National Film Award for Best Male Playback Singer | |
---|---|
National Award for contributions to Indian Cinema | |
Awarded for | Best Male Playback Singer for feature film for a year |
Sponsored by | National Film Development Corporation of India |
Formerly called | Best Playback Singer of the Year (1967) |
Reward(s) |
|
First awarded | 1967 |
Last awarded | 2022 |
Most recent winner | Arijit Singh for "Kesariya" from Brahmāstra: Part One – Shiva |
Highlights | |
Most awards | K. J. Yesudas (8) |
Total awarded | 54 |
First winner | Mahendra Kapoor |
Website | https://dff.gov.in/Archive.aspx?ID=6 |
The National Film Award for Best Male Playback Singer is an honour presented annually at the National Film Awards of India since 1968 to a male playback singer for the best renditions of songs from films within the Indian film industry. The award was first granted to Mahendra Kapoor in 1967. The singers whose performances have won awards have worked in nine major languages: Hindi (19 awards), Malayalam (9 awards), Bengali (7 awards), Telugu and Marathi (5 awards each), Tamil, Kannada (4 awards), and Punjabi (1 award).
The singer with the most awards in this category is K. J. Yesudas with eight wins for three languages (Malayalam, Telugu and Hindi), followed by S. P. Balasubrahmanyam who won six times for four languages (Telugu, Hindi, Kannada and Tamil). Udit Narayan and Shankar Mahadevan follow next, winning three awards each. The singers Manna Dey, Hemanta Kumar Mukhopadhyay, M. G. Sreekumar, Hariharan and Arijit Singh have bagged this award twice.
List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation | |||||||
---|---|---|---|---|---|---|---|
Year | Image | Recipient(s) | Song(s) | Film(s) | Language(s) | Citation | Refs. |
1967 (15th) | Mahendra Kapoor | "Mere Desh Ki Dharti" | Upkar | Hindi | – | [1] | |
1968 (16th) | Manna Dey | "Jhanak Jhanak Tori Baaje Paayaliya" | Mere Huzoor | Hindi | – | [2] | |
1969 (17th) | Sachin Dev Burman | "Safal Hogi Teri Aradhana" | Aradhana | Hindi | – | [3] | |
1970 (18th) | Manna Dey | •"Ae Bhai Zara Dekh Ke Chalo" •"Ja Khushi Ora Bole" | • Mera Naam Joker • Nishi Padma | •Hindi • Bengali | – | [4] | |
1971 (19th) | Hemant Kumar | – | Nimantran | Bengali | – | [5] | |
1972 (20th) | K. J. Yesudas | "Manushyan Mathangale" | Achanum Bappayum | Malayalam | – | [6] | |
1973 (21st) | K. J. Yesudas | "Padmatheerthame Unaroo" | Gayathri | Malayalam | – | [7] | |
1974 (22nd) | Mukesh | "Kahi Baar Yoon Bhi Dekha Hai" | Rajnigandha | Hindi | – | [8] | |
1975 (23rd) | M. Balamuralikrishna | – | Hamsageethe | Kannada | – | [9] | |
1976 (24th) | K. J. Yesudas | "Gori Tera Gaon Bada Pyara" | Chitchor | Hindi | – | [10] | |
1977 (25th) | Mohammed Rafi | "Kya Hua Tera Wada" | Hum Kisise Kum Naheen | Hindi | For a golden voice, with resonant timbre and charm, highly cultivated to convey the nuances of melodies based on classical and light classical ragas with as much ease and felicity as tunes set to the lilt of light music; for the sheer brilliance of form and content in his powerful interpretations; for a distinctive personal style. | [11] | |
1978 (26th) | Shimoga Subbanna | "Kaadu Kudure Odi Banditta" | Kaadu Kudure | Kannada | For rendering the theme song "Kaadu Kudure" in a style which is atonce vigorous and lyrical. | [12] | |
1979 (27th) | S. P. Balasubrahmanyam | "Omkara Naadaanusandhanamou" | Sankarabharanam | Telugu | – | [13] | |
1980 (28th) | Anup Ghoshal | "Aaha Ke Anondo" | Hirak Rajar Deshe | Bengali | For a wonderful range of voice and the sense of rhythm imparted to the songs rendered, by him. | [14] | |
1981 (29th) | S. P. Balasubrahmanyam | "Tere Mere Beech Mein" | Ek Duuje Ke Liye | Hindi | For great feeling and sense of rhythm which he brings to his vocal rendering. | [15] | |
1982 (30th) | K. J. Yesudas | "Akasha Desana" | Meghasandesam | Telugu | For his rich contribution to the musical element of the film. | [16] | |
1983 (31st) | S. P. Balasubrahmanyam | "Vedam Anuvanuvuna Naadam" | Saagara Sangamam | Telugu | For his resonant and technically rich rendering of musical forms to enhance dramatic impact. | [17] | |
1984 (32nd) | Bhimsen Joshi | "Thumak Thumak Pag" | Ankahee | Hindi | – | [18] | |
1985 (33rd) | Jayachandran | "Sivasankara Sarva Saranya Vibho" | Sree Narayana Guru | Malayalam | For his superb rendering of devotional songs keeping in tune with the subject matter of the film. | [19] | |
1986 (34th) | Hemant Kumar | – | Lalan Fakir | Bengali | For his superb rendering of the traditional songs in his deep and vibrant voice. | [20] | |
1987 (35th) | K. J. Yesudas | "Unnikale Oru Kadha Parayam" | Unnikale Oru Kadha Parayam | Malayalam | For the vivacity and mellifluous rendering of the theme song, giving full and meaningful expression to the lyric. | [21] | |
1988 (36th) | S. P. Balasubrahmanyam | "Cheppaalani Undi" | Rudraveena | Telugu | For bringing playback singing a rare depth of emotion adorned by his command of classical idiom. | [22] | |
1989 (37th) | Ajoy Chakrabarty | – | Chhandaneer | Bengali | For bringing the rare depth of emotion, adomed by his command on the classical idiom. | [23] | |
1990 (38th) | M. G. Sreekumar | "Nadharoopini Shankari Pahimam" | His Highness Abdullah | Malayalam | For an excellent rendering of a classical-based tune encompassing all ranges accurately. | [24] | |
1991 (39th) | K. J. Yesudas | "Ramakadha Gaanalayam" | Bharatham | Malayalam | For the mellifluous and masterful rendering of songs in the classical style. | [25] | |
1992 (40th) | Rajkumar | "Naadamaya Ee Lokavella" | Jeevana Chaitra | Kannada | For his extraordinary rendering of a raga celebrating the all pervasive power of music. | [26] | |
1993 (41st) | K. J. Yesudas | "Ksheera Saagara" | Sopanam | Malayalam | For his superb capacity to render a variety of moods by means of a rich and melodious voice, which is capable of delineating both the range and depth of human emotions. | [27] | |
1994 (42nd) | P. Unni Krishnan | •"Ennavale" •"Uyirum Neeye" | • Kadhalan • Pavithra | Tamil | For his range and masterly rendition of the songs of two Tamil films, demonstrating a rare professionalism and command over technique. | [28] | |
1995 (43rd) | S. P. Balasubrahmanyam | "Umandu Ghumandu Ghana Garaje Badara" | Sangeetha Sagara Ganayogi Panchakshara Gavai | Kannada | For his soulful rendering of the classical song. | [29] | |
1996 (44th) | S. P. Balasubrahmanyam | "Thanga Thamarai" | Minsara Kanavu | Tamil | For his brilliant rendering of the song. | [30] | |
1997 (45th) | Hariharan | "Mere Dushman Mere Bhai" | Border | Hindi | For his melodious rendering of the heartwarming song. | [31] | |
1998 (46th) | Sanjeev Abhyankar | "Suno Re Bhaila" | Godmother | Hindi | For the song in which he successfully blends folk, bhajan and popular music to communicate the lyrics effectively. | [32] | |
1999 (47th) | M. G. Sreekumar | "Chanthu Pottum" | Vasanthiyum Lakshmiyum Pinne Njaanum | Malayalam | For a heartwarming rendition of the song. | [33] | |
2000 (48th) | Shankar Mahadevan | "Yenna Solla Pogirai" | Kandukondain Kandukondain | Tamil | For the soulful rendering of the song. | [34] | |
2001 (49th) | Udit Narayan | •"Mitwa" •"Jaane Kyon" | • Lagaan • Dil Chahta Hai | Hindi | - | [35] | |
2002 (50th) | Udit Narayan | "Chhote Chhote Sapne" | Zindagi Khoobsoorat Hai | Hindi | For his melodious rendering of the title song. | [36] | |
2003 (51st) | Sonu Nigam | "Kal Ho Naa Ho" | Kal Ho Naa Ho | Hindi | For his memorable rendition of the title song that captures the spirit of the film. | [37] | |
2004 (52nd) | Udit Narayan | "Yeh Taara Woh Taara" | Swades | Hindi | For the song to honour his soulful rendition of this beautiful Rahman melody with imaging modulation. | [38] | |
2005 (53rd) | Naresh Iyer | "Roobaroo" | Rang De Basanti | Hindi | For his melodious rendering of a lilting song that adds exuberance to the film. | [39] | |
2006 (54th) | Gurdas Maan | "Couplets of Heer" | Waris Shah: Ishq Daa Waaris | Punjabi | For building the entire narrative through his singing of Heer. | [40] | |
2007 (55th) | Shankar Mahadevan | "Maa" [41] | Taare Zameen Par | Hindi | For the plaintive rendition of a soulful song which is a musical expression of a theme which touches the heart. | [42] | |
2008 (56th) | Hariharan | "Jeev Dangla Gungla Rangla Asa" | Jogwa | Marathi | For his soulful rendition reflecting the agony of unfulfilled emotions. | [43] | |
2009 (57th) | Rupam Islam | "Ei To Ami" [44] | Mahanagar@Kolkata | Bengali | For the deeply felt emotional resonance and a haunting lilt that evokes the thematic ambience of the film. | [45] | |
2010 (58th) | Suresh Wadkar | "Hey Bhaskara Kshitijavari Ya" | Mee Sindhutai Sapkal | Marathi | For rendering soulful lyrics in a resonant voice soaked in emotion with a purity of musical expression and spiritual empathy. | [46] | |
2011 (59th) | Anand Bhate | "Chinmaya Sakal Hridaya" | Balgandharva | Marathi | For taking up the challenge of recreating the ethos of a doyen like Bal Gandharva who strode the musical stage like a giant. He recreates the magic of the sonorous voice of Bal Gandharva in a flawless and distinguished manner thus helping preserve a tradition. The original voice of the actor and his voice blend seamlessly. | [47] | |
2012 (60th) | Shankar Mahadevan | "Bolo Na" | Chittagong | Hindi | Powerful and expressive rendering of what sounds like a timeless melody. | [48] | |
2013 (61st) | Rupankar Bagchi | "E Tumi Kemon Tumi" | Jaatishwar | Bengali | A soulful voice with a rich resonance that enhances the theme of the film. | [49] | |
2014 (62nd) | Sukhwinder Singh | "Bismil" | Haider | Hindi | For a powerful rendition which effectively reflects the agony and anger of the protagonist. | [50] | |
2015 (63rd) | Mahesh Kale | "Aruni Kirani" | Katyar Kaljat Ghusali | Marathi | A consummate performance in the best of Hindustani musical traditions. | [51] | |
2016 (64th) | – | Sundarayyar | "Jasmine-U" | Joker | Tamil | A rustic flamboyant voice yearning for his lady love. | [52] |
2017 (65th) | K. J. Yesudas | "Poy Maranja Kalam" | Viswasapoorvam Mansoor | Malayalam | – | ||
2018 (66th) | Arijit Singh | "Binte Dil" | Padmaavat | Hindi | For tonal quality of his voice and his blend of emotions which comes across very strongly in the song. | [53] | |
2019 (67th) | B Praak | "Teri Mitti" | Kesari | Hindi | For soulful recitation of a patriotic song. | ||
2020 (68th) | Rahul Deshpande | "Kaivalya Gaan" | Me Vasantrao | Marathi | For a soul stirring rendition in classical Hindustani style. | [54] | |
2021 (69th) | – | Kaala Bhairava | "Komuram Bheemudo" | RRR | Telugu | For a soulful rendition of a song about the spirit of freedom. | |
2022 (70th) | Arijit Singh | "Kesariya" | Brahmāstra: Part One – Shiva | Hindi | [55] |
The NationalFilm Award for Best Tamil Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Actor in a Supporting Role is an honour presented annually at India's National Film Awards ceremony by the National Film Development Corporation of India (NFDC), an organisation set up by the Indian Ministry of Information and Broadcasting. A national panel appointed annually by the NFDC selects the actor who has given the best performance in a supporting role within Indian cinema. The award is presented by the President of India at a ceremony held in New Delhi. Since the 70th National Film Awards, the name was changed to "Best Actor in a Supporting Role".
The National Film Award for Best Child Artist is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Silver Lotus.
The National Film Award for Best Screenplay is one of the categories in the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal. The award is announced for films produced in a year across the country, in all Indian languages. As of 2024, the award comprises a Rajat Kamal, a certificate, and a cash prize of ₹2,00,000.
The National Film Award for Best Production Design is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Music Direction is an honour presented annually at the National Film Awards by the National Film Development Corporation of India to a musician who has composed the best score for films produced within the Indian film industry. The award was first introduced at the 15th National Film Awards in 1967. At the 42nd National Film Awards, an award for "Best Background Score" was instituted. It was however discontinued after that, and it was not until 2009 that the category was re-introduced. Later, during the 70th National Film Awards both the categories — Best Background Score and Best Background Music were clubbed together and named as "Best Background Music". A total of 51 awards—including award for Best Background music—to 40 different composers.
The National Film Award for Best Lyrics is an honour presented annually at the National Film Awards by the National Film Development Corporation of India (NFDC) to a lyricist who has composed the best song for films produced within the Indian film industry. The award was first introduced at the 16th National Film Awards in 1969. It was intermittently awarded until the 22nd National Film Awards (1975). From then on, no award was presented until the 32nd National Film Awards (1985). However, since 1985 every year the award has been presented with the exception of the 34th National Film Awards (1987).
The National Film Award for Best Sound Design is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Special Effects was one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It was one of several awards presented for feature films and awarded with Rajat Kamal. At the 70th National Film Awards, the category was combined with Best Animated Film, with two categories, one for the producer and director, and the other one for visual effects supervisor, named Best AVGC Film.
The National Film Award for Best Hindi Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Bengali Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal. Since the 70th National Film Awards, the name was changed to "Best Bengali Feature Film".
The National Film Award for Best Malayalam Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal. Since the 70th National Film Awards, the name was changed to "Best Malayalam Feature Film".
The National Film Award for Best Telugu Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Female Playback Singer is an honour presented annually at the National Film Awards of India since 1968 to a female playback singer for the best renditions of songs from films within the Indian film industry. The National Film Awards were called the "State Awards for Films" when established in 1954. The State Awards instituted the "Best Female Playback Singer" category in 1968. Throughout the years, accounting for ties and repeat winners, the Government of India has presented a total of 54 Best Female Playback Singer awards to 31 different female playback singers.
The National Film Award for Best Choreography is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Feature Film in English is one of the National Film Awards of India presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The National Film Award for Best Film on Other Social Issues was one of the category in the National Film Awards presented annually by the Directorate of Film Festivals, the organization set up by the Ministry of Information and Broadcasting in India. It was one of several awards presented for feature films and is awarded with Rajat Kamal. At the 70th National Film Awards, the category was discontinued and combined with Best Film on Family Welfare, Best Film on National Integration and Best Feature Film on National Integration. The new award is named as Best Feature Film Promoting National, Social and Environmental Values.
The National Film Award for Best Make-up is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal.
The 55th National Film Awards, presented by Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India to felicitate the best of Indian Cinema released in the year 2007.
The 59th National Film Awards, presented by the Directorate of Film Festivals, honoured the best of Indian cinema for 2011 and took place on 3 May 2012 at Vigyan Bhavan, New Delhi. Awards were presented in 38 categories in the Feature Films section, 20 categories in the Non-Feature Films section and two categories for the Best Writing on Cinema section; 41 jury members chose the winners from 392 entries. The ceremony was hosted by actors Vinay Pathak and Saumya Tandon. Awards were presented by the Vice-President of India, Mohammad Hamid Ansari. The ceremony was broadcast live on three television channels, eleven All India Radio stations, and webcast live.
{{cite news}}
: |last=
has generic name (help)