
A draped garment is a garment that is made of a single piece of cloth that is draped around the body; drapes are not cut away or stitched as in a tailored garment. Drapes can be held to the body by means of knotting, pinning, fibulae, clasps, sashes, belts, tying drawstrings, or just plain friction and gravity alone. Many draped garments consist of only one single piece.
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A sari is a women's garment from the Indian subcontinent. It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is a form of ethnic wear in Bangladesh, India, Sri Lanka, Nepal, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
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A kurta is a loose collarless shirt or tunic worn in many regions of South Asia, and now also worn around the world. Tracing its roots to Central Asian nomadic tunics, or upper body garments, of the late-ancient- or early-medieval era, the kurta has evolved stylistically over the centuries, especially in South Asia, as a garment for everyday wear as well as for formal occasions.
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The dhoti, also known as mardani, jaiñboh, or panche, is a piece of cloth arranged around the waist and the legs, in resemblance to the shape of trousers. The dhoti is a lower garment forming part of ethnic wear for men in the Indian subcontinent. The dhoti is fashioned out of a rectangular piece of unstitched cloth, usually around 5 ft to 4.5 metres (15 ft) long.
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Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress. Traditional clothing often has two forms: everyday wear, and formal wear. The word "costume" in this context is sometimes considered pejorative, as the word has more than one meaning, and thus "clothing", "dress", "attire" or "regalia" can be substituted without offense.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to perform rituals and dances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
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A tunic is a garment for the torso, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the ankles. It might have arm-sleeves, either short or full-length. Most forms have no fastenings. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.
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A himation was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic period through the Hellenistic period. It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, it served both as a chiton and as a cloak. The himation was markedly less voluminous than the Roman toga. Many vase paintings depict women wearing a himation as a veil covering their faces.
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An uttariya is a loose piece of upper body clothing with its origins in ancient India. It is a single piece of cloth that falls from the back of the neck to curl around both arms and could also drape the top half of the body. An uttariya is similar to a veil, a long scarf and shawl. The Vedas describe the garment to comprise various loose cloths worn for upper body such as upavasana, parayanahana and adhivasa, varhatika and varnaka, uttarsanghasamvyana.
The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.
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The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
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Ghagra choli is a type of ethnic clothing for women from India, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir. In Punjab, the lehenga is traditionally worn with a kurti. It is a combination of the ‘’ghagra or lehenga and the choli (blouse). In contemporary and modern usage lehenga choli is the widely used term by fashion designers, trend setters, and boutiques in India, since ghagra is synonymous with the half-slip (petticoat) worn as an undergarment below the sari.
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The Kaashtha sari is a Koli style of sari draping very similar to the way the Maharashtrian dhoti is worn. The word Kaashtha refers to the sari being tucked at the back. Since this sari is usually worn by using a single nine yard cloth, it is also referred to as Nauvari, which means Nine Yards. Sakachcha sari is another term commonly used to refer to this style of sari. It is referred to as Akanda Vastra, which means it doesn't need any other attire to support it. In fact, this attire holds utmost importance as women across different walks of life have worn it. It is not just worn at religious and cultural events, but women have fought wars in the past and still work in farmlands wearing this.
Pakistani clothing refers to the ethnic clothing that is typically worn by people in the country of Pakistan and by Pakistanis. Pakistani clothes express the culture of Pakistan, the demographics of Pakistan, and cultures from Punjab, Sindh, Balochistan, Khyber Pakhtunkhwa, Gilgit-Baltistan, and Kashmir regions of the country. The clothing in each region and culture of Pakistan reflect weather conditions, way of living, the textiles and embroidery used and its distinctive style which gives it a unique identity among all cultures.
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In the Punjab region, people wore cotton clothing. Both men and women wore knee-length tops. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both male and female wore a dhoti around the waist. Modern Punjabi dress has retained the dhoti, but over its long history has added other forms of dress.
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Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
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Mughal clothing refers to clothing worn by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire. Much of them were already being used in the past centuries before their arrival in Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. Elaborate patterns including dots, checks, and waves were used with colors from various dyes including cochineal, sulfate of iron, sulfate of copper, and sulfate of antimony were used.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.
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Poshak (पोशाक), also called Vāstra (वस्त्र) is the Hindi term used for the complete attire used in the vedic period. As mentioned in Sanskrit literature and Buddhist Pali literature during the 6th century BC, the costumes belonging to the Vedic and post-Vedic period 1500 BCE to 350 BCE consisted of the antariya, which is the lower garment, the uttariya, which is a veil worn over the shoulder or the head, and the stanapatta, which is a chest band. The modernday Sari is one of the evolved poshak earlier known as Sattika that was single garment to wrap around the waist and cover the head.
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A veshti, also known as vēṭṭi, is a white unstitched cloth wrap for the lower body in Tamil Nadu and in the North and East of Sri Lanka. Vēṭṭi is a part of the traditional attire consisting of Kurta and Angvastra. The garment is a single piece of cloth and similar to the dhoti, one of the earliest draped garments of India. A vēṭṭi is often layered with horizontal stripes or borders across its length.