived from the original on 25 February 2004. Retrieved 23 October 2003.{{cite news}}: CS1 maint: unfit URL (link)
1 2 Bhasin, Shruti (15 February 2005). "Black (Music Review)". Planet Bollywoood. Archived from the original on 10 March 2005. Retrieved 5 February 2021.
↑ Dasgupta, Priyanka (4 May 2005). "On a Song". The Times of India. Archived from the original on 7 June 2011. Retrieved 15 January 2010.
↑ Tuteja, Joginder (15 February 2005). "Black: Music Reviews". Bollywood Hungama. Archived from the original on 23 July 2010. Retrieved 5 February 2021.
↑ Pillai, Shreedha (10 February 2005). ""Black" magic". The Hindu. Chennai, India. Archived from the original on 7 March 2021. Retrieved 31 January 2021.
1 2 Pais, Arthur J (4 March 2005). "Black shines overseas!". Rediff.com. Archived from the original on 20 April 2021. Retrieved 6 February 2021.
↑ Won-soo, Jang (9 September 2009). "작지만 감동적인 인도영화 <블랙> 대박 이유는..."[The reason of why Black, a small-but-impressive Indian film, emerged as a hit...]. Kyunghyang Shinmun (in Korean). Archived from the original on 20 April 2021. Retrieved 6 February 2021.
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