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Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Manipuri dance, also referred to as the Manipuri Raas Leela, is a jagoi and is one of the major Indian classical dance forms, originating from the state of Manipur. It is one of the greatest cultural achievements of the traditional Vaishnavism adhering Meitei people of Manipur. Owing to the Meitei civilization, the classical dance form, first formally developed by Meitei Hindu king Ching Thang Khomba of the Kingdom of Manipur, is considered to be the highest spiritual expression of the worship of Hindu deity Krishna. Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India, and is honoured with the Sangeet Natak Akademi Award for Manipuri annually. It is referred to as the "national dance" during the Armenia-India joint issue of postage stamps, as a part of the Armenia-India international relations.
Damayanti Joshi was a noted renowned exponent of the Kathak dance form. She believed Kathak is the art of storytelling. She began in the 1930s dancing in Madame Menaka's troupe, which travelled to many parts of the world. She learnt Kathak from Sitaram Prasad of Jaipur Gharana and became an adept dancer at a very young age, and later trained under from Acchan Maharaj, Lacchu Maharaj and Shambhu Maharaj of Lucknow gharana, thus imbibing nuances from both the traditions. She became independent in the 1950s and achieved prominence in the 1960s, before turning into a guru at her dance school in Mumbai.
Ratan Thiyam is an Indian playwright and theatre director, and the winner of Sangeet Natak Akademi Award in 1987, one of leading figures of the "theatre of roots" movement in Indian theatre, which started in the 1970s. Also known as Thiyam Nemai, Ratan Thiyam is known for writing and staging plays that use ancient Indian theatre traditions and forms in a contemporary context. A former painter, and proficient in direction, design, script and music, Thiyam is often considered one of leading contemporary theatre gurus.
Rajkumar Singhajit Singh, is a leading exponent, choreographer and a guru of Indian classical dance form of Manipuri, including the Pung cholom and Raslila. He was awarded with the Sangeet Natak Akademi Award in 1984 and the Padma Shri in 1986 for his contribution to the Manipuri dance. In the year 2011, Sangeet Natak Akademi, India's The National Academy for Music, Dance and Drama, awarded him with its highest award, the Sangeet Natak Akademi Fellowship for his contribution to Indian Dance. In 2014 he was also conferred with the Tagore Award.
Guru Bipin Singh was a director, choreographer and teacher of Manipuri dance.
Sundari K. Shridharani was the founder and director of Triveni Kala Sangam, a multi-arts institution, which she established in 1950.
Sohini Ray is a classical Manipuri dancer dance-researcher and anthropologist from India currently based in Los Angeles, United States.
Sharmila Biswas is a leading dancer, choreographer and Teacher in the field of Indian Classical Dance. She is recognized for her considerable contribution to Odissi Classical Dance which brought many changes in the Content, Technique and Costumes. Tracing the many facades of Traditional Performing and Visual arts of Odisha, and in that context viewing Odissi Dance have been the foundation of most of her Dance productions. A prominent deciple of Guru Kelucharan Mohapatra, a Sangeet Natak Akademi awardee (2012), Sharmila Biswas heads Odissi Vision & Movement Centre (1994), a well-known institution dedicated to Research, Training and Productions. Graded as an ‘Outstanding’ artiste by The Indian Council of Cultural Relations, Ministry of External Affairs, Govt. Of India. Graded as one of the ‘Top’ artists by Doordarshan, India. In 2012, Biswas was awarded Sangeet Natak Akademi Award, conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama.
Shanta Rao was a notable dancer from India. She studied and performed Kathakali, Bharatanatyam and Kuchipudi. She was a recipient of the Padma Shri, Sangeet Natak Akademi Award and Kalidas Samman for Classical Dance. She was born in 1925 in Bombay, and lived in Mumbai and Bangalore. She hailed from Mangalore. She died on 28 December 2007 at her home at Malleswaram, Bangalore.
Elam Endira Devi, is an Indian classical dancer and teacher, known for her expertise and scholarship in the classical dance form of Manipuri, especially in the genres of Lai Haraoba and Raas. The Government of India honored her, in 2014, with the Padma Shri, the fourth highest civilian award, for her services to the field of art and culture.
Khangembam Mangi Singh, popularly known as Guru Pena Mangi, was an Indian musician, known for his expertise on the Manipuri traditional musical instrument Pena. The Government of India honored him in 2011, with the fourth highest civilian award of Padma Shri.
Haobam Ongbi Ngangbi Devi was an Indian classical dancer and musician, known for her expertise in the Manipuri Dance forms of Lai Haraoba and Raas. In 2010, the Government of India awarded Haobam Ongbi Ngangbi Devi the Padma Shri, the fourth highest Indian civilian award.
Kshetrimayum Ongbi Thouranisabi Devi is an Indian classical dancer and author, specialising in the Indian classical dance form of Manipuri. She was honoured by the Government of India in 2003 with Padma Shri, the fourth highest Indian civilian award.
Ningthoukhongjam Khelchandra Singh was an Indian writer, lexicographer and historian, known as the author of Manipuri to Manipuri and English, the first modern general dictionary in Meitei language, which was published in 1964. He was a fellow of the Sahitya Akademi and Sangeet Natak Akademi. The Government of India awarded him the fourth highest civilian honour of Padma Shri in 1987.
Kongbrailatpam Ibomcha Sharma, popularly known as Abhiram Shaba, is an Indian singer and performer from Manipur, who is known for Sankirtan singing of Raseshwari Pala, a part of the traditional Manipuri dance. His role as Abhiram Shaba in the Manipuri show, Goura Lilas is reported to have earned him the nickname. He is a former Guru at the Jawaharlal Nehru Manipur Dance Academy and a recipient of the Sangeet Natak Akademi Award in 1981. He was awarded the fourth highest civilian award of the Padma Shri by the Government of India, in 1998.
Sougaijam Thanil Singh is an Indian classical dancer, known for his proficiency in the classical dance forms of Manipuri and Nata Sankirtana. Born to S. Ksher Singh, a Manipuri dancer, in the Northeast Indian state of Manipur, he received his early training from his father as well as Guru Tombi Sharma, Guru Bhaigchandra Singh and Guru Koireng Singh. Later, he studied Manipuri dance and Nata Sankirtana, under Maisnam Amubi Singh, renowned dancer and Padma Shri awardee, at the Jawaharlal Nehru Manipur Dance Academy, Imphal, securing a diploma and a post graduate diploma, respectively, in the disciplines.
Yumlembam Gambhini Devi is an Indian singer of Nata Sankirtana and dancer of Manipuri Raas. She is a member of faculty at Jawaharlal Nehru Manipur Dance Academy (JNMDA) and a recipient of the 1988 Sangeet Natak Akademi Award. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2005, for her contributions to Manipuri dance and music.
Thingbaijam Babu Singh was an Indian classical dancer, academic and choreographer of the Indian classical dance form of Manipuri. He was the Pradhan Guru of Pung and Raas traditions of Manipuri dance at the Jawaharlal Nehru Manipur Dance Academy of the Sangeet Natak Akademi. Born on 8 February 1936 at Lairensajik, a small village in the state of Manipur, he was known to have been one of the notable choreographers and teachers of Manipuri dance and had a long line of renowned performers such as Elam Endira Devi, Ibemubi Devi, and Priti Patel, as his students. Singh was the author of a book, Meitei Punglon Raga Ahouba, and was a recipient of the Sangeet Natak Akademi Award for the year 1990. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2007, for his contributions to Manipuri dance.
Uma Dogra is an Indian exponent of Kathak, an Indian Classical Dance form. She is the senior most disciple of Pt. Durga Lal, the Kathak Maestro from Jaipur Gharana. She is a Kathak soloist, a choreographer and a teacher. She has been performing in India and abroad for more than 40 years.
References
- Singha, Rina; Reginald Massey (1967). Indian dances: their history and growth. Braziller.
- Doshi, Saryu (1989). Dances of Manipur: the classical tradition. Marg Publications. ISBN 81-85026-09-2.
