Maguni Charan Das | |
|---|---|
| Born | |
| Died | 5 December 2008 |
| Occupation | Traditional dancer |
| Known for | Gotipua dance |
| Awards | Padma Shri Odisha Sangeet Natak Akademi Award Tulsi Award |
Maguni Charan Das was an Indian traditional dancer, known as one of the masters of Gotipua, a traditional dance form of Odisha.[ citation needed ] He was the founder of Dasabhuja Gotipua Odishi Nrutya Praishad, a school for Gotipua dance where the art form is taught in the traditional Gurukul way. [1] Born in Raghurajpur, in Puri district of the Indian state of Odisha, he is known to have contributed to the revival of Gotipua tradition, which is widely considered as the precursor of the classical dance form of Odissi. [1] His style of performance is known as the Raghurajpur Gharana of Gotipua [2] and his school provides training in the dance discipline, while taking care of the academic education of the students. He was a recipient of Odisha Sangeet Natak Akademi Award and Tulsi Award. [1] The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2004, for his contributions to Gotipua dance. [3]
Das died on 5 December 2008, [4] but his legacy is carried forward by his sons, Sebendra Das and Rabindra Das (The Mardala player).
Odissi, also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu Gods Shiva and Surya, as well as Hindu Goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule.
Kelucharan Mohapatra was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. He is the first person to receive the Padma Vibhushan from Odisha.
Puri district is a coastal district of the Odisha state of India. It has one sub-division, 11 tahasils and 11 blocks and comprises 1722 revenue villages. Puri is the only municipality of the district. Konark, Pipili and Nimapara are the three NACs in this district. Satyabadi, Gop, Kakatpur and Brahmagiri are major semi-urban areas.
Odisha is one of the 28 states of India, located in the eastern coast. It is surrounded by the states of West Bengal to the north-east, Jharkhand to the north, Chhattisgarh to the west and north-west, Andhra Pradesh to the south and south-west. Odia is the official and most widely spoken language, spoken by 33.2 million according to the 2001 Census. The modern state of Odisha was established on 1 April 1936, as a province in British India, and consisted predominantly of Odia-speaking regions. April 1 is celebrated as Odisha Day.
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
Gotipua is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (goti-pua). Raghurajpur, Odisha is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala.
Mahari is a ritualistic dance form from the eastern Indian state of Odisha that used to be performed at the temple of Lord Jagannatha at Puri by devadasi dancers called maharis. Following the abolition of the devadasi system, the dance has been discontinued at the Jagannatha Temple but is now performed on stage at many venues. The Mahari dance spurred the development of both Odissi and the Gotipua dance forms of Odisha. The Maharis have been among the foremost exponents of both traditional Odia dance and Odissi music.
Dhumpa sangita is a folk musical art form from the Ganjam and Nayagarh districts of Odisha in India. It derives its name from the dhumpa, a bamboo percussion instrument that accompanies the performance. The tradition is currently on the decline and faces the threat of extinction.
Guru Pankaj Charan Das (1919-2003) was an Indian classical dancer, choreographer and the Ādi Guru of Odissi dance. He is known as the 'Father of Odissi dance'. He was the adopted son of a mahari Ratna Prabha Devi and from her he learnt the art of devotional movement. He was responsible to revive the dance form that later became the base for birth of Odissi. He was the man who was responsible for bringing odissi out of the temple precincts into broad daylight. He was also awardees of Padmashree in 1992. His dance was laden with bhakti rasa and each of its movements spelt the holy name of Lord Jagannath. He strictly followed the mahari style in his dance. He was especially adept in group choreographies and has left his indelible impression on masterpieces like Glānisanghāra, Matrubandanā, Balagopālashtaka and many more. His expertise dealt with both Odia and Sanskrit language. His choreographed dance episodes based on the lives of great poets of India Kalidas and Jayadeba. In mid-life he was made the head of department of Odissi dance, in Utkal Sangeet Mahavidyalaya, the only college of dance & music of Odisha. He was associated with the college for more than 25 years and later retired as the Principal.
Minati Mishra was an Indian classical dancer and actress, known for her expertise in the Indian classical dance form of Odissi. She was reported in 2011 to be the oldest-living Odissi performer. The Government of India honored Mishra in 2012, with the fourth-highest civilian award of Padma Shri.
Deba Prasad Das was an Indian classical dancer, considered by critics and connoisseurs as one of the four first generation gurus of the Indian classical dance form of Odissi. His Odissi style is robust and unique. He was a recipient of the 1977 Sangeet Natak Akademi Award. and 1974 Odisha Sangeet Natak Akademi Award.
Bhagaban Sahu (1914-2002) was an Indian folk dancer, teacher and choreographer, known for codifying the folk dance forms of Odisha.
Chaturbhuj Meher is an Indian weaver, considered by many as one of the master weavers of the Tie-dye handloom tradition of Odisha. Born on 13 October 1935 at Sonepur in Odisha, he had formal education only up to school level but learned the traditional weaving craft to join Weavers' Service Centre as a Weaver. Vayan Vihar, a handloom factory and Handloom Research and Training Center, a research institute in Sonepur have been founded by him and he is known to have trained over 10,000 craftsmen.
Shyama Charan Pati was an Indian dancer, known as one of the leading exponents of the Seraikala tradition of Chhau, a martial dance form of India. He was a member of the Court of the Central University of Jharkhand.
Govind Ram Nirmalkar (1935–2014) was an Indian actor and folk theatre artist, known for his contributions to the Nacha folk theatre of Chhattisgarh. His portrayal of the protagonist in Charan Das Chor, an award winning play by Habib Tanveer, won him critical acclaim. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2009, for his contributions to Arts. He was also a recipient of the 2012 Sangeet Natak Akademi Award.
Gobardhan Panika is an Indian master weaver of Kotpad handloom a traditional tribal craft. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2018, for his contributions to the art of weaving.
Mardala is a percussive instrument native to the east Indian state of Odisha. It is traditionally used as the primary percussive instrument in the ancient classical music of the state, Odissi music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique.
PanditGopal Chandra Panda is a Guru of Odissi classical music, vocalist, researcher and composer. A disciple of Singhari Shyamasundar Kar, he has authored several books such as Odissi Raga Ratnabali & Odissi Raga Darpana, and is acclaimed for his efforts to collect & document several traditional Odissi ragas from the hinterlands. Panda served as a lecturer and head of department in the Utkal Sangeet Mahavidyalaya for nearly three decades. He has performed in music festivals across the country and is the founder of the Gopal Panda Odissi Academy. In 2011, Panda received the Sangeet Natak Akademi Award for his contributions to Odissi music.
PanditRamhari Das is an Odissi music Guru, professor, singer, musicologist, scholar and composer. Known for his renditions, compositions, lecture-demonstrations and writings, Das has served as a professor and led the Odissi vocal department in prominent musical institutions of Odisha, including the Utkal Sangeet Mahavidyalaya and the Utkal University of Culture. He is the founder of Ramhari Das Odissi Gurukula at Biragobindapur, Puri. For his contributions to Odissi music, Das received the Sangeet Natak Akademi award in 2008.
AcharyaTarini Charan Patra was a renowned Odissi musician, Guru, singer, scholar, poet, composer & Binākara. One of the most eminent artistes of Odissi classical music in the 20th century, he was known for his vocal renditions & Veena recitals on gramophone records & over the All India Radio, as well as his pioneering efforts in institutionalizing the training of Odissi music by setting up one of the earliest music universities in erstwhile Odisha, the Gandhiji Sangita Kalamandira at Boirani, Ganjam that remained active from 1940 until Patra's demise in 1979.
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