National Film Award for Best Punjabi Feature Film

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National Film Award for Best Punjabi Feature Film
DescriptionBest feature film of the year in Punjabi
Sponsored by National Film Development Corporation of India
Formerly calledPresident's Silver Medal for Best Feature Film in English (1964)
National Film Award for Best Feature Film in Punjabi (1967–2021)
Reward(s)
  • Rajat Kamal (Silver Lotus)
  • ₹2,00,000
First awarded1962
Last awarded2022
Highlights
Total awarded19
First winnerChaudhari Karnail Singh
Last winnerBaghi Di Dhee

The National Film Award for Best Punjabi Feature Film is one of the National Film Awards of India presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus). Since the 70th National Film Awards, the name was changed to "Best Punjabi Feature Film". [1]

Contents

The National Film Awards, established in 1954, are the most prominent film awards in India that merit the best of the Indian cinema. The ceremony also presents awards for films in various regional languages.

Produced and directed by Krishnan Kumar, the 1962 film Chaudhari Karnail Singh was honoured with the first president's Silver Medal for Best Feature Film in Punjabi.

Winners

Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:

Awards legends
*
President's Silver Medal for Best Feature Film
*
Certificate of Merit for the Second Best Feature Film
*
Certificate of Merit for the Third Best Feature Film
*
Certificate of Merit for the Best Feature Film
*
Indicates a joint award for that year
List of award films, showing the year (award ceremony), producer(s), director(s) and citation
YearFilm(s)Producer(s)Director(s)CitationRefs.
1962
(10th)
Chaudhari Karnail SinghKrishnan KumarKrishnan Kumar  [2]
1964
(12th)
JaggaK. B. ChadhaJugal Kishore  [3]
1964
(12th)
Sassi PunnuM/s. Filmistan Pvt. Ltd.S. P. Bakshi  [4]
1967
(15th)
Sutlej De KandeP. P. MaheshwaryP. P. Maheshwary  [5]
1969
(17th)
Nanak Nam Jahaz Hai Pannalal MaheshwaryRam Maheshwary  [6]
1980
(28th)
Chann Pardesi Swarn Sedha, Baldev Gill And J. S. CheemaChitrartha Singh
For presenting a story of human passion in cinematic terms, representing a departure from the usual trends prevalent in Punjabi cinema.
[6]
1989
(37th)
Marhi Da Deeva NFDCSurinder Singh
For its depiction of the pain and tragedy involved in the transformation of feaudalism into capitalism, which entails destruction and degradation of normal human relationships like friendship and love.
[7]
1993
(41st)
Kachehri Vijay TandonRavindra Peepat
For highlighting the vulnerability of the judicial system, in which sometimes justification prevails over justice.
[8]
1997
(45th)
Main Maa Punjab DeeDevender WaliaBalwant Dullat
For the film's exploration of a suffering mother who undergoes the trauma created by her own sons and rediscovers her creative talent and rehabilitates herself.
[9]
1998
(46th)
Shaheed-E-Mohabbat Manjeet Maan Manoj Punj
For its sensitive depiction of pain and sorrow perpetrated by the partition of India on Boota Singh, excellently portrayed by Gurdas Maan, the films reflects the aftermath of a tragedy delivers a message of love and humanity reaching far beyond the man made borders.
[10]
2004
(52nd)
Des Hoyaa Pardes Manjeet MaanManoj Punj
For its sharp handling of terrorism in Punjab and portrayal of alienation, migration of Punjabi youth to the west of that time.
[11]
2005
(53rd)
BaghiGaj DeolSukhminder Dhanjal
For graphically delineating the caste divide in modern day Punjab.
[12]
2006
(54th)
Waris Shah: Ishq Daa Waaris Sai ProductionsManoj Punj
For an evocative portrayal of the rich, musical Sufi tradition.
[13]
2011
(59th)
Anhe Ghore Da Daan NFDC Gurvinder Singh
For its haunting portrayal of the lives of people in a village as they battle with the reality of large scale industrial development. The director deploys an inventive storytelling form where sound, space and body operate distinctly to frame the experience of a fragile existence. Each face portrayed in the film carries the signs of persistent trauma. This is an aesthetic tour de force that confidently and successfully reinvents the contours of Indian experimental cinema.
[14]
2012
(60th)
NabarJasbir Singh and Sonu KaurRajeev Sharma
This film lucidly presents the often misplaced craze for the West prevalent among the upwardly mobile Punjabi youth and its consequences.
[15]
2014
(62nd)
Punjab 1984 Gunbir Sidhu and Manmord SidhuAnurag Singh
For its searing portrayal of how ordinary lives and simple dreams are shattered in a time of militancy.
[16]
2015
(63rd)
Chauthi Koot NFDC
Kartikeya Singh
Gurvinder Singh
For Effectively capturing the sense of fear psychosis and tension during the times of insurgency in Punjab.
[17]
2018
(66th)
Harjeeta Villagers Film Studio Vijay Kumar Arora
A biopic of a Hockey player, who struggles through his rural background and poverty to rise to the top of his game.
[18]
2019
(67th)
Rabb Da Radio 2 Vehli Janta FilmsSharandeep Singh
The film makes a strong statement that the wall of partition in a joint family should be broken to keep the hearts blooming with love and affection.
[19]
2022
(70th)
Bhagi Di DheeG-Next Media Mukesh Gautam
[20]

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