The Medieval period covers 400 years of different poetry texts and can be broken up into five categories.
Since the findings of the Kharjas, which are mainly two, three, or four verses, Spanish lyrics, which are written in Mozarabic dialect, are perhaps the oldest of Romance Europe. The Mozarabic dialect has Latin origins with a combination of Arabic and Hebrew fonts. [1]
Many parts of Cantar de Mio Cid , Cantar de Roncesvalles , and Mocedades de Rodrigo are part of the epic. The exact portion of each of these works is disputed among scholars. The Minstrels, over the course of the 12th to the 14th centuries, were driving force of this movement. The Spanish epic likely emanated from France. There are also indications of Arabic and Visigoth. It is usually written in series of seven to eight syllables within rhyming verse. [2]
The cuaderna vía is the most distinctive verse written in Alexandrine verse, consisting of 12 syllables. Works during the 13th century include religious, epics, historical, advice or knowledge, and adventure themes. Examples of such themes include The Miracles of the Virgin Mary , Poema de Fernán González , Book of Alexander , Cato’s Examples , and Book of Apolonio , respectively. Some works vary and are not necessarily mester de clerecía, but are reflective of it. Such poems are of a discussion nature, such as Elena y María and Reason to Love . Hagiographic poems include Life of St. María Egipciaca and Book of the Three Wise Men . Mature works, like The Book of Good Love and Rhyming Book of the Palace , were not included in the genre until the 14th century. [3]
During this movement, language use went from Galician-Portuguese to Castilian. Octosyllable, twelve syllables, and verse of arte mayor were becoming the footing of verses. Main themes derive from Provençal poetry. This form of poetry was generally compilations of verses formed into books, also known as cancioneros. Main works include Cancionero de Baena , Cancionero de Estuniga , and Cancionero General . Other important works from this era include parts of Dance of Death , Dialogue Between Love and an Old Man , verses of Mingo Revulgo , and verses of the Baker Woman . [4]
The romanceros have no set number of octosyllables, but these poems are only parallel in this form. Romancero Viejo consists of the oldest poems in these epochs, which are anonymous. The largest amount of romances comes from the 16th century, although early works were from the 14th century. Many musicians of Spain used these poems in their pieces throughout the Renaissance. Cut offs, archaic speech, and recurrent dialogue are common characteristics among these poems; however the type and focus were diverse. Lyrical romances are also a sizeable part of this era. During the 17th century, they were recycled and renewed. Some authors still stayed consistent with the original format. By the 20th century, the tradition still continued. [5]
During the time when Spain was occupied by the Arabs after the early 8th century, the Iberian Peninsula was influenced by the Arabic language in both the central and southern regions. Latin still prevailed in the north. [6] The Jewish culture had its own Golden Age through the span of the 10th to 12th centuries in Spain. Hebrew poetry was usually in the style of Piyyut; however, under Muslim rule in Spain, the style changed. These poets began to write again in what was the "pure language of the Bible". Beforehand, poems were written in Midrash. This change was a result of the commitment the Arabs had to the Koran. Tempos and secular topics were now prevalent in Hebrew poetry. However, these poems were only reflections of events seen by the Jews and not of ones practiced themselves. [7]
This epoch includes the Renaissance of the 16th century and the Baroque of the 17th century. [8] During the Renaissance, poetry became partitioned into culteranismo and conceptismo, which essentially became rivals.
During the Baroque period, Satire, Neostoicism, and Mythological themes were also prevalent.
Germany and England were the large forces in this movement. Over the course of the late 18th century to the late 19th century, Romanticism spread philosophy and art through Western societies of the world. The earlier part of this movement overlapped with the Age of Revolutions. The idea of the creative imagination was rising above the idea of reason. Minute elements of nature, such as bugs and pebbles, were considered divine. There were many variations of the perception of nature in these works. Instead of allegory, this era moved towards myths and symbols. The power of human emotion emerged during this period. [10]
Spain went through drastic changes after the demise of Spain’s colonial empire. French and German inspiration along with Modernism greatly improved the culture of Spain with the works of the Generation of 1898, which were mostly novelists but some were poets. [11]
The Generation of 1927 were mostly poets. Many were also involved with the production of music and theatre plays.
Poets during the World War II and under General Franco in peacetime:
These works became experimental, using themes, styles and characteristics of traditional poetry throughout Spain’s time and combining them with current movements. Some poets remain more traditional, while others more contemporary.
Post-Franco and Contemporary Spanish Poets:
Miguel Hernández Gilabert was a 20th-century Spanish-language poet and playwright associated with the Generation of '27 and the Generation of '36 movements. Born and raised in a family of low resources, he was self-taught in what refers to literature, and struggled against an unfavourable environment to build up his intellectual education, such as a father who physically abused him for spending time with books instead of working, and who took him out of school as soon as he finished his primary education. At school, he became a friend of Ramón Sijé, a well-educated boy who lent and recommended books to Hernández, and whose death would inspire his most famous poem, Elegy.
Mexican literature is one of the most prolific and influential of Spanish-language literatures along with those of Spain and Argentina. Found among the names of its most important and internationally recognized literary figures are authors Octavio Paz, Alfonso Reyes, Carlos Fuentes, Sergio Pitol, José Emilio Pacheco, Rosario Castellanos, Fernando del Paso, Juan Rulfo, Amado Nervo, Sor Juana Inés de la Cruz, Ramón López Velarde, and Carlos de Sigüenza y Góngora, among others.
Spanish literature generally refers to literature written in the Spanish language within the territory that presently constitutes the Kingdom of Spain. Its development coincides and frequently intersects with that of other literary traditions from regions within the same territory, particularly Catalan literature, Galician intersects as well with Latin, Jewish, and Arabic literary traditions of the Iberian peninsula. The literature of Spanish America is an important branch of Spanish literature, with its own particular characteristics dating back to the earliest years of Spain’s conquest of the Americas.
Mester de juglaría is a Spanish literature genre from the 12th and 13th centuries, transmitted orally by "juglares" who made their living by reciting and singing these stories for the recreations of nobles, rulers, and the general public. These were people of humble origins, traveling comedians who also engaged in circus acts like juggling, tightrope walking, and acrobatics, or acted as clowns who told jokes or played simple instruments, or danced and sang versions of simple mime or puppet pieces, or, importantly, recited verses composed by other authors, called troubadours, either in public places, or in castles of feudal lords for whom they were housed; much of the time they also supported themselves by the visual arts.
Mester de Clerecía is a Spanish literature genre that can be understood as an opposition and surpassing of Mester de Juglaría. It was cultivated in the 13th century by Spanish learned poets, usually clerics.
The Generation of '27 was an influential group of poets that arose in Spanish literary circles between 1923 and 1927, essentially out of a shared desire to experience and work with avant-garde forms of art and poetry. Their first formal meeting took place in Seville in 1927 to mark the 300th anniversary of the death of the baroque poet Luis de Góngora. Writers and intellectuals paid homage at the Ateneo de Sevilla, which retrospectively became the foundational act of the movement.
Argentine literature, i.e. the set of literary works produced by writers who originated from Argentina, is one of the most prolific, relevant and influential in the whole Spanish speaking world, with renowned writers such as Jorge Luis Borges, Julio Cortázar, Leopoldo Lugones and Ernesto Sábato.
The Book of Good Love, considered to be one of the masterpieces of Spanish poetry, is a pseudo-biographical account of romantic adventures by Juan Ruiz, the Archpriest of Hita, the earliest version of which dates from 1330; the author completed it with revisions and expansions in 1343.
Juan Alfonso de Baena was a medieval Castilian poet and scribe in the court of Juan II of Castile. Baena, who was a converso, is best known for compiling and contributing to the Cancionero de Baena, an important medieval anthology composed between 1426 and 1465 containing the poems of over 55 Spanish poets who wrote during the reigns of Enrique II, Juan I, and Enrique III, and Juan II.
Manuel Altolaguirre was a Spanish poet, an editor, publisher, and printer of poetry, and a member of the Generation of '27.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Latino poetry is a branch of American poetry written by poets born or living in the United States who are of Latin American origin or descent and whose roots are tied to the Americas and their languages, cultures, and geography.
Cuban literature is the literature written in Cuba or outside the island by Cubans in Spanish language. It began to find its voice in the early 19th century. The major works published in Cuba during that time were of an abolitionist character. Notable writers of this genre include Gertrudis Gomez de Avellaneda and Cirilo Villaverde. Following the abolition of slavery in 1886, the focus of Cuban literature shifted. Dominant themes of independence and freedom were exemplified by José Martí, who led the modernista movement in Latin American literature. Writers such as the poet Nicolás Guillén focused on literature as social protest. Others, including Dulce María Loynaz, José Lezama Lima and Alejo Carpentier, dealt with more personal or universal issues. And a few more, such as Reinaldo Arenas and Guillermo Cabrera Infante, earned international recognition in the postrevolutionary era.
Spanish Baroque literature is the literature written in Spain during the Baroque, which occurred during the 17th century in which prose writers such as Baltasar Gracián and Francisco de Quevedo, playwrights such as Lope de Vega, Tirso de Molina, Calderón de la Barca and Juan Ruiz de Alarcón, or the poetic production of the aforementioned Francisco de Quevedo, Lope de Vega and Luis de Góngora reached their zenith. Spanish Baroque literature is a period of writing which begins approximately with the first works of Luis de Góngora and Lope de Vega, in the 1580s, and continues into the late 17th century.
Colombian literature, as an expression of the culture of Colombia, is heterogeneous due to the coexistence of Spanish, African and Native American heritages in an extremely diverse geography. Five distinct historical and cultural traditions can be identified, with their own socioeconomic history: the Caribbean coast, Greater Antioquia, the Cundinamarca-Boyacá Highlands, Greater Tolima and the Western Valley. Colombia produced one of the richest literatures of Latin America, as much for its abundance as for its variety and innovation during the 19th and 20th centuries. Colombian intellectuals who forged the literature of this period also contributed decisively to the consolidation of Latin American literature.
The Poema de Fernán González is a Castilian epic poem, specifically, a cantar de gesta of the Mester de Clerecía. Composed in a metre called the cuaderna vía, it narrates the deeds of the historical Count of Castile, Fernán González. It was written between 1250 and 1266 by a monk of San Pedro de Arlanza. In 1960 a fourteenth-century Arab roofing tile was discovered in Merindad de Sotoscueva north of Burgos that had some verses of the poem scrawled on it in Old Spanish. It is the oldest copy of the work.
Panamanian literature comprises the whole of literary works written in Panama. The first literature relating to Panama can be dated to 1535, with a modern literary movement appearing from the mid-19th century onwards
Aragonese literature of Spain includes Aragonese-language poetry, prose and novels.
Luis Rosales Camacho was a Spanish poet and essay writer member of the Generation of '36.
Medieval Spanish literature consists of the corpus of literary works written in Old Spanish between the beginning of the 13th and the end of the 15th century. Traditionally, the first and last works of this period are taken to be respectively the Cantar de mio Cid, an epic poem whose manuscript dates from 1207, and La Celestina (1499), a work commonly described as transitional between the Middle Ages and the Renaissance.
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