Sushil Kumar Saxena | |
|---|---|
| Born | India |
| Occupation(s) | Musicologist Writer Scholar Academic |
| Known for | Writings on Indian music and aesthetics |
| Awards | Padma Bhushan Sangeet Natak Akademi Fellowship |
Sushil Kumar Saxena is an Indian musicologist, academic, scholar and the author of several books on music, philosophy and aesthetics. [1] He is a former member of the faculty of the University of Delhi and has served the University Court as a member. [2] His works include Studies in the Metaphysics of Bradley, [3] Hindustan Music and Aesthetics Today, [4] Art and Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse Langer, Reid, [5] and Swinging Syllables Aesthetics of Kathak Dance [6] and his lectures have been included in a book, Indian Music: Eminent Thinkers on Core Issues ; Discourses by Premlata Sharma, S. K. Saxena and Kapila Vatsyayan . [7] He is a recipient of the Sangeet Natak Akademi Fellowship which he received in 2007. [8] The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 2008, for his contributions to Indian music. [9]
Kathak is one of the eight major forms of Indian classical dance. It is the classical dance form from Uttar Pradesh. The origin of Kathak is traditionaly attributed to the traveling bards in ancient northern India known as Kathakars or storytellers. The term Kathak is derived from the Vedic Sanskrit word Katha which means "story", and Kathakar which means "the one who tells a story", or "to do with stories". Wandering Kathakars communicated stories from the great epics and ancient mythology through dance, songs and music. Kathak dancers tell various stories through their hand movements and extensive footwork, their body movements and flexibility but most importantly through their facial expressions. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms. During the period of Mughal rule, the emperors were patrons of Kathak dance and actively promoted it in their royal courts. Kathak performances include Urdu Ghazals and commonly used instruments brought during the Mughal period. As a result, it is the only Indian classical dance form to feature Persian elements.
Kapila Vatsyayan was a leading scholar of Indian classical dance, art, architecture, and art history. She served as a member of parliament and bureaucrat in India, and also served as the founding director of the Indira Gandhi National Centre for the Arts.
Indian classical dance or Shastriya Nritya is an umbrella term for various performance arts rooted in Hindu musical theatre styles, whose theory and practice can be traced to the Sanskrit text Natya Shastra. The number of classical dances range from eight to more, depending on the source and scholar. The Sangeet Natak Academy recognizes eight – Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Additionally, the Indian Ministry of Culture includes Chhau in its classical list. These dances are traditionally regional. They consist of compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, or any other Indian language and they represent a unity of core ideas in a diversity of styles, costumes and expression. Currently, there are 9 official classical dances in India.
The Manipuri Dance, also referred to as the ManipuriRaas Leela, is one of the eight major Indian classical dance forms, originating from the state of Manipur. The dance form is imbued with the devotional themes of Madhura Raas of Radha-Krishna and characterised by gentle eyes and soft peaceful body movements. The facial expressions are peaceful mostly expressing Bhakti Rasa or the emotion of devotion, no matter if a dancer is Hindu or not. The dance form is based on Hindu scriptures of Vaishnavism and is exclusively attached to the worship of Radha and Krishna. It is a portrayal of the dance of divine love of Lord Krishna with goddess Radha and the cowherd damsels of Vrindavan, famously known as the Raas Leela.
Girija Devi was an Indian classical singer of the Seniya and Banaras gharanas. She performed classical and light classical music and helped elevate the profile of thumri. She was dubbed as the 'Queen of Thumri' for her contribution in the genre. She died on 24 October 2017.
Kumudini Lakhia is an Indian Kathak dancer and choreographer based in Ahmedabad, Gujarat, where she founded Kadamb School of Dance and Music, an institute of Indian dance and music in 1967.
The Sangeet Natak Akademi Fellowship, also known as Akademi Ratna Sadasyata, is an Indian honour for the performing arts presented by Sangeet Natak Akademi. It is "the most prestigious and rare honour" conferred by the Akademi and is "restricted to 40 individuals at any given time".
Tripunithura Viswanathan Gopalakrishnan, known as TVG, is a Carnatic and Hindustani musician from Cochin, Kerala, India. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 2014.
Sumati Mutatkar was an Indian classical music vocalist and musicologist from the Agra gharana of Hindustani classical music, and a Professor of Department of Music in University of Delhi.
National Institute of Kathak Dance, also known as Kathak Kendra, is the premier dance institution for the Indian classical dance form of Kathak, and a unit of the Sangeet Natak Akademi, India's National Academy of Music, Dance and Drama, situated in New Delhi. Established in 1964, the institution is primarily dedicated to Kathak, though it also offers courses in Hindustani classical music (Vocal) and Pakhawaj and Tabla.
Shriram Bharatiya Kala Kendra (SBKK) is an Indian cultural institution which runs a school for music, dance and performing arts in New Delhi. It was founded by Sumitra Charat Ram in 1952, and imparts training in Indian classical dance styles and music, including Kathak, Bharatanatyam, Odissi, Chhau, Hindustani Classical music, both Vocal and Instrumental. Its associated organisation is the Shri Ram Centre for Performing Arts at Safdar Hasmi Marg, in the Mandi House area, the cultural hub of Delhi, the centre includes a theater for the performing arts, a theatre repertory company and an acting school.
Professor B. R. Deodhar was an Indian classical singer, musicologist and music educator. He was a vocalist of Khayal-genre of Hindustani classical music.
Anjanibai Malpekar was a noted Indian classical singer, belonging to the Bhendibazaar gharana of Hindustani classical music.
Rohini Bhate was among the senior most Kathak dance exponents in India, who developed as a performer, teacher, writer, researcher and critic this Indian classical dance. During her career, she was awarded with several recognitions, such as the Sangeet Natak Akademi Award, and the Kalidas Samman.
Madhur Kapila was an Indian novelist, journalist, art critic and a reviewer of Hindi literature. Some of her published works included Bhatke Raahi, Satwan Swar and Saamne ka Aasman. She was a recipient of the Chandigarh Sahitya Akademi Award for lifetime contributions to literature and the Cultural Representative Award from the Punjab Sangeet Natak Akademi.
Maya Rao was an Indian classical dancer, choreographer and educator, in Kathak dance. She is known for her pioneering work in Kathak choreography, especially in dance ballets, and is credited for bringing Kathak, a North Indian-dance style to South India, when she opened her dance school, Natya Institute of Kathak and Choreography (NIKC) in Malleswaram, Bangalore in 1987. She was also the founder director of her dance company, "Natya and Stem Dance Kampni", an amalgam of NIKC and the STEM Dance Kampni based in Bangalore. After her early training under Guru Sohanlal of Jaipur Gharana, followed by Guru Sunder Prasad also of the Jaipur Gharana, and went to train under Guru Shambhu Maharaj of Lucknow Gharana at National Institute of Kathak Dance in Delhi.
Deba Prasad Das was an Indian classical dancer, considered by critics and connoisseurs as one of the four first generation gurus of the Indian classical dance form of Odissi. His Odissi style is robust and unique. He was a recipient of the 1977 Sangeet Natak Akademi Award. and 1974 Odisha Sangeet Natak Akademi Award.
Mukund Lath was an Indian scholar and cultural historian, known for his writings on music, dance, aesthetics and culture of India. He was honored by the Government of India, in 2010, with the fourth highest Indian civilian award of Padma Shri.
Gaan Maharishi Pt. Krishnarao Shankar Pandit (1893–1989) was an Indian musician, considered by many as one of the leading vocalists of the Gwalior gharana. He authored several articles and 8 books on music and was the founder of Shankar Gandharva Mahavidyalaya, a music college based in Gwalior. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1973, for his contributions to music. He was also a recipient of several other honors, including the 1959 Sangeet Natak Akademi Award and the 1980 Tansen Award of the Government of Madhya Pradesh.
Puru Dadheech is a Kathak dancer. He is a choreographer and educator of Indian classical dance, and is known for his pioneering work in the field of Kathak. At the oldest Kathak department which was formed in 1956 at Indira Kala Sangeet Vishwavidyalaya Public University located in Khairagarh, Puru Dadheech instated the first Kathak syllabus in 1961. He is the holder of the first Doctorate in Kathak Classical Dance and emphasizes the relevance of Shastras in the Kathak repertoire. He was awarded Padma Shri, the 4th highest civilian award of India He is currently serving as the Director of the world’s first dedicated Kathak research Centre at the Sri Sri University, Cuttack called Sri Sri Centre for Advanced Research in Kathak.
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