National Film Award for Best Female Playback Singer | |
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Awarded for | Best Vocal Performance by a Female Playback Singer |
Sponsored by | Directorate of Film Festivals |
Reward(s) |
|
First awarded | 1968 |
Last awarded | 2021 |
Most recent winner | Shreya Ghoshal for "Mayava Chayava" from Iravin Nizhal |
Highlights | |
Most awards | K.S.Chitra (6 awards) |
Total awarded | 53 |
First winner | P. Susheela |
The National Film Award for Best Female Playback Singer (officially known as the Rajat Kamal Award for the Best Female Playback Singer) is an honour presented annually at the National Film Awards of India since 1968 to a female playback singer for the best renditions of songs from soundtracks within the Indian film industry. The National Film Awards were called the "State Awards for Films" when established in 1954. The State Awards instituted the "Best Female Playback Singer" category in 1968. Throughout the years, accounting for ties and repeat winners, the Government of India has presented a total of 53 Best Female Playback Singer awards to 30 different female playback singers.
Until 1974, winners of the National Film Award in this category received a commemorative plaque and certificate; since 1975, they have been awarded with a "Rajat Kamal" (silver lotus), certificate and a cash prize that amounted to ₹50,000 (US$630) in 2012. Although the Indian film industry produces films in more than 20 languages and dialects, [1] the female playback singers who have received the 'Rajat Kamal' awards have recorded their renditions in nine major languages: Tamil (fifteen awards), Hindi (fourteen awards), Telugu (seven awards), Marathi (six awards), Bengali (six awards), Malayalam (four awards), Kannada (one award), Assamese (one award) and Konkani (one award).
The first recipient was P. Susheela, who was honoured at the 16th National Film Awards in 1968 for her rendition from the Tamil film Uyarntha Manithan . As of 2021, The female playback singer who won the most 'Rajat Kamal' awards is K. S. Chithra with six wins, followed by P. Susheela and Shreya Ghoshal with five wins each. S. Janaki won the award four times. Two female playback singers — Lata Mangeshkar and Vani Jairam have won it thrice, while three female playback singers — Asha Bhosle, Alka Yagnik and Arati Ankalikar-Tikekar have won it twice. Shreya Ghoshal won the award for her renditions in five different languages, followed by S. Janaki and K. S. Chithra, both of whom won for their renditions in three different languages. Sandhya Mukhopadhyay and Shreya Ghoshal are the only recipients who received the award for two renditions from two different films in the same year, with Ghoshal being the only recipient who received the award for two renditions from two different films in two different languages. K. S. Chithra and Roopa Ganguly are the only recipients who received the award for two renditions from the same film in the same year. Vani Jairam and Lata Mangeshkar are the only recipients who received the award for their various renditions in a single film in the same year. As of 2021, Uthara Unnikrishnan is the youngest recipient who received the award at the age of ten, [2] and Nanjamma is the oldest recipient who received the award at the age of sixty-two. [3] The only siblings who have received the award are Lata Mangeshkar and Asha Bhosle. No award was given in this category at the 21st National Film Awards in 1973. The most recent recipient of the award is Shreya Ghoshal who was honoured at the 69th National Film Awards for the song "Mayava Chayava" from the Tamil film Iravin Nizhal . [4]
Symbol | Meaning |
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Year | Indicates the year in which the film was censored by the Central Board of Film Certification (CBFC) |
† | Indicates a joint award for that year |
‡ | Indicates that the winner won the award for two renditions from the same or two different films in that year |
⸸ | Indicates that the winner won the award for various renditions in that year |
Wins | Image | Recipient(s) | Years |
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6 | K. S. Chithra | 1985, 1986, 1988, 1996, 1997, 2004 | |
5 | P. Susheela | 1968, 1971, 1976, 1982, 1983 | |
5 | Shreya Ghoshal | 2002, 2005, 2007, 2008, 2021 | |
4 | S. Janaki | 1977, 1980, 1984, 1992 | |
Year [lower-alpha 1] | Image | Recipient(s) | Song(s) | Film(s) | Language(s) | Citation | Refs. |
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1968 (16th) | P. Susheela | "Paal Polave" | Uyarndha Manithan | Tamil | – | [5] | |
1969 (17th) | K. B. Sundarambal | "Pazhanimalai Meethile" | Thunaivan | Tamil | – | [6] | |
1970 (18th) ‡ | Sandhya Mukhopadhyay | "Amader Chhuti Chhuti" | Jay Jayanti [lower-alpha 2] | Bengali | – | [7] | |
"Ore Sakol Sona Molin Holo" | Nishi Padma | ||||||
1971 (19th) | P. Susheela | "Chittukuruvikkena Kattupaadu" | Savaale Samali | Tamil | – | [8] | |
1972 (20th) | Lata Mangeshkar | "Beeti Naa Bitaai Raina" | Parichay | Hindi | – | [9] | |
1973 (21st) | No awards | [10] | |||||
1974 (22nd) | Lata Mangeshkar | "Roothe Roothe Piya" | Kora Kagaz | Hindi | – | [11] | |
1975 (23rd) | Vani Jairam | "Yezhu Swarangalukkul" | Apoorva Raagangal | Tamil | – | [12] | |
1976 (24th) | P. Susheela | "Jhummandi Naadham" | Siri Siri Muvva | Telugu | – | [8] | |
1977 (25th) | S. Janaki | "Senthoora Poove" | 16 Vayathinile | Tamil | For purity of diction and melodic excellence; for emotive suggestiveness and lyrical appeal; for a quality of expression which is intensely moving; for rendering the theme song "Senthoora Poove" with deep feeling, reflecting the romantic dreams of youth, slowly merging into the shadows of tragic destiny. | [13] | |
1978 (26th) | – | Chhaya Ganguly | "Aap Ki Yaad Aati Rahi Raat Bhar" | Gaman | Hindi | For a hauting rendition of Makhdun Mohluddin's famous ghazal "Aap Ki Yaad Aati Rahi Raat Bhar". The chastity of style, the purity of enunciation and the freshness of voice contribute to make it into a memorable song. | [14] |
1979 (27th) ⸸ | Vani Jairam | – [lower-alpha 3] | Sankarabharanam | Telugu | – | [15] | |
1980 (28th) | S. Janaki | "Ettumanoor Ambalathil Ezhunnallathu" | Oppol | Malayalam | For the serenity and pathos with which each rendering is imbued and for adding a new dimension to the theme of the film. | [16] | |
1981 (29th) | Asha Bhosle | "Dil Cheez Kya Hai" | Umrao Jaan | Hindi | For the style with which she invests the rendering of the ghazals that form a part of the texture of the film. | [17] | |
1982 (30th) | P. Susheela | "Priye Charusheele" | Meghasandesam | Telugu | For her immense contribution to the musical excellence of the film. | [18] | |
1983 (31st) | P. Susheela | "Entho Beeda Vaade Gopaludu" | M. L. A. Yedukondalu | Telugu | For her fine flight of voice in the endearing of Gopal's magical childhood in the song "Gopaludu" from the film. | [19] | |
1984 (32nd) | S. Janaki | "Vennello Godhari" | Sitaara | Telugu | – | [20] | |
1985 (33rd) ‡ | K. S. Chithra | "Paadariyen" | Sindhu Bhairavi [lower-alpha 4] | Tamil | For melifluous rendering of songs, both in the folk and the classical moulds, bringing about a melodious synthesis between the two. | [21] | |
"Naan Oru Sindhu" | |||||||
1986 (34th) | K. S. Chithra | "Manjal Prasadavum" | Nakhakshathangal | Malayalam | For her melodious rendering of songs. | [22] | |
1987 (35th) | Asha Bhosle | "Mera Kuchh Saamaan" | Ijaazat | Hindi | For her rendition with high professional skill and expression, of the many nuances of emotion and meaning of the highly poetic lyrics. | [23] | |
1988 (36th) | K. S. Chithra | "Indupushpam Choodi Nilkum" | Vaishali | Malayalam | For her clear and tuneful rendering of the song. | [24] | |
1989 (37th) | Anuradha Paudwal | "He Ek Reshami Gharate" | Kalat Nakalat | Marathi | For her clear and mellifluous rendering of the song. | [25] | |
1990 (38th) ⸸ | Lata Mangeshkar | – [lower-alpha 5] | Lekin... | Hindi | For singing with outstanding expressions with the rarest and purest of styles. | [26] | |
1991 (39th) | Vani Jairam | "Aanati Neeyaraa" | Swathi Kiranam | Telugu | For the texture and clarity of her voice, which enlivened the classical song sung for the child prodigy. | [27] | |
1992 (40th) | S. Janaki | "Inji Iduppazhagi" | Thevar Magan | Tamil | For melodious rendering of an innocent love song. | [28] | |
1993 (41st) | Alka Yagnik | "Ghoonghat Ki Aad Se" | Hum Hain Rahi Pyar Ke | Hindi | For her ability to identify herself with the characters and render the delicate nuances of human feelings in complex situations. | [29] | |
1994 (42nd) | – | Swarnalatha | "Porale Ponnuthaaye" | Karuththamma | Tamil | For her extraordinarily compassionate song upon which much of the crucial dramatic action in the film is enacted. | [30] |
1995 (43rd) | Anjali Marathe | "Bhui Bhegalali Khol" | Doghi | Marathi | For her melodious and heart rendering song expressing the aridness of life. | [31] | |
1996 (44th) | K. S. Chithra | "Mana Madurai" | Minsara Kanavu | Tamil | For her soulful rendering of the song. | [32] | |
1997 (45th) | K. S. Chithra | "Paayalein Chhun Mun" | Virasat | Hindi | For her effortless and playful rendering of the song. | [33] | |
1998 (46th) | Alka Yagnik | "Kuch Kuch Hota Hai" | Kuch Kuch Hota Hai | Hindi | Her rendering of this theme song brings out the different moods and emotion and adds greatly to the impact of the film. | [34] | |
1999 (47th) | – | Jayshree Dasgupta | "Hriday Amar Prokash Holo" | Paromitar Ek Din | Bengali | For soulful rendering by the singer expressing the inner world of a mentally challenged character in this film. | [35] |
2000 (48th) | – | Bhavatharini Ilaiyaraaja | "Mayil Pola Ponnu Onnu" | Bharathi | Tamil | For the song which is outstanding because it depicts the velvet voice of the diva. | [36] |
2001 (49th) | Sadhana Sargam | "Pattu Cholli" | Azhagi | Tamil | For her lilting and touching rendering of the song. | [37] | |
2002 (50th) | Shreya Ghoshal | "Bairi Piya" | Devdas | Hindi | For her soulful rendering of the song. | [38] | |
2003 (51st) | Tarali Sarma | "Kimote Bhokoti" | Akashitorar Kothare | Assamese | For her tuneful rendition of a devotional song without instrumental accompaniment. | [39] | |
2004 (52nd) | K. S. Chithra | "Ovvoru Pookalume" | Autograph | Tamil | For expressive and soulful rendition of the song with powerful voice throw suitable to the text and the scene. | [40] | |
2005 (53rd) | Shreya Ghoshal | "Dheere Jalna" | Paheli | Hindi | For her evocative rendition of a song that treads the fine balance between the classical and popular genre of Hindi film music. | [41] | |
2006 (54th) | Arati Ankalikar-Tikekar | – | Antarnad | Konkani | For the sonorous rendering that gives conviction to the central character of a classical vocalist. | [42] | |
2007 (55th) | Shreya Ghoshal | "Yeh Ishq Haaye" [43] | Jab We Met | Hindi | For her mellifluous voice and rich tonal quality. Her rendition evokes the beauty of nature through its subtle nuances. | [44] | |
2008 (56th) ‡ | Shreya Ghoshal | "Pherari Mon" | Antaheen [lower-alpha 6] | Bengali | For her wide ranging rendition of human emotions. | [45] | |
"Jeev Dangla Gungla Rangla Asa" | Jogwa | Marathi | |||||
2009 (57th) | Nilanjana Sarkar | "Boye Jay Sudhu Bish" [46] | Houseful | Bengali | For the haunting texture of a voice that blends the melody, words and rhythm. | [47] | |
2010 (58th) | Rekha Bhardwaj | "Badi Dheere Jali" | Ishqiya | Hindi | For a sensual and evocative rendering of a heart longing for the beloved. | [48] | |
2011 (59th) ‡ | Roopa Ganguly | "Dure Kothao Dure Dure" | Abosheshey [lower-alpha 7] | Bengali | For her husky and haunting voice that brings a gentle, nostalgic tone and tenor to the film Abosheshey. The languid raw sensuality of her singing is heightened by the absence of musical accompaniment. | [49] | |
"Aaji Bijan Ghare" | |||||||
2012 (60th) | Arati Ankalikar-Tikekar | "Palakein Naa Moondon" | Samhita | Marathi | Gifted with an earthy and haunting voice the singer gives ample evidence of her classical moorings, without any instrumental embellishments. | [50] | |
2013 (61st) | Bela Shende | "Khurkhura" | Tuhya Dharma Koncha | Marathi | The singer has evoked the requisite emotions of the theme of the film. She has displayed a rare variety in the rendering of this composition. | [51] | |
2014 (62nd) | – | Uthara Unnikrishnan | "Azhagu" [lower-alpha 8] | Saivam | Tamil | For evoking an emotional resonance through the purity and innocence of her voice. | [52] [2] |
2015 (63rd) | Monali Thakur | "Moh Moh Ke Dhage" | Dum Laga Ke Haisha | Hindi | For a delightful and soulful rendition of a song of love. | [53] | |
2016 (64th) | Iman Chakraborty | "Tumi Jaake Bhalobasho" | Praktan | Bengali | For conveying the emotion of 'letting go' in the most mellifluous and soothing manner. | [54] | |
2017 (65th) | Shashaa Tirupati | "Vaan Varuvaan" | Kaatru Veliyidai | Tamil | – | [55] | |
2018 (66th) | Bindhu Malini | "Mayavi Manave" | Nathicharami | Kannada | For rendering a haunting melody that appears to be the voice of the conscience of the protagonist. | [56] | |
2019 (67th) | – | Savani Ravindra | "Raan Petala" | Bardo | Marathi | For a heart-wrenching rustic rendition of a grieving mother. | [57] |
2020 (68th) | Nanjamma | "Kalakkatha" [lower-alpha 9] | Ayyappanum Koshiyum | Malayalam | For the preservation of a tribal folk song in all its nativity. | [58] [3] | |
2021 (69th) | Shreya Ghoshal | "Mayava Chayava" | Iravin Nizhal | Telugu [lower-alpha 10] | For her melodious expression about the magic of love and longing. | [4] | |
Tamil | |||||||
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