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Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages. Poetry in foreign languages such as English also has a strong influence on Indian poetry. The poetry reflects diverse spiritual traditions within India. In particular, many Indian poets have been inspired by mystical experiences. Poetry is the oldest form of literature and has a rich written and oral tradition.
There are very few literary awards in India for poetry alone. The prestigious awards like Jnanapeeth, Sahitya Akademi and Kalidas Samman etc. are given away to writers of both prose and poetry. Most of the awards have gone to novelists. Few poets have received these awards.
Some of the poets who have won the Jnanpith award for their poetry include: Viswanatha Satyanarayana for his Sreemadraamaayana Kalpavrukshamu in Telugu (1970), Mahadevi Varma in Hindi for her collection of poems Yama, Firaq Gorakhpuri for his Gul-e-Naghma (1969), Amrita Pritam for her Kagaz te Kanvas (1981), Qurratulain Hyder for her Akhire Sab ke Humsafar, Singireddi Narayana Reddi for his Viswambhara in Telugu (1988), O. N. V. Kurup for his contribution to Malayalam poetry (2007) and Ravuri Bharadhwaja for his novel Paakuduraallu (Telugu) (2012).
Ananda Bazar Patrika have instituted the annual Ananda Puraskar for Bengali literature. There is also Rabindra Puraskar. But these awards have usually gone to novelists. The rare poets to have won these awards include Premendra Mitra for Sagar Theke Phera (1957), Buddhadeb Basu for Swagato Biday (1974), Aruna Mitra for Suddhu Rater Shabda (1979), Joy Goswami for Ghumeichho (1990), Srijato for Uranto Sab Joker (2004) and Pinaki Thakur for Chumbaner Kshato (2012).
Sahitya Akademi gives away annual prizes for both original works of poetry in the recognised Indian languages, as well as outstanding works of translation of Indian poetry. The award winners for English poetry include Jayanta Mahapatra for Relationship (1981), Nissim Ezekiel for Latter-Day Psalms (1983), Keki N. Daruwalla for The Keeper of the Dead (1984), Kamala Das for Collected Poems (1985), Shiv K. Kumar for Trapfalls in the Sky (1987), Dom Moraes for Serendip (1994), A. K. Ramanujan for Collected Poems (1999) and Jeet Thayil for These Errors are Correct (1912). [6] Prominent Akademi awardees for poetry in other Indian languages include H. S. Shivaprakash (Kannada) and K. Satchidanandan (Malayalam). [7] Other eminent Sahitya Akademi award-winning poets include Amrita Pritam (Punjabi) for Sunehe (1956), V. K. Gokak (Kannada) for Divya Prithvi (1960), G. Sankara Kurup (Malayalam) for Viswadarshanam (1963), Makhanlal Chaturvedi for Him Tarangini in Hindi, Kusumagraj (Marathi) for Natsamrat (1974), Kaifi Azmi (Urdu) for Awara Sajde (1975), Sunil Gangopadhyay (Bengali) for Sei Somoy (1984), Kanhaiyalal Sethia (Rajasthani) for Lilatamsa (1984), Hiren Bhattacharyya (Assamese) for Saichor Pathar Manuh (1992), Gunturu Seshendra Sarma (Telugu) for Kaala Rekha (1994), Srinivas Rath (Sanskrit) for Tadaiva Gaganam Shaivadhara (1999) and Pratibha Satpathy (Odia) for Tanmaya Dhuli (2001).
Eighteen poets have won Sahitya Akademi Awards in Telugu language.
On the occasion of its Golden Jubilee, Sahitya Akademi awarded the following prizes for outstanding works of poetry in translation from Indian languages.
The Golden Jubilee Prize for Life Time Achievement was won by Namdeo Dhasal, Ranjit Hoskote, Neelakshi Singh, Abdul Rashid and Sithara S.
The Poetry Society (India) gives annual awards solely for poetry. The following poets have won the annual prizes instituted by the Poetry Society (India) in collaboration with British Council and Ministry of Human Resource Development (India):
In the 19th century, American Transcendentalist writers and many German Romantic writers became interested in Indian poetry, literature and thought. In the 20th century, few Western poets became interested in Indian thought and literature, and the interest of many of those was minor: T. S. Eliot studied Sanskrit at Harvard, but later lost interest. Buddhism brought Allen Ginsberg and Gary Snyder to India, but they became more interested in Tibetan and Japanese forms of the religion. Mexican poet and writer Octavio Paz developed a strong, lasting interest in Indian poetry after living in the country as part of the Mexican diplomatic mission (and as ambassador in the 1960s). Paz married an Indian woman, translated Sanskrit kavyas, and wrote extensively about India. [8]
K. Satchidanandan is an Indian poet and critic, writing in Malayalam and English. A pioneer of modern poetry in Malayalam, a bilingual literary critic, playwright, editor, columnist and translator, he is the former editor of Indian Literature journal and the former secretary of Sahitya Akademi. He is also social advocate for secular anti-caste views, supporting causes like environment, human rights and free software and is a well known speaker on issues concerning contemporary Indian literature. He is the festival director of Kerala Literature Festival.
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya. The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.
Meitei, also known as Manipuri, is a Tibeto-Burman language of northeast India. It is the official language and the lingua franca of Manipur and one of the official languages of Assam. It is one of the constitutionally scheduled official languages of the Indian Republic. Meitei is the most widely-spoken Tibeto-Burman language of India and third most widely spoken language of northeast India after Assamese and Bengali. There are 1.76 million Meitei native speakers in India according to the 2011 census. Most of these, or 1.52 million, are found in the state of Manipur, where they represent majority of its population. There are smaller communities in neighbouring Indian states, such as Assam (168,000), Tripura (24,000), Nagaland (9,500), and elsewhere in the country (37,500). The language is also spoken by smaller groups in neighbouring Myanmar and Bangladesh.
The Meitei people, Meetei, Manipuri people is an ethnic group native to Manipur. They are one of the Tai peoples in Northeast India. They form the largest and dominant ethnic group of Manipur in Northeast India. They speak the Meitei language, one of the 22 official languages of the Indian Republic and the sole official language of Government of Manipur. The Meiteis primarily settled in the Imphal Valley region in modern-day Manipur, though a sizeable population has settled in the other Indian states of Assam, Tripura, Nagaland, Meghalaya, and Mizoram. There is also a notable presence of Meitei people in the neighbouring countries of Myanmar and Bangladesh. The Meitei ethnic group represents about 53% of Manipur's population.
Ramakanta Rath is one of the most renowned modernist poets in the Odia literature. Heavily influenced by the poets such as T. S. Eliot and Ezra Pound, Rath experimented greatly with form and style. The quest for the mystical, the riddles of life and death, the inner solitude of individual selves, and subservience to material needs and carnal desires are among this philosopher-poet's favorite themes. His poetry betrays a sense of pessimism along with counter-aesthetics, and he steadfastly refuses to put on the garb of a preacher of goodness and absolute beauty. His poetry is full of melancholy and laments the inevitability of death and the resultant feeling of futility. The poetic expressions found in his creations carry a distinct sign of symbolic annotations to spiritual and metaphysical contents of life. Often transcending beyond ordinary human capabilities, the poet reaches the higher territories of sharp intellectualism. The contents have varied from a modernist interpretation of ancient Sanskrit literature protagonist Radha in the poem "Sri Radha" to the ever-present and enthralling death-consciousness espoused in "Saptama Ritu".
Kannada literature is the corpus of written forms of the Kannada language, spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Jayanta Mahapatra was an Indian poet. He is the first Indian poet to win a Sahitya Akademi award for English poetry. He was the author of poems such as "Indian Summer" and "Hunger", which are regarded as classics in modern Indian English literature. He was awarded a Padma Shri, the fourth highest civilian honour in India in 2009, but he returned the award in 2015 to protest against rising intolerance in India.
The Sahitya Akademi Award is a literary honour in India, which the Sahitya Akademi, India's National Academy of Letters, annually confers on writers of the most outstanding books of literary merit published in any of the 22 languages of the 8th Schedule to the Indian constitution as well as in English and Rajasthani language.
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwords from Desaja, English, Hindustani (Hindi/Urdu), Persian, and Arabic. Its earliest written texts date from around 1000 CE. The earliest Odia newspaper was Utkala Deepika, first published on August 4, 1866.
Champu or Chapu-Kavya is a genre of literary composition in Indian literature. The word 'Champu' means a combination of poetry and prose. A champu-kavya consists of a mixture of prose (Gadya-Kavya) and poetry passages (Padya-Kavya), with verses interspersed among prose sections.
Shiv K. Kumar was an Indian English-language poet, playwright, novelist, and short story writer. His grandfather late Tulsi Das Kumar was a school teacher and his father Bishan Das Kumar, was a retired headmaster. The letter 'K' stands for Krishna, i.e. Shiv Krishna Kumar.
Rajanikanta Bordoloi was a noted writer, journalist and tea planter from Assam, India. Some critics called him the Walter Scott of Assam. He was President of the Asam Sahitya Sabha in 1925 which was held at Nagaon.
N. Gopi is an eminent Indian poet, and literary critic in Telugu and Sahitya Akademi Award recipient. He has also been in the University system as a professor and Dean since 1974, until retiring in 2008. He has also held the post of the Vice Chancellor of Potti Sreeramulu Telugu University, Hyderabad. Gopi's poetry displays nativity and a national outlook.
The Khamba Thoibi Sheireng, also spelled as the Khamba Thoibi Seireng, is a Classical Meitei language epic poem based on the ancient love story of Khuman prince Khamba and Moirang princess Thoibi of Ancient Moirang kingdom of Ancient Kangleipak. It is the magnum opus of Hijam Anganghal, the "Bard of Samurou". It is regarded as the national epic of the Manipuris. It is regarded as the greatest of all the epic poems in Meitei literature, with 39,000 verses, thereby being the third longest Indian epic poem, next to the Mahabharata and the Ramayana.
Makers of Indian Literature is a series of biographical monographs published by Sahitya Akademi, India's National Academy of Letters.
The ancient legend of Khamba and Thoibi is a classic, as well as one of the epic cycles of incarnations of Meitei mythology and folklore, that is originated from Ancient Moirang kingdom of Ancient Kangleipak . It is referred to as the "National Romantic Legend of Manipur" by Padma Vibhushan awardee Indian scholar Suniti Kumar Chatterjee.
Khamba Thoibi Jagoi, also known as Khamba Thoibi classical dance or Khamba Thoibi ballet, is a traditional Meitei ritualistic and theatrical classical dance form, which is usually enacted as a part and parcel of the Lai Haraoba performances, dedicated to God Thangching, the national deity of Ancient Moirang realm. Notably, it is one of the cultural elements, giving inspirations to the development of the Manipuri Raas Leela classical dance drama form.
The cultural heritages of Meitei civilization has classicism in diverse traditions of cinemas, dances, language, literature, music, theatre, etc.
His epic Singel Indu was published in 1938 which was followed by his magnum opus Khamba Thoibi Sheireng (1940), a poem of 39000 lines, considered to be the 'national' epic of the Manipuris, written in the Pena Saisak style of folk ballads.
His best work, Khamba Thoibi sheireng, in 39,000 lines on the story of 'Khamba and Thoibi' was started in 1939 and the composition was completed in 1940.
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