Padmaavat

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Padmaavat
Padmaavat poster.jpg
Theatrical release poster
Directed by Sanjay Leela Bhansali
Screenplay by
  • Sanjay Leela Bhansali
  • Prakash Kapadia
Based on Padmavat
by Malik Muhammad Jayasi [1]
Produced by
Starring
Cinematography Sudeep Chatterjee
Edited byRajesh G. Pandey
Music bySongs:
Sanjay Leela Bhansali
Score:
Sanchit Balhara
Production
company
Distributed by Viacom18 Motion Pictures
Release date
  • 25 January 2018 (2018-01-25) [2]
Running time
163 minutes [3]
CountryIndia
LanguageHindi
Budget₹180–190 crore [4] [5] [6]
Box officeest.₹572 crore [7]

Padmaavat is a 2018 Indian Hindi-language historical drama film directed by Sanjay Leela Bhansali. Based on the epic poem of the same name by Malik Muhammad Jayasi, it stars Deepika Padukone as Rani Padmavati, a Sinhalese-born Rajput queen known for her beauty, wife of Maharawal Ratan Singh, played by Shahid Kapoor. Sultan Alauddin Khilji, played by Ranveer Singh, hears of her beauty and attacks her kingdom to enslave her. Aditi Rao Hydari, Jim Sarbh, Raza Murad, and Anupriya Goenka featured in supporting roles. [1] [8]

Contents

With a production budget of ₹180 crore (US$26.32 million)–₹190 crore (US$27.78 million), Padmaavat is one of the most expensive Indian films ever made. [4] [5] [6] Initially scheduled for release on 1 December 2017, the film faced numerous controversies. Amid violent protests, its release was indefinitely delayed. The Central Board of Film Certification later approved the film with few changes, which includes the addition of multiple disclaimers and a change from its original title Padmavati. [9] [10] It was rescheduled for release on 25 January 2018 in 2D, 3D and IMAX 3D formats, making it the first Indian film to be released in IMAX 3D. [11]

Upon release, Padmaavat received mixed-to-positive reviews from critics, with praise for the visuals, costume design, cinematography, screenplay, soundtrack, and performances, but criticism for its pacing, runtime, and adherence to regressive patriarchal mores. [12] Critics also disliked the portrayal of Khilji as a stereotypical evil Muslim king and Ratan Singh as the righteous Hindu king, which led to protests by the respective religious communities. [13] [14] [15] [16] [17] [18] [19] Despite not being released in some states of India, it grossed over ₹571.98 crore (US$69 million) at the box office, becoming a major commercial success and the third highest-grossing Indian film of 2018. [20] [21]

At the 64th Filmfare Awards, Padmaavat received a leading 18 nominations, including Best Film, Best Director (both for Bhansali), Best Actress (Padukone) and Best Actor (Singh), and won 4 awards, including Best Actor (Critics) (Singh) and Best Music Director (Bhansali). [22] It also won 3 National Film Awards, including Best Music Direction (Bhansali). [23]

Plot

In 13th-century Afghanistan, Khilji ruler, Jalal-ud-din Khilji plans to take over the throne of Delhi. His nephew Alauddin Khilji [24] asks for Jalaluddin's daughter Mehrunisa's hand in marriage. Their wedding is organised, but on the night of the event, Alauddin engages in adultery with another woman. A senior courtier witnesses the act, Shareef Pasha, and is promptly killed by Alauddin. Mehrunisa is informed of this during the wedding, leaving her horrified. The wedding occurs, and Alauddin is appointed as a lead general in Jalalauddin's army.

In Singhal, princess Padmavati accidentally wounds the Rajputi ruler of Mewar, Maharawal Ratan Singh, while hunting in a forest. As she treats him, he reveals that he has traveled to Sinhala to acquire rare pearls for his only wife Nagmati. Eventually, the two bond and fall in love. Ratan Singh asks for Padmavati's hand in marriage, she agrees, and with permission from her father, they are married.

Jalaluddin takes over the throne of Delhi and sends Alauddin to repel a Mongol invasion. Alauddin is successful in doing so, but undertakes an unsanctioned raid on Devagiri. He captures the princess there, and makes her his concubine. Jalaluddin's wife and nephew, Itaat Khan, warns him against Alauddin's ambition to take over the throne. However, he journeys to Kara to meet Alauddin and gifts him the slave Malik Kafur. Alauddin has Jalalauddin's ministers assassinated by Malik Kafur, and Jalalauddin is killed by one of Alauddin's generals. Alauddin then returned to Delhi and declared himself the new Sultan. Over time, Alauddin and Kafur become very close, and Kafur rises to become a general in Alauddin's army.

Padmavati journeys to Mewar with Ratan Singh and is blessed by his royal priest, Raghav Chetan. Chetan later intrudes into the palace secretly and spies upon an intimate moment between Ratan and Padmavati, and is subsequently banished. He then travels to Delhi and informs Alauddin of Padmavati's beauty. Alauddin, who is fixated with having anything that is exceptional, invites the Rajputs to Delhi, but his invitation is rejected. Enraged, he lays siege to Ratan Singh's capital Chittor. After six months of an unsuccessful siege, Alauddin feigns peace on account of Holi and is allowed to enter Chittor, where he meets Ratan Singh. He asks to see Padmavati; Ratan Singh grants this request, but only momentarily while preventing Alauddin from seeing her face. Ratan Singh is tricked by Khilji and is taken to Delhi as a prisoner.

Upon Queen Nagmati's insistence, Padmavati agrees to see Alauddin under some conditions: she will meet Ratan first, there would be no male guardians during their meet and Chetan will be executed for his earlier treachery. Alauddin agrees; Padmavati then travels to Delhi to meet him. Meanwhile, Alauddin survives an assassination plot by his nephew, though he is wounded. When his nephew visits him recovering in bed to finish him off, Alauddin awakens and kills him. The Rajputs, disguised in women's dress, plan to ambush the Khilji soldiers in the morning, at the time for morning namāz . Padmavati, along with Chittor's generals, Gora and Badal, frees Ratan Singh, and escapes with Mehrunisa's help. Ratan confronts Alauddin, who urges Ratan to take this opportunity to kill him in his weakened state. However, Ratan refuses as this is against the Rajput creed of not attacking the wounded. The Rajput ambush goes ahead as planned, but the Khilji soldiers are alerted to it and repulse the attack, killing the Rajputs who allow the King and Queen to escape.

Alauddin imprisons Mehrunisa for helping the Rajputs and marches to Chittor. He and Ratan Singh engage in a single duel; Alauddin is wounded and drops his sword, Ratan is about to kill him when Kafur takes the opportunity to mortally wound Ratan while his back is turned with arrows. While dying, he berates Alauddin and his forces for fighting dishonorably. The much larger Khilji army defeats the scattered Rajputs and captures Chittor, but are unable to capture the Rajput women who perform Jauhar (mass suicide by immolation) along with Padmavati, rendering Alauddin's quest a failure and leaving him furious.

Cast

Production

Development

An adaptation of Malik Muhammad Jayasi's epic Padmavat (1540), [1] Sanjay Leela Bhansali had been planning a film adaptation for a decade. [43] He first worked on a television adaptation as an assistant editor for Shyam Benegal's television series Bharat Ek Khoj (1988), based on Jawaharlal Nehru's The Discovery of India (1946), featuring an episode about Padmaavat starring Om Puri as Alauddin Khilji. [44] In 2008, Bhansali produced an opera version in Paris, inspiring him to begin work on a film version. [43] Padmaavat also took inspiration from other earlier adaptations of the epic, including Bengali literary adaptations from Kshirode Prasad Vidyavinode in 1906 and Abanindranath Tagore in 1909, [45] the Tamil film Chittoor Rani Padmini (1963), [46] [47] and the Hindi film Maharani Padmini (1964). [45]

Pre-production on the film began in July 2016. That same month, playback singer Shreya Ghoshal tweeted about performing a song composed by Bhansali for the film. [48] Many media outlets speculated that Deepika Padukone and Ranveer Singh, who played the leads in Bhansali's Goliyon Ki Raasleela Ram-Leela (2013) and Bajirao Mastani (2015), were finalised to play Rani Padmavati and Alauddin Khilji in the film. In October 2016, it was announced that Bhansali would team up with Viacom 18 Motion Pictures to produce the film with Singh and Padukone along with Shahid Kapoor as Rawal Ratan Singh, playing the lead roles. [49]

Casting

Deepika Padukone at CHENNAI EXPRESS promotional event.jpg
Shahid Kapoor BIG Star Awards.jpg
Ranveer during promotion of Gunday.jpg
The three main actors, Padukone (top), Kapoor (centre) and Singh (bottom).

Padmaavat is the third collaboration between Deepika Padukone and Ranveer Singh with Sanjay Leela Bhansali. The trio had worked before in Goliyon Ki Raasleela Ram-Leela (2013) and Bajirao Mastani (2015), while it is Kapoor's first film with the three. [50] Their co-star from the previous films, Priyanka Chopra was also in consideration to play the title role. [51]

Shah Rukh Khan was offered the role of Rawal Ratan Singh but felt it was not "meaty" enough and declined; failure to agree on his fee may have been a factor. [52] Bhansali offered the role to Sushant Singh Rajput, but he had to turn down the role over scheduling issues. [53] [54] Shahid Kapoor was finally cast with an assurance of a good enough part and a hefty fee. [55] For his role, Kapoor undertook rigorous training under trainer Samir Jaura and followed a strict diet for 40 days. He also learnt sword fighting and the basics of Mardani khel, a weapon-based martial art, and admitted that it had been one of the most physically and emotionally challenging roles of his career. [56]

Ranveer Singh portrays the antagonist of the film, Alauddin Khilji, the first negative role of his career. [57] Director Bhansali had given him books to read delving into the psyche of dark rulers of history such as Adolf Hitler, asserting that he had to completely forget who he was before he could play Khilji. [58] Singh trained under Mustafa Ahmed to get into proper shape for the role. The actor worked out twice a day for six days a week. [59] Playing Khilji affected Singh's personality and behaviour such that he had to see a psychiatrist to return to normal. [60]

Jaya Bachchan recommended Aditi Rao Hydari's name to Bhansali for the role of Khilji's first wife, Mehrunisa. [29] [61] [62] Bhansali cast Hydari over four other choices. [63] She is the only member of the star cast who actually belongs to a royal lineage. [64]

Raza Murad portrays Alauddin's paternal uncle and Khilji dynasty founder, Sultan Jalaluddin Khilji. Murad has earlier collaborated with Bhansali in Goliyon Ki Rasleela Ram-Leela and Bajirao Mastani. [65] Jim Sarbh portrays Malik Kafur, a prominent eunuch slave-general of Alauddin Khilji. [66] Sarbh learned horse-riding for the role. [67]

On 25 October 2017, a video of the first song from the film, titled "Ghoomar", was released, in which a woman dressed like a queen appeared briefly. It was later revealed in a Twitter fan page of Sanjay Leela Bhansali Productions, that the woman is Maharawal Ratan Singh's first wife, Rani Nagmati, who is portrayed by Anupriya Goenka. [68]

Budget

Due to the costs mounted on the film by delay in the release, Box Office India declared the film's budget to be ₹215 crore (US$31.44 million), which makes it the most expensive Hindi film and one of the most expensive Indian films ever made. [69] [6]

Costumes

Delhi-based Rimple and Harpreet Narula designed Rani Padmavati's costume using traditional Gota embroidery work of Rajasthan. The border derives from the architectural details of Rajasthani palace windows and jharokhas and the odhnis have been styled in conventional ways which are still prevalent in the Mewar belt of Rajasthan. [70] The designer duo elaborated that the costume worn by Padukone in the final scene of the film features the tree-of-life motif and twisted  gota  embroidery and has a Kota dupatta with block printing. Padukone's dresses were made with Sinhalese influences, as the character of Padmavati hailed from Sri Lanka. [71]

The costumes for Shahid Kapoor were made from mulmul and cotton, with special attention given to the turbans, one of which, featuring a 28-dye lehariya, was inspired by a turban to be found at the Victoria and Albert Museum in London. [72] The clothes for Ranveer Singh were based on travellers' accounts of the Turko-Persian influence on Indian clothing [73] (Khilji was of Turko-Afghan heritage). [26] The costumes for Aditi Rao Hydari, who plays Khilji's first wife Mehrunisa, incorporated Turkish, Afghan, Mongol and Ottoman elements to showcase Mehrunisa's Turkic origins. [74] For both Singh and Hydari's costumes, extensive research was done on the clothing and textiles of the Turkish belt, from Afghanistan and Khyber Pakhtunkhwa to Kazakhstan and to the Central Asian belt around Turkey. [74] [75]

Padukone's look for the "Ghoomar" song features intricate jewellery weighing up to 3 kg (6.6 lb) designed by Tanishq featuring a triple Borla, Mathapatti and Bajuband which are traditional ornaments worn by Rajasthani women. [76]

Vipul Amar and Harsheen Arora of Delhi-based design house 'The V Renaissance' designed costumes for Rawal Ratan Singh and Alauddin Khilji, employing historical techniques to create the armour such as cuirboilli, sculpting, chiselling, and inlaying. [77] The armour took a team of forty workers a total of eight months to prepare. [78]

Music

The score of Padmaavat is composed by Sanchit Balhara, while the songs are composed by Sanjay Leela Bhansali. A. M. Turaz and Siddharth-Garima wrote the lyrics to the songs. The first song "Ghoomar", to which Padukone performs the traditional Rajasthani folk dance on a set that replicates the interior of Chittorgarh Fort, [79] [80] was released on 26 October 2017. [81] The second song from the film "Ek Dil Ek Jaan", a love ballad featuring Padukone and Kapoor, was released on 19 November. [82] The complete soundtrack was released by the record label T-Series [83] on 6 January 2018 in Hindi, and 12 January in Tamil and Telugu. [84]

Controversies

Padmaavat was mired in controversies during its production. Several Rajput caste organisations including Shri Rajput Karni Sena and its members had protested and later vandalised the film sets claiming that the film portrays Padmavati, a Rajput queen, in bad light. They had also assaulted Bhansali on a film set. [85] [86] The Sena had made further threats of violence. [87] While filming a scene in Masai Plateau, Kolhapur at night in October 2017, some people attacked and set the set ablaze, injuring animals and destroying several costumes. [88] Several Muslim leaders protested against the alleged misrepresentation of Alauddin Khilji and called for a ban. [89] [90] In the days leading up to the film's release, there were violent protests and riots in several parts of India. [91] [92] In Haryana, the protestors had attacked several vehicles including a school bus. [93] [94]

Bhansali and Deepika Padukone had received threats of violence and death. [95] [96] [97] The film makers received support from the film community and industry associations including the Indian Film & Television Directors' Association, Cine & TV Artists Association, Western India Cinematographers' Association, Association of Cine & Television Art Directors & Costume Designers. [98] [99] [100]

Major political parties across India took conflicting stands. Several members and leaders of the Bharatiya Janata Party called for a ban on the film. The Rajasthan State unit of the Indian National Congress had also called for ban. [101] [102]

The controversies surrounding the film re-opened the question of film censorship in India and the country's freedom of expression. [103] [104] The Supreme Court dismissed a petition calling to stop the film's release citing the freedom of speech and expression. [105] [106]

The film is banned in Malaysia by the Home Ministry due to its negative portrayal of a Muslim ruler and for touching sensitivities of Islam since Malaysia is predominantly a Muslim nation. [107]

Release

PVR Plaza CP New Delhi First Show Padmavati.jpg
PVR Plaza No poster for Padmaavati.jpg
During the launch of Padmaavat, there was heavy police presence deployed outside PVR Plaza, CP, New Delhi, as well as all cinema halls in the region (top). Note that no poster for Padmaavat was put up at PVR CP, as was the case reported across other cinema halls as well (bottom). [108] [109] [110]

The digital streaming rights of Padmaavat were sold to Amazon Prime Video for ₹200–250 million in August 2017. [111] Although it was reported theatrical distribution rights for all overseas territories were acquired by Paramount Pictures from Viacom18 in October 2017, Paramount later clarified that they would release the film only in the United Kingdom, Ireland, Australia, New Zealand and the Middle East. [112] [113] Prime Focus Limited rendered the film in 3D. [114] The film was initially scheduled for theatrical release on 1 December 2017 in India, but was delayed due to protests. [115]

Padmavati was initially slated for release in the United Arab Emirates on 30 November 2017 and in the United Kingdom on 1 December 2017, but the makers stated that the film would not be released in foreign territories before receiving a certificate from the Central Board of Film Certification (CBFC). [116] [117] [118] In the end of December, CBFC approved the film for theatrical exhibition and suggested 5 modifications to the film, which includes the addition of multiple disclaimers and amending its title to Padmaavat. [9] [10] The change in the title was intended to be a disclaimer that the film is not a historical drama, but a cinematic adaptation of Malik Muhammad Jayasi's epic poem Padmavat. [119]

The British Board of Film Classification (BBFC) passed the film with a (12A) rating and zero cuts. [120]

Post the CBFC approval with U/A certification, the film got banned by the Chief Ministers of four states Rajasthan, Gujarat, Madhya Pradesh and Haryana in order to maintain 'law and order' and avert protests in their states. [121] [122] The Supreme Court of India over-ruled the ban, stating that freedom of speech is to be maintained and that the states have to ensure the screening of the film without any issues. [123] [124] [125] On 30 January 2018, Malaysia banned the film. [126]

Padmaavat premiered on television on 30 September 2018 on the Hindi general entertainment channels (GEC) Colors, Colors HD, and the Hindi movie channel Rishtey Cineplex. [127] The film was dubbed and released in Tamil, Telugu and Kannada languages under the same title. [128] [129] [130]

Reception

Critical response

On the review aggregator website Rotten Tomatoes , 55% of 29 critics' reviews are positive, with an average rating of 6/10. [131] . Metacritic , which uses a weighted average , assigned the film a score of 63 out of 100, based on 6 critics, indicating "generally favorable" reviews. [132]

India

Padmaavat opened to mixed-to-positive critical reviews upon release. [133] [134] [135] Critics praised the visuals, screenplay, cinematography, and the performance of Singh, but criticized its execution, running time and the "unwanted" 3D conversion. [12]

Following its controversies, the makers held a pre-screening of Padmaavat in November 2017 for some journalists, including Arnab Goswami and Rajat Sharma, who praised the film and described it as "the greatest tribute to Rajput pride." [136] [137] Rajat Sharma particularly praised Singh's performance as Khilji. [138]

Taran Adarsh of Bollywood Hungama gave 4.5 stars and said, "On the whole, Padmaavat is a remarkable motion picture experience that's backed by proficient direction, spellbinding screenwriting and superlative acting. For Bhansali, it's the best title on an impressive filmography." [139] Neil Soans of The Times of India gave 4 stars and said, "The director's expertise in heightening opulence and grandeur is well-known, further distinguishable in 3D. Cinematographer Sudeep Chatterjee compliments him by beautifully capturing some jaw-dropping scenery." [140] Rachit Gupta of Filmfare gave 3.5 stars and said, "the real wonder of Padmaavat comes from its production and presentation. This film has phenomenal production design, costumes and camera work. The technical finesse on display is just mind boggling." [141] Rajeev Masand of News18 gave 3.5 stars, praising Singh's performance. [142]

Kunal Guha of Mumbai Mirror gave 3.5 stars, but criticised Padukone and Kapoor's performances. [143] Giving 3.5 stars, Sushant Mehta of India Today panned Padukone and Kapoor's performances, calling them "mediocre", while terming Singh's "unconvincing". [144]

Anupama Chopra of Film Companion gave the film 2.5 out of 5 stars and said, "I clinically admired each frame. I applauded the work of cinematographer Sudeep Chatterjee, costume designers Harpreet-Rimple, Maxima Basu, Chandrakant & Ajay, and production designers Subrata Chakraborty and Amit Ray. But I wasn't seduced by the storytelling." [145] Shubhra Gupta of The Indian Express gave 2.5 stars and said, "Padmaavat is spectacular [to look]: no one can do spectacle like Bhansali. You can easily delight in it while the going is good. But nearly three hours of it, and looping rhetoric around what constitutes Rajput valour can, and does, become tiresome." [146] Mayur Sanap of Deccan Chronicle criticised the execution and the length and gave 2.5 stars. [147] Suparna Sharma, also of Deccan Chronicle gave 2.5 stars and said, "Padmaavat is offensively chauvinistic, blatantly right-wing, and quite unabashedly anti-Muslim". [19]

Raja Sen of NDTV India gave 1.5 stars and said, "Bhansali takes an unbearable length of time to spark the flame. Things go on and on and on, with characters it is impossible to care about. They may appear attractive from time to time, certainly, but these protagonists are inconsistent, infuriating and test the patience." [148]

Rediff.com also gave 1.5 stars calling it "superficial" and wrote, "Padukone gets an absolute raw deal as the Queen; her performance is submissively overwrought, blandly weighted, and her speeches combined with the leisureliness of the narrative's pacing, can put you in a stupor. Worst of all, you will be driven by the suspicion if Padukone even does enough to deserve the movie's title." [149] Namrata Joshi of The Hindu gave a negative review noting the film is "a yawn fest" and "an interminable expanse of unadulterated dullness." She also criticised the 3D conversion writing, "The opulence doesn't seem as awe-inspiring, the special effects, especially in some of the battle scenes, are plain tacky and the actors seem like cardboard dolls of themselves in the long shots, acquiring a human visage only in the extreme". [150] Anna M. M. Vetticad of Firstpost criticised the film giving 1 star out of 5 writing "Padmaavat is a perfect example of a Hindi film couching its extreme prejudices in grandiloquence and tacky clichés, with those clichés embedded in resplendent frames." [15]

Overseas

Mike McCahill of The Guardian gave 4 stars and said, "It's not just the extravagance that catches the eye, but the precision with which it is applied. Every twirl of every sari and every arrow in every battle appears to have been guided by the hands of angels. Such excess could have proved deadening, but dynamic deployment of old-school star power keeps almost all its scenes alive with internal tensions." [151] Shilpa Jamkhandikar published a mixed review in Reuters , who noted, "But unlike Bhansali's earlier films, where he was able to find emotional depth even in opulent historical romances, this one falls short." However, she praised Singh's performance as Khilji. [152] Manjusha Radhakrishnan of Gulf News opined that the quality of the work was lower than that in other Bhansali films. [153] Sadaf Haider of DAWN Images said that the film is "a flawed history lesson", however, she praised the film visual, music and most of the act. [154] Rahul Aijaz of The Express Tribune rated 4.5 out of 5 stars; he too praised the film and said that it "doesn't set up false expectations and then disappoint" due to "perfect storytelling", and "memorable performances". [155] A Pakistani critic, Haroon Khalid, had disliked the portrayal of Khilji as a stereotypical evil Muslim king and Ratan Singh as the righteous Hindu king. [156]

Box office

Due to the numerous controversies associated with Padmaavat prior to its release which resulted in banning the film in certain states, the film's commercial performance was highly unpredictable. [157] The film was released in only 70% of places in India. [158] However, despite limited screenings, the film earned an estimated ₹5 crore (US$731,106.38) in Wednesday paid previews. [159] The following day, the film opened nationwide across 4,800 screens of which over 500 screens were shown in Tamil and Telugu. [160] [161] It earned an estimated ₹19 crore (US$2.78 million) nett on its opening day in India, excluding previews, which was considered impressive despite its ban in numerous big states and marked a career-best opening for Kapoor, Singh and Bhansali, and fourth biggest for Padukone (behind Happy New Year , Chennai Express and Yeh Jawaani Hai Deewani ). [162] [163] [164] [ non-primary source needed ] [165] On Friday, the film added another ₹32 crore (US$4.68 million), owing to national holiday on Republic Day. [166] This was followed by a gradual fall on Saturday taking in another ₹27 crore (US$3.95 million). [167] [168] Through Sunday, the film delivered an opening weekend of ₹114 crore (US$16.67 million) and became the fourteenth film to enter the 100 crore club in just under 4 days. [169] [170] [ non-primary source needed ] Furthermore, it broke the record for the biggest IMAX opening in India with US$461,000 from 12 screens. [171] However, due to its limited screenings, the film nevertheless lost over ₹35 crore (US$5.12 million) in box office receipts during its opening weekend. [172]

Outside India, the film broke all-time opening day records in Australia (A$367,984), surpassing the likes of Dangal and the dubbed-Hindi version of Baahubali 2: The Conclusion . [157] [173] One of the reason behind the film's successful run in the country was because Paramount (the overseas distributing company) was able to secure release in all three major theatre chains (Hoyts, Event Cinemas and Village Cinemas) unlike other Bollywood films which have to choose between the two latter. [174] In the United States and Canada, the film grossed $1.13 million on its opening day. This was followed by the biggest ever single-day for a Hindi film with $1.8 million on Saturday, breaking the previous record held by PK ($1.41 million). [175] [176] Although Baahubali 2: The Conclusion still holds the record for all Indian films, that is inclusive of three different languages. [177] It went on to set a new opening weekend record for a Hindi film with $4.2 million, and witnessed the second best per-theatre-average inside the top 10 with $13,188 from 324 theatres. [171] [178] As of 6 February 2018, the film has crossed ₹4 billion (US$48 million) worldwide, making it one of the top 10 highest-grossing Bollywood films of all time. [179] Its domestic net income was ₹2.75 billion (US$33 million) in the fourth weekend of its run. [20] The film has grossed ₹5.85 billion (US$70 million) worldwide. [180]

Historical inaccuracies

In the film, the Delhi Sultanate's flag is shown in black colour with a white crescent moon. The Sultanate actually had a green flag with a black band running vertically on the left. [181] Most historians believe little evidence exists for Padmavati in real life. [182] And, in the original Padmavat poem written by Malik Muhammad Jayasi, Khilji never had a direct confrontation with Raja Ratansen. [183]

It was shown in the film that, Malik Kafur was gifted as a slave to Alauddin Khalji, while he was actually captured by Alauddin's army general Nusrat Khan Jalesari, during the 1299 invasion of Gujarat, [184] and converted to Islam [185]

Portrayal of Jalaluddin and Alauddin Khilji

Before their ascension to the throne, Jalaluddin and Alauddin Khilji were known as Malik Firuz and Ali Gurshasp, respectively. [181] [186]

Jalaluddin Khilji is portrayed as an arrogant, cunning and cruel man, though he was actually popular for being a mild-mannered, humble, and pious ruler. [181] [187] Jalaluddin ascended the throne of Delhi in 1290 only to end the chaos that ensued after the death of Sultan Ghiyas ud din Balban. [188] He was not ambitious by nature and did not lead an attack on the Delhi Sultanate from Ghazni, Afghanistan. [189]

The portrayal of Alauddin Khilji in the film has been criticised by historians and critics for its historical and geographical inaccuracies and not staying faithful to the epic Padmavat . [15] [188] [190] [191] [192] [181] The film shows an unsuccessful assassination plot by Alauddin's nephew, one which seriously injures the Sultan, but none of this actually happened. [186] Historian Rana Safvi wrote that Khilji was sophisticated, not barbarian as portrayed in the film. [189] [193] Historian Mohammed Safiullah also criticised Khilji's portrayal and the implicit depiction of a homosexual relationship between Khilji and his slave-general Malik Kafur. [194] Historian Archana Ojha of Delhi University criticised Alauddin Khilji's look and clothing in the film. [195]

Accolades

See also

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Deepika Padukone is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022.

<i>Padmavat</i> 16th century Awadhi epic

Padmavat is an epic poem written in 1540 by Sufi poet Malik Muhammad Jayasi, who wrote it in the Hindustani language of Awadhi, and originally in the Persian Nastaʿlīq script. It is the oldest extant text among the important works in Awadhi. A famous piece of Sufi literature from the period, it relates an allegorical fictional story about the Delhi Sultan Alauddin Khalji's desire for the titular Padmavati, the Queen of Chittor. Alauddin Khalji and Padmavati's husband Ratan Sen are historical figures, whereas Padmavati may have been a fictional character.

<span class="mw-page-title-main">Ranveer Singh</span> Indian actor (born 1985)

Ranveer Singh Bhavnani is an Indian actor who works in Hindi films. He is the recipient of several awards, including five Filmfare Awards. He is among the highest-paid Indian actors and has been featured in Forbes India's Celebrity 100 list since 2012.

<i>Goliyon Ki Raasleela Ram-Leela</i> 2013 Indian film by Sanjay Leela Bhansali

Goliyon Ki Raasleela Ram-Leela, also simply known as Ram-Leela, is a 2013 Indian Hindi-language romantic tragedy film written and directed by Sanjay Leela Bhansali, who also composed its original soundtrack. The film was jointly produced by Bhansali and Eros International's Kishore Lulla and stars Deepika Padukone and Ranveer Singh in lead roles with Priyanka Chopra making a special appearance in the song "Ram Chahe Leela". The supporting cast includes Supriya Pathak, Richa Chadda, Sharad Kelkar, Gulshan Devaiah, Barkha Bisht Sengupta, and Abhimanyu Singh. Based on the tragedy Romeo and Juliet by William Shakespeare, Ram-Leela narrates the star-crossed romance between the two eponymous lovers from two gangster families, who fall in love with each other, but are forced to separate due to their families' centuries old rivalry.

<span class="mw-page-title-main">Deepika Padukone filmography</span> List of films with Deepika Padukone

Indian actress Deepika Padukone primarily appears in Hindi films. Her first screen appearance was in Himesh Reshammiya's music video "Naam Hai Tera" in 2005. Padukone made her film debut by playing the title role in the Kannada-language film Aishwarya (2006). Her first Hindi film release came the following year with Farah Khan's melodrama Om Shanti Om, in which she played dual roles opposite Shah Rukh Khan. She won the Filmfare Award for Best Female Debut for it. Her sole film role in 2008 was as one of Ranbir Kapoor's love interests in Bachna Ae Haseeno. Padukone's first film release of 2009, the kung fu comedy Chandni Chowk to China, proved to be a box office flop, but her next release, Imtiaz Ali's romance Love Aaj Kal, opposite Saif Ali Khan, was a success. Of Padukone's five film releases in 2010, only the comedy Housefull was financially profitable. The series of poorly received films continued with both her 2011 releases, Aarakshan and Desi Boyz.

<i>Bajirao Mastani</i> 2015 Indian epic historical tragedy film

Bajirao Mastani is a 2015 Indian Hindi-language epic historical tragedy film directed by Sanjay Leela Bhansali, who co-produced it with Eros International and composed its soundtrack. The film stars Ranveer Singh, Deepika Padukone and Priyanka Chopra with Tanvi Azmi, Vaibhav Tatwawaadi, Milind Soman, Mahesh Manjrekar and Aditya Pancholi in supporting roles. Based on Nagnath S. Inamdar's Marathi novel Rau, Bajirao Mastani narrates the story of the Maratha Peshwa Bajirao I (1700–1740) and his second wife, Mastani.

<span class="mw-page-title-main">Nagada Sang Dhol</span> Song by Sanjay Leela Bhansali, performed by Shreya Ghoshal and Osman Mir

"Nagada Sang Dhol" is a Garba song from the 2013 Hindi film, Goliyon Ki Raasleela Ram-Leela. Composed by Sanjay Leela Bhansali, the song is sung by Shreya Ghoshal and Osman Mir, with lyrics penned by Siddharth-Garima. The song features Deepika Padukone, Ranveer Singh and Supriya Pathak in the video.

<span class="mw-page-title-main">Laal Ishq (song)</span> 2013 Hindi song

Laal Ishq is a Hindi song from the 2013 Hindi film, Goliyon Ki Raasleela: Ram-Leela. Composed by Sanjay Leela Bhansali, the song is sung by Arijit Singh with lyrics by Siddharth–Garima.the track is produced and arranged by Shail Hada. The music video of the track features actors Deepika Padukone and Ranveer Singh.

Karni Sena, known as Shri Rajput Karni Sena, is an organisation based in Rajasthan, India. Founded by Lokendra Singh Kalvi and led by Mahipal Singh Makrana,Thakur, Vishwabandhu Singh Rathore and others. It takes its name from Karni Mata, who is believed to be incarnation of Hinglaj by her followers.

<i>Bajirao Mastani</i> (soundtrack) 2015 soundtrack album by Sanjay Leela Bhansali

Bajirao Mastani is the soundtrack album, composed by Sanjay Leela Bhansali with assistance by Shreyas Puranik and Devrath to the 2015 Hindi film of the same name. The film stars Ranveer Singh, Deepika Padukone and Priyanka Chopra in lead roles. The album, originally recorded in Hindi features nine songs, and was released on 31 October 2015 by Eros Music. The original score of the film is composed by Sanchit Balhara.

Sanchit Balhara and Ankit Balhara are an Indian film score composer duo. Sanchit Balhara started his career as a solo composer and became best known for composing the score of Sanjay Leela Bhansali's 2015 epic historical romance film, Bajirao Mastani. Sanchit's elder brother, Ankit Balhara, joined him in 2018, and the duo have been composing together since Manikarnika: The Queen of Jhansi.

<span class="mw-page-title-main">Deewani Mastani</span> 2015 Hindi song

"Deewani Mastani" is a song from the 2015 Hindi film Bajirao Mastani. The song is composed by Sanjay Leela Bhansali and sung by Shreya Ghoshal, while backing vocals were given by Ganesh Chandanshive, Mujtaba Aziz Naza, Altamash Faridi, Farhan Sabri. The lyrics were majorly penned by Siddharth-Garima. Ganesh Chandanshive penned the Marathi lyrics while the Qawwali lyrics were written by Nasir Faraaz. The song features Deepika Padukone, Ranveer Singh and Priyanka Chopra in the video. The movie was dubbed in Tamil and Telugu and hence the song was also released as "Thindaadi Poagiraen" in Tamil and "Mastani" in Telugu on 25 November 2015. Shreya Ghoshal rendered her voice to all the three versions of the song. The song was reprised in MTV Unplugged Season 6 and was also rendered by Ghoshal.

<span class="mw-page-title-main">Ghoomar (song)</span> 2017 song by Shreya Ghoshal and Swaroop Khan

"Ghoomar" is a song sung by Shreya Ghoshal and Swaroop Khan from the film Padmaavat. The music of the song was composed by Sanjay Leela Bhansali while the lyrics were provided by A. M. Turaz and Swaroop Khan. The music video of the track features Deepika Padukone, Shahid Kapoor and Anupriya Goenka. The movie is dubbed in Tamil and Telugu and hence the song was also released as "Goomar" in Tamil and "Jhoommani Jhoommani Aade" in Telugu. The Tamil and Telugu versions as well were sung by Ghoshal while the Kannada version was sung by Darshan N and Sparsha RK.

<i>Padmaavat</i> (soundtrack) 2018 soundtrack album by Sanjay Leela Bhansali

Padmaavat is the soundtrack album, composed by Sanjay Leela Bhansali to the 2018 Hindi film of the same name. The film stars Shahid Kapoor, Deepika Padukone and Ranveer Singh in lead roles. The album, originally recorded in Hindi features six songs, and was released on 6 January 2018 by T-Series. The original score of the film is composed by Sanchit Balhara.

<span class="mw-page-title-main">Meezaan Jafri</span> Indian actor (born 1995)

Meezaan Jafri is an Indian actor who works in Hindi films. The son of actor Jaaved Jaaferi and grandson of comedian Jagdeep, he made his acting debut in Malaal (2019), which earned him critical praise for his performance. Jafri has since starred in Hungama 2 (2021) and Yaariyan 2 (2023).

<span class="mw-page-title-main">Ranveer Singh filmography</span>

Indian actor Ranveer Singh made his acting debut with Yash Raj Films' romantic comedy Band Baaja Baaraat, opposite Anushka Sharma. He won the Filmfare Award for Best Male Debut for his performance. He then appeared opposite Sharma again the company's Ladies vs Ricky Bahl (2010). In 2013, Singh received critical acclaim for playing a melancholic thief in Lootera, and emerged a star with in Sanjay Leela Bhansali's romantic drama Goliyon Ki Raasleela Ram-Leela, alongside Deepika Padukone.

<i>Goliyon Ki Raasleela Ram-Leela</i> (soundtrack) 2013 soundtrack album by Sanjay Leela Bhansali

Goliyon Ki Raasleela Ram-Leela is the soundtrack to the 2013 romantic tragedy film of the same name, directed and co-produced by Sanjay Leela Bhansali, and starring Ranveer Singh and Deepika Padukone. Bhansali also composed the film's soundtrack, which consists of 11 songs and were written by Siddharth–Garima. The music was influenced by traditional folk music originated from Gujarat and were composed before the film's production. The album was released on 4 October 2013 through the Eros Music label on digital platforms.

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