Rallapalli Ananta Krishna Sharma | |
---|---|
Born | 23 January 1893 Rallapalli, Kambadur taluq, Anantapur district, Andhra Pradesh |
Died | 11 March 1979 86) Bangalore, Karnataka | (aged
Occupation | Telugu pandit |
Genre | Composer, Writer, Scholar |
Subject | Carnatic Music, Telugu, Kannada, Samskrit & Prakrit |
Notable awards | Sangita Kalanidhi |
Spouse | Rukminamma |
Children | 5 |
Website | |
Rallapalli Ananta Krishna Sharma |
Rallapalli Ananta Krishna Sharma (Telugu : రాళ్ళపల్లి అనంతకృష్ణశర్మ) (23 January 1893 – 11 March 1979) was a noted composer of Carnatic music, singer, Telugu literature, teacher and Sanskrit scholar. He was responsible for discovering and cataloguing many forgotten compositions of Annamacharya. [1] These compositions revived by Sharma would be sung by successive singers like S. P. Balasubramanyam and M. S. Subbalakshmi bringing popularity to the songs. [2] [3]
Sharma authored prose works like Vemana, Natakopanyasamulu, [4] Ganakale, [5] Sahitya Mattu Jeevana Kale and Saraswatalokamu. [6] [7] He also translated 395 (out of 700) Gathas from original Prakrit into Telugu language titled Shalivahana Gatha Sapta Saramu [8] in 1931. Sharma is the recipient of Central Sangeet & Natak Academy Fellowship (1973), Gana Kala Sindhu (1961), Gana Kala Prapoorna (1969), Sangeeta Kala Ratna (1974) and Sangeeta Sahitya Asthan Vidwan honours along with an Honorary Doctorate from TTD University, Andhra Pradesh. [9]
Rallapalli Ananta Krishna Sharma was born on 23 January 1893 to parents Karnamadakala Krishnamacharya and Alamelu Mangamma. He was born in Rallapalli village in Kambadur taluk, Anantapur district, Andhra Pradesh. [1] [2] Sharma and his sister Yadugiramma used to sing religious hymns inside the local fort at Rallapalli.
Sharma arrived in Mysore in 1905 at the age of twelve years and spent a year at Parakala Matha under the guidance of Krishnabrahmatantra Swamy. Sharma helped Swamy in bringing out 'Alankara Manihara' - a treatise on Alankara Sastra. After his tenure at Parakala Matha, he went to Pandit Ramashastry in Chamarajanagar to learn Sanskrit. [10] Later, in 1911, he married Rukminamma. Sharma lacked formal college or university education, but his proficiency in the traditional Sastras and musical compositions became his main strength. He composed his first Sanskrit composition at the age of 14 years. It was a composition dedicated to Goddess Lakshmi titled 'Jalarashi Balelole'. [11]
While in Mysore, Sharma frequently visited Carnatic musical concerts by Veena Seshanna, Veena Subbanna, Karigiraya, Mysore Vasudevacharya, Bidaram Krishnappa and Chikka Ramaraya. He repeatedly attempted to persuade them to take him as a formal student of music but was unsuccessful. Finally, Bidaram Krishnappa agreed to teach Carnatic music to him. Krishnappa convinced Sharma not to participate in public expositions of his music in concerts and so on. [2] When Muthiah Bhagavatar wanted to arrange a private concert for the ruling Maharaja of Mysore - Nalwadi Krishna Raja Wodeyar, Sharma declined it.
Sharma was appointed a Telugu Pundit (a scholar) by Sir Cattamanchi Ramalinga Reddy, Principal of the Maharaja College of Mysore in 1912 and worked there until 1949. After teaching, he joined the Sri Venkateshwara Oriental Research Centre, Tirupathi. The then executive officer of Tirumala Tirupati Devasthanams, Chelikani Anna Rao entrusted Sharma with simplifying the compositions of the songwriter-singer-saint Tallapaka Annamacharya. These compositions (or kritis) were stored for centuries in the Tirumala temple Bhandagaram (storehouse) on copper plates. Sharma received the project after his predecessor, Veturi Prabhakara Sastry died. He worked on tuning the songs and helped publish the seventh and eighth volumes of Annamacharya's compositions. Sharma went on to edit nearly 300 compositions and brought out five more volumes of compositions between 1951 and 1956. He also wrote the notation for 108 compositions and 87 of them were published in the Andhra Patrika.
Sharma was closely associated with eminent journalist, biographer and writer S. R. Ramaswamy who learnt for a period of time the subtle nuances of Carnatic music from him. Among his students were D. L. Narasimhachar, M. Chidananada Murthy, K. V. Puttappa, G. P. Raja Ratnam, M. V. Seetharamaiah, T. S. Shama Rao, B. Kuppuswami, G. S. Shivarudrappa, Banagiri Lakshmi Narasimhachar and M. S. Venkata Rao.
Sharma died on 11 March 1979 in Bangalore and was survived by three daughters and two sons. On 23 August 2008, his life-size bronze statue was installed in Tirupathi. The Birth Centenary Celebrations of Sharma were organized in 1993. A Centenary Souvenir was edited by Medasani Mohan and published by Tirumala Tirupati Devasthanams in 1994. [12]
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Tallapaka Annamacharya, also popularly known as Annamayya, was a Telugu musician, composer, and a Hindu saint. He is the earliest known Indian musician to compose songs called samkirtanas. His devotional samkirtanas were in the praise of Venkateswara, a form of Vishnu. Annamayya is said to have composed as many as 32,000 samkirtanas (songs) in the praise of Venkateswara of which only about 12,000 are available today. He wrote the highest number of Kirtanas of all time in the praise of Lord Vishnu The musical form of the kirtana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. His compositions are classified as Adhyatma (spiritual) and Sringara (romantic). Annamacharya is remembered for his saintly life, as one of the greatest musicians and is honoured as a great devotee of Vishnu by devotees and saintly singers. He was one of the first few who opposed the social stigma towards the untouchable castes in his era.
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