Gangubai Kathiawadi received widespread critical acclaim for its themes, direction, production value and Bhatt's performance. In its theatrical run, the film grossed ₹153.69 crore (US$19million) at the domestic box office and ₹209.77 crore (US$26million) globally emerging as a major commercial success.[9] Numerous publications listed Gangubai Kathiawadi and Bhatt's performance in the film on various year-end best films and performances lists of 2022.[10][11]
She is tortured by brothel madame Rashmibai for not consenting to become a sex worker. Unable to convince Madhu, Rashmibai approaches Gangubai, the most influential madame in Kamathipura to persuade the girl. Gangubai meets Madhu and tells her her own story in order to inspire her to embrace prostitution.
Born into an affluent family in Kathiawad, Ganga Jagjivandas Kathiawadi, the daughter of a barrister, aspired to become a Bollywood actress. At the age of 16 she ran away from home with her older boyfriend, Ramnik Lal, to Bombay, as he promised Ganga a film career under the tutelage of his aunt Sheela.
In reality, Ramnik was actually a groomer and a pimp & had sold Ganga to a brothel owned by Sheela [lower-alpha 1] for Rs 1000, where she was forced into becoming a prostitute. There she changes her name to Gangu. While there, she befriends a fellow prostitute named Kamli. Gangu is valued by Sheela due to her beauty & wits.
At the brothel, Gangu introduced labour rights by advocating for prostitutes to observe days off from work once in a week. A local goon named Shaukat Abbas Khan visits the brothel, violently assaults Gangu (which leaves her hospitalised) as a part of his sexual fantasies & refuses to pay. Since Sheela refuses to take action against the man because she wanted to indirectly teach Gangu a lesson. Gangu goes to Shaukat's boss, mafia leader Rahim Lala for justice. A man of principles, Rahim Lala is horrified when Gangu shows him the bruises caused by Shaukat & at the same time impressed by Gangu's fearlessness. He declares Gangu to be his sister & brutally beats Shaukat when he again comes to solicit Gangu at the brothel. Gangu earns the adoration of the fellow prostitutes for her quest to seek justice & fear from Sheela due to Rahim Lala's backing for her.
9 years after she entered into the flesh trade, Gangu is made the madame of the brothel by other prostitutes after Sheela's death. From then on, she is referred to as Gangubai [lower-alpha 2], and goes on to become a powerful figure of Kamathipura. 3 years have passed since then.
However when Madhu remains steadfast in her decision of not entering into prostitution, Gangubai (who saw the reflection of her own past in Madhu) frees her from the brothel and sends her back home safely.
Gangubai decides to stand as a candidate in the presidential elections of Kamathipura against the incumbent, a hijra named Raziabai who has won unopposed for the last 2 years & is renowned for ruthlessness. Gangubai utilises her act of kindness in saving Madhu for electoral propaganda against Raziabai. Raziabai tries to intimidate Gangubai to make her drop out from the elections but Gangubai refuses. With the help of Rahim Lala, Gangubai arranges for the illegal sale of alcohol from her brothel in order to raise money for her election campaign & the living standards of the prostitutes under her control. Raziabai secretly tipped off the local police about this, but they were unable to gather evidence against Gangubai, who swiftly took things under control by bribing the local inspector-in-charge. After this incident, Gangubai worked quickly to erode Raziabai's support base by broadcasting Bollywood movies in her part of Kamathipura free of charge with the help of one of her clients for the entertainment of the prostitutes in order to prevent them from attending a meeting where Raziabai was about to deliver a speech. Raziabai mocks Gangubai's attempts by stating that defeating Raziabai is as impossible as bringing a marriage procession to Kamathipura. So Gangubai arranges for the marriage of Roshni, the virgin daughter of a fellow prostitute named Kusum (who didn't want her daughter to become a prostitute & had attempted to protect Roshni from her clients' gaze by keeping her locked away after sedating her with opium) with a Muslim tailor named Afsaan Razzaq, whose uncle used to sew clothes for her. Afsaan & Gangubai were in love with each other, but Gangubai convinced him to marry Roshni instead by stating that as a sex-worker, she can't marry anybody. She also convinced Afsaan's disapproving uncle & aunt to accept Roshni as their niece-in-law by paying a large dowry. The arrival of Afsaan's marriage procession[lower-alpha 3] was a huge spectacle, previously unheard of in Kamathipura. All of this contributed to Gangubai winning the elections by a huge margin. In the role of Kamathipura's president, she advocates for civil rights of prostitutes. While in office, Gangubai gets to call her family via telephone for the first time in 12 years and finds out that her father has died and her family has not forgiven her for running away. Gangubai pushes forward the concept of prostitutes enjoying holidays by calling for the celebration of Navaratri in Kamathipura, accompanied by lights, festive decorations, music & garba (which she enjoyed while living in Kathiawad) and voluntarily refraining from business on the 9th day of the celebrations[lower-alpha 4].
After the celebrations are over, Gangubai is informed by Rahim Lala that a local Catholic girl's school situated near the red-light district has started a campaign to evict prostitutes from the area over concerns of the school's students falling under the bad influence of sex-workers, & taking advantage of the campaign a local builder wants to demolish the brothels & construct skyscrapers on the land. Gangubai protests, stating that the school is barely 40 years old while the history of prostitution in Kamathipura dates back to at least a century & once evicted, the 4,000 prostitutes of Kamathipura will have nowhere to go. Rahim Lala accordingly intimidates the builder's agent from forcibly evicting the prostitutes and warns Gangubai to prepare herself to be sued and brought to court.
After the matter reaches court, Gangubai walks into the school principal's chamber in order to get the children from her brothel admitted into the school. She offers 5 years' fees for all 8 girls on the spot and suggested that providing education to children born to prostitutes but abandoned by their biological fathers so that they can choose careers other than prostitution is a better way to abolish sex-trade than evicting prostitutes. The girls are enrolled in front of a journalist from the 'Bombay Urdu Times', Mr. Hamid Faizi, who was present there & is sympathetic to the cause of education for the children born in brothels. However, after Gangubai leaves, the children are beaten by the nuns and thrown out of the school on their first day. Faizi thus decides to publish Gangubai's interview regarding the campaign to evict prostitutes in the newspaper to support her cause. At the same time, Kamli falls ill after giving birth and dies, so Gangubai takes in Kamli's child, Pammi. After the interview gets appreciated by the readers, Faizi arranges for Gangubai to deliver a speech at a feminist meeting held on Azad Maidan. In her speech, Gangubai points out the inherent misogyny of the society which labels prostitutes as immoral but not the men who visit them. She states that while politicians talk about ending discrimination in the country along lines of caste, creed, colour & religion, prostitutes who actually follow these ideals in real life while giving their services face discrimination & have been pushed to the margins of the society. She then states that by satisfying the sexual appetite of anti-social elements & unfaithful husbands, prostitutes play a vital role in decreasing domestic & sexual violence against other women in streets & households, but their contribution goes unnoticed. She also says that she will continue to fight for the right of prostitutes' children to receive an education and for prostitutes to be given respect in society. After her speech goes viral, Faizi arranges for Gangubai's meeting with a local politician in her brothel. In exchange for providing support in the upcoming elections, Gangubai asks the politician to make the school authorities withdraw the petition from the court by his influence. However, the politician initially refuses, saying that the school authorities had filed a PIL to the Supreme Court in this matter. Gangubai agrees to provide support to the politician after he assures her of arranging her meeting with the Prime Minister.
Gangubai goes to New Delhi to meet with the Prime Minister, Jawaharlal Nehru & requests him to legalize prostitution in the country, but Nehru refuses. Gangubai then describes how people who indulge in trafficking girls into prostitution go unpunished, while the innocent girl is victimized throughout her entire life, how prostitutes, who face discrimination while availaing the basic civic amenities like buying subsidised food from ration shops, availing treatment from government hospitals, getting financial service from banks & availing justice from law-&-order agencies like police stations and courts, were now on the brink of homelessness due to the campaign against them & how children of prostitutes were being denied the right to avail education. After discussion, the Prime Minister eventually agrees to set up a committee to investigate the status of prostitution in the country & block the brothels of Kamathipura from being vacated. As prostitution becomes legalized while making trafficking of girls & soliciting sex illegal[lower-alpha 5], Kamathipura celebrated its continued existence, thanks to Gangubai Kathiawadi. The film ends by saying, "To cry was her destiny, but to smile was her nature. Gangu wanted to become a heroine, but this wretched girl became an entire cinema by herself."
Chhaya Kadam as Rashmibai, a fellow madame of Kamathipura
Mitalee Jagtap as Kusum, a prostitute who became Gangu & Kamli's friend and worked in the same brothel as them.
Pallavi Jadhav as Rama, a prostitute of Kamathipura
Kruti Saxena as Nimmi, a prostitute from Kamathipura
Sonal Sagore as Banno, a prostitute from Kamathipura
Lata Singh as Lata, a prostitute from Kamathipura
Ekta Shri as Ekta, a prostitute from Kamathipura
Abhirami Bose as Abhirami, a prostitute from Kamathipura
Chum Darang as Chum, a prostitute from Kamathipura
Baldev Trehan as Afsaar's uncle
Jahangir Khan as Shaukat Abbas Khan, a sadistic client who hurts Gangu
Faiz Khan as Liaquat, Rahim Lala's henchman
Rakesh Bhavsar as Jugnu, a man who tried to molest Gangu when she led a group of her fellow prostitutes to watch cinema in a nearby theatre while observing a day off from work.
Roshan Chatterjee as Pinku, Raziabai's henchman
Huma Qureshi as Dilruba, a Qawali singer (special appearance in the song "Shikayat")[17]
Production
Development
The news about an adaptation of one of the chapters of Hussain Zaidi's book Mafia Queens of Mumbai first came out in June 2017 with Priyanka Chopra attached to star as the leading character.[18] The film's earlier title was Heera Mandi.[19] In March 2019, Chopra confirmed that she was working on a project with Bhansali, who also confirmed that he was making Gangubai Kathiawadi with Chopra.[20] However, in September 2019, media reported that Alia Bhatt, who was supposed to do a different film, titled Inshallah, by Bhansali was going to replace Chopra after Inshallah got shelved.[21] Principal photography begun in Film City, Mumbai on 27 December 2019.[22][23][24]
The film score is composed by brothers Sanchit Balhara and Ankit Balhara, while the songs featured in the film are composed by Sanjay Leela Bhansali with lyrics written by A. M. Turaz, Kumaar and Bhojak Ashok "Anjam".[32] The Hindi version of the chours singer includes Tarannum Jain, Dipti Rege, Aditi Pradhudesai, Aditi Paul, Kalpana, Ruchna, Pragti.[33]
Sahithi Komanduri, P. Sathya Yamini, Harini Ivaturi, Aswhini Chepuri, V. Pavani
2:50
Total length:
22:40
Release
Theatrical
Gangubai Kathiawadi had its premiere on 16 February 2022 at 72nd Berlin International Film Festival,[35][36] at the Berlinale Speciale Gala Section.[37][38] The film was released in cinemas on 25 February 2022.[39] Earlier, the film was scheduled for release on 30 July 2021 but it was postponed due to the rising cases and second wave of the COVID-19 pandemic.[40] It was then scheduled for worldwide release in theatres on 6 January 2022 but to avoid clash with S. S. Rajamouli's RRR, the release has been changed to 18 February.[41] Later, the date was pushed back by a week to release on 25 February 2022.[42]
The film was released in Hindi along with the Telugu-language dubbed version.[43]
Home media
The film is now streaming on Netflix from 26 April 2022.[44] In June 2022, the film became the most-watched Indian film on Netflix.[45]
Reception
Critical response
Gangubai Kathiawadi received critical acclaim with major praise directed towards the performances (particularly Bhatt, Raaz, Maheshwari, Devgn and Pahwa), music, production design, cinematography, storyline and Bhansali's direction.[46][47][48] On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 91% based on 22 reviews and an average rating of 7/10.[49]
Sushri Sahu of Mashable gave the film a rating of four and a half out of five stars and wrote "Sanjay Leela Bhansali's Gangubai Kathiawadi starring Alia Bhatt, Ajay Devgn and others is an absolute crowd-puller.[50] Mugdha Kapoor Safaya of DNA India gave the film a rating of four out of five stars and wrote "The film's narrative is such that you will empathise with Gangu, root for her and cheer for her with every small victory, but never pity her."[51]
Jagadish Angadi of Deccan Herald gave the film a rating of four out of five stars and wrote "Alia Bhatt as Gangubai is exceptionally brilliant. The linear storytelling effectively highlights multiple conflicts of Gangubai.[52] Wendy Ide of The Observer gave the film a rating of four out of five stars and wrote "The hard-hitting story of a sex worker who rises through the ranks of 60s gangland Mumbai is powered by a magnetic performance from Alia Bhatt".[53]
Ronak Kotecha of The Times of India gave a rating of three and a half out of five stars and wrote "With whatever is packed into this drama, there are enough moments that will draw you into this world where nights seem endless and the lights never fade."[54]Saibal Chatterjee of NDTV gave the film a rating of three and a half out of five stars and wrote "The visually sumptuous character study, more baroque than 1950s Bombay, is at once sweeping and intimate".[55] Tushar Joshi of India Today gave a rating of three and a half out of five stars and wrote "Gangubai Kathiawadi's camera work, background score and dialogues are the three pillars that take it from being just another gutsy biopic to a film that creates a massive impact. Gangubai is a solid risk for both Bhansali and Alia. A risk that pays off beautifully for both the director and his muse".[56]
Prathap Nair of Firstpost gave a rating of three and a half out of five stars and wrote "Written by Bhansali and Utkarshini Vashishtha, it flips the narrative by handing out extraordinary concessions to the female lead at its heart, not entirely a frequent occurrence in Bollywood".[57]Bollywood Hungama gave the film a rating of three and a half out of five stars, writing: "The Alia Bhatt-starrer Gangubai Kathiawadi is a powerful saga and is embellished with terrific moments and a career best performance by Alia Bhatt. At the box office, it has bright chances to score with the multiplex and female audiences".[58]Stutee Ghosh of The Quint gave the film a rating of three and a half out of five stars and wrote "Gangubai Kathiawadi is a Sanjay Leela Bhansali canvas and a complete Alia Bhatt show".[59]
Sukanya Verma of Rediff gave the film a rating of three and a half out of five stars and wrote "Something in Alia has surely changed after Gangubai. Her entire performance is about proving to herself and not to the world what she can do, feels Sukanya Verma".[60] Sanjana Jadhav of Pinkvilla gave the film a rating of three and a half out of five stars and wrote "Alia Bhatt and the cast performances, Bhansali's visuals and a sneak peek into this brutal world makes it a definite watch".[61]
Devesh Sharma of Filmfare gave the film a rating of three and a half out of five stars and wrote "SLB has again given us a film which keeps us glued to our seats for close to three hours".[62]Shubhra Gupta of The Indian Express gave the film a rating of three out of five stars, writing, "Sanjay Leela Bhansali's latest is the kind of old-fashioned dialogue-heavy, sentiment-on-sleeve film which Bollywood is forgetting how to make".[63]
Monika Rawal Kukreja of Hindustan Times wrote "Alia Bhatt...has given a superlative performance as Gangubai".[64] Anuj Kumar of The Hindu wrote "This is easily Bhansali at his best as he has been able to marry craft with content; here, he attempts a Pakeezah for the millennials and almost succeeds".[65] Sonia Dedhia of News18 wrote "Alia Bhatt practically disappears into the character of Gangubai Kathiawadi. There's a hard-to-miss intensity in her eyes, and tenacity in her voice".[66]
Year-end lists
The Guardian featured her portrayal in their listing of the best big-screen performances of all time.[10] Wendy Ide of Screen Daily named Bhatt's performance in the film as the best performance of the year 2022.[67]Mark Kermode of The Guardian listed Bhatt's performance in the film as one of the ten best performances of 2022.[68]Subhash K. Jha of Times of India listed Bhatt's performance in the film among the top five acclaimed female performances of 2022.[69]Sukanya Verma of Rediff listed Bhatt as one of the top female performers of 2022.[70]
Sanyukta Thakare of Mashable listed Bhatt as one of the top female performers of the year.[71] Santanu Das of Hindustan Times listed Bhatt's performance in the film as one of the best Indian film performances of 2022.[72] Sakshi of News24 listed Bhatt's performance in the film as one of the best Indian film performances of 2022.[73]
Ananya Jain of Indiatimes listed Bhatt's performance in the film as one of the best Indian film performances of 2022.[74]Man's World staff listed Bhatt's performance in the film as one of the best Bollywood female performances of 2022.[75]
Deepa Gahlot of Rediff listed it as one of her top movies of 2022.[79] Aparita Bhandari of Paste listed it as one of the ten best Bollywood movies of 2022.[80]Times of India listed it as one of the best Bollywood films of 2022.[81]The Financial Express listed it as one of the highly acclaimed content-driven films of 2022.[82] Corinne Sullivan and Jasmine Ting of Cosmopolitan listed it as one of the twenty best Bollywood movies of 2022.[83] Allan Hunter of Screen Daily listed it as one of the ten best films of 2022.[84] Siddhant Adlakha of Vulture listed it as one of the five best Indian films of 2022.[85] Shomini Sen of WION listed it as one of the best Hindi films of 2022.[86] Anuj Kumar of The Hindu listed it as one of the best Hindi films of 2022.[87]
Nidhi Gupta of Vogue India listed it as one of the best Bollywood movies of 2022.[88]Scroll staff listed it as one of 2022’s best and most memorable releases in cinemas and on streaming platforms across different languages.[89] Meenakshi Shedde of Mid-Day listed it as one of the top twenty best all-India films of 2022.[90]
Box office
Gangubai Kathiawadi earned ₹10.50 crore (US$1.3million) at the domestic box office on its opening day. On the second day, the film collected ₹13.32 crore (US$1.7million). On the third day, the film collected ₹15.30 crore (US$1.9million), taking total domestic weekend collection to ₹39.12 crore (US$4.9million).[9]
As of 14April2022[update], the film grossed ₹153.69 crore (US$19million) in India and ₹55.56 crore (US$7.0million) overseas, for a worldwide gross collection of ₹209.25 crore (US$26million), recovering its budget and emerging as a commercial success.[9] The film grossed over ₹209.77 crore (US$26million) worldwide, becoming the fifth highest grossing Hindi films of 2022.[91]Bollywood Hungama and Box Office India stated that the film's box-office verdict of a "hit".[92][93][94][95]
Impact
Gangubai Kathiawadi is credited as one of the films which has revived the movie business post COVID-19 pandemic.[96] It is considered as an ice-breaker for Bollywood since it was the among few Hindi film to pull audiences back to the cinema halls after the pandemic.[97][98]Bollywood Hungama noted that Gangubai Kathiawadi's commercial performance has given the much-needed hope to the industry that the box-office in the near future would fire up even more. They also noted Bhatt's ability to shoulder a film on her own and stated, ‘‘Actresses often are not able to do so and need the help of a male actor to get audiences to cinemas. Alia, on the other hand, stands out and she doesn't need any hero's support. Without a male actor, she has managed to deliver a film that's all set to enter the ₹100 crore club and that speaks volumes’’.[94]
Additionally, Bollywood Hungama further noted that, there's a belief that the cinema-going audience primarily consists of males. As a result, testosterone-driven films aimed at men would have a high chance of succeeding and fairer sex can't make a film a hit. However, Gangubai Kathiawadi's box office performance proves that even women audiences can take the film into the 'hit' or even the 'super-hit' zone.[94] Bhatt's look in Gangubai Kathiawadi inspired Malaysia's Northern Haute Couture Fashion Show 2022.[99][100]Deadline Hollywood noted that Gangubai Kathiawadi proved to be a ‘‘rare-breakout’’ for a female-led Bollywood feature.[101][102] Actress Bhumi Pednekar credited Gangubai Kathiawadi for encouraging her to do female-lead films.[103] Cultural professor Rachel Dwyer referred Gangubai Kathiawadi as Bhansali's version of 1972 cult classic, Pakeezah. She drew parallels between Bhatt's and Meena Kumari's character and wrote, "Gangubai may be seen as a version of Sahibjaan/ Pakeezah, who finds herself in the great modern city of Bombay/Mumbai rather than in the courtly world of the then Hindustan, just as Meena Kumari was a heroine of the post-Independence cinema, the way Alia Bhatt is of today’s post-Bollywood".[104]Outlook magazine called Gangubai Kathiawadi a modern-day classic and credited it for setting the stage for a shift in audience's taste.[105]
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References
Notes
↑ brothel madames are euphemistucally referred to as aunts in India
↑ 'Bai' is a honorific suffix added to the names of Hindu women in western India meaning 'lady'
↑ In India, it is customary for the bride's side of the family to organise the marriage ceremony & the groom must come to the bride's house with a marriage party to attend the ceremony
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