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Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Thyagaraja, also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the Pancharatna Kritis, which are often sung in programs in his honour, and Utsava Sampradaya Krithis, which are often sung to accompany temple rituals.
Muthuswami Dikshitar (Mudduswamy Dikshitar)(IAST: muttusvāmi dīkṣitar, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic music.
Vidushi R. Vedavalli is a Carnatic vocalist. Musicologist M B Vedavalli (1935-2022) was a different person.
Tirumakudalu Chowdiah was a violin maestro from India in the Carnatic classical tradition.
Lalgudi Gopala Jayaraman was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin-trinity of Carnatic Music. He was awarded Padma Bhushan by the Government of India in 2001.
Mysore Venkatesha Doreswamy Iyengar (1920-1997) was a Carnatic musician and one of the greatest exponents of the veena in modern Indian history.
The Sarasvatī vīṇa is an ancient Indian plucked veena. It is named after the Hindu goddess Saraswati, who is usually depicted holding or playing the instrument. Also known as raghunatha veena, it is used mostly in Carnatic Indian classical music. There are several variations of the veena, which in its South Indian form is a member of the lute family. One who plays the veena is referred to as a vaiṇika.
Tiruchy L. Saravanan, also known as Flute Saravanan, is a prime disciple of Dr. N. Ramani, one of India's pioneer Carnatic flautists.
Maharajapuram Santhanam, was an Indian Carnatic music vocalist. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1989. He was born in Sirunangur, a village in the state of Tamil Nadu. He followed the footsteps of his father Maharajapuram Viswanatha Iyer who was also a renowned Carnatic vocalist.
Mysore Vasudevacharya was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions were mostly in Telugu and Sanskrit. Some of his most popular kritis include Broche varevaru ra in Khamas raga, Devadideva in Sunadavinodini, Mamavatu Sri Saraswati in Hindolam, Shankari Ninne in Pantuvarali, Bhajare Re Manasa in Abheri and Ra Ra Rajeevalochana Rama in Mohanam. He presided over Madras Music Academy's annual conference in 1935, when the Sangeetha Kalanidhi award did not exist. But everybody who presided over the annual conference in 1930s was later conferred the award. He was a recipient of the civilian honour of the Padma Bhushan.
Chittoor Subramanyam was an Indian carnatic musician. He received the Sangeeta Kalanidhi award in 1954, and the Sangeet Natak Akademi award in 1964.
The Kingdom of Mysore (1399–1950) was founded by Yaduraya in 1399 as a feudatory of the Vijayanagara Empire and became an independent kingdom in the early 17th century, after the decline of the Vijayanagara Empire. Many musicians and composers have presumably adorned the courts of the Mysore kings from Yaduraya's time, furthering the Dakshinadi school of music that had developed in earlier centuries. However, records are only available from the time of King Ranadheera Kanteerava Narasaraja Wodeyar (1638). Musical treatises surviving from this time, though, provide ample information on the music, musical instruments, the types of compositions, the raga (melodies) and the tala (rhythms) used. Though all the Mysore kings patronised music, the golden age of Carnatic music was considered to be during the reigns of Kings Krishnaraja Wodeyar III (1794–1868), Chamaraja Wodeyar IX (1862–1894), Krishnaraja Wodeyar IV (1884–1940) and Jaya Chamaraja Wodeyar (1919–1974). The reign of Krishnaraja Wodeyar IV is regarded as particularly important in musical terms.
Revathy Krishna is an Indian vainika renowned for her proficiency in both carnatic classical as well as Light music and film music.
Nirmala Rajasekar is a Carnatic Saraswati veena player, composer, vocalist, and educator. One of the world's premier veena players, Rajasekar has performed at Carnegie Hall, the United Nations, the Madras Music Academy, Narada Gana Sabha, Sawai Gandharva Festival, and the Konya International Mystic Music Festival. Rajasekar is the current co-chair of the American Composers Forum.
K. S. Narayanaswamy, was a Carnatic veena exponent of the Thanjavur style, in which nuances and subtleties are given more importance over rhythm based acrobatics. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1979.
The Rudrapatnam Brothers are an Indian Carnatic vocal duo, consisting of brothers R. N. Thyagarajan and Dr. R. N. Tharanathan. The brothers come from a family of musicians from Rudrapatna village off the Kaveri banks in Arkalgud Thaluk of Hassan district in the southwest Indian state of Karnataka. Vocalist Tiger Varadachariar, on seeing the musical atmosphere there, once claimed that "Rudrapatnam is the Thanjavur of Karnataka". Music, Veda adhyayana, and studying Sanskrit were integral parts of their family tradition.
Salem K. Meera is a Carnatic musician in Salem. She is well-versed in vocal, veena and keyboard. Meera has composed many swarajathis, varnams, thilanas and Tamil songs. She has been running a music school named after her parents, Sri Gowri Kanakasabapathy Gana Vidya Nilayam, at her residence since 2 February 1977 and has continually trained thousands of students in Carnatic vocals, veena and keyboard. The school encourages a lot of group study with a good guru–student relationship. She has been the joint president of Salem Sangeetha Vidwath sabha for the past three years. She also served as the president of the sabha for six years and secretary for six years, as well as committee member and vice president for 12 years. She is an active and creative participant in the sabha activities. She has been performing in the Salem sabha from 1950 until now (2011).
Nagercoil Ganesa Iyer (NSG) (1905—1978) was a prominent carnatic musician and exponent.
References
- ↑ "David Nelson".
- ↑ "Geetha Bennett (1950-2018) : A Tribute". 13 August 2018.
