Muslin is a cotton fabric of plain weave. It is made in a wide range of weights from delicate sheers to coarse sheeting. It is commonly believed that it gets its name from the city of Mosul, Iraq.
Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries. Some pattern hold symbolic significance and are used only in certain occasions, while others were created to satisfy market demand and fashion trends.
A sari is a women's garment from the Indian subcontinent. It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is a form of ethnic wear in India, Sri Lanka, Nepal, Bangladesh, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
The culture of Indonesia has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures.
The Limbu (exonym) / Yakthung (endonym) or are a Sino-Tibetan ethnolinguistic group indigenous to the Himalayan region of eastern Nepal, Sikkim, Assam, Nagaland, northern West Bengal, and western Bhutan.
Jamdani is a fine muslin textile produced for centuries in South Rupshi of Narayanganj district in Bangladesh on the bank of Shitalakhwa river.
Songket or sungkit is a tenun fabric that belongs to the brocade family of textiles of Brunei, Indonesia, and Malaysia. It is hand-woven in silk or cotton, and intricately patterned with gold or silver threads. The metallic threads stand out against the background cloth to create a shimmering effect. In the weaving process the metallic threads are inserted in between the silk or cotton weft (latitudinal) threads in a technique called supplementary weft weaving technique.
Piña is a traditional Philippine fiber made from the leaves of the pineapple plant. Pineapples are indigenous to South America but have been widely cultivated in the Philippines since the 17th century, and used for weaving lustrous lace-like luxury textiles known as nipis fabric. The name is derived from Spanish piña, meaning "pineapple".
Barkcloth or bark cloth is a versatile material that was once common in Asia, Africa, and the Pacific. Barkcloth comes primarily from trees of the family Moraceae, including Broussonetia papyrifera, Artocarpus altilis, Artocarpus tamaran, and Ficus natalensis. It is made by beating sodden strips of the fibrous inner bark of these trees into sheets, which are then finished into a variety of items. Many texts that mention "paper" clothing are actually referring to barkcloth.
The Dhaka topi, or Nepali topi, is a traditional Nepali cloth hat which forms part of Nepalese national dress, and worn by men on celebrations.
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance. This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression.
Baju Kurung is a traditional attire of Malays and traditionally worn by women in Brunei, Indonesia, Malaysia, Singapore and southern Thailand. This type of traditional attire is the national dress of Brunei and Malaysia. In Indonesia, this dress is also worn as a regional attire, commonly observed on the island of Sumatra, particularly by the ethnic Malay and Minangkabau women.
Kalamkari is an ancient textile printing art that finds its roots in the Indian state of Andhra Pradesh. The ancient textile printing art form is believed to have evolved about 3000 years ago in Andhra Pradesh. Kalamkari gained popularity in the south of India during the reign of Vijayanagara Empire. Kalam implies 'pen' and Kari means 'art', a name given by the Mughals when they discovered the art during their reign over the Deccan region. Only natural dyes are used in Kalamkari, which involves twenty-three steps. There are two main styles of Kalamkari. The block printed that is practiced in the town of Machilipatnam and the hand painted style that is largely practiced in the town of Srikalahasti, both located in Andhra Pradesh.
Yūki-tsumugi (結城紬) is a variety of silk cloth produced in Japan, chiefly in Yūki in Ibaraki Prefecture. It is designated as one of the Important Intangible Cultural Properties of Japan, and has also been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
Kijōka-bashōfu (喜如嘉の芭蕉布) is the Japanese craft of making cloth from the bashō or Japanese fibre banana as practiced in Kijōka in Ogimi, Okinawa. Like linen, hemp, ramie and other long vegetable fibres, it does not stick to the skin in hot weather; as such it is suitable for the climate of Okinawa. Kijōka-bashōfu is recognized as one of the Important Intangible Cultural Properties of Japan.
Obin, real name Josephine Komara, is a textile designer from Indonesia. She is sometimes called a "national treasure" due to her passion for and promotion of traditional Indonesian batik techniques. Her work has achieved worldwide recognition, with fellow Indonesian designers such as Edward Hutabarat and Ghea Panggabean describing her as the real authority and leader of the mid-2000s movement to update and modernise batik. Despite this, Obin describes herself as simply a tukang kain, or vendor of cloth, stating that the genuine artists and designers are the craftsmen who make the textiles retailed through Bin House, her business.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Chinese patchwork is a traditional form of Chinese needlework which has been widely circulated in Chinese folk arts. In China, patchwork has been used for millennia.
Tenun is an artful Indonesian technique of making a fabric by weaving different colours of threads. Tenun belongs to one of the typical Indonesian cultural arts produced by hand skills using traditional looms. The word Tenun itself has a high meaning, historical value, and technique in terms of colors, motifs, and types of materials and threads used and each region has its own characteristics. In addition, Tenun is also one of Indonesia's original cultural heritages that is still maintained and preserved to this day.
