Mahesh Elkunchwar | |
---|---|
Born | Parwa, Maharashtra | 9 October 1939
Occupation | Playwright |
Known for | Yugant Party Holi Sonata Wada chirebandi Magna Talyakathi Mounarag[ citation needed ] |
Mahesh Elkunchwar (born 9 October 1939) is an Indian playwright and screenplay writer in Marathi language with more than 20 plays to his name, in addition to his theoretical writings, critical works, and his active work in India's Parallel Cinema as actor[ citation needed ] and screenwriter. Today along with Vijay Tendulkar, he is credited as one of the most influential and progressive playwrights not just in Marathi theatre, but also in Indian theatre. In 2014, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour in performing arts in India. [1]
Born to a 9th generation Telugu Brahmin migrant family in Parwa village in Vidarbha region of Maharashtra, at the age of four he had to leave his parents and leave a city where he grew up a lonely child and hardly interested in studies, and raised outside of Indian urban centres. As films and theatre were taboo in his family, he saw his first play when he moved to Nagpur for his matriculation. Here he studied at Morris College, and went on to do M.A. in English from Nagpur University. While still in college came the turning point in his life, when one day he went to watch a film and unable to get a movie ticket, he ended up watching a play. That play was a veteran theatre director Vijaya Mehta's production of Vijay Tendulkar's Mee jinkalo mee Haralo (I Won, I Lost) in 1965. Deeply influenced by the play, he went to watch play again the following day and decided to write plays. He devoted the next year to reading plays of all kind. [2] [3]
He taught English literature at Dharampeth Arts, Commerce College, Nagpur and M. P. Deo Memorial Science College, Nagpur, until retiring as its Head in 1999. He was a guest professor of screen play-writing at the Film and Television Institute, Pune in 2000–2001. He taught as a visiting professor at the National school of Drama, New Delhi for a number of years.
Elkunchwar has experimented with many forms of dramatic expression, ranging from the realistic to symbolic, expressionist to absurd theatre with theme ranging from creativity to life, sterility to death and has influenced modern Indian theatre for more than three decades. [1] Elkunchwar emerged onto the national theatre scene with the publication of his one-act play Sultan in 1967 in noted literary magazine Satyakatha. This play was immediately noticed by Vijaya Mehta; she went on to direct four of his early plays, including Holi and Sultan in 1969 and 1970 for Rangayan. [1] A number of commercial hits followed such as Holi (1969), Raktapushpa (1971), Party (1972), Virasat (1982), and Atamkatha (1987).
Considered a successor to Vijay Tendulkar, [3] Elkunchwar's plays are written in Marathi, the Indian language that is spoken by approximately 90 million people. The plays have been subsequently translated into multiple Indian and Western languages (including English, French and German).
In 1984, his play Holi was made into the film Holi by Ketan Mehta, for which he wrote the screenplay. In the same year, Govind Nihalani directed a film, Party , based on his eponymous play. Sonata (2017), a film starring Aparna Sen, Shabana Azmi and Lilette Dubey was based on Elkunchwar's eponymous play.
A lesser known fact about him is as Mahesh Elkunchwar, the essayist. His collection of essays 'Maunraag' has broken new grounds in this genre and was considered the book of the decade in 2012. An uncanny blend of autobiographical and meditative, His essay show his erudition and a vivid imagination.
Other works:
Elkunchwar's plays have gained national and international critical attention, and his growing body of work has become part of India's post-colonial theatrical canon. Some Important Honours, Awards :
Works in translations :
Collected Plays of Mahesh Elkunchwar Volume I: Oxford University Press 2008
Collected Plays of Mahesh Elkunchwar Volume II : Oxford University Press 2011
Vijay Dhondopant Tendulkar was an Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator primarily in Marathi. His Marathi plays established him as a writer of plays with contemporary, unconventional themes. He is best known for his plays Shantata! Court Chalu Aahe (1967), Ghashiram Kotwal (1972), and Sakharam Binder (1972). Many of Tendulkar's plays derived inspiration from real-life incidents or social upheavals, which provide clear light on harsh realities. He has provided guidance to students studying "play writing" in US universities. Tendulkar was a dramatist and theatre personality in Maharashtra for over five decades.
Vijaya Mehta, is a noted Indian Marathi film and theatre director and also an actor in many films from the Parallel Cinema. She is a founder member of Mumbai-based theatre group, Rangayan with playwright Vijay Tendulkar, and actors Arvind Deshpande and Shriram Lagoo. She is most known for her acclaimed role in film Party (1984) and for her directorial ventures, Rao Saheb (1986) and Pestonjee (1988). As the founder member of theatre group, Rangayan, she became a leading figure in the experimental Marathi theatre of the 1960s.
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Dilip Prabhavalkar is an Indian Marathi actor, director, playwright and author. He has a career spanning over five decades in Hindi and Marathi theatre, television and movies. He was awarded the National Film Award for Best Supporting Actor for his portrayal of Mahatma Gandhi in the 2006 Hindi film Lage Raho Munna Bhai.
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Vishnudas Bhave was the leading dramatist of Maharashtra, India and considered as pioneer of Marathi theatre. He was born in Sangli and he staged the first Marathi-language play Sita Swayamvar in Sangli in 1843. In this venture, Bhave was supported by the then king of the princely state of Sangli. After the success of the play Sita Swayamvar, Bhave staged plays on various other episodes of the Ramayana. He traveled with his troupes for the plays. He also ventured into puppet shows. Bhave died on 9 August 1901.
Shantata! Court Chalu Aahe is a Marathi play written by Indian playwright Vijay Tendulkar in 1963 and first performed in 1967, directed by Arvind Deshpande, with Sulbha Deshpande as the main lead. Film received National Film Award for Best Marathi Feature Film At 19th National Film Awards. Sulabha Deshpande Won Maharashtra State Film Award for Best Actress.
Satish Vasant Alekar is a Marathi playwright, actor, and theatre director. A founder member of the Theatre Academy of Pune, and most known for his plays Mahanirvan (1974), Mahapoor (1975), Atirekee (1990), Pidhijat (2003), Mickey ani Memsahib (1973), and Begum Barve (1979), all of which he also directed for the Academy. ‘’ Ek Divas Mathakade एकदिवस मठाकडे ‘’ (2012) and ‘’ ठकीशी संवाद Thakishi Samvad’’ (2024) these two recent plays were directed by Nipun Dharmadhikari and Anupam Barve respectively. Along with Mahesh Elkunchwar and Vijay Tendulkar he is considered among the most influential and progressive playwrights in modern Marathi and Indian theatre.
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Marathi theatre is theatre in the Marathi language, mostly originating or based in the state of Maharashtra in India, and elsewhere with Marathi diaspora. Starting in the middle of the 19th century, it flourished in the 1950s and 1960s. Today, it continues to have a marked presence in the State of Maharashtra with a loyal audience base, when most theatre in other parts of India have had tough time facing the onslaught of cinema and television. Its repertoire ranges from musicals, humorous social plays, farces, historical plays like 'Vedat Marathe Veer Daudale Saat' by Bashir Momin Kavathekar, to experimental plays and serious drama of the 1970s onwards, by Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar, which have influenced theatre throughout India. In the post-independence era, Bengali theatre, and Marathi theatre have been at the forefront of innovations and significant dramaturgy in Indian theatre.
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